Style Leotard Tights Shoes Optional

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STYLE LEOTARD TIGHTS SHOES OPTIONAL Ballet Any solid color Theatrical CDA Pink CDA pink leather Attached skirt Ages 2yr—5yr ballet shoes Ballet Any solid color Theatrical CDA Pink CDA pink leather Skirts permitted Ages 1st Gr—5th Gr ballet shoes Ballet & Pointe Black Theatrical CDA Pink CDA theatrical pink Skirts permitted Middle/High School ballet shoes Tap Any solid color Theatrical CDA Tan CDA black patten Attached skirt Ages 4yr—5yr tap shoes *See tights info below Tap Any solid color Theatrical CDA Tan CDA tan leather Skirts and dance shorts Ages 1st Gr and Up tap shoes permitted *See tights info below Hip Hop Any solid color Theatrical CDA Tan CDA black sequin high Shorts and dance pants 4yr—5th Gr top sneaker permitted Hip Hop Any solid color N/A Any black low top Shorts and dance pants Middle/High School sneaker permitted Boys White short sleeve Black stretchable pants Black dance shoe N/A Any age t-shirt coordinating dance style Jazz Any solid color Theatrical CDA tan CDA tan leather jazz Dance shorts and dance Any age shoe pants permitted Lyrical/Contemporary Any solid color Theatrical CDA tan CDA half sole lyrical N/A Any age shoe Acro Any solid color N/A Barefoot N/A Any age Irish Any solid color Theatrical CDA tan Black Ghillies or Hard N/A Any age Shoe Irish Musical Theater Any solid color Theatrical CDA tan CDA tan leather jazz Dance shorts and dance Any age shoe pants permitted .

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(12) United States Patent (10) Patent No.: US 9,314,068 B2 Schmutte (45) Date of Patent: Apr
US009314068B2 (12) United States Patent (10) Patent No.: US 9,314,068 B2 Schmutte (45) Date of Patent: Apr. 19, 2016 (54) SELF-CUSTOMIZED, MOLDABLE, (56) References Cited WEIGHT DISTRIBUTING INSERT FOR BALLET POINTE SHOES U.S. PATENT DOCUMENTS 1,525,848 A 2f1925 Bonaventure (76) Inventor: Kelly Susan Schmutte, Davis, CA (US) 1,704,281 A 3, 1929 Salvatore (*) Notice: Subject to any disclaimer, the term of this (Continued) patent is extended or adjusted under 35 U.S.C. 154(b) by 1103 days. FOREIGN PATENT DOCUMENTS EP 136415 A1 * 4f1985 (21) Appl. No.: 13/096,852 FR 266O168 A1 * 10, 1991 (22) Filed: Apr. 28, 2011 (Continued) OTHER PUBLICATIONS (65) Prior Publication Data Shepherd, Lesley. About.com: "Use Two Part Silicon Mold Putty to US 2011 FO265348A1 Nov. 3, 2011 Make Easy, Simple Molds”. Jul. 25, 2007. URL: <http://miniatures. about.com/od/miniaturebasics/p/silmoldputty.htm?p=1D.* (Continued) Related U.S. Application Data (60) Provisional application No. 61/330.312, filed on Apr. Primary Examiner — Alissa L Hoey 30, 2010. Assistant Examiner — Jameson Collier (74) Attorney, Agent, or Firm — Carr & Ferrell LLP (51) Int. Cl. (57) ABSTRACT A43B 7/14 (2006.01) A43B 23/08 (2006.01) A customizable pointe shoe insert is provided. Such an insert A43B5/12 (2006.01) achieves a “perfect fit” that is customized to each dancers (52) U.S. Cl. foot by using a moldable material to substantially fill the CPC. A43B5/12 (2013.01); A43B 7/145 (2013.01); voids within the box of the shoe, so weight is optimally A43B 7/1465 (2013.01); A43B 23/086 distributed across a greater percentage of the Surface of the (2013.01) forefoot when en pointe.
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The Ancestry of James Patten
THE ANCESTRY OF JAMES PATTEN THE ANCESTRY OF JAMES PATTEN 1747?-1817 OF ARUNDEL (KENNEBUNKPORT) MAINE BY WALTER GOODWIN DA VIS PORTLAND, MAINE THE SOUTHWORTH-.ANTHOENSEN PRESS 1941 CONTENTS INTRODUCTION Vil I. MATTHEW PATTEN OF BIDDEFORD 1 II. HECTOR p A TTEN OF SACO 11 III. WILLIAM PATTEN OF Bosnrn 43 IV. RonERT PATTEN oF ARUNDEL HJ V. WILLIAM PATTEN 01<' WELLS ,·0 VI. JOHNSTON OF STROUDWATER. 89 INDEX 105 INTRODUCTION 'I'HE title of this pamphlet, The Ancestry of James Patten, is to a great extent deceptive, for on the paternal side James Patten's father is his only "ancestor" now, or likely to be, discovered, while on the maternal side we can trace a slight three generations to a shadowy great-grandfather. However, the pamphlet is the sev enth in a series dealing with the ancestry of my great-great grandparents, and for the sake of uniformity it is so entitled. Actually it deals with the descendants of six men who emigrated to New England in the early years of the eighteenth century, four of them being the brothers Matthew Patten of Biddeford, Hector Patten of Saco, Robert Patten of Arundel, and '\Villiam Patten of Boston. The fifth, ·william Patten of Wells, presumably a close kinsman of the brothers, is included as by so doing all of the Pat ten emigrants who settled in Maine are conveniently grouped in one volume, while the sixth, James Johnston, finds an appropriate place herein as his granddaughter was James Patten's mother. All of these men were of Scotch descent, springing from fami lies which left Scotland in the seventeenth century, encouraged by the British government, to settle in the northern counties of Ireland which formed the ancient kingdom of Ulster, where they became a tough and unwelcome minority.
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Slide 1 C H a P T E R S I X ______THE LATE MIDDLE AGES C
Slide 1 C H A P T E R S I X ___________________________________ THE LATE MIDDLE AGES c. 1300 - 1500 ___________________________________ ___________________________________ Check for updates on the web now! ___________________________________ Click anywhere in the slide to view the next item on the slide or to advance to the next slide. Use the buttons below to navigate to another page, close the presentation or to open the help page. ___________________________________ ___________________________________ ___________________________________ Slide 2 14th Century: Styles for men continue to be loosely fitted, much like ___________________________________ those of the late 1200’s. ___________________________________ ___________________________________ ___________________________________ Medieval European man and woman, late 13th Century Man and woman, 1st half 14th Century C H A P T E R S I X 2 THE LATE MIDDLE AGES c. 1300 - 1500 © 2006 Fairchild Publications, Inc. ___________________________________ ___________________________________ ___________________________________ Slide 3 Undergarments For Men: 14th Century ___________________________________ Click image to apply chemise ___________________________________ ___________________________________ Short braies with hose Chemise ___________________________________ C H A P T E R S I X 3 THE LATE MIDDLE AGES c. 1300 - 1500 © 2006 Fairchild Publications, Inc. ___________________________________ ___________________________________ ___________________________________ Slide 4 Leg Coverings Worn
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Daily Iowan (Iowa City, Iowa), 1975-02-24
*. "** 5 '* Students: '* Senate abortion action draws fire *'* By WILLIAM FLANNERY WiUiam Hargrave of Iowa City, and problem of non-agricultural cor hIP IlltDOVer rate 01 officers I. _y '* eIIertioM ia tile I..a UiJDeI&er " a wall to ..., be laid, ud tile backIot Edlt«ial PAle EdItor IftIJWlCY ....eta &be We II Rep. John Patchett of North Liberty .. poratlons and foreign interests pur· Dean yea! omaa'. of IppliclJltl tile state pellet "It is disastrous for \hOse who sup la cIu,er. A doetor t!OIIld flce a The two and one-half·/Iour panel chasing Iowa farm land. to academy. * RD discussions were moderated by Sen. "At present, we don't know who port abortion." said Sen. Minnette UD-year jall lellteaet If toIIvkted * Doderer, D-Iowa City, in reaction to derthJsIa ... Doderer. The tooics ran2ed from tlX owns what," Rep. Hargrave said. The DemocratJc majority in the the passage of the feticide section of This amendment will have a reform to band-gun training for law noting-that there are a number of Iowa Legislature, Sen. Palmer said. * will try to push through legislation on the Iowa Criminal Code revision chilling effect upon many doctors and <iflCers. ways in which corporations and * Fees nay! made by the Iowa Senate Friday af hospitals which currently perform Sea. o.derer said tile Seale will foreign concerns could boy rich Iowa tax reform of personal and corporate * ternoon . abortions. Sen. Doderersaid. probably flnll. debate .a the farm land and go unnoticed by both income taxes. Included In such refor· * I Sen. Doderer said the pro-abortion Sen.
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Art Assignment:In Their Shoes Ideas for Finding Artwork and Designs Online
Art Assignment:In Their Shoes Ideas for finding artwork and designs online Metropolitan Museum of Art (http://www.metmuseum.org/home.asp) In formation since 1870, the Metropolitan Museum's collection now contains more than two million works of art from all points of the compass, ancient through modern times. About 6,500 objects—highlights from each of the Museum's curatorial departments—can be accessed online. The textile collection may be particularly useful for this assignment. Click this link: http://www.metmuseum.org/Works_of_Art/introduction.asp?dep=20 Detail from an 11th century Iranian (Persian) textile fragment. de Young Museum http://www.thinker.org/deyoung/index.asp The de Young houses outstanding collections of arts of the Americas, textiles, and art from Oceania and Africa. Click into the textile collection http://www.thinker.org/deyoung/collections/collection.asp?collectionkey=41 The example below is a pair of leggings from Bolivia (early 20th century). The National Gallery of Art (http://www.nga.gov/) Works of decorative art allow a close insight into cultures of the past. Among its holdings, the National Gallery has an extensive collection of European furniture, tapestries, and ceramics from the fifteenth and sixteenth centuries as well as medieval church vessels. In addition, the museum possesses a fine selection of eighteenth- century French furniture and a large group of Chinese porcelains. Click into decorative arts and scroll down to the various online collections: http://www.nga.gov/collection/gallery/decarts.shtm The example above is from the Italian Renaissance Ceramics collection. Ideas for finding images of shoes online 1.
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Boot and Shoe Industry in Massachusetts Before 1875
THE ORGANIZATION OF THE BOOT AND SHOE INDUSTRY IN MASSACHUSETTS BEFORE 1875 BLANCHE EVANS HAZARD PROFESSOR OF HOME ECONOMICS IN CORNELL UNIVERSITY CAMBRIDGE HARVARD UNIVERSITY PRESS LONDON: HUMYHREY MILFORD Oxrm Umansrn P.k~s 1921 TO THE MEMORY COPYRIC~,I 92 I OF MY HARVARD UNIVERSITY PRESS FATHER AND MOTHER PREFACE THEdevelopment of the boot and shoe industry of Massachu- setts proves to be an interesting and productive field for economic investigation, not merely because its history goes back to colonial days as one of the leading industries of the states, but more especially because the evolution of industrial organization finds here an unusually complete illustration. The change from older stages to the modem Factory Stage has been comparatively recent, and survivals of earlier forms have existed within the memory of the old men of today. Sources, direct or indirect, oral and recorded, can be woven together to establish, to limit, and to illustrate each one of these stages and the transitions of their various phases. The materials used as the basis of the conclusions given here have been gathered at first hand within the last ten years,%y the writer, in the best known shoe centres of Massachusetts, i.e., Brockton, the Brookfields, the Weymouths, the Braintrees, the Randolphs, and Lynn. The collection and use of such written and oral testimony has been attended with difficulty. No New England shoemaker of a former generation has dreamed that posterity would seek for a record of his daily work.2 Only inad- From 1~7-1917. f Exceptions to this did not occur until about 1880, when David Johnson of Lynn, and Lucy Larcom of Beverly, began to write in prose and poetry about the shoemaker's homely daily life.
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Shirts; Underwear; Baby Linen; Handkerchiefs
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Eastside Dance Company 2021
Eastside Dance Company 2021 - 2022 Shoe / Attire List STUDIO A and B Combo Classes • Light Pink dance attire can be any style leotard and skirts / tutus are permitted. • By recital all tie taps will need to have elastics tighten to fit your child’s foot. • Hair secured neatly up (buns strongly encouraged) ALL CLASSES • Leotards Required *NO crop tops, sports bras, permitted. Stomach must be covered. * • Hair is to be neatly secured back • Buns for Ballet Additional Notes • Lyrical Dancers, must take ballet in order to take lyrical • If a dancer has ballet before or after another class – they should wear their pink tights for both classes. Ballet attire trumps all other attire. 1 Monday Studio 4:10 – 5:00 5:00 – 5:50 5:50 – 6:40 6:40 – 7:30 7:30 – 8:20 A Jazz Tap *Lyrical *Lyrical Ballet 6 – 8 6 – 8 12 & up 8 – 12 10 – 12 Shoe Tan Bloch Slip on Tan Bloch Slip on Tap Tan Solid Foot Undeez Tan Solid Foot Undeez Pink Leather Ballet Jazz Shoe Shoe Attire Black Dance Attire Black Dance Attire Black Dance Attire Black Dance Attire Black Leotard Caramel Tights Caramel Tights Caramel or Pink Tights Caramel or Pink Tights Pink Tights Tights must be Tights must be Transition Transition Rolled up off feet Rolled up off feet If you have back-to- back OR classes with ballet – OR ballet attire trumps all. 2 Monday Studio 4:45 – 5:45 5:50 – 6:40 6:40 – 7:30 B Intro to Team Ballet Ballet Ballet 8 – 10 12 & up Shoe Pink Leather Ballet Pink Leather Ballet Pink Leather Ballet Attire Black Leotard Black Leotard Black Leotard Pink Tights Pink Tights Pink Tights If you have back-to- back If you have back-to- back If you have back-to- back classes with ballet – ballet classes with ballet – ballet classes with ballet – ballet attire trumps all.
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Allgäu (Germany)
Concealed Leather and Fur Finds from Kempten/ Allgäu (Germany) Institut für Archäologie, Bauforschung und Denkmalpflege Universität Bamberg D-96045 Bamberg 1. The find situation in the "Mühlberg- Ensemble“ in Kempten In the centre of the former Reichsstadt Kempten (Allgäu) the so-called "Mühlberg-Ensemble" is located. This group of three citizen's houses (Mühlberg No. 8, 10 and 12) was built between 1289 (d) and 1354 (d). In 1996, during reconstruction works the urban office for archaeology screened ceiling and wainscotting fillings by sifting. In these fillings a plenty of everydays objects from late medieval period up to about 1920 were enclosed. In the house Mühlberg No. 8 (cf. section below) the oldest complex was discovered, according to the enclosed objects it dates from about 1470 to 1550 AD. A second, slightly younger complex was found between the walls of the houses no. 8 and no. 10, it contained finds from the second half of the 16th century and later. All objects are extraordinary well preserved: Seams are completely intact, street mud The Kempten complex concealed in the ceiling between the first and the second floor and behind the wainscotting contained a wide range of extraordinary well preserved organic finds such as clothing e.g. shoes, is still sticking on shoes and textiles show the rest of hoods, berets, mittens, gloves; accessories, e.g. bags, straps, three balls; textiles, wood, e.g. waste from a turnery; written sources, e.g. a love letter, playing-cards and arms, e.g knives, sheaths and even a fragment pigmentation. of a jack of plate.
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Leather and Leatherworking in Anglo-Scandinavian and Medieval York 338.4’7685’0942843’0902
The Archaeology of York Volume 17: The Small Finds General Editor R.A. Hall © York Archaeological Trust for Excavation and Research 2003 Published by Council for British Archaeology Bowes Morrell House 111 Walmgate York YO1 9WA The Archaeology of York Vol.17: The Small Finds Fasc.16: Craft, Industry and Everyday Life: Leather and Leatherworking in Anglo-Scandinavian and Medieval York 338.4’7685’0942843’0902 First published in print format 2003 ISBN 1 902771 36 2 ISBN 978-1 874454 50 2 (e-book) Printed by Cover design: L. Collett Charlesworth Cover photography: M. Andrews Huddersfield W. Yorkshire Craft, Industry and Everyday Life: Leather and Leatherworking in Anglo-Scandinavian and Medieval York By Quita Mould, Ian Carlisle and Esther Cameron Published for York Archaeological Trust by the 2003 Council for British Archaeology Contents General Introduction .....................................................................................................................................................3185 Introduction to the sites and their dating by R.A. Hall, N.F. Pearson and R. Finlayson ........................................3187 The nature of the assemblages .....................................................................................................................................3203 Conservation of the Leatherwork by J.A. Spriggs .....................................................................................................3213 Craft and Industry .........................................................................................................................................................3222
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De-Orientalizing Classical Ballet in the Twenty-First Century
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 De-Orientalizing Classical Ballet in the Twenty-First Century Pamela Gendron Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Dance Commons Recommended Citation Gendron, Pamela, "De-Orientalizing Classical Ballet in the Twenty-First Century" (2020). MA Theses. 67. https://digitalcommons.sia.edu/stu_theses/67 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. De-Orientalizing Classical Ballet in the Twenty-First Century by Pamela Gendron A thesis project submitted in conformity with the requirements for the Master’s Degree in Contemporary Art Sotheby’s Institute of Art 2020 13,008 words Abstract The objective of this thesis is to examine the efficacy of strategies used to de-Orientalize canonical ballets. Of particular interest are contemporary productions of The Nutcracker, La Bayadère and Giselle. Through close readings of digitized performances, I explore the ways in which the best practices for presenting non-offensive stereotypes put forth by community leader Final Bow for Yellowface reinforce the conservative impulse of ballet rather than inspire radical change. I present an alternative option for renegotiating racial stereotypes in ballet through Akram Khan’s commissions for the English National Ballet, situating his work within Anurima Banerji’s concept of partatopic performance.
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Old English Trade Names and Descriptions
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