CURRICULUM VITAE Prof. Dr. Dhimitër Çondi Name
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Archaeology and Economy in the Ancient World, Bd. 39; Boundaries
Sacred places, territorial economy and cultural identity in northern Epirus (Chaonia) Nadia Aleotti – Anna Gamberini – Lorenzo Mancini* Until the late Classical period, Chaonia, the northernmost part of Epirus corresponding to nowadays southern Albania, is clearly differentiated in two cultural units: the coastal areas that borders with Thesprotia, falling from the end of the th7 century BC into the peiraia of Corcyra, and the ‘indigenous’ districts of the interior (fig. 1). If the belonging of the Chaonians to Greek culture and ethnicity could hardly be denied by present scholarship, the literary sources of Classical times regarded them as barbarians.1 This ‘peripheral’ connotation, even if depending on a sort of cultural and geographical prejudice, seems to find a parallel in the archaeological record concerning the sacred landscape.2 Earliest attestations of worship come from Butrint, part of the Archaic Corcyreanpeiraia , where an inscribed potsherd found in a votive deposit in 1938 points to the existence of a cult of Athena as early as the 6th century BC, possibly related to a monumental temple, located, according to a recent hypothesis, on the acropolis hill.3 Apart from this early case, the development of a full-fledged religious architecture among the native tribes can be traced as far back as the 4th century BC, occurring in most cases only in the Hellenistic age. It is the period when new fortified centres, featuring in some instances a real urban layout and a Hellenistic-like monumental equipment, make their appearance beside the traditional network of komai. The new centralised settlement pattern, with main centre-poleis (Phoinike and Antigonea) and their gravitating system of minor settlements bordering territories well defined also from a geomorphologic point of view, even if not unknown to the other Epirote ethne, seems to have been particularly familiar with the Chaonians,4 conditioning the spatial distribution of the cults as well. -
Albanian Borders at the Margins of Europe Gilles De Rapper
The High Wall and the Narrow Gate: Albanian Borders at the Margins of Europe Gilles de Rapper To cite this version: Gilles de Rapper. The High Wall and the Narrow Gate: Albanian Borders at the Margins of Eu- rope. 10th biennial EASA conference, ”Experiencing diversity and mutuality”, Aug 2008, Ljubljana, Slovenia. halshs-00343516 HAL Id: halshs-00343516 https://halshs.archives-ouvertes.fr/halshs-00343516 Submitted on 1 Dec 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Paper presented at the 10th biennial EASA conference, Experiencing diversity and mutuality, Ljubljana, 26-29 August, 2008 (Workshop 047, “The New Europe: The Politics of Recognition, Inclusion and Exclusion”). THE HIGH WALL AND THE NARROW GATE: ALBANIAN BORDERS AT THE MARGINS OF EUROPE Gilles de Rapper My paper is an attempt to understand the impact of changes in the borderland between Greece and Albanian after 1991. More precisely, I would like to relate the recent success of some “ideas” about the ancient past of the area with the state of social relations between Albanians and Greeks as experienced by local inhabitants of the borderland. Established in 1913 as a boundary between two national states, the Greek-Albanian border came to separate two geopolitical camps during the Cold War and became an external border of Europe in 1981 when Greece joined the European Community. -
The Lost Caves of Luigi Cardini: Explorations in Albania 1930-2001
3/20/12 Relocating the Caves of Luigi Cardini The Lost Caves of Luigi Cardini: Explorations in Albania 1930-2001 Karen Francis, Institute of World Archaeology, University of East Anglia, Norwich, NR4 7TJ. email: [email protected] When referencing this article, please use the following convention: Francis, K. 2001. The Lost Caves of Luigi Cardini: Explorations in Albania 1930-2001 Capra 3 available at - http://capra.group.shef.ac.uk/3/cardini.html Introduction In June 2000, a team of archaeologists from the Institute of World Archaeology, UK, and the Albanian Institute of Archaeology began a field survey in southern Albania. The aim of the project was to re-locate a number of "lost" prehistoric caves and surface sites that were first explored in the 1930s by an Italian archaeologist, Luigi Cardini. In 1930, the director of the Italian Archaeological Mission to Albania, Luigi Maria Ugolini, recruited Cardini as the mission's prehistorian. Between 1930 and 1939, Cardini travelled extensively throughout south-western Albania and, with the help of a few dedicated Albanian guides, mapped and recorded over 60 natural caves and rockshelters. Under Cardini's supervision, Albanian workmen carried out trial excavations within some of the most promising caves, revealing evidence of human occupation dating from early prehistory to Roman times. Cardini also identified a number of surface sites close to the seashore, where concentrations of Middle Palaeolithic stone tools provided evidence of Neanderthal activity. Cardini’s discoveries, particularly that of a Palaeolithic open-air site at Xarra, close to the southern border with Greece, represent a major part of our current knowledge of Albanian prehistory today. -
Antigone's Line
Bulletin de la Société Américaine de Philosophie de Langue Française Volume 14, Number 2, Fall 2005 Antigone’s Line Mary Beth Mader “Leader: What is your lineage, stranger? Tell us—who was your father? Oedipus: God help me! Dear girl, what must I suffer now? Antigone: Say it. You’re driven right to the edge.”1 Sophocles’ Antigone has solicited many superlatives. Hölderlin considered the play to be the most difficult, the most enigmatic and the most essentially Greek of plays. This paper treats a matter of enigma in the play, one that is crucial to understanding the central stakes of the drama. Its main purpose is to propose a novel account of this enigma and briefly to contrast this account with two other readings of the play. One passage in particular has prompted the view that the play is extremely enigmatic; it is a passage that has been read with astonishment by many commentators and taken to demand explanation. This is Antigone’s defense speech at lines 905-914. Here, she famously provides what appear to her to be reasons for her burying her brother Polynices against the explicit command of her king and uncle, Creon. Her claim is that she would not have deliberately violated Creon’s command, would not have ANTIGONE’S LINE intentionally broken his law or edict, had this edict barred her from burying a child or a husband of hers. She states that if her husband or child had died “there might have been another.” But since both her mother and father are dead, she reasons, “no brother could ever spring to light again.”2 Reasoning of this sort has a precedent in a tale found in Herodotus’ Histories, and Aristotle cites it in Rhetoric as an example of giving an explanation for something that one’s auditors may at first find incredible.3 To Aristotle, then, Antigone’s defense speech appears to have been “rhetorically satisfactory,” as Bernard Knox says.4 However, such a reception is rare among commentators.5 1. -
Antigone Introductory Lecture Notes Greek Drama and the Elements of Tragedy
Antigone Introductory Lecture Notes Greek Drama and the Elements of Tragedy Understanding Greek Theatre I. The Festival of Dionysus Dionysus - Festival of Dionysus - II. Conventions of Greek Drama Actors - Chorus - o Functions Costuming Scenery and Action Composition and Structure o Composition . o Structure . Prologue - . Parados - III. Tragedy Tragedy: Aristotle o Aristotle’s Unity of Time, Place, and Action . Time: . Place: . Action: o Action of the play arouses extreme pity and fear in the audience – pity for the protagonist and a sympathetic fear. (Tragedy cont.) o Purpose of tragedy: o Catharsis - Tragic Hero o Hamartia: o Paripateia: The Fall Revelation IV. Sophocles and the Oedipus Myth Sophocles Notes on Greek Burial Traditions: The Oedipus Myth o King Laius rules Thebes with his queen, Jocasta. An oracle prophesies that his son will grow to kill him, so Laius pierces his infant son’s ankles and feet and orders Jocasta to kill him. She cannot, so she sends a servant to do it, who leaves him for dead in the mountains. o The infant is found by a servant of the King of Corinth and is then raised by the King and Queen of Corinth, who name him Oedipus (meaning “swollen foot”). o When Oedipus is a young man, an oracle tells him that he will kill his father and marry his mother so, to try to escape his fate, he flees Corinth. Along the road, he gets into an argument with a stranger and kills him. That stranger is Laius. Part 1 of the prophecy is fulfilled. o Oedipus reaches Thebes, where a sphinx is plaguing the city, but will stop if someone answers a riddle. -
Antigona Van Tommaso Traetta Wo 2, Do 3 April 2003 Om Dramaturgische Redenen Zijn in De Partituur Enige Coupures Aangebracht
Muziektheater Transparant Antigona van Tommaso Traetta wo 2, do 3 april 2003 Om dramaturgische redenen zijn in de partituur enige coupures aangebracht. redactie programmaboekje deSingel en Janine Brogt druk Tegendruk duur van de voorstelling: deel 1 1 uur pauze 25 minuten deel 2 1 uur spreektaal Italiaans . boventiteling Nederlands bediening boventiteling Bart Boone gelieve uw GSM uit te schakelen! Muziektheater Transparant Antigona van Tommaso Traetta dirigent Paul Dombrecht assistent-dirigent Ewald Demeyere regie Gerardjan Rijnders regieassistent en voorstellingsleider Remi Beelprez muzikale uitvoering orkest Il Fondamento repetente Noémi Biro koor La Sfera del Canto verantwoordelijke dramaturgie Janine Brogt licht- en standenplan Tom Verheijen decor Paul Gallis verantwoordelijke belichting Luc De Vreese kostuums Rien Bekkers productieleiding Veerle Francke licht Reinier Tweebeeke technische leiding Roel Ghesquière beweging Bambi Uden lichttechnici Koen Ghesquière, Dag Jennes podiumtechnici Anton Devilder, Koen Ghesquière, rolverdeling Maarten Streefland Antigona, prinses van Thebe Raffaella Milanesi rigging Jan Hooyberghs Ismene, haar zuster Giorgia Milanesi coördinatie orkest en koor Philippe Severyns Creonte, haar oom Markus Brutscher vertaling libretto Janine Brogt Emone, Creonte’s zoon Maartje de Lint assistentie dramaturgie Bart Boone Adrasto, een Thebaans edelman David-Erich Fankhauser kleedsters Viviane Coubergs, Reintje Daens orkest kap en grime Sylvia Hiel, Leen Samyn viool Dirk Van Daele, Marianne Herssens, Maia Silberstein, -
A L B a N I a – K O S O V O
A L B A N I A – K O S O V O DATES: September 14/18** – 25, 2019 * DURATION: 12 days / 11 nights MEALS: Breakfast plus an additional meal per day TRANSPORT: Bus Saturday, September 14 –/–/D SHKODËR arrival in Tirana or Podgorice transfer to Shkodër hotel transfer and check-in - Rozafa Castle and town center walk - dinner at traditional restaurant Shkodër (Shkodra) is the capital of Shkodër county, one of 12 counties that make up the Albanian Republic. It is one of the oldest cities in the Balkans and the fourth largest city in Albania. Shkodër also has a strong influence on northern Albania’s culture, religion, arts, and entertainment. Shkodër sprawls across the Mbishkodra plain between the freshwater marshlands of Lake Shkodër and foothills of the Albanian Alps, which are largely formed by limestone and dolomite. The lake, which is named after the city, is the largest in Southern Europe. overnight in Shkodër – hotel Sunday, September 15 B/–/D SHKODËR – VALBONA morning - transfer to Valbona on the way: Lake Koman - guesthouse check-in - walk in the village - free time - dinner in a family guesthouse Artefacts and inscriptions discovered in Rozafa Castle confirm that the ancient Illyrian tribes of Ardiaei and Labeates founded the Shkodër region in the 4th century BC when the city of Shkodër was known as Scodra. It is strategically located where Lake Shkodër flows out into the Buna River. The Romans annexed the city after the third Illyrian War in 168 BC, when a force of Anicius Gallus defeated Gentius. Shkodër became the capital of Praevalitana in the 3rd century AD as a result of administrative reform by the Roman emperor Diocletian. -
The Story of Oedipus: Prequel to Antigone
The Story of Oedipus: Prequel to Antigone • LAIUS is left an orphaned minor by his father Labdacus • AMPHION AND ZETHUS rule Thebes (Build the Cadmeia) and exile Laius • Laius goes to live in Elis (PISA) with King Pelops (son of Tantalus son of Zeus) • Laius becomes very good friends with young Chrysippus, youngest child of King Pelops • Laius and Chrysippus run away together (or Laius rapes Chrysippus). Pelops curses Laius. • Laius returns to Thebes and becomes King • Laius marries his cousin Jocasta, but they are childless • Laius goes to Delphi and intends to ask Apollo's advice; Apollo announces that Laius will have a child who will kill him • Laius and Jocasta have a baby son (Oedipus) whom they plan to kill. The royal shepherd is ordered to dispose of the child on Mt. Cithaeron. Instead he gives Oedipus to the royal Corinthian shepherd. • The Royal Corinthian Shepherd takes the child back to the childless king and queen of Corinth (Polybus and Merope), who adopt him. • At about the age of 18, at a dinner party, one of Oedipus' friends makes a rude remark about his not being a real Corinthian but only adopted. Oedipus is shocked and shamed, and goes off to Delphi to ask Apollo about the truth. • Apollo tells Oedipus he is doomed to kill his father and sleep with his mother. • Oedipus unknowingly kills his father Laius (within hours, at The Three Ways) • Oedipus kills the SPHINX on the way from the Three Ways to Thebes • Oedipus is received at Thebes as a national hero, and invited to marry the recently widowed queen Jocasta. -
The Classification of Rural Settlements in Gjirokastra Region
E-ISSN 2281-4612 Academic Journal of Interdisciplinary Studies Vol 5 No 3 S1 ISSN 2281-3993 MCSER Publishing, Rome-Italy December 2016 The Classification of Rural Settlements in Gjirokastra Region Assoc. Prof. Albina Sinani Department of Geography, Faculty of Education and Social Sciences, “Eqrem Çabej” University Gjirokaster 6001, Albania; *[email protected] Doi:10.5901/ajis.2016.v5n3s1p24 Abstract The network of residential areas in the region of Gjirokastra has changed depending of a complex factors. This has affected to the utilization rate of the region's rural territories. Considering the economic orientation of rural settlements by relief factor, we look that in settlements that lie in the landscape field, dominates this main branch of the economy: agriculture, livestock, processing of agricultural and livestock products and trade. In settlements that lie in low relief and high montane prevail livestock and orchards, while in the mountainous terrain of petty farming prevails (in villages of municipalities Picar, Cepo, Pogon and Frashër). To achieve this classification serves the real estate registry, which contains books of plots, with surfaces by categories (arable land, orchard, vineyards, forests, pastures, unproductive land). Until 1990, social-economic factor determining in order to limit the application of the regulatory policies of rural settlements. The old system aimed the limiting of the occupation of agricultural land and increasing population density in the rural area. After 1990 have not been implemented proper policies for the development of rural areas. Gjirokastra region rural areas have outstanding value to the organization as space and landscape, as well as the architecture and internal organization of housing and other buildings, infrastructure etc. -
Plays of Sophocles
E A TEACHER’S GuidE TO THE SiGNET CLASSiCS EDITiON OF SOPHOCLES: THE COMPLETE PLAYS by Laura reis Mayer SerieS editorS: Jeanne M. McGlinn and JaMeS e. McGlinn TEACHER’S Guid 2 A Teacher’s Guide to the Signet Classics Edition of Sophocles: The Complete Plays TabLe of ConTenTs introduction ........................................................................................................................3 list of characters .............................................................................................................3 SynopSiS of the oEdipuS triloGy ..............................................................................4 prereadinG activiTies .......................................................................................................5 DURING READING ACTIVITiES..........................................................................................10 AfTER READING ACTIVITiES .............................................................................................14 ABOUT THE AuTHoR OF THiS GUIDE ...........................................................................19 ABOUT THE EDIToRS OF THiS GUIDE ...........................................................................19 Copyright © 2010 by Penguin Group (USa) For additional teacher’s manuals, catalogs, or descriptive brochures, please email [email protected] or write to: PenGUin GroUP (USa) inC. in Canada, write to: academic Marketing department PenGUin BooKS CANADA LTD. 375 Hudson Street academic Sales new York, nY 10014-3657 90 eglinton -
Seven Against Thebes [PDF]
AESCHYLUS SEVEN AGAINST THEBES Translated by Ian Johnston Vancouver Island University, Nanaimo, BC, Canada 2012 [Reformatted 2019] This document may be downloaded for personal use. Teachers may distribute it to their students, in whole or in part, in electronic or printed form, without permission and without charge. Performing artists may use the text for public performances and may edit or adapt it to suit their purposes. However, all commercial publication of any part of this translation is prohibited without the permission of the translator. For information please contact Ian Johnston. TRANSLATOR’S NOTE In the following text, the numbers without brackets refer to the English text, and those in square brackets refer to the Greek text. Indented partial lines in the English text are included with the line above in the reckoning. Stage directions and endnotes have been provided by the translator. In this translation, possessives of names ending in -s are usually indicated in the common way (that is, by adding -’s (e.g. Zeus and Zeus’s). This convention adds a syllable to the spoken word (the sound -iz). Sometimes, for metrical reasons, this English text indicates such possession in an alternate manner, with a simple apostrophe. This form of the possessive does not add an extra syllable to the spoken name (e.g., Hermes and Hermes’ are both two-syllable words). BACKGROUND NOTE Aeschylus (c.525 BC to c.456 BC) was one of the three great Greek tragic dramatists whose works have survived. Of his many plays, seven still remain. Aeschylus may have fought against the Persians at Marathon (490 BC), and he did so again at Salamis (480 BC). -
The Civic Life and the Ancient Cities of South Albania in Archeological-Historical Point of View
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Impact Factor (2012): 3.358 The Civic Life and the Ancient Cities of South Albania in Archeological-Historical Point of view 1 Prof. As. Dr. AleksTrushaj 1University of Vlora, Faculty of Human sciences, ‘’Avni Rustemi” Square, Building B, Albania Abstract: The south part of Albania has a significant archaeological wealth represented by the ancient cities and multi fortified civic centre. From the Keraune mountains in (Llogara) up to Kestrinoi (Vrine) was raised a series of castles ,ancient towns and cities as the castle of Himara, Sopot, Kalivos, Vagalati, Selo, Lekli, Foinike city, Butroti, Antigone, Cuka Ajtojt, Onhezmi etc..This southern region of Illyria has an individuality of its own culture and constitutes a strong bridge connecting the north and Illyrian civilization with Epirus and Hellenic in south. The genuine Illyria city in this area is formed by the end of the V-th century B.C mainly along the IV-th century B.C. During the III–rd – I-st century B.C. the completion of urban Butroti and Antigone, Foinike reached the highest excellence and an evident merchant development. Butrotiwas the center of Prasaibe’s tribe that appears wider in written ancient tradition. Foinike which is the greatest civilization, got a political significance importance, becoming the capital of the Republic of Epirus in III-rd century BC. Antigonea was the main civic center at Drinos Valley, Hrukea political site formed another unit in the koinoni – type, as part of the biggest koinoni that stems from their economic and political relations of these major cities with each other.