Spring 2003 Issue (PDF)
N O T E S F R O M ZAMIR SPRING 2003 THE M AGAZINE OF THE Z AMIR C HORALE The Food of Italian Jews, page 27 OF B OSTON Zamir’s Mission to Israel, page 31 The Jews of Italy: A Paper Symposium MUSICA EBRAICA In 1622 the Venetian rabbi Leon Modena wrote, “No longer will arrogant opponents heap scorn on the Hebrew folk. They will see that it too pos- sesses talent, the equal of the best endowed.” What kind of scorn had Modena experienced? In 1611 Thomas Coryat published a book about his impressions of Venice. He referred to the sing- ing in the synagogue as “exceeding loud yelling, indecent roar- ing, and as it were a beastly bellowing.” What was the basis for Modena’s optimism? “There has arisen in Israel, thank God, a very talented man, versed in the singer’s skill, who has performed music before princes, yea, dukes and nobles. He set the words of the psalms to music or- ganized in harmony, designating them for joyous song before the Ark.” Salamone Rossi, That man was the Jewish composer Salamone Rossi, who, the Mystery Man of Jewish Art Music Composers in 1622, produced the first book of its kind: a stunning setting by Don Harrán 5 of the synagogue service. “He is more talented than any other Rabbis, Politics, and Music: man, not only those of our own people, for he has been com- Leon Modena and Salamone Rossi pared with, and considered the equal of, many of the famous by Howard Tzvi Adelman 8 men of yesterday among the families of the earth.” Lord & Tailor: As we listen to Rossi’s music we become aware of the ex- Fashioning Images of Jews in Renaissance Italy traordinary accomplishments of the Jews in Renaissance Italy.
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