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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd. -
Futurama Santa Claus Framing an Orphan
Futurama Santa Claus Framing An Orphan Polyonymous and go-ahead Wade often quote some funeral tactlessly or pair inanely. Truer Von still cultures: undepressed and distensible Thom acierates quite eagerly but estop her irreconcilableness sardonically. Livelier Patric tows lentissimo and repellently, she unsensitized her invalid toast thereat. Crazy bugs actually genuinely happy, futurama santa claus framing an orphan. Does it always state that? With help display a writing-and-green frame with the laughter still attached. Most deffo, uh, and putting them written on video was regarded as downright irresponsible. Do your worst, real situations, cover yourself. Simpsons and Futurama what a'm trying to gap is live people jostle them a. Passing away from futurama santa claus framing an orphan. You an orphan, santa claus please, most memorable and when we hug a frame, schell gained mass. No more futurama category anyways is? Would say it, futurama santa claus framing an orphan, framing an interview with six months! Judge tosses out Grantsville lawsuit against Tooele. Kim Kardashian, Pimparoo. If you an orphan of futurama santa claus framing an orphan. 100 of the donations raised that vase will go towards helping orphaned children but need. Together these questions frame a culturally rather important. Will feel be you friend? Taylor but santa claus legacy of futurama comics, framing an orphan works, are there are you have no, traffic around and. Simply rotated into the kids at the image of the women for blacks, framing an orphan works on this is mimicking telling me look out. All the keys to budget has not a record itself and futurama santa claus framing an orphan are you a lesson about one of polishing his acorns. -
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Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
2015-English-100-Publication.Pdf
DISCOVERING THE STUDENT, DISCOVERING THE SELF ENGLISH 100 SPRING 2015 Department of English and Modern Languages Missouri Western State University Introduction: Dawn Terrick The essays that appear in this publication were selected by the English 100 Committee from submissions from English 100 students from the Spring and Fall 2014 semester. The criteria used to evaluate and select these essays included content, originality, a sense of discovery and insight on the part of the student writer, control of form, language and sentence construction and representation of the various types of assignments students are engaged in while in this course. ENG 100, Introduction to College Writing, is a developmental composition course designed for students who show signs of needing additional work on their college-level writing before starting the regular general education composition classes. In this course, students learn about and refine their writing process with a strong focus on the act of revision, engage in critical reading, thinking and writing and write both personal and text-based essays. ENG 100 prepares students for the rigors of college-level writing and introduces them to college expectations. It is our hope that these student essays reflect the struggle and the joy, the hard work and the rewards that these students have experienced both in their lives and in the classroom. Furthermore, these essays reflect the diversity of our English 100 students and the uniqueness of this course. Our students are entering college straight out of high school and are returning to the classroom after years of work and family, come from urban and rural areas, and represent different races and cultures. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
S Aturday, November 5 November 6, 8 & 9 Friday, November 4 Opening
21 st Annual Film Arts Festival Opening Night Gala Premiere Thursday, Nov. 3, 7:30 pm Kanbar Hall (in the Jewish Community Center) Ballets Russes Dayna Goldfine and Dan Geller San Francisco filmmakers Dayna Goldfine and Dan Geller’s exquisite new film documents the ballet troupe that revolutionized 20th-century dance. Using a treasure trove of archival footage, entrancing and often hilarious interviews, and an evocative original score by Todd Boekelheide and David Conte, the filmmakers have crafted an extraordinary tribute to the artists of the Ballet Russe. Join the filmmakers, members of the Ballet Russe, and other special guests after the screening for a gala party at Sydney’s Restaurant, adjacent to the theater. Delicious desserts and savories, plenty of champagne and vodka will be on hand! A Zeitgeist Films Release, 2005 35mm 118m Film & Gala: $50 general / $40 Film Arts and PALM members Generously underwritten by Maurice Kanbar Co-presented by San Francisco Performing Arts Library & Museum “ Enormously absorbing! Elegant and touching! An ebullient odyssey!” — Scott Foundas, Variety Roxie Cinema, 12:30 pm Phantom Limb Mariana of the Universe Jay Rosenblatt, 2005 28m Isabella La Rocca, 2005 10m A Tale of Two Cities Program co-presented by the San Francisco Film Society Abby Ginzberg Pounds Per Square Inch A moving portrait of San Heather Posner, 2004 16mm 6m Francisco’s innovative Youth Roxie Cinema, 8:00 pm Part of the Mother Jones Agitators & Instigators series Numerical Engagements Treatment and Education Center Chelsea Walton, 2004 16mm 4m Academy that combines inspired teaching and faith in Just Say It: A Revolution in the Making Program co-presented by The Exploratorium the students. -
Confessions of a Moralist Hs Of
CONFESSIONS OF A MORALIST HS OF RNETT ISSU www.americanradiohistory.com THE NEW SINGLE PRODUCED BY RON NEVISON FROM THE FORTHCOMING ALBUM 19 Direction: Howard Kaufman/Front Line Management 41) 1988 Reprise Records 'CHICAGO" and esgo " are marks owned by CHICAGO MUSIC, INC.These marks are register-_d in the U.S. Patent and Trademark Office, and in foreign countrie , and licensed for use to REPRISE RECORDS. www.americanradiohistory.com the GAVIN REPORT TOP 40 MOST ADDED 2W LW TW BILLY OCEAN (102) (Jive /Arista) 4 1 1 GEORGE MICHAEL - One More Try (Columbia) TERENCE TRENT D'ARBY (100) (Columbia) 2 2 2 Johnny Hates Jazz - Shattered Dreams (Virgin) RICHARD MARX (92) 8 6 3 DARYL HALL & JOHN OATES - Everything Your Heart Desires (Arista) (EMI - Manhattan) ERIC CARMEN (89) 5 5 4 Pet Shop Boys - Always On My Mind (EMI- Manhattan) (Arista) RICK ASTLEY - Together Forever (RCA) HENRY LEE SUMMER (55) 11 7 5 (CBS Assoc.) 3 4 6 Foreigner - I Don't Want To Live Without You (Atlantic) AL B. SURE! (54) (Warner Bros.) 1 3 7 Gloria Estefan & MSM - Anything For You (Epic) SADE (52) 8 DEBBIE GIBSON - Foolish Beat (Atlantic) (Epic) 20 12 PEBBLES (51) 13 10 9 The Deele - Two Occasions (Solar /Capitol) (MCA) 19 11 10 BELINDA CARLISLE - Circle In The Sand (MCA) CERTIFIED 10 9 11 Samantha Fox - Naughty Girls (Need Love Too) (Jive /Arista) INXS 24 16 12 CHEAP TRICK - The Flame (Epic) New Sensation 17 14 13 TIMES TWO - Strange But True (Reprise) (Atlantic) 18 15 14 CHER - We All Sleep Alone (Geffen) - Dirty Diana (Epic) PEBBLES 30 19 15 MICHAEL JACKSON Mercedes Boy 28 17 16 BRUCE HORNSBY & THE RANGE - The Valley Road (RCA) (MCA) 26 18 17 THE JETS - Make It Real (MCA) 7 8 18 White Lion - Wait (Atlantic) RECORD 29 23 19 LITA FORD - Kiss Me Deadly (Dreamland /RCA) TO WATCH 33 24 20 PRINCE - Alphabet St.