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L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
National Museum of American Jewish History, Leonard Bernstein
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at https://www.neh.gov/grants/public/public-humanities- projects for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Leonard Bernstein: The Power of Music Institution: National Museum of American Jewish History Project Director: Ivy Weingram Grant Program: America's Historical and Cultural Organizations: Planning Grants 1100 Pennsylvania Ave., N.W., Rm. 426, Washington, D.C. 20506 P 202.606.8269 F 202.606.8557 E [email protected] www.neh.gov THE NATURE OF THE REQUEST The National Museum of American Jewish History (NMAJH) respectfully requests a planning grant of $50,000 from the National Endowment for the Humanities to support the development of the special exhibition Leonard Bernstein: The Power of Music (working title), opening in March 2018 to celebrate the centennial year of Bernstein’s birth. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
The Sino-Soviet Dispute in Africa, 1974-1978
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 The Sino-Soviet dispute in Africa, 1974-1978 Charles andrew Waters College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African History Commons, Asian History Commons, Eastern European Studies Commons, and the International Relations Commons Recommended Citation Waters, Charles andrew, "The Sino-Soviet dispute in Africa, 1974-1978" (1982). Dissertations, Theses, and Masters Projects. Paper 1539625185. https://dx.doi.org/doi:10.21220/s2-v8qt-2m95 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE SINO — SOVIET DISPUTE IN AFRICA 1974-1978 A Thesis Presented to the Faculty of the Department of Government The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Charles Andrew Waters December 1982 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Ct*JL A . Charles Andrew Waters Approved3 December 1982 Alan Ward* Ph Roger Smith3 Ph. D. ■'SS JohrrPeterson3 Ph.D. Chairman o f Committee TABLE OF CONTENTS INTRODUCTION ................... ........... 2 Chapter I. CHINESE AND SOVIET INVOLVEMENT IN AFRICA: THE SETTING.... 6 II. THE SINO-SOVIET RIVALRY IN SUB-SAHARAN AFRICA, 1974-78 . 20 III. INFLUENCE AND THE PROBLEM OF MEASUREMENT . -
The Contributions of Leonard Bernstein and Frederick Fennell to the World of Music
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music Ryan James Dore University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Dore, Ryan James, "The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music" (2014). Open Access Theses & Dissertations. 1611. https://digitalcommons.utep.edu/open_etd/1611 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC RYAN JAMES DORE Department of Music APPROVED: Ron Hufstader, Ph.D., Chair Lorenzo Candelaria, Ph.D. Kim Bauer, MFA. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Ryan Dore 2014 Dedication To my parents without whom my schooling and higher education would not be possible. To my fiancé Anna, for surviving 2 years of long distance. To all of my previous band directors, your influence inspired me to become a music educator. To God, you have guided my steps and continue to direct my life. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC by RYAN JAMES DORE, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO May 2014 Acknowledgements I would like to acknowledge my advisor Dr. -
JO1997-V30-N07.Pdf
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G• BIF Eve111s at Annual Conference June 22-29, 1995
GLBlf marc11as In die Cb~ P11de Dar Parade, DETAILS AT CO•FERENCE G• BIF Eve111s at Annual Conference June 22-29, 1995 M&1alluslllp Meellag(ELECTIOEI) 9:30-11:30 am, &vd• Grand-Ballroom 2 Pi•conferaace: Reaching Inside - Rwlllng Book Awards Commlllee(CLOSED MTG.) OUT: Suppoidng Growth la llbra1tas & SoclelJ 2-4 pm, llJ•Df Columbm-A (PRE-PAID REG OaY) 9a••• 5 pm, Palmer House Read-A-Load 4:30-5:30 pm, Palnur llo1•e, Monroe Ballroom Aull10r Reception 5-8 pm, G......._llalt GaJ and l•blaa P1"0gram Plannlng Committee l.lbrarr and Arclahres, 3352 ._ Paa u a-10 p111f Pah1ur Home Steeltng Colllllllltae 11-10 ,,..., Palmer 11o.. Program Plannlng Committee 9:30-11 am, Hllton Conference SC Booll Awards Commlaea (CLOSm MIG.) 2-4 pm, Palmer Home PROGRAM: Importance of Gar and leslllan L111....,a1sto..,, sponsored bJ Ille........, lllSlorr Roumd Tallie, 2-4 pm, TBA 25111 Annlveasary Gala Dlaw (PRE-PAID O•LYJ 7-9:30 pm, later-Cont111&11•al, Balrooun of lbe Amettcas GLBlf BookAwa1ds Pa•entalloa 9:30-10:30 11m, lnter-Condneatal, BaDroom of the Americas Wendy Thomas, Female Co-Chair Well, I guess this is the home stretch! When you read this, it will Leon Bey, Male Co-Chair be a few weeks before ALA 's Annual Conference in Chicago and the GLBTF's 25th Anniversary. This issue contains the full sched By the time you receive this Newsletter (and let's hope it is before ule of our events and meetings, including several special celebra June 19 - the deadline for purchasing tickets to GLBTF's 25th tions to commemorate the establishment of the task force, the frrst Anniversary Dinner Gala Dinner), all the planning will be in place g/l/b professional organization in the U.S. -
Gil Shaham, Violin Eri Kang, Piano
VIRGINIA G. PIPER CLASSICAL CONCERT SERIES PRESENTS GIL SHAHAM, VIOLIN ERI KANG, PIANO Scottsdale Center for the Performing Arts Virginia G. Piper Theater Title Sponsor Virginia G. Piper Charitable Trust Presenting Sponsor The Dayton Fowler Grafman Endowment for Classical Music ScottsdaleArts.org | 480-499-TKTS 1 Virginia G. Piper Classical Concert Series Presents GIL SHAHAM, VIOLIN ERI KANG, PIANO Saturday, March 20, 2021 8:00 p.m. Scottsdale Center for the Performing Arts Virginia G. Piper Theater Title Sponsor Virginia G. Piper Charitable Trust Presenting Sponsor The Dayton Fowler Grafman Endowment for Classical Music 2 ScottsdaleArts.org | 480-499-TKTS PROGRAM Praeludium and Allegro Fritz Kreisler (1875-1962) Fratres Arvo Pärt (b. 1935) “Meditation” from Souvenir d’un Lieu Cher Pytor Ilyich Tchaikovsky (1840-1893) Isolation Rag Scott Wheeler (b. 1952) Violin Etude: Anger Management Max Raimi (b. 1956) When the Violin Reena Esmail (b. 1983) Sonata in A Major César Franck Allegretto ben moderato (1822-1890) Allegro molto Recitativo-Fantasia: Ben moderato Allegretto poco mosso ScottsdaleArts.org | 480-499-TKTS 3 ABOUT GIL SHAHAM ERI KANG Violinist Pianist Gil Shaham is one of the foremost violinists of our time; his flawless technique Pianist Eri Kang’s tone beauty and compelling musicality has been hailed combined with his inimitable warmth and generosity of spirit has solidified by audiences throughout the world. As a Japanese-born Korean American his renown as an American master. The Grammy® award-winner, also named pianist, soloist, collaborative pianist, and chamber musician, she has Musical America’s Instrumentalist of the Year, is sought after throughout the appeared frequently at the major concert halls in New York City, such as world for concerto appearances with leading orchestras and conductors, and Stern Auditorium/Weill Recital Hall at Carnegie Hall and Alice Tully Hall in he regularly gives recitals and appears with ensembles on the world’s great Lincoln Center, among others. -
Download Slides
From here To here BIBLICAL SURVEY: Old Testament The Earlyyy Monarchy Archaeology Issues - Part Two Biblical-Literacy.com © Copyright 2011 by Mark Lanier. Permission hereby granted to reprint this document in its entirety without change, with reference given, and not for financial profit. Dr. Weston Fields – Dead Sea Scrolls Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Registration Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Registration Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Registration Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Registration Dr. Weston Fields – Dead Sea Scrolls Capacity 300 Registration Happy Caterer Many people hold a fascination… for all things ancient Many people hold a fascination… for all things ancient Many people hold a fascination… for all things ancient Early Monarchy Archaeology (part 2) Early Monarchy Archaeology (part 2) Early Monarchy Archaeology (part 2) Early Monarchy Archaeology (part 2) Eilat Mazar Eilat Mazar Israel Finkelstein City of Two Gates House of David City of Two Gates House of David Palace of David City of Two Gates House of David Palace of David City of Two Gates Solomon’s Mines Fortified Cities House of David Palace of David City of Two Gates Solomon’s Mines Fortified Cities House of David Palace of David City of Two Gates Solomon’s Mines Fortified Cities House of David Palace of David City of Two Gates Solomon’s Mines Fortified Cities House of David Palace of David City of Two Gates Solomon’s Mines PlPalace of DidDavid PlPalace of DidDavid PlPalace of DidDavid AdAnd Hiram King of Tyre sent cedar trees, carpenters and masons who built David a house (2 Sam. -
Psalm 119 & the Hebrew Aleph
Psalm 119 & the Hebrew Aleph Bet - Part 7 The seventh letter of the Hebrew alphabet is called "Zayin", (pronounced "ZAH-yeen”). It has the same sound as “z” says in “zebra”. In modern Hebrew, the Zayin can appear in the following three forms: Write the manual print version (or "block" version) of Zayin as follows: MANUAL PRINT VERSION Note that the first stroke slightly descends from the left to right. Writing the Letter: Zayin Practice making the Zayin here: Zayin, the seventh letter of the Hebrew alphabet, concludes the first series of letters, portraying the story of the Gospel. Considering this, let’s review briefly what we’ve found in the first letters: Aleph – represents the ONE, Almighty, invisible God, our FATHER, Who… Beit – “Housed” Himself in human flesh and Scripture, Tabernacling among us… Gimmel – Yah’s plea to mankind goes forth from beit, carried by the final Elijahs… Dalet – who “knock” on the heart-door of the lost, inviting them to sup with Yah… Hey – Those who open their doors (dalet) to the Truth, receive Yah’s Spirit (hey)… – Anyone who has been filled with the Spirit and imputed with Messiah’s Vav Righteousness, becomes a true man, re-connected to Heaven… Having received the Spiritual Gifts and Messages of these previous six letters, the new man is ready for effective SPIRITUAL WARFARE. Zayin means “weapon” and its form represents the SWORD of the SPIRIT. Zayin Study Page 1 Spiritual Meaning of the Zayin Zayin = 7 and is formed by crowning a vav. It represents a sword. The gematria of the word Zayin is 67, which is the same value for (binah), meaning “understanding”. -
Learn-The-Aramaic-Alphabet-Ashuri
Learn The ARAMAIC Alphabet 'Hebrew' Ashuri Script By Ewan MacLeod, B.Sc. Hons, M.Sc. 2 LEARN THE ARAMAIC ALPHABET – 'HEBREW' ASHURI SCRIPT Ewan MacLeod is the creator of the following websites: JesusSpokeAramaic.com JesusSpokeAramaicBook.com BibleManuscriptSociety.com Copyright © Ewan MacLeod, JesusSpokeAramaic.com, 2015. All Rights Reserved. No part of this publication may be reproduced, stored in, or introduced into, a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, scanning, photocopying, recording or otherwise) without prior written permission from the copyright holder. The right of Ewan MacLeod to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the copyright holder's prior consent, in any form, or binding, or cover, other than that in which it is published, and without a similar condition, including this condition, being imposed on the subsequent purchaser. Jesus Spoke AramaicTM is a Trademark. 3 Table of Contents Introduction To These Lessons.............................................................5 How Difficult Is Aramaic To Learn?........................................................7 Introduction To The Aramaic Alphabet And Scripts.............................11 How To Write The Aramaic Letters....................................................... 19 -
Aleph Champion Program
Meet the Alef Bet White` Aleph Draw 4 Alefs on the line: HELLOmy name is Aleph Champ Design Gallery Memory Tricks Alef sounds like: _____________ Alef starts words like: ____________ ____________ ____________ Aleph Champion `Program 1 “Hebrish” White` Aleph Rash Fat Ask `sh Ash `t Bat `sk Task Dash At Bask Apple __ pple America __ merica Art __ rt Alligator __ lligator Abba __ bba Antelope __ ntelope Ant Hand Call `nt Can’t `nd Sand `ll All Sent And Fall Aleph Champion Program 2 Count Me In White` Aleph How many ALEFS can you count? (circle them!) c i l b k ` c i g b ` k ` c i b ` h x w o e i a l A p v n c p d ` h c r b e ` k c e h w ` x l g p x k l p d l g ` r ` o d Final Count: # ___ Aleph Champion Program 3 Meet the Alef Bet White` Aleph Draw 4 Bets on the line: HELLOmy name is Aleph Champ Design Gallery Memory Tricks Bet sounds like: _____________ Bet starts words like: ____________ ____________ ____________ Aleph Champion ProgramA 4 Match ‘em up! White` Aleph A Alef ` a a Bet ` Alef A a a Alef A Bet ` a a Alef A Bet A a a Bet ` Alef ` a a Alef c ` b ` a c ` b ` A a a Bet ` A b c ` A a b ` A a a Bet b ` b A a c ` b ` A a a Alef A a b ` A c ` b ` a Aleph Champion Program 5 “Hebrish” White` Aleph See Bell Bare Ae Be Aell Tell `re Care He Sell Are Banana __ anana Arrow __ rrow Blue __ lue Birthday __ irthday Bayit __ ayit Abba __ bba Cat Bar Ball Aat Bat Aar Far `ll Fall Hat Car All Aleph Champion Program 6 Count Me In White` Aleph How many BETS can you count? A r ` o a ` w o A j b a ` n u A ` n d a ` u n b a k j ` A A k j ` g p ` A