Decomposing Images Into Layers with Advanced Color Blending
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Tvorba Interaktivního Animovaného Příběhu
Středoškolská technika 2014 Setkání a prezentace prací středoškolských studentů na ČVUT Tvorba interaktivního animovaného příběhu Sami Salama Střední průmyslová škola na Proseku Novoborská 2, 190 00 Praha 9 1 Obsah 1 Obsah .................................................................................................................. 1 2 2D grafika (základní pojmy) ................................................................................. 3 2.1 Základní vysvětlení pojmu (počítačová) 2D grafika ....................................... 3 2.2 Rozdíl - 2D vs. 3D grafika .............................................................................. 3 2.3 Vektorová grafika ........................................................................................... 4 2.4 Rastrová grafika ............................................................................................ 6 2.5 Výhody a nevýhody rastrové grafiky .............................................................. 7 2.6 Rozlišení ........................................................................................................ 7 2.7 Barevná hloubka............................................................................................ 8 2.8 Základní grafické formáty .............................................................................. 8 2.9 Druhy komprese dat ...................................................................................... 9 2.10 Barevný model .......................................................................................... -
ADOBE Software License Agreement NOTICE to USER: PLEASE READ
ADOBE Software License Agreement NOTICE TO USER: PLEASE READ THIS AGREEMENT CAREFULLY. BY COPYING, INSTALLING, OR USING ALL OR ANY PORTION OF THE SOFTWARE YOU ACCEPT ALL THE TERMS AND CONDITIONS OF THIS AGREEMENT, INCLUDING, IN PARTICULAR THE PROVISIONS ON: TRANSFERABILITY IN SECTION 4; WARRANTY IN SECTIONS 6 AND 7; LIABILITY IN SECTION 8; CONNECTIVITY AND PRIVACY IN SECTION 14; AND SPECIFIC PROVISIONS AND EXCEPTIONS IN SECTION 16. YOU AGREE THAT THIS AGREEMENT IS LIKE ANY WRITTEN NEGOTIATED AGREEMENT SIGNED BY YOU. THIS AGREEMENT IS ENFORCEABLE AGAINST YOU AND ANY LEGAL ENTITY THAT OBTAINED THE SOFTWARE AND ON WHOSE BEHALF IT IS USED: FOR EXAMPLE, IF APPLICABLE, YOUR EMPLOYER. IF YOU DO NOT AGREE TO THE TERMS OF THIS AGREEMENT, DO NOT USE THE SOFTWARE. VISIT http://www.adobe.com/go/support FOR INFORMATION ABOUT RETURNING THE SOFTWARE AND OBTAINING A REFUND. YOU MAY HAVE ANOTHER WRITTEN AGREEMENT DIRECTLY WITH ADOBE (E.G., A VOLUME LICENSE AGREEMENT) THAT SUPPLEMENTS OR SUPERSEDES ALL OR PORTIONS OF THIS AGREEMENT. ADOBE AND ITS SUPPLIERS OWN ALL INTELLECTUAL PROPERTY IN THE SOFTWARE. THE SOFTWARE IS LICENSED, NOT SOLD. ADOBE PERMITS YOU TO COPY, DOWNLOAD, INSTALL, USE, OR OTHERWISE BENEFIT FROM THE FUNCTIONALITY OR INTELLECTUAL PROPERTY OF THE SOFTWARE ONLY IN ACCORDANCE WITH THE TERMS OF THIS AGREEMENT. USE OF SOME ADOBE AND SOME NON- ADOBE MATERIALS AND SERVICES INCLUDED IN OR ACCESSED THROUGH THE SOFTWARE MAY BE SUBJECT TO OTHER TERMS AND CONDITIONS TYPICALLY FOUND IN A SEPARATE LICENSE AGREEMENT, TERMS OF USE OR “READ ME” FILE LOCATED WITHIN OR NEAR SUCH MATERIALS AND SERVICES OR AT http://www.adobe.com/go/thirdparty. -
Adobe After Effects 6.0 SDK Guide
Software Development Kit Adobe After Effects 6.0 Software Development Kit. Copyright © 1992–2003 Adobe Systems Incorporated. All rights reserved. The information in this document is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in this document. The software described in this document is furnished under license and may only be used or copied in accordance with the terms of such license. Adobe, Adobe After Effects, Adobe Premiere, Adobe Photoshop, Adobe Illustrator, Adobe Type Manager, ATM and PostScript are trademarks of Adobe Systems Incorporated that may be registered in certain jurisdictions. Macintosh and Apple are registered trademarks, and Mac OS are trademarks of Apple Computer, Inc. Microsoft, Excel, and Windows are registered trademarks of Microsoft Corporation. All other products or name brands are trademarks of their respective holders. The material in this document is supplied by the Adobe Digital Video API Engineering team. Version History January 1993 Russell Belfer Version 1.0 – Initial SDK release. January 1994 Dan Wilk Version 2.0 – Updates. August 1994 Dave Herbstman Version 2.0.1 – Added support for PowerPC. Dan Wilk 5 March 1996 Brian Andrews Version 3.0 – Preliminary release for the After Effects developer kitchen. 21 June 1996 Brian Andrews Version 3.1 – Final 3.x release. 13 Nov. 1996 Brian Andrews Version 3.1 SDK Release 2 – Minor updates. 17 April 1997 Brian Andrews Version 3.1 SDK Release 3 – First public release (really a pre-release) of the SDK for Windows development. -
J. Andrew Coombs (SBN 123881) [email protected] Annie S
Case 4:09-cv-01089-CW Document 15 Filed 06/11/09 Page 1 of 13 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Kimbra Lee Baker a/k/a Kim Baker 8 16173 Suffolk Dr. Spring Lake, MI 49456 9 Defendant, in pro se 10 UNITED STATES DISTRICT COURT 11 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 12 Adobe Systems Incorporated, ) Case No. C09-01089 CW 13 ) Plaintiff, ) PERMANENT INJUNCTION AND 14 v. ) DISMISSAL WITH PREJUDICE ) 15 Margie Clark, Kimbra Lee Baker a/k/a Kim ) Baker, and Does 2 – 10, inclusive, ) 16 ) Defendants. ) 17 18 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 19 (“Plaintiff”) and Defendant Kimbra Lee Baker a/k/a Kim Baker (“Defendant”) in this action, and 20 good cause appearing therefore, hereby: 21 ORDERS that based on the Parties’ stipulation and only as to Defendant, her successors, 22 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 23 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 24 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C. -
Video: the New Vernacular
Adobe Flash Media Server Success Story Indiana University Video: the new vernacular Indiana University integrates online video into teaching, learning, research, and administration on an enterprise scale using the Adobe® Flash® Platform Indiana University Media, and video in particular, are in a period of profound growth. There are several Bloomington, Indiana causes, but three stand out: technologies that have rendered media creation, www.iu.edu distribution, and consumption faster and less costly; high expectations for the availability of video; and the need to create engaging experiences in a world where rich media is the norm. The demand for video is more apparent than ever in higher education, where students experience video on the Internet and social media sites in their personal lives, and expect to consume video as part of their daily learning and exploration as well. When Indiana University (IU)—a leader in integrating technology into teaching, learning, research, and administration—asked how to keep a technically savvy, global student body engaged and motivated to learn it knew that video, not more textbooks, was the answer. Today, whether IU is hosting a live streaming event with a renowned business leader, offering a lecture on demand to global students located from India to South America, or enabling researchers to peruse digital video archives, the university relies on the Adobe Flash Platform, including Adobe Flash Media Interactive Server software. Students at Indiana University learn through immersive, engaging experiences supported by the Adobe Flash Platform. Challenge “We did a careful evaluation of the competing platforms for delivering online video to a global user base • Integrate video into teaching, of many thousands,” says Matt Gunkel, multimedia specialist for Indiana University. -
Adobe® Creative Cloud and NVIDIA Gpus Solution Overview
CREATE INTUITIVELY. PERFORM FASTER. ® ® NVIDIA GPUs POWER ADOBE CREATIVE CLOUD . CC ADOBE OVERVIEW SOLUTION Get blazing-fast performance and smooth interactivity in your most challenging professional video and design projects. Nothing accelerates Adobe Creative Cloud tools and meet the demand of 4K and beyond. It’s a powerful the Adobe Anywhere solution like NVIDIA® Quadro® partnership that ensures that creative artists, and Tesla® GPUs. web designers, professional photographers, and Together, NVIDIA and Adobe deliver unprecedented video editors always get the best features and performance and acceleration to help creative performance—when and where they’re needed. professionals build a streamlined workflow and ADOBE CC | Solution Overview | SEP14 ADOBE® PREMIERE® PRO CC DO YOUR BEST WORK FASTER WITH REAL-TIME VIDEO EDITING. At the heart of Adobe Premiere Pro CC is the GPU- ROCKET card. Other new GPU-enhanced features accelerated Adobe Mercury Playback Engine, co- include faster Feathered Masking and the ability to developed by Adobe and NVIDIA. It leverages NVIDIA apply Mercury Playback features universally with GPUs and NVIDIA CUDA® to deliver interactive, Master Clips Effects. And if you’re a Mac user, a real-time editing and up to 23x1 faster performance. simple upgrade to the NVIDIA CUDA driver can often result in up to 30% faster Premiere Pro CC The new high-speed GPU debayerer accelerates 4K 1 RED camera files, eliminating the need for a RED performance! ADOBE PREMIERE PRO CC WITH NVIDIA GPUs Adobe Mercury Playback Engine 2x Quadro K6000 23.3 2x Quadro K5200 23.3 2x Quadro K4200 21.0 Quadro K6000 19.4 Quadro K5200 15.0 2x Quadro K2200 13.1 Quadro K4200 12.9 Quadro K2200 7.6 Dual Xeon 1.0 0X 5X 10X 15X 20X 25X Performance Acceleration System Configuration: Adobe Premiere Pro CC, Windows 7 – 64-bit, Dual Intel Xeon E5 2687W 3.10GHz CPUs [16 total cores]. -
Adobe Production Studio Product Overview
FEATURES Adobe® Creative Suite Production Studio The complete post-production solution Product overview Bring new power and efficiency to your film, video, DVD, and web workflows. Part of the Adobe Creative Suite family, Adobe Production Studio Premium software is a complete post-production solution that combines Adobe’s world-class video and graphics software with the timesaving integration and workflow features Adobe Dynamic Link and Adobe Bridge. Creative power Motion graphics and visual effects with Adobe After Effects® 7.0 Fast and flexible 32-bit 2D and 3D compositing environment • Use After Effects software to composite and animate in 2D or 3D space using cameras and lights. Unrivaled text animation and titling effects • Create animated text with unprecedented ease. Use the standard Adobe Text tool or edit and animate text from Adobe Photoshop® software, instantly apply text Animation Presets, and much more. Powerful animation and keyframing controls • Animate layer properties such as position, scale, rotation, and effects. Save time with Animation and Behavior Presets. Use the new Graph Editor for complete visual control over keyframe editing and easy synchronization of effects across layers. Use included templates to create motion menus for Adobe Encore® DVD software. Nondestructive vector painting and cloning • Paint nondestructively on layers using Photoshop style brushes to clean up footage, draw masks, clone elements, and create animations. Use Liquify to create brush- based distortion. Extensive visual and audio effects • Take advantage of hundreds of included effects, and share common effects with Adobe Premiere® Pro software. Hundreds of additional third-party effects are available separately. Real-time video editing with Adobe Premiere Pro 2.0 Scalable format support • Work with your choice of video formats. -
Using GIMP to Create an Artistic Regional RPG Map – Part 5
Using GIMP to Create an Artistic Regional RPG Map – Part 5 This tutorial series is an updated and revised edition of an original tutorial created by RobA for the Cartographer’s Guild (www.cartographersguild.com). Updates and revisions to the instructions, along with new screenshots, were created by Megan Wiseman (“wisemoon” on Cartographer’s Guild). Part 1 gave instructions on how to create the basic landmass outline for your map, including some ideas on how to randomly generate a landmass shape if you don’t have a sketch to start with. Part 2 gave instructions on how to color your ocean/sea, and how to color your landmass with textured grass and dirt. Part 3 gave instructions on how to create mountains and forests on your map. Part 4 gave instructions for how to create rivers and lakes on your map, and also showed you how to create cities and roads. This part of the tutorial will show you how to label your geographical features and cities. Then we’ll show you how to create a nifty title for your map. You can create a legend for your map in the same basic way you create the title. You can also add a compass rose. We’ll finish it off with a simple border. Adding Labels to Your Map Every map has labels for various geographical features, as well as labels for cities, towns and other settlements. Most of the horizontal text labels will be made using the text tool, just like the city icons were done in Part 4. -
18 595954 Bindex.Qxd 6/14/05 11:07 AM Page 639
18_595954 bindex.qxd 6/14/05 11:07 AM Page 639 Index A masking and unmasking effects, hiding, 149 Actions palette 222–225 transparent, 151 action sets, 557, 565 This Layer slider, 229, 230, 232, Bas Relief filter, 359, 360 batch processing with actions, 235, 237 Batch command, 566, 568–569 566–570 Transparency Shapes Layer batch processing. See also Actions commands not recorded by, 560 option, 222–223, 225 palette deleting operations, 563 Underlying Layer slider, 229, 230, actions for, 566–570 editing actions, 560–563 231, 233, 234, 236–237 Auto commands for, 514 forcing a command to record, 562 Vector Mask Hides Effects option, Camera Raw images, 585 inserting stops, 562 222–223, 225 checking for the first image, 570 leaving a setting open, 562 Aligned check box Color Settings command and, 568 loading action sets, 565 Clone Stamp tool, 51–52, 87 defined, 566 naming actions, 558 Healing Brush tool, 58 maximizing performance, 569 naming sets, 559 pattern painting tools, 74 renaming files, 552–553, 569 overview, 557 animated GIF images, 623–626 Batch Rename command (Bridge), playing actions and operations, anti-aliasing 552–553 563–565 for Color Replacement tool, 485 Behind brush mode, 38, 182 recording actions, 557–560 for layer effects, 265 Bevel layer effect, 255, 257, 258 saving action sets, 565 Lens Blur filter and, 315 blend modes. See also blending undoing actions, 565 Art History brush Add Noise filter with, 321, 323 Adaptive color palette, 608–609 Canvas texture with, 99 adjustment layers for, 488–489 Add Noise filter options unique -
For a Downloadable Resource for Moving Production Courses Online
RESOURCES FOR TEACHING PRODUCTION COURSES ONLINE IN CASE OF EMERGENCY Camera/Cinematography Considerations/Applications: Free: Challenge students to produce video content using smartphones or mobile devices at their disposal. Cost: Filmic Pro (Android and iOS) affords distinct controls of cinematography via a smartphone and costs $15.00. (Also received a suggestion that asking the company for a discount/free code might be effective) Editing Applications: Free: Check out these free video editors and their pros/cons via Techradar. Cost: LumaFusion editing software is app-based and quite powerful and costs $30. Free: Avid Media Composer | First. Fully functional version of Media Composer with some limitations (4 tracks of video, 8 tracks of audio, can only export up to HD H.264, limit of 5 bins per project, no intercompatibility with the full Media Composer software) Cross-Platform Free: DaVinci Resolve. This is a robust program. Its color correction features have become industry standard. Highly recommended. (check configuration guides, it takes a lot of power to run this one) Free: Adobe Premiere Rush. works on desktop, tablet, or app, so good for equity and not assuming students all have powerful computers. Online Media Tutorials: Moviola.com has free tutorial videos on a range of technical fronts. https://fightcovid19.hku.hk/free-online-classes-with-the-best-documentarians/ I often use in class or assign as required reading the tutorials on vimeo video school. I am wondering exactly the best way to use them in a zoom or google classroom… https://vimeo.com/videoschoolvideos For critiques: Screening Room - allows viewers to comment on specific moments in a video, and/or by category https://www.screeningroom.org/ What about using Vimeo team projects and review pages? I haven’t tried it with a class (but regularly use it with my editor and producer). -
Adobe Bundles
FAQ Adobe Bundles Q: Why is Adobe offering these three new product bundles? A: The acquisition of Macromedia provides Adobe with an opportunity to enhance future workflows for print, web, video, and mobile content development and delivery. With the delivery of these new bundles, Adobe is able to offer world-class, highly complementary products together in one package. For creatives and designers interested in publishing to print, the web, in video, and on mobile devices, the Adobe® Design Bundle, Web Bundle, and Video Bundle enable customers to easily upgrade at one time or purchase a world-class solution in one value-priced package. Q: What is the Adobe Design Bundle? A: The Adobe Design Bundle offers the unified design environment of Adobe Creative Suite 2 Premium software with recently introduced Macromedia® Flash® Professional 8 software, the industry’s choice for creating advanced interactive content. Launched in April 2005, Adobe Creative Suite 2 integrates cutting-edge design tools—Adobe Photoshop® CS2, InDesign® CS2, Illustrator® CS2, and GoLive® CS2 software—with the all-new Version Cue® CS2. It also introduces the Adobe Stock Photos service and Adobe Bridge and includes Adobe Acrobat® 7.0 Professional software. Q: What is the Adobe Web Bundle? A: The Adobe Web Bundle offers Macromedia Studio 8 software, the essential solution for web design and development, with Adobe Creative Suite 2 Premium software. Announced in August 2005, Studio 8 combines the latest releases of award-winning Macromedia Dreamweaver® 8, Flash Professional 8, and Fireworks® 8 software and the key maintenance and productivity tools Macromedia Contribute™ 3 and Macromedia FlashPaper™ 2 software. -
Exporting SWF Files.Pdf
Like what you see? Buy the book at the Focal Bookstore Flash + After Effects Chris Jackson ISBN 978-0-240-81031-7 Flash Video (FLV) contains only rasterized images, not vector art. FLV files can be output directly from the Render Queue in After Effects. Render settings allow you to specify size, compression, and other output options. The FLV file can then be imported into Flash and published in a SWF file, which can be played by the Flash Player. FLV files can be imported into Flash using ActionScript or Flash components. Components provide additional control of the visual interface that surrounds the imported video. You can also add graphic layers on top of the FLV file for composite effects. An alternative to saving a composition as a SWF and FLV file is to export it as an image sequence. After Effects renders each image file with a numerically sequential naming convention. Upon importing the first image, Flash recognizes the naming convention and prompts you to import the entire sequence (Figure 3.5). Image sequences should be imported into a movie clip or graphic symbol. This allows for more flexibility in your Flash project. Figure 3.5: After Effects can also export image sequences. It uses a sequential naming convention that Flash recognizes and allows you to import the entire sequence. Both applications include many tools that allow you to easily composite graphics and video. The previous chapter discussed how to save Flash content to After Effects. File size was not a concern since the final output was video. The exercises in this chapter focus on exporting After Effects content to Flash, with an emphasis on maintaining a respectable file size for Web delivery.