1 Kathleen M. Coleman Department of the Classics
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1 Ever Since First Reading About Female Gladiators, the Concept and Details
Ever since first reading about female gladiators, the concept and details behind such “woman warriors” has continued to fascinate me. While there are fewer primary sources that discuss female gladiators and their involvement in the arena, the sources I did locate helped me compile an interesting insight into the potential life of a female gladiator. I decided to direct my focus on a woman of the upper, elite class becoming a gladiator because I believe that “transformation” from femina (a woman of upper class status) to gladiator is more interesting than a woman of lower status making the choice to fight in the arena. I draw evidence from two books: Gladiatrix: The True Story of History’s Unknown Woman Warrior by Amy Zoll, and Women in Ancient Rome: A Sourcebook by Bonnie Maclachlan. I also cite two scholarly articles: “Female Gladiators in Imperial Rome: Literary Context and Historical Fact” by Anna McCollough, and “New Evidence of Female Gladiators” by Alfanso Manas, and I utilize three readings from class, including: “Roman Sexualities” by Judith P. Hallett and Marilyn B. Skinner, “Sexuality and Gender in the Classical World” by Laura McClure, and “Recruitment and Training of Gladiators” by Rodger Dunkle. In the first part of my letter, I mention the shame and infamia that Cassia has brought upon her family by making the choice to become a female gladiator: “I know you both fund it disgusting and unthinkable that I gave up my status as the daughter of a wealthy senator to pursue the lifestyle of a female gladiator”. I drew a lot of my information for this section from Anna McCollough’s article “Female Gladiators in Imperial Rome: Literary Context and Historical Fact”. -
Music for Monsters: OVID's METAMORPHOSES, BUCOLIC EVOLUTION, and BUCOLIC CRITICISM
Princeton/Stanford Working Papers in Classics Music for Monsters: Ovid’s Metamorphoses, Bucolic Evolution, and Bucolic Criticism Forthcoming in M. Fantuzzi-Th. Papanghelis (edd.), The Brill Companion to Ancient Pastoral, Leiden 2007 Version 1.0 December 2005 Alessandro Barchiesi Stanford University Abstract: The paper has been written for a collection whose aim is charting the entire development of a genre, pastoral or bucolic poetry, throughout Graeco-Roman antiquity. My discussion complements studies of poems that can be labelled ‘bucolic’ or ‘pastoral’ through an external vantage point: the perception of bucolic and pastoral in the perspective offered by Ovid’s Metamorphoses, a maverick, bulimic epic poem, a poem in which many traces of other genres can be identified and everything undergoes a transformation of some sort. The examination of some individual episodes in the epic suggests ways in which the bucolic/pastoral tradition is being reconsidered, but also challenged and criticized from specific Roman viewpoints, not without satiric undertones. © Alessandro Barchiesi: [email protected] 1 Music for Monsters: OVID'S METAMORPHOSES, BUCOLIC EVOLUTION, AND BUCOLIC CRITICISM Alessandro Barchiesi Ovidian epic promises what is potentially important evidence about the evolution of the bucolic genre after Virgil. The setting is a propitious one. After the instant success of the Eclogues, and while Theocritus as well as Moschus and Bion were still important poetic voices in Rome, bucolics must have been accepted, for the first time in the Western tradition, as an institutionalized genre. On the other hand, Ovid is the quintessential 'post-generic' poet: his epic presupposes a fully formed system of genres, substantially the very system that would be canonized and transmitted to the European tradition. -
Archaeology Books for Adult
AIA Education Department Bibliographies: Books for Adults Bibliographies Archaeology Books for Adult General Archaeology Publishing. Ashmore, W and R.J. Sharer. 2003. Archaeology: Discover- Fagan, B. 1994. Quest for the Past: Great Discoveries ing Our Past. Rev. Third Edition. New York: McGraw in Archaeology. Prospect Heights, Illinois: Waveland Hill. Press. Bahn, P. 2000. Archaeology: A Very Short Introduction. Fagan, B. 2001. The Seventy Great Mysteries of the Ancient Oxford: Oxford University Press. World: Unlocking the Secrets of Past Civilizations. New Bahn, P. 2002. Bluff Your Way in Archaeology. London: York: Thames & Hudson. Oval Books. Feder, K.L. 2008. Frauds, Myths, and Mysteries: Science and Bahn, P. 2003. The Atlas of World Archaeology. London: Pseudoscience in Archaeology. New York: McGraw-Hill Batsford. Higher Education. Barber, R. J. 1994. Doing Historical Archaeology: Exercises Forte, M. and A. Siliotti, eds. 1997. Virtual Archaeology: Re- Using Documentary, Oral, and Material Evidence. Engle- creating Ancient Worlds. New York: Harry N. Abrams, wood Cliffs, NJ: Prentice Hall. Inc., Publishers. Bowman, S. 1990. Radiocarbon Dating. Interpreting the Past. Gamble, C. 2004. Archaeology: The Basics. London: Berkeley: University of California Press. Routledge. Bray, W. 1970. The American Heritage Guide to Archaeol- Gosden, C. 2003. Prehistory: A Very Short Introduction. ogy. New York: American Heritage Press. Oxford: Oxford University Press. Daniel, G. 1983. A Short History of Archaeology. New Greene, K. 2002. Archaeology: An Introduction. Rev. York: Thames and Hudson,Ltd. Fourth Edition. New York: Routledge. Daniels, S. and N. David. 1982. The Archaeology Work- Haywood, J. 2004. World Atlas of the Past: The Ancient book. Philadelphia, University of Pennsylvania Press. -
Roma Victrix Free
FREE ROMA VICTRIX PDF Russell Whitfield | 512 pages | 01 May 2012 | Myrmidon Books Ltd | 9781905802418 | English | Newcastle, United Kingdom Legio VI Victrix - Wikipedia Exhaustively researched over the course of two years and Roma Victrix to five months of design and historical scrutiny, this 'poster' is not simply an artistic work, but truly an educational resource in its own right. This large map is unique wall decor that is perfect for the den, office or classroom and will delight history buffs; particularly those with a special interest in the Ancient Roman Empire. With the map features presented in the original Latin, it will also make an educational Roma Victrix for the student, teacher or professor. No classroom focused on ancient history Roma Victrix classical studies should be without this spectacular reference and conversational piece. Audiobooks are becoming increasingly popular. On the move? Simply plug in your Roma Victrix and listen on the go. Busy at home? Have them on speaker and keep both hands free to do other tasks. Listening in bed? If you fall asleep just resume playing from where you got to last night. Plus there's no need to keep your partner awake in bed with lights like you would do if you were reading a book. Amazon Audible currently have thousands of books of all genres available as audiobooks, with at time of writing in the "History: Ancient" category alone, including Theodor Mommsen's Roma Victrix History of Roma Victrix Welcome to UNRV. History of Ancient Rome. We will delve into all aspects of its society and those of her neighbors, and perhaps share a greater understanding of our own world through that of the past. -
African Women in the Gladiatorial Games of Rome
“Usually, when people talk about the "strength" of black women . they ignore the reality that to be strong in the face of oppression is not the same as overcoming oppression, that endurance is not to be confused with transformation.” – Bell Hooks* African Women in the Gladiatorial Games of Rome By Marjorie Charlot y interest in finding African women who were gladiators, or who were forced M to take part in arena games in history, began after watching the film Gladiator. This film starring the actor Russell Crowe showed a black woman driving a chariot around the Roman coliseum. I found this fascinating, as I had never heard of female gladiators, let alone of black women, fighting in the arena. Despite extensive inquiry into the subject, the names of these women regrettably are lost to history. However, I discovered that Ethiopian men and women, and in one case even children, were thrown into the arena to participate in this heinous form of entertainment. Women took part in gladiatorial combat under diverse circumstances; they had to take a stand for their own or for others’ freedom, or pay a price for their beliefs and, in doing so, showed remarkable bravery. Although some women would willingly take part in the gladiatorial games, it is clear that many women and men were forced to participate. A Brief History To say the games held in the arenas of ancient Roma were violent would be an understatement. The Romans’ thirst for blood and violence knew no boundaries, for no one was Sankofa Griotte Journal (Vol.1, No.1): 4 -21. -
Department of Classics, Aristotle University of Thessaloniki Corpus Christi College Centre for the Study of Greek and Roman Antiquity, University of Oxford
Department of Classics, Aristotle University of Thessaloniki Corpus Christi College Centre for the Study of Greek and Roman Antiquity, University of Oxford 11th Trends in Classics International Conference Intratextuality and Roman Literature May 25-27, 2017 http://www.lit.auth.gr/11th_trends Auditorium I Research Dissemination Center Aristotle University of Thessaloniki September 3rd Avenue, University Campus http://kedea.rc.auth.gr With the kind support of: The J.F. Costopoulos Foundation AUTH Research Committee Organizing Committee Theodore Papanghelis (Aristotle University of Thessaloniki & Academy of Athens) Stephen Harrison (University of Oxford) Antonios Rengakos (Aristotle University of Thessaloniki & Academy of Athens) Stavros Frangoulidis (Aristotle University of Thessaloniki) Recent years have witnessed an increased interest of classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interfaces between various parts of the same text within the overall production of a single author, namely intratexts. Taking a leaf out of the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by Alison Sharrock and Helen Morales(Oxford 2000), which largely sets the theoretical framework for internal associations within Classical texts, the conference will address issues of intratextuality in Latin poetry and prose. Of interest will also be the ways in which the poetics of intratextuality are received by later authors within the same genre or not, i.e. a combination of intertextual and intratextual poetics. -
Letter from the Chairclassics Rate, and Very Successful Job Placement, Philological Association, and Winning Fame Given the State of the Market
Online Version Princeton NEWSLETTER OF THE DEPARTMENT OF CLASSICS Spring 2013 Letter from the ChairClassics rate, and very successful job placement, Philological Association, and winning fame given the state of the market. for his blogs. Michael Flower has been pro- The overall assessment of the under- moted to Lecturer with the rank of Profes- graduate program is extremely positive, sor, an exalted title shared with Nobel lau- leaving the impression that undergradu- reates, ambassadors, foundation heads and ate majors are very well cared for: they that crowd. Joshua Katz’s extraordinary are well advised, they work hard, are well teaching has been honored with a Cotsen taught, and they are generally quite happy Faculty Fellowship, to develop new courses and free to explore other curricular and and train graduate students over the next extra-curricular interests. They also go on three years. Brent Shaw has just published to land good jobs and to be accepted in fine another long, weighty and magisterial graduate programs in an impressive array book, the second in two years. But pride of fields. of place is reserved for the equally prolific Consider the above condensation to be Bob Kaster and his book on the Appian passed to you sub rosa, with the immortal Way, which has won 4.3 stars on Ama- caveat of my mentor, Francis Urquhart, zon.com and a reader’s recommendation “You might very well think that; I couldn’t that it is (hint) “a great gift for the Latin possibly comment.” teacher or budding classicist.” Ted Champlin, Chair Were there any criticisms? I couldn’t Many more details about the faculty’s o resume. -
Poetry Across Languages: Literature, Literalism and the Latin Tradition
NEH Application Cover Sheet Fellowships PROJECT DIRECTOR Stephen E Hinds E-mail:[email protected] Home Address: Phone: (b) (6) (b) (6) Fax: UNITED STATES Field of Expertise: Classics INSTITUTION University of Washington, Department of Classics Seattle, WA APPLICATION INFORMATION Title: Poetry across languages: literature, literalism and the Latin tradition Grant Period: From 9/2013 to 8/2014 Field of Project: Literature - Classical Description of Project: A book on the cross-linguistic relations of poetic writing in Latin, which will seek to destabilize the usual narratives of Roman literary culture and classical tradition. Latin literature has always been constituted by its relationships with other languages and traditions: for ancient readers by its ever-changing relationship with Greek; for modern readers by no less constitutive relationships with the European vernaculars. I will emphasize cross-linguistic events in which the correspondence between texts in different languages is so close as to approach the condition of translation, without quite being the same thing as translation, and where the very issue of movement between languages is somehow central. This chronologically spacious project involves a significant mid- career redirection of my energy and expertise. A Fellowship can allow me to make a concentrated push on the book after I present its core as three invited Gray Lectures at Cambridge University in May next year. REFERENCE LETTERS Denis Feeney Alessandro Barchiesi Giger Professor of Latin Spogli Professor of Latin Classics Classics Princeton University Stanford University (also University of Siena at [email protected] [email protected] Stephen Hinds: NARRATIVE Poetry across languages: literature, literalism and the Latin tradition 1 RESEARCH AND CONTRIBUTION. -
Mo Ntebell O
The Montebello Voice an independent gazette shall we dance? July 14, 2021 voices on the 37 Jam session I’m looking to get together with musi- cians who live in Montebello. I general- ly play blues and classic rock, but inter- ested in just about any type of acoustic or electric music. I would be interested in putting some set lists out and maybe writing and recording some music. I play guitar and harmonica and sing. Get in touch with me at coreywalters@ yahoo.com.– Corey Walters M Cover photo of Stormy the Great and Frank Sprague by Dian McDonald The ntebel Voice Mo lo an independent gazette Alexandria, Virginia This publication accepts no funding or oversight from advertisers, residents, or the Montebello Condominium Unit Owners Association. All opinions are encouraged and reflect the diversi- ty of views in the community. All articles and photographs come from Montebello residents. To receive or contribute to this email-only gazette, contact [email protected] or visit Bambis in on the web at www.montebellovoice.com. the wood- lands by Editor & Designer Linda Mikhailina Karina Brownlee Contributors Joe de Angelis, Linda Brown- lee, Raymond Houck, Dian McDonald, Bob Shea, Frank Sprague, Corey Walters The Montebello Voice 2 July 14, 2021 gentle giant Frank and Stormy I have lived with a Norwegian Elkhound, black Lab, and multiple Great Danes. I had been looking for a dog for a few years and tried to rescue a greyhound, but didn’t get through the waitlist before the tracks closed. I also tried multiple local rescues – to no avail. -
Joy Connolly 365 Fifth Ave Office of the President the Graduate Center, City University of New York New York, NY 10016 [email protected]
Joy Connolly 365 Fifth Ave Office of the President The Graduate Center, City University of New York New York, NY 10016 [email protected] POSITIONS HELD The Graduate Center, City University of New York Interim President 2018-present Provost, Senior Vice President, and Distinguished Professor of Classics 2016-2018 New York University Dean for the Humanities, Faculty of Arts and Science 2012-2016 Director of the College Core Curriculum, College of Arts and Science 2009-2012 Professor of Classics 2014-2016 Associate Professor of Classics 2007-2014 Assistant Professor of Classics 2004-2007 Stanford University, Assistant Professor of Classics and by courtesy, Political Science 2000-2004 University of Washington, Assistant Professor of Classics 1997-2000 EDUCATION PhD, Classical Studies, University of Pennsylvania 1997 AB, Classics, Princeton University 1991 GRANTS, AWARDS, AND FELLOWSHIPS Andrew W. Mellon Foundation, $2,265,000 “Transforming doctoral 2018-2021 education for the public good,” institutional grant, The Graduate Center Andrew W. Mellon Foundation, $2,000,000, “Architecture, urbanism, 2013-2018 and the humanities,” institutional grant, New York University Research Fellowship, Netherlands Institute for Advanced Study Spring 2012 Golden Dozen Teaching Award, New York University 2010 Teagle Foundation Grant, “Civic education,” $65,000 2007-2012 Laurance S. Rockefeller Fellowship, Center for Human Values, 2003-2004 Princeton University Postdoctoral Fellowship, Classics Department, Stanford University 1999-2000 Faculty Fellowship, Center for the Humanities, University of Washington Fall 1998 Boeing Endowment for Excellence Award, University of Washington 1997-98 Dean’s Scholar, University of Pennsylvania 1996-97 !2 PUBLICATIONS BOOKS The Life of Roman Republicanism (Princeton UP, 2014) The State of Speech: Rhetoric and Political Thought in Ancient Rome (Princeton UP, 2007) Edition of Wilkie Collins’ The Moonstone with introduction, bibliography, and notes (Barnes and Noble, 2005) ARTICLES AND BOOK CHAPTERS Envoi: Migrancy. -
Women, Weaponry and Warfare
Women, weaponry and warfare A multidisciplinary study of the use of weapons by women in Dynastic Egypt Number of Volumes: 2 Volume 1 of 2 Rebecca Angharad Dean M.Phil University of York Archaeology March 2013 ii Abstract This thesis is a detailed study of the utilisation of weaponry by ancient Egyptian women during the Dynastic Period. This work incorporates extended literature reviews, including a detailed discussion of several examples of women utilising weaponry and taking part in warfare in societies outside of Dynastic Egypt, an analysis of feminist and gender-based approaches to the subject, an examination of women within ancient Egyptian society, and a review of the specific weapons associated with these women. Detailed experimental archaeology also forms part of the thesis research in order to test the effectiveness or ineffectiveness of the specific weaponry when utilised by both men and women. In addition to the experimental work, a comparative discussion of examples of weapons’ trauma on ancient Egyptian remains is carried out. The thesis concludes with the discussion of research carried out and the potential for future work, and the conclusions drawn from all aspects of the thesis research. A catalogue of unpublished ancient Egyptian weaponry in the collections of the Harrogate Royal Pump Room Museum and the Yorkshire Museum in York is also included as an Appendix to the thesis. Volume One iii Contents Volume One: Abstract – ii Acknowledgments – v Declaration – vi Introduction – 1 Chapter One - Women and Weapons Outside -
Brill's Companion to Callimachus, Leiden: Brill
200 BOOK REVIEWS Benjamin Acosta-Hughes, Luigi Lehnus, Susan Stephens (eds.), Brill’s Companion to Callimachus , Leiden: Brill, 2011. Xviii + 708 pp. ISBN 13: 978-90-04-15673-9. ‘Nay, if you come to that, Sir, have not the wisest men in all ages, not excepting Solomon himself,—have they not had their Hobby-Horses?’ Laurence Sterne, Tristram Shandy , Chapter 1.VII. This is not a handbook. As the editors explain in the introduction, they have not set out to cover the topics that might have been expected in a one-volume Companion to Callimachus, or at least, they do not cover them in a conventional way, author by author or genre by genre. Instead, the collection is organised into five sections — ‘The Material Author’, ‘Social Contexts’, ‘Sources and Models’, ‘Personae’, and ‘Callimachus’ Afterlife’. An Index Rerum which has been considerately designed, and does not dismay the reader with line upon line of undifferentiated numbers, directs us, instead, towards discussions (for example) of performance, or Homer, or hymns and the hymnic genre as they are distributed across the structure adopted here. So far so good. For me, the question about this volume is whether the contributors, instead of being marshalled into starting boxes and let loose upon a pre-set track, have sometimes been allowed to gallop away on their respective hobby-horses. The titles of the sections are more or less self-explanatory. Section One concerns papyri and the contexts in which Callimachean fragments are quoted (though Peter Parson’s essay, essentially on socio-linguistic context, belongs more naturally in Section Two).