DOCSLIB.ORG

Central Florida Future, Vol. 24 No. 03, August 29, 1991

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Central Florida Future, Vol. 24 No. 03, August 29, 1991 University of Central Florida STARS Central Florida Future University Archives 8-29-1991 Central Florida Future, Vol. 24 No. 03, August 29, 1991 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 24 No. 03, August 29, 1991" (1991). Central Florida Future. 1079. https://stars.library.ucf.edu/centralfloridafuture/1079 CONFFETTI p. C1 OPINIONp. B FOOTBALL PREVIEW INSIDE Writer wants credit for Communists cannot Knights continue climb 'Justify My Love' lyrics even tell a simple lie to top of Division l·AA Future© Serving The University of Central Florida Since 19-68 Vol. 24, No. 3 THURSDAY August 29, 1991 20 Pages Fire sweeps·through student's apatbnent$. Fore,st Highlands blaze damages 4 apartments by Sandra Pedicini suffered light smoke damage. • STAFF REPORTER Tenants of the burned building are temporarily living in other loc~tions. Some UCF students who should have Bruce Layman and Bryan Wilson, whose been burning with anticipation of the apartmentthefirestartedin,havemoved new semester last week instead found permanently becaU:Se their lease expired. their apartments burning, wreaking It will be about two months before the havoc on their already hectic first days of apartments will be habitable again, said • classes.. Kathy MacDonald, who works in the Fire at ~orest Hjghlands Tuesday office.Although thecinderblockfounda- -afternoonleftfourapartmentsdamaged, tion withstood the fire fairly well, she • two seriously, Orange County Fire De- said, the roof of the building will have to partment officials said the incident may be replaced. have been caused by a cigarette. "I watched that roof burn all the way ''That's as close as we can come," said around the edges: It is sad, because • Lt. Robert Slover, wh.o investigated the some of them had just moved in," she incident. said. ''We could not eliminate the use of Jennifer Milay, 23, is one of the UCF smoking materials," said stqte fire studentswhoseliveshavebeendisrupted . marshall Charlie LaCorte. "It appears by the fire. to be a smoldering type of fire as opposed She was enjoying her last day before to an accelerated fire." classes when the fire occured. • The fire destroyed 50 percent of the · "I was watching TV at the time, just apartment where the fire started and 1 O watching 'Guiding Light,' and I·looked A fire at Forest Highlands Apartments erupted Tuesday afternoon and is to 15 percent of the apartment above it, Slover said. The other two apartments FIRE continued p·age 4 forcing students to temporarily live at other apartments. (Char.res K. MorrowrrcFF) :t;>eg8sus wm ·establish link between SG, students by Robert E. wa.rren J.r. ness of campus activities, a one third of the $27 ,000 budget printed. CENTRAL FLORIDA FUTURE spokesman said. earmarked for SG publicity. Pegasus' production schedule is flex­ "We want students to see it Pegasus does not have to ible, DiBona said. More issues, pages In the beginning there were words, as a vehicle to-get information rely on advertising dollars from · and copies could result from a greater two of them. Better communication. outtofellowstudentsandameans · area businesses because it is demand. SG will survey students to de­ A campaign goal of Jason· DiBona · of receiving information from underwritten by SG. termine readership. while .stumping for the student body their fellow students," said Chris "It was not set up to be Christine Bobrowski.and Marlin are co­ presidency was for better communica-. Marlin, SG public relations direc.tor. · revenue producing," Marlin said. But, editors. Tom Massi is graphics editor. The tion between Student Government and The 16-page magazine features a let­ he said, it Will accept ads that follow the SG cabinet serves as the board of directors. students. The student body pr~sident ter from DiBona, a calendar of campus magazine's informl:}tional theme. Ad Two. work study students have l;>een re­ will see that go~l realized Wednesday activities and upcoming events ofUCF's revenue will defer the cost of future quested to work on the publication. when the SG-funded informational clubs and organizations. The premiere editions. The free magazine will be distributed magazine, Pegasus, premieres. wi11 also include a letter from Interim The magazine will also appear in early at high-traffic are~s on the main and "If we can centralize activities ·and President Robert Bryan. October, November, February, March branch campuses and around the com­ events it will be easier for students to SG expects the cost of the six issues to and April. Publication will cease in De­ munity. DiBona's presidency ends in become involved," DiBona said. be $8,250. Funding comes from student' cember. and January, when most stu';' · May. Where will Pegasus be then? · The SG's executive branch founded activity fees via SG's campus advertis­ dents are not on campus. About 10,000 "I'd like to see it in the hands of as many Pegasus to increase students' aware- ing budget. The cost represents about to 12,000 copies of each edition will be . students as possible," he said. Business closings .conDn:ue to plague Presidential search shopping center adjacent to campus . by Tom Kopacz , A sign in the window of the A sign in the store's window • CENTRAL FLORIDA FUTURE former Bikewiser l~tion an­ said the restaurant was "closed nouncingits going out ofbusiness for remodeling." Three businesses in the Uni­ sale said, "Evetything goes." Ap­ SheldonBarrett, whomanages versity Shoppes center across parently so: the only items left the shopping center for Tampa­ from UCFhave closed or moved during the first week of August based CM Center Management, recently. were two bicycle frames. said that space will be filled by a The Bikewiser bicycle shop A.ccordingto employees at the · submarine sandwich shop. and the Nature's Table restau­ Dragon's Realm, Bikewiser Barrett said negotiations ranthave closed since the end of closed about a month ago. They continue for an anchor tenant the spring semester. said management company in the shopping center. tlltll&lllfll " The Athletic Department, a employees cleaned out the space The largest retail space in sports-oriented clothing store, during the week of Aug. 12. the shopping center has been ~ moved to the retail space in the A fourth business, Louie's empty for three years after the Collegiate Village Inn. Deli,closedseveralrnonthsago. fitness .center closed. -lfllt11111111i11,lll .. 2 Jhe Central Florida Future August 29, 1991 Where can you go to get an • Creative IBM Clone at Ro.ck Bott()m • . ? Prices. ·· Computer • Look Below ·· to ·See .!! Corporation • • System Features: ~ 1 MB RAM 43 MB Seagate IDE Hard Drive 1.44 MB (3.5") Floppy Drive ·1.2 MB (5.25") Floppy Drive Fujitsu 101 Key Enhanced Keyboard 5 Drive Desktop Case • 200 Watt Power UL Supply . 1 Parallel, 2 Serial and 1 Game Port • .· Clock/Calendar .' CTX Enhanced VGA - Tri-Sync~ Monitor • 14" (1024X768) Resolution .28mm Dot Pitch Microlabs VGA Solution Card • 16 Bit, 512k Video Ram Digital Research DOS 5.0 • SptrlalBack toSchoolPricel . I $1416.00 Iii . ·C,... 386sx-20 ·MHz • - Same Configuration as above, but with 2 Megs of Ram .. • $1~.oo • Panasonic KX-P.1124i 24-Pin Dot Matrix Printer ·• 11 Fonts- 3 draft, 7 letter quality and 1 SLQ Up to 300 cps in draft mode and 100 cp~ in letter quality mode. • . $324.00 • UCF - . The~ Software Bundle:* Retail Pri~: Price MicroSoft Windows 3.0 $149.00 • Spinnaker PFS Windows Works $1.99. 00 Symantec No-rton Utilities 6.0 $179. 00 • AMI Diagnostics 3.15 $ 89.0Q AMI Cache 1.0 AMI Software Emulated Expanded Memory Sys. 1.O ·Z-nix 2-Button Serial Mouse $ 49. 00 * TlieSoftwareBundleisanoption·available $734.00 $·143.00 with the purchase of a Computer System. • . ( The New • UCF Computer Store • Located in the Portable next to the Biology building. • Open 8:30-5:00 Monday thru Thursday, and 8:30-4:00 on Friday or call 823-5643. • • · The Central Florida Future August :~g; · 1991. ~- 3 • Experience police work:___ ..... eyes ofofficer Student follows Manatee County deputy around on a typical patrol through small town Florida • by Josiah Baker ·he handles accidents and tickets. However that night, that ability to choose to drink or n ot," he said. CENTRAL FLORIDA FUTURE he was on patrol duty. Patrol duty is described as being Being a police officer requires a little more than just • the very root of law enforcement. Patrol cars are the the ability to cuff someone, stuffthem into the back seat Police officers are sometimes regarded as lifesavers watchdogs of the neighborhood areas. Imes described or simply write out a ticket. Police officers are called in and life wreckers, depending on which point ofview you police work as a mix of very boring and very strenuous to answer just about anything. have. work. He said some nights there would be nothing The first call of the night, for example, dealt with a No one really likes getting tickets for parking or fight between a 10-year-old boy and a 6-year-old boy. speeding and nobody really wants to see the blue For 45 minutes we had to listen to a pair of angry flashing lights behind them on a Saturday night. It is rather peculiar because the parents demanding justice.
Load more

Recommended publications
  • Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
    LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.
    [Show full text]
  • Prince Talks and with the Release of 'Graffiti Bridge,' the Soundtrack to His Forthcoming Movie Musical, the Critics Are Listening
    Prince Talks And with the release of 'Graffiti Bridge,' the soundtrack to his forthcoming movie musical, the critics are listening. But don't even try to take notes. Prince performing at Wembley, London, August 22nd, 1990. Graham Wiltshire/Hulton Archive/Getty By Neal Karlen October 18, 1990 The phone rings at 4:48 in the morning. "Hi, it's Prince," says the wide-awake voice calling from a room several yards down the hallway of this London hotel. "Did I wake you up?" Though it's assumed that Prince does in fact sleep, no one on his summer European Nude Tour can pinpoint precisely when. Prince seems to relish the aura of night stalker; his vampire hours have been a part of his mad-genius myth ever since he was waging junior-high-school band battles on Minneapolis's mostly black North Side. "Anyone who was around back then knew what was happening," Prince had said two days earlier, reminiscing. "I was working. When they were sleeping, I was jamming. When they woke up, I had another groove. I'm as insane that way now as I was back then." For proof, he'd produced a crinkled dime-store notebook that he carries with him like Linus's blanket. Empty when his tour started in May, the book is nearly full, with twenty-one new songs scripted in perfect grammar-school penmanship. He has also been laboring on the road over his movie musical Graffiti Bridge, which was supposed to be out this past summer and is now set for release in November.
    [Show full text]
  • Psaudio Copper
    Issue 109 APRIL 20TH, 2020 This issue’s cover: Judy Garland (1922 – 1969). One of the most iconic actresses, recording artists and performers of all time. Though haunted by personal struggles, she attained greatness that few ever achieved. Somewhere over the rainbow, skies are blue. Like everyone else, we at Copper have been impacted by the coronavirus, whether by disruption in our work and home lives to financial impact, stress, anxiety and writer’s block. And yes, one of us contracted the virus – thankfully, he’s doing OK. So, over the next few issues you might see some changes – temporary absence of some writers, a different balance of articles and other differences from the usual. We trust you’ll understand, and we look forward to when these pages, and our lives, reach a new equilibrium. It is with great sadness that we note the passing of Stereophile deputy editor Art Dudley. He was one of the finest men ever to grace the audio industry. My tribute to him is in these pages. Also in this issue: Rich Isaacs begins a series on Italian progressive rock with a look at the great PFM (Premiata Forneria Marconi). Ken Sander takes us on a wild rock and roll ride with Eric Burdon and War. Professor Larry Schenbeck continues his series on immersive sound. WL Woodward gets jazzed about bass. John Seetoo concludes his series on legendary Yellow Magic Orchestra/film composer/techno-pop pioneer Ryuichi Sakamoto. In a special report we ask audio companies how they’re responding to the COVID-19 crisis.
    [Show full text]
  • Catálogo De La Obra Del Artista Ryuichi Sakamoto
    CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO ANDRÉS ARMANDO ROJAS GALEANO UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS FACULTAD DE ARTES ASAB PROYECTO CURRICULAR DE ARTES MUSICALES CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO Andrés Armando Rojas Galeano Código: 20112098059 Énfasis en composición y arreglos Modalidad de Monografía Tutor: María del Pilar Agudelo Valencia CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO Bogotá, Abril 22 de 2016 3 Resumen: Este trabajo es un catálogo de la producción musical del artista japonés Ryuichi Sakamoto, basado en las normas internacionales de catalogación IASA (International Association of Sound and Audiovisual Archives). Para esto se realizó el ejercicio de escuchar toda su producción musical disponible en Internet, logrando clasificar 62 álbumes y 693 piezas musicales dentro de tres categorías diferentes que dividen la discografía y producción artística de Sakamoto. Además, se indagó en la producción extra musical del compositor, participando en actividades tan diversas como las artes visuales o el activismo por el medio ambiente. El texto está organizado en dos capítulos. El primero, que contiene la información biográfica sobre el artista, explica el ¿Por qué realizar un catálogo de Ryuichi Sakamoto? e incluye otros proyectos en los que el artista ha trabajo. El segundo capítulo describe el proceso de realización del catálogo, luego muestra una parte del mismo y finalmente se hacen observaciones que el catálogo arrojó. El objetivo principal de esta tesis es dar a conocer el trabajo musical de Ryuichi Sakamoto y dejar un soporte de su producción artística dentro del contexto académico en Colombia. Abstract: This work is a catalogue of the musical production by the Japanese artist Ryuichi Sakamoto, based on the International Association of Sound and Audiovisual Archives (IASA) cataloguing rules.
    [Show full text]
  • Read Black Magnolias Special Issue on Prince
    Black Magnolias March-May, 2020 Vol. 8, No. 3 (Special Prince Issue) 1 Black Magnolias ISSN 2155-1391 Copyright 2020 Black Magnolias Black Magnolias is published quarterly by Psychedelic Literature. Subscription Rates: single issue $12.00, annual subscription $40.00. Outside the U.S. add $7.00 postage for single issue and $28.00 postage for annual subscription. All payment in U.S. dollars drawn on an U.S. bank or by International Money Order, made to Psychedelic Literature. Individual issues/copies and annual subscription orders can be purchased at www.psychedelicliterature.com/blackmagnolias.html. Postmaster: Send address changes to Black Magnolias, c/o Psychedelic Literature, 203 Lynn Lane, Clinton, MS 39056. Address all correspondence regarding editorial matters, queries, subscriptions, and advertising to [email protected], or Black Magnolias, 203 Lynn Lane, Clinton, MS 39056, or (601) 383-0024. All submissions must be sent via e-mail as a word attachment. All submissions must include a 50 - 100 word biographical note including hometown and any academic, artistic, and professional information the writer desires to share, along with the writer’s postal mailing address, e-mail address, and phone number. All rights reserved. Rights for individual selections revert to authors upon publication. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publishers. Founding Publishers Monica Taylor-McInnis C. Liegh McInnis C. Liegh McInnis, Editor Cover Art Black Magnolias XXX, 2020 Monica Taylor-McInnis Note: Cover art was originally designed by Monica Taylor-McInnis for Africology Journal, and we decided to keep it once we moved the special issue to Black Magnolias.
    [Show full text]
  • Emmet Tm“ (Specml Amara“)
    6/13/2016 3:35 PM Scanned by Carver County Court Administration A A Rodney H. Dixon 29635 Troon Court Murrieta, California 92563 (805) 768-4474 Pro Per STATE OF MINNESOTA, COUNTY OF CARVER CARVER COUNTY DISTRICT COURT F'LED JUN 1 3 2016 COUNTY 10 CAM CM“ ll 12 IO-PR-16—46 13 Case NO. Rodney Herachio Dixon 14 Petitioner 15 THIRD DECLARATION IN SUPPORT OF Vs. PETITION FOR ALLOWANCE OF CLAIMS 16 . 0F RODNEY H. DIXON Emmet Tm“ (Specml Amara“) 17 MOTION FOR BREMER TRUST TO SHOW The Estate of prince Rogers Nelson CAUSE FOR ITS PURPORTED DEFENSES 18 Paisley Park Estate, et a1 19 Does 1 — 99 20 Respondent(s) 21 22 23 24 25 26 27 RECEIVED 28 JUN 1 0 28??? COUHTADMINISTRAW 1 THIRD DECLARATION OF RODNEY H. DIXON 6/13/2016 3:35 PM Scanned by Carver County Court Administration A A THIRD DECLARATION IN SUPPORT OF PETITION FOR ALLOWANCE OF CLAIMS OF RODNEY H. DIXON AND MOTION FOR BREMER TRUST TO SHOW CAUSE FOR PUPORTED DEF ENSES This Third Declaration of Rodney H. Dixon is in support of a Petition for Allowance of Claims of Rodney H. Dixon and Motion for Bremer Trust to Show Cause for Purported Defenses in the Carver County District Court in regard to the claims for the ownership of intellectual properties alleged to be owned by Prince Rogers Nelson at his time of death, and the amount of 10 ll $1 billion as a result of an implied-in—fact—agreement. This Third Declaration is included in l2 conjunction with the Rodney H.
    [Show full text]
  • David Sylvian David Sylvian
    Sylwetki ego przygoda z muzyką zaczęła się zjawisk muzycznych tamtych czasów. Siłę przebojów. Działo się to, mimo że ich mu- w pierwszej połowie lat 70. XX wie- Japan stanowiły nie tylko oryginalny ima- zyka, jak na rozrywkową, była wyjątkowo ku. Już z początkiem następnej de- ge, kompozycje i teksty, ale przede wszyst- ambitna. kady kariera założonego przez niego ze- kim konkretny skład. Właściwie każdy Jak głosi branżowa legenda, promoto- społu Japan rozkwitła w najlepsze. Jednak z członków brytyjskiego zespołu działał rzy chcieli pójść o krok dalej i europejską w pewnej chwili tytułowy bohater uznał, później w istotnych projektach lub sam gwiazdę stuningować na zespół świato- że… to wszystko bez sensu. Świadoma stanowił jasny punkt na mapie muzyczne- wego formatu. Sylviana jednak nie intere- i szczera rezygnacja z oczywistego splen- go świata. Wystarczy wspomnieć Richar- sowała komercja; szykował się już do ka- doru na rzecz poszukiwania własnej drogi da Barbieriego czy Ryuchiego Sakamoto. riery solowej. Awaryjnie stworzono więc to rzadkość. Zwykle takie „wyrzeczenie” Ten pierwszy współtworzył Porcupine sztuczny band, będący w pewnym sensie jest wynikiem spadku zainteresowania ze Tree. Drugiego wsławiły ścieżki dźwięko- kopią Japan. Tym zespołem był Duran strony publiczności. David Sylvian od- we ważnych dzieł filmowych („Ostatni ce- Duran, który później wprawdzie błysnął ważnie zszedł ze ścieżki wielkiej kariery sarz”, „Wichrowe wzgórza”, „Mały Budda”), prawdziwym talentem, jednak korzenie na rzecz wielkiej sztuki i zrobił to w bar- produkcje solowe czy wreszcie współpraca ma podobno mocno castingowe. Słynny dzo gorącym momencie. z Madonną przy płycie „Erotica”. menadżer Simon Napier-Bell (współpraca To właśnie Japan, obok Visage, Ultravox m.in. z The Yardbirds, Wham!, Boney M Nowa Romantyczność i Human League, kładło podwaliny pod i Markiem Bolanem) potwierdza plotkę Zanim do tego doszło, przez kilka lat nurt New Romantic, a na początku lat 80.
    [Show full text]
  • David Sylvian’S Religion: an Interview and Interpretation1
    [From www.spikemagazine.com/1104davidsylvian.php] DAVID SYLVIAN’S RELIGION: AN INTERVIEW AND INTERPRETATION1 Darren J. N. Middleton I can offer nothing / This nothing’s everlasting / I could be Shiva lying / Beneath ferocious darkness / My heart’s devoured / Cover me with flowers. David Sylvian, Cover Me With Flowers I: Adventures of the Spirit Born in England in 1958, David Sylvian first hit the British music scene in the late 1970s with Japan, one of several bands that defined the so-called New Romantic cultural period. He later scored a UK Top 5 hit with ‘Ghosts’, before turning solo in 1982. The last twenty years has seen him collaborate with music’s great and good – Ryuichi Sakamoto (Yellow Magic Orchestra), Holger Czukay (Can), and Robert Fripp (King Crimson) – but, to many, his own work represents his best efforts, and repays the closest attention. In the words of Martin Power, his unofficial biographer, Sylvian has crafted “some of the most touching ballads of the pop era, ballads that bring something out in the listener; at worst, sorrow, at best joy”.2 Far from cloyingly sentimental, Sylvian’s songs reflect a deep and abiding sense of the sacred eternally renewed in the common. And they have earned for him a reputation as an artist whose work displays rich religious resonance. Albums such as Brilliant Trees (1984), Gone to Earth (1986), Secrets of the Beehive (1987), Dead Bees on a Cake (1999) and, more recently, Blemish (2003), have cemented this reputation.3 1 Sylvian crafts music around his most religiously existential thoughts and feelings.
    [Show full text]
  • Theology of Prince
    THEOLOGY OF PRINCE CREDITS: United Theological Seminary of the Twin Cities (in alphabetical order) Theology of Prince Panel from United Theological Seminary of the Twin Cities at Prince from MPLS, A Symposium at the University of Minnesota, April 18, 2018 Kyle Roberts: Vice President for Academic Affairs and Dean pril 18, 2018 Lewis P. Zeidner, Ph.D.: President Max Brumberg-Kraus, Winning Poet, MA Student: read his winning poem, “Ours to Give,” and Thomas G. Wilson’s Winning Open Submissions poem, “The Ladder.” Theology of Prince Committee Vernell Garnett (not present), Winning Visual Open Submissions Artist: Prince Roger Nelson’s Parade, Oil Pastel, Acrylic and Collage on Water Color Paper. Max Brumberg-Kraus: Digital Content Specialist and an MA student in Theology and the Arts Cindi Beth Johnson, Director of The Intersection, Wilson Yates Center for Theology and the Arts: Cindi Beth Johnson: Director of The Intersection, Wilson Yates Center for Theology and the Arts commentary and read part of the Winning Academic Paper, “Prince’s Spiritual Terroir.” Katie Langston: Former Director of Marketing and Community Relations Zada Johnson, Winning Open Submissions Essay Author, Associate Professor of Inner City Studies and Kate Norlander: Director of Marketing and Community Relations Anthropology at Northeastern Illinois University: read from her winning essay, “Prince, the Beautiful Chelsea K. Stanton: Program Associate for the Kaleo Center for Faith, Justice & Social Oshun: The Purple One as Embodiment of the River Goddess of Love.” Transformation Program Associate for The Intersection: Wilson Yates Center for Theology and the Arts, Amọké Kubat, Winning Essay Author, United Seminary Alum: read from her winning essay, and Alum “The Ascension of Prince.” Sharon Tan: Former Academic Dean Lisa Myers, Winning Visual Artist, Master of Divinity Student with concentration in the Arts: discussed Jann Cather Weaver, Copyeditor: Professor Emerita of Worship, and Theology and the Arts her winning photograph, All Excited.
    [Show full text]
  • ••4. • •. . WINNERS NE W Relgases •
    February 17, 1992 Volume 6 Issue 279 • • LOIe• • •• à •• • I. •••• " 0 • 04•4 .• • 0 . • •4. • .à.• . • • % ..b 0.•" .. WINNERS HITSBOUND I I. 6 • • • • se0 EARPICKS • BREAKOUTS. •WILDCARD Rep CELINE/Pe 4IP MIF• ROXETTE EMI/ffRG• SIR MIX... D Amilelep • CE CE PENISTON KLF Ant OZZY OSBO • • A&M eie er•c • 00„ TROCCOLI Reun/Gef H AI Eft CES= 11‘SRTLOINCeA8..M. e • l/Gt TleJCO rjefe • Seè Page'14 STACY EARL RCA CE CE SITO THE STORM Inter • CÇ CE PEHISTOP2 A&Ivi •" • • • • • • • • • • NE W RELgAsES ▪ • ▪ • • • LUKA BLOOM M VONSOUARE K. LQGGJNS SCHOOL OF F. y. 0..T. BqEHIVE I Need Love It You Could See... Real Thing 3 Strange Days Perfect Place Rep 189E9 ill • At) 4-87564 Col 381.74188 • Cap 44738 . .LoniRLG 534 • • il e MidEoNveGr HeelHOSTs L. STANSFIELD • elrl All Woman v 4-87528 S Bros 75310-2 Ansta 2398 • . • w • • eDg" . • • February 17, 1992 Volume 6 Issue 279 $6.00 DENNIS LAVINTHAL Publisher Saving The Best LENNY BEER SIN GLES Editor In Chief Everyone likes Shanice Wilson's smile, but Mr. Big 8 TONI PROFERA and Michael Jackson hope to have her frowning Executive Editor shortly. DAVID ADELSON Vice President/Managing Editor MIKE MURPHY DIAL O G UE Senior Broadcast Editor Our loathsome gang of broadcast bozos stop down- ROY TRAKIN 40 Senior Editor ing shots at the St. Francis bar and looking for gain- ANITA WEBB ful employment long enough to conduct this radio Operations Manager roundtable about the growing influence of Post KAREN GLAUBER Modern at Top 40. Cheers! Post Modern Editor GRAHAM ARMSTRONG Jams Editor POST M O DE R N Vanessa Williams is a multi- LONN FRIEND Ever notice how close Nirvana is to Ivana? Neither 51 Metal Editor media superstar in the making, did we until the Ritalin kicked in.
    [Show full text]
  • David Sylvian / Ryuichi Sakamoto Heartbeat Mp3, Flac, Wma
    David Sylvian / Ryuichi Sakamoto Heartbeat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Heartbeat Country: UK Released: 1992 Style: Art Rock, Ambient MP3 version RAR size: 1610 mb FLAC version RAR size: 1700 mb WMA version RAR size: 1769 mb Rating: 4.3 Votes: 679 Other Formats: MP3 APE AU MP4 AA DTS AAC Tracklist Hide Credits –David Sylvian / Ryuichi Heartbeat (Tainai Kaiki II - Returning To The Womb) A Sakamoto* Featuring Ingrid Composed By – Arto LindsayComposed By, Lyrics By – David Chavez Sylvian, Ryuichi SakamotoVocals – Ingrid Chavez Nuages B –Ryuichi Sakamoto Arranged By, Mixed By – Ryuichi SakamotoMixed By – Patrick DillettWritten-By – Traditional Companies, etc. Phonographic Copyright (p) – Virgin Records America, Inc. Copyright (c) – Virgin Records America, Inc. Notes Special Radio edit. Promo only. Side One ℗ 1992 Virgin Records America Inc. © 1992 Virgin Records America Inc. Opium (Arts) Ltd./Kab Inc. (Japan) Admin. by Virgin Music (Publ.) Ltd. Side Two ℗ 1992 Virgin Records America Inc. © 1991 Virgin Records America Inc. Arrangement Published by Kab Inc. (Japan) Admin. by Virgin Music (Publ.) Ltd. The copyright in this recording is owned by Virgin Records America Inc. Ingrid Chavez appears courtesy of Wraner Bros. Records Inc. Paisley Park 7" UK promo silver pressed labels. Barcode and Other Identifiers Matrix / Runout (Side A, Variant 1): VUSDJ 57 A-01-01-01 Matrix / Runout (Side B, Variant 1): VUSDJ 57 B-01-01-01 Matrix / Runout (Side A, Stamped, Variant 2): VUSDJ 57 A-01-01-Q1 Matrix / Runout
    [Show full text]