DOCSLIB.ORG

Agreement for the Sale of the Peters Music Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Agreement for the Sale of the Peters Music Library DATED 2011 THE HEIRS OF HENRI HINRICHSEN (1) and THE CITY OF LEIPZIG (2) AGREEMENT FOR THE SALE OF THE PETERS MUSIC LIBRARY Wilsons Solicitors LLP Steynings House Summerlock Approach Salisbury Wiltshire SP2 7RJ Tel: (01722) 412412 Fax: (01722) 427613 Ref: ACRR THIS AGREEMENT is dated 2011 PARTIES (1) THE HEIRS OF THE ESTATE OF HENRI HINRICHSEN being the persons listed in schedule 1 (together the Sellers ) (2) THE CITY OF LEIPZIG a public authority established and existing under the laws of the Federal Republic of Germany, whose principal office is at 04109 Leipzig, Martin-Luther-Ring 4-6 (the Buyer ) RECITALS (A) The Sellers are the heirs of the estate of Henri Hinrichsen. As such they are the owners of the musical collection known as ‘The Peters Music Library’. (B) The Sellers have agreed to sell and the Buyer has agreed to buy The Peters Music Library, for the benefit of its citizens, subject to and on the terms and conditions of this agreement. AGREED TERMS 1 Interpretation 1.1 The definitions and rules of interpretation in this clause apply in this agreement. 1.1.1 Assets means all property, rights and interests of the Sellers in all or any part of the Library and the IP Rights. 1.1.2 Assumed Liabilities means all debts, liabilities and obligations of any nature of the Sellers relating to the whole or any part of the Library or the IP Rights, whether actual or contingent, which are due or outstanding on or have accrued at the Effective Time, including any costs in relation to their storage, insurance, cataloguing, preservation or display but excluding any costs related to the establishment or protection of, or dealing with, the Sellers title to the Assets. 1.1.3 business day means a day (other than a Saturday, Sunday or public holiday) when banks in London and Frankfurt am Main are open for business. 1.1.4 Catalogue means the partial schedule of items within the Library forming part of the valuation produced by Dr Helmut Hell dated March 2009 and annexed to this agreement. 1.1.5 Completion means the entry into force completion of this agreement with undersigning by all Sellers and all Buyers of the sale and purchase of the Assets in accordance with this agreement. 1.1.6 Completion Date means the date of the last Seller or Buyer undersigned this agreement. H:\Hans-Georg Fieseler\Musikbibliothek Peters\Kaufvertrag\Angebot der Eigentümer 2011\4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.docH: \Hans -Georg Fieseler \Musikbibliothek Peters \Kaufvertrag \Angebot der Eigentümer 2011 \4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.doc1 C: \wordmlservice \output \88408a68fd94483fbee55b6a725f63b2.xml 1.1.7 Cultural Purposes means investigation, indexing, cataloguing or description of items for archival or research purposes; storage or other retention as part of the organised archives of a non - commercial 1 public cultural or civic institution; academic or other study of items for historical, musicological or other intellectual , non -commercial public purposes; conservation or restoration; public display or exhibition; use for or in connection with any public non -commercial , cultural programme of performance of musical works. 1.1.8 Effective Time means the close of business on the Completion Date. 1.1.9 Encumbrance means any mortgage, charge (fixed or floating), pledge, lien, hypothecation, guarantee, trust, right of set-off or other third party right or interest (legal or equitable) including any assignment by way of security, reservation of title or other security interest of any kind, however created or arising, or any other agreement or arrangement (including a sale and repurchase agreement) having similar effect. 1.1.10 German Legal Opinion means a completed and dated opinion in the agreed form on matters of German la w delivered by [ name of relevant firm]. 2 1.1.11 1.1.10 IP Rights means all copyright, rights under licences, database rights, rights in confidential information, moral rights and any other intellectual property rights in respect of the Library or any part of it, in each case whether registered or unregistered and including all applications for and renewals or extensions of such rights, and all similar or equivalent rights or forms of protection in any part of the world. 1.1.12 1.1.11 Library means all materials of any type forming the collection of musical scores, manuscripts, letters, journals, photographs and other papers currently held at the Bach Archiv and other locations within the City of Leipzig and known collectively as The Peters Music Library, including [those bearing the catalogue markings “ “ ;] all items listed in the Catalogue and the Major Items. 3 1.1.13 1.1.12 Major Items means the items listed in schedule 2. 1 Each presentation of the PML or each lending in the public library for which we would take an entrance or loan fee, would be unallowed 2 We cannot give a legal opinion, in addition we will not find any lawer, who gives us this guarantee; if the City Council of Leipzig confirmed the sale and this sales agreement, it is for us as the administration the basic for entry into force the agreement; please look at our warranty after Pt. 9.1 3 clarification necessary : we have about 25.000 archive cards, bounded in 8 or 9 ring binders to define the “Library” and a picture “Bi 3036 Gruppenbild XIII -, “Pantheon musical” is missing after repassing the berlin items on January 19 th /20 th 2009, look at the protocole from Jan. 20 th 2009 undersigned by Barbara Quandt,Thomas Stein and Brigitte Geyer H:\Hans-Georg Fieseler\Musikbibliothek Peters\Kaufvertrag\Angebot der Eigentümer 2011\4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.docH: \Hans -Georg Fieseler \Musikbibliothek Peters \Kaufvertrag \Angebot der Eigentümer 2011 \4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.doc2 C: \wordmlservice \output \88408a68fd94483fbee55b6a725f63b2.xml 1.1.14 1.1.13 New Item of Significant Value means an item forming part of the Library that is not a Major Item or otherwise listed in the Catalogue (other than by generic description with other items) and having an estimated open market sale value at the time of its discovery in excess of €50,000. 1.1.15 1.1.14 Price means the sum payable pursuant to clause 4.14.1 5.1 . 1.1.16 1.1.15 Sellers’ Representative means Tim Berg of 7a Britwell Road, Burnham, Buckinghamshire, England, SL1 8AF or such other person as all of the Sellers or the Sellers’ Representative may notify to the Buyer from time to time. 1.1.17 1.1.16 Sellers’ Solicitors means Wilsons Solicitors LLP of Steynings House, Summerlock Approach, Salisbury, SP2 7RJ, United Kingdom. 1.1.18 1.1.17 Tax means all forms of taxation and statutory, governmental, state, federal, provincial, local, government or municipal charges, duties, imposts, contributions, levies, withholdings or liabilities wherever chargeable and whether of the UK or any other jurisdiction; and any penalty, fine, surcharge, interest, charges or costs relating thereto, and taxation means the same. 1.2 Clause and schedule headings do not affect the interpretation of this agreement. 1.3 A reference to a clause or a schedule is a reference to a clause of, or schedule to, this agreement. A reference to a paragraph is to a paragraph of the relevant schedule, and a reference to an appendix is to the relevant appendix to this agreement. 1.4 A person includes a corporate or unincorporated body. 1.5 Words in the singular include the plural and in the plural include the singular. 1.6 A reference to one gender includes a reference to the other gender. 1.7 Any reference to any party or person includes that party or person’s successors in title and assigns. 1.8 A reference to a statute, statutory provision or any subordinate legislation made under a statute is to such statute, provision or subordinate legislation as amended or re-enacted from time to time whether before or after the date of this agreement and, in the case of a statute, includes any subordinate legislation made under that statute whether before or after the date of this agreement. 1.9 Writing or written includes faxes but not e-mail. 1.10 Documents in agreed form are documents in the form agreed by the parties to this agreement and initialled by them or on their behalf for identification. H:\Hans-Georg Fieseler\Musikbibliothek Peters\Kaufvertrag\Angebot der Eigentümer 2011\4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.docH: \Hans -Georg Fieseler \Musikbibliothek Peters \Kaufvertrag \Angebot der Eigentümer 2011 \4140720_3_Sale Agreement - Peters Music Library[1] - markups Leipzig.doc3 C: \wordmlservice \output \88408a68fd94483fbee55b6a725f63b2.xml 1.11 Where the words include(s) , including or in particular are used in this agreement, they are deemed to have the words without limitation following them. 1.12 Any obligation in this agreement on a person not to do something includes an obligation not to agree or allow that thing to be done. 1.13 References to this agreement include this agreement as amended or varied in accordance with its terms. 2 Agreement to sell and buy In consideration of the Price and the other obligations of the Buyer under this agreement the Sellers shall sell, with full title guarantee and free from all Encumbrances and the Buyer shall buy, with effect from the Effective Time, each Seller’s entire interest in: 2.1 the Library; and 2.2 the IP Rights; 3 After this agreement Aassumed Liabilities 3.1 4The Buyer shall with effect from the Effective Time: 3.1.1 assume responsibility for and pay, satisfy or perform the Assumed Liabilities; and 3.1.2 pay, satisfy or discharge all debts, liabilities and obligations incurred by the Buyer in connection with the Assets after the Effective Time.
Load more

Recommended publications
  • Persecution, Collaboration, Resistance
    Münsteraner Schriften zur zeitgenössischen Musik 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ›Reichskommissariat Norwegen‹ (1940–45) Münsteraner Schrift en zur zeitgenössischen Musik Edited by Michael Custodis Volume 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ‘Reichskommissariat Norwegen’ (1940–45) Waxmann 2020 Münster x New York The publication was supported by the Deutsche Forschungsgemeinschaft , the Grieg Research Centre and the Westfälische Wilhelms-Universität Münster as well as the Open Access Publication Fund of the University of Münster. Bibliographic information published by the Deutsche Nationalbibliothek Th e Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data are available in the Internet at http://dnb.dnb.de Münsteraner Schrift en zur zeitgenössischen Musik, Volume 5 Print-ISBN 978-3-8309-4130-9 E-Book-ISBN 978-3-8309-9130-4 DOI: https://doi.org/10.31244/9783830991304 CC BY-NC-SA 4.0 Waxmann Verlag GmbH, 2020 Steinfurter Straße 555, 48159 Münster www.waxmann.com [email protected] Cover design: Pleßmann Design, Ascheberg Cover pictures: © Hjemmefrontarkivet, HA HHI DK DECA_0001_44, saddle of sources regarding the Norwegian resistance; Riksarkivet, Oslo, RA/RAFA-3309/U 39A/ 4/4-7, img 197, Atlantic Presse- bilderdienst 12. February 1942: Th e newly appointed Norwegian NS prime minister Vidkun Quisling (on the right) and Reichskomissar Josef Terboven (on the left ) walking along the front of an honorary
    [Show full text]
  • On the Trail of Jewish Music Culture in Leipzig
    Stations Mendelssohn-Haus (Notenspur-Station 2) On the trail of Jewish Mendelssohn House (Music Trail Station 2) / Goldschmidtstraße 12 The only preserved house and at the same time the deathbed of Felix Mendelssohn Bartholdy (1809-1847), conductor of Leipzig’s Gewandhaus and founder of the rst German conservatory. music culture in Leipzig Musikverlag C.F.Peters / Grieg-Begegnungsstätte (Notenspur-Station 3) C.F.Peters Publishers/Grieg Memorial Centre (Music Trail Station 3) / Talstraße 10 Headquarters of the Peters’ Publishing Company since 1874, expropriated by the National Socialists in 1939; Henri Hinrichsen, the publishing manager and benefactor, was murdered in Auschwitz Concentration Camp in 1942. Wohnhaus von Gustav Mahler (Notenbogen-Station 4, Notenrad-Station 13) Gustav Mahler’s Residence (Music Walk Station 4, Music Ride Station 13) / Gustav-Adolf-Str.aße12 The opera conductor Gustav Mahler (1869-1911) lived in this house from 1887 till 1888 and composed his Symphony No.1 here. Wohnhaus von Erwin Schulho (Notenbogen-Station 6) Erwin Schulho ‘s Residence (Music Walk Station 6) / Elsterstraße 35 Composer and pianist Erwin Schulho (1894-1942) lived here during his studies under the instruction of Max Reger between 1908 and 1910. Schulho died in Wülzburg Concentration Camp in 1942. Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ - Max Reger (Notenbogen-Station 9, Notenrad-Station 3) Leipzig Conservatory named after its founder Felix Mendelssohn Bartholdy (Music Walk Station 9, Music Ride Station 3) / Grassistraße 8 The main building of the Royal Conservatory founded by Mendelssohn, inaugurated in 1887; place of study and instruction of prominent Jewish musicians such as Salomon Jadassohn, Barnet Licht, Wilhelm Rettich, Erwin Schulho , Günter Raphael and Herman Berlinski.
    [Show full text]
  • The Rise in Sonatas and Suites for Unaccompanied Viola, 1915-1929 Introduction Ladislav Vycpálek’S Suite for Solo Viola, Op
    UNIVERISTY OF CALIFORNIA Santa Barbara The Viola Stands Alone: The Rise in Sonatas and Suites for Unaccompanied Viola, 1915-1929 A document submitted in partial satisfaction of the Requirements for the degree Doctor of Musical Arts in Music by Jacob William Adams Committee in charge: Professor Helen Callus, Chair Professor Derek Katz Professor Paul Berkowitz December 2014 The document of Jacob William Adams is approved. Paul Berkowitz Derek Katz Helen Callus, Committee Chair ACKNOWLEDGEMENTS This research and writing would not have been possible without tremendous support and encouragement from several important people. Firstly, I must acknowledge the UCSB faculty members that comprise my committee: Helen Callus, Derek Katz, and Paul Berkowitz. All three have provided invaluable guidance, constructive feedback, and varied points of view to consider throughout the researching and writing process, and each of them has contributed significantly to my development as a musician-scholar. Beyond my committee members, I want to thank Carly Yartz, David Holmes, Tricia Taylor, and Patrick Chose. These various staff members of the UCSB Music Department have provided much needed assistance throughout my tenure as a graduate student in the department. Finally, I would like to dedicate this manuscript to my parents, David and Martha. They instilled a passion for music and an intellectual curiosity early and often in my life. They helped me see the connections in things all around me, encouraged me to work hard and probe deeper, and to examine how seemingly disparate things can relate to one another or share commonalities. It is thanks to them and their never-ending love and support that I have been able to accomplish what I have.
    [Show full text]
  • INTRODUCTION Gustav Mahler Was Early Recognized As One of the Greatest Conductors of His Time. Yet He Was Highly Controversial A
    INTRODUCTION Gustav Mahler was early recognized as one of the greatest conductors of his time. Yet he was highly controversial as a composer, both during his life and in the years after his death. In 1933, because of his Jewish roots, the Nazis prohibited his music both in Germany and in the occupied countries. His last refuge was then the Anglo-Saxon world. It is only in the sixties that little by little his music found its rightful place in concert repertories, thanks largely to recordings. Mahler was long accused of being "banal" because of the heterogeneous nature of his melodic material and "sentimental" because of his expressiveness, which was thought to be self- indulgent. Today, his use of stylized folk material seems to be one of the most original and forward-looking aspects of his style. For us, he is an exceptional composer, not just because of the breadth and power of his ten symphonies, but also because of his place in history, right at the junction of two centuries and two eras—the romantic and the modern. His evolution is fascinating, from the First Symphony of his youth, which doesn’t resemble any other music of his time, all the way to the Ninth, which is very close to the future masterpieces of Berg and Webern. Theodor Adorno said that Mahler was the first musician since Beethoven to have a "late Portrait taken in New York (1910) style". [Centre Documentation Musicale-BGM] Today, Mahler is one of the most popular composers of our time. There are countless recordings of his works.
    [Show full text]
  • Salomon Jadassohn
    QUIZ JÜDISCHEN MUSIKERN in Leipzig auf der Spur — STADTRALLYES DIDAKTISCHE MATERIALIEN — Pädagogische Handreichung zum „Notenbogen-Entdeckerpass – Jüdischen Musikern in Leipzig auf der Spur“ BIOGRAFIEN Herausgeber: Notenspur Leipzig e. V. Konzeption, Texte und didaktische Ausarbeitung: Julia Reinboth, Dr. Frank Britsche, Prof. Dr. Werner Schneider GELEITWORT – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Birgit Willhöft – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Sehr geehrte Damen und Herren, liebe Kolleginnen, liebe Kollegen, der Notenbogen-Entdeckerpass für Kinder und Jugend- liche, der Möglichkeiten eröffnet, zu jüdischen Musikern in Leipzig zu forschen, Neues zu entdecken, der Noten- spur zu folgen und viele weitere Impulse gibt, steht seit einiger Zeit zur Verfügung. Nun gilt es, die Kinder und Jugendlichen zu unterstützen, sowohl im schulischen Kontext als auch durch Freizeit- einrichtungen, bei denen die kulturelle Bildung im Mit- telpunkt steht. Zum Entdeckerpass gibt es jetzt die vorliegende Hand- reichung. Sie beinhaltet didaktische Hinweise für ausge- wählte Stationen, zahlreiche Arbeitsblätter als Kopier- vorlagen für Schülerinnen und Schüler, Stadtrallyes mit handlungsorientierten Aufgaben für eine Exkursion oder einen Projekttag. Ebenso enthalten sind ein Lernquiz und Arbeitsblätter mit vertiefenden Quellen zum entdecken- den, biografischen Lernen für vier ausgewählte jüdische Musiker, die alle einen Bezug zu Leipzig hatten. Die hand- lungsorientierten Aufgaben,
    [Show full text]
  • Viewed Möller’S Publication in the Zeitschrift Für Musikwissenschaft, August- September 1931, Pp
    J & J LUBRANO MUSIC ANTIQUARIANS Item 87 Joseph Haydn Autograph Letter Catalogue 80 AUTOGRAPH LETTERS OF COMPOSERS SIGNED PHOTOGRAPHS, &c. Part I: A-L 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory number (the 5-digit number in parentheses preceding the price) of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]
  • Fritz and Adolf Busch and Rudolf Serkin Play Max Reger’S Music in the English-Speaking Lands
    Tully Potter (Hildenborough (Kent)/Großbritannien) Exporting Reger: Fritz and Adolf Busch and Rudolf Serkin play Max Reger’s Music in the English-speaking Lands Background For the brothers Fritz and Adolf Busch, the composer of their own time who loomed largest was Max Reger. Contact with this extraordinary char- acter was inevitable, especially for Adolf, because his violin teacher at the Cologne Conservatory, Bram Eldering, his mentor and future father-in-law Hugo Grüters and his composition teacher Fritz Steinbach were friends of Reger. In any case, Busch enjoyed his chamber and organ music at first acquaintance. A first encounter with this larger-than-life character came on 7 February 1905, when the composer visited the Conservatory: in the Great Hall, Reger played his C major Violin Sonata, Op. 72, with Eldering and his Variations and Fugue on a Theme of Beethoven, Op. 86, with the local pianist Henriette Schelle at the other keyboard.1 It was not long be- fore Reger’s influence was felt in Adolf Busch’s own compositions, and he remained a Reger disciple for the rest of his life. At this stage, Fritz Busch was not officially at the Conservatory, although he infiltrated the concerts when he could and absorbed what was going on through Adolf. For Fritz, Reger’s orchestral compositions would be the initial pull; but, as Adolf’s early sonata partner, he also became involved with the chamber music. The full revelation of Reger’s genius dated from October 1905, when Fritz was 15 and Adolf was 14: what overwhelmed the boys was the Sinfonietta in A, Op.
    [Show full text]
  • Modern Music a Collection of Manuscripts and First & Early Editions
    J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 90 | November 2020 modern music a collection of manuscripts and first & early editions 20TH CENTURY PART I MODERN MUSIC a collection of manuscripts and first & early editions 20TH CENTURY PART 1 TABLE OF CONTENTS in order by composer’s surname 1 Auric - Burleigh 11 Castelnuovo-Tedesco - Honegger 21 Jacob - Milhaud 30 Orff - Satie 43 Schoenberg 62 Schoop - Trillat 70 Vaughan WIlliams - Wolfsohn 81 References 82 Conditions of Sale All items in the catalogue include a link to the item’s listing on our website with further details and purchasing options. Please see our Conditions of Sale notice at the back of the catalogue for further information. J & J Lubrano Music Antiquarians LLC 6 Waterford Way Syosset, NY 11791 U.S.A. (516) 922-2192 | [email protected] www.lubranomusic.com Front cover illustration detail from item #5 AURIC - BARTО`K AURIC, Georges 1899-1983 2. 1. Petite Suite [Solo piano] Paris: Heugel [PNs H. 29,832-29,836], 1928. Original publisher’s ivory printed wrappers. Unbound as issued. 15 pp. I. Prélude – II. Danse – III. Vilanelle et Entrée – IV. Sarabande – V. Voltes “Les nos. 2 et 3 sont écrits d’après des pièces de luth polonaises du XVIe siècle.” Wrappers slightly browned and soiled; publisher’s handstamps to upper, “Hommage de l’Editeur” to title. Small hole to pp. 3-4 just touching text. First Edition. Schmidt GA56, I, pp. 282-283. $100 (33799) 2. Printemps [Solo piano] inspired fashion designers including Christian Paris: Durand & Cie [PN D. & F. 12,621], Dior and Elsa Schiaparelli; he also designed 1935.
    [Show full text]
  • A Special Exhibition in the Beethoven House, Bonn 24Th of February – 17Th of August 2014
    Animated and moving history. The Beethoven House – 125 years A special exhibition in the Beethoven House, Bonn 24th of February – 17th of August 2014 UND WÜRDIGE INSTANDH ONN. A. SITZ UND ZWECK DES VEREINS. § 1. DER VE WAR DURCH VERANSTALTUNGEN MUSIKALISCHER AUFFÜHRUNGEN, EN DES VEREINS BEETHOVEN-HAUS IN BONN. A. SITZ UND ZWECKE DES VEREINS. GENTLICHE LITERARISCHE VERÖFFENTLICHUNGEN. D) DIE BENUTZUNG DER RÄUME DES HAUSES ALS SAMMEL- UND STÜTZPUNKT FÜR MUSIKALISCHE BESTREBUNGEN. NEUE SATZUNGEN DES VEREINS BEETHOVEN-HAUS IN BONN. A. SITZ UND ZWECK DES VEREINS. § 1. DER VEREIN BEE WERKE, DER BETREFFENDEN LITERATUR, SOWIE VON ANDENKEN AN PERSÖNLICHKEITEN, DIE DEM MEISTER UND SEINER KUNST BESONDERS NAHE GESTANDEN HABEN. C) DIE PFLEGE DES ANDENKEN BEETHOVEN’S UND ZWAR DURCH VERANSTALTUNGEN MUSIKALISCHER AUFFÜHRUNGEN, B EN ZUR AUSBILDUNG JUNGER TALENTVOLLER MUSIKER UND DURCH GELEGENTLICHE LITERARISCHE VERÖFFENTLICHUNGEN. DAS VEREINSJAHR BEGINNT MIT DEM 17. DEZEMBER, DEM GEBURTSTAGE BEETHOVEN’S. STATUTEN DES VEREINS BEETHOVEN-HAUS IN BONN. A. SITZ UND ZWECKE DES V ES BEETHOVEN’S. B) DIE ANSAMMLUNG VON MANUSCRIPTEN, BILDERN, BÜSTEN UND RELIQUIEN BEETHOVEN’S, SOWIE SEINER WERKE UND DER BETREFFENDEN LITERATUR. C) DIE PFLEGE DES ANDENKENS BEETHOVEN’S DURCH GELEGENTLICHE LITERARISCHE VERÖFFENTLICHUNGEN. D) DIE BENUTZU OVENHAUS HAT SEINEN SITZ IN BONN, UND BEZWECKT: A) DIE WÜRDIGE INSTANDHALTUNG DES GEBURTSHAUSES BEETHOVEN’S. B) DIE ANSAMMLUNG VON HANDSCHRIFTEN, BILDERN, BÜSTEN UND RELIQUIEN BEETHOVEN’S, SEINER WERKE, DER BETREFFENDEN LITERATUR, SOWIE VON ANDENKEN AN PERSÖ BESONDERS AUCH PERIODISCH WIEDERKEHRENDER GRÖSSERER KAMMERMUSIKFESTE, DURCH PREISAUSSCHREIBUNGEN FÜR HERVORRAGENDE WERKE AUF DEM GEBIETE DER KAMMERMUSIK, DURCH VERLEIHUNG VON STIPENDIEN ZUR AUSBILDUNG JUNGER TALENTVOLLER MUSIKER UND DURCH GELEGENTLI UND ZWECKE DES VEREINS.
    [Show full text]
  • Journal Juden in Sachsen
    JJIS Journal Juden in Sachsen Oktober 2010 ISSN 1866-5853 Herausgeber: Deutsch-Russisches Zentrum Sachsen e.V. Bernhard-Göring-Straße 152 04277 Leipzig www.juden-in-sachsen.de Inhaltsverzeichnis Thema: Der Musikverlag C. F. Peters Der Musikverlag C. F. Peters und seine „Arisierer“ Teil I. Der Verlag 3 Reportage aus der Partnerregion Blutiger Sand. Spuren des stalinistischen Terrors im Gebiet Woronesch 6 Kurzbiografien Familie Freier 13 Historische Orte - Personen & Biografien Felix Mendelssohn Bartholdy und das Mendelssohn-Haus Leipzig 17 Impressum 21 2 Thema: Der Musikverlag C. F. Peters Der Musikverlag C. F. Peters und seine „Arisierer“ Teil 1. Der Verlag Über die Leipziger Verlegerfamilie Hinrichsen und über die Bedeutung der Hinrichsens für die Stadt Leipzig und deren Musikkultur ist von berufeneren Autoren schon viel geschrieben worden. Weniger Beachtung wurde dagegen den „Arisierern“ des Verlags Gerhard Noatzke, Dr. Johann Petschull und Dr. h.c. Kurt Herrmann geschenkt. Die Ereignisse des Jahres 1939 und die Vorgeschichte dazu sollen hier deshalb nochmals rekonstruiert werden. Zunächst an dieser Stelle jedoch ein kurzer Abriss der Familien- und Verlagsgeschichte. Vor genau 210 Jahren – am 1.12.1800 - wurde in Leipzig das „Bureau de Musique“, der spätere Musikverlag C. F. Peters gegründet. Damit ist er „einer der ältesten und traditionsreichsten europäischen Musikverlage“, wie Norbert Molkenbur bereits 1988 anlässlich des Leipziger Kolloquiums „Jüdisches Musikschaffen und europäische Musikkultur“ schrieb.[1] Im Laufe der zwei Jahrhunderte hatte der Verlag wechselnde Besitzer. Es sei stellvertretend nur der Buchhändler Carl Friedrich Peters (1779-1827) genannt, der das Unternehmen 1814 erwarb. Ihm verdankt der Verlag bis heute seinen Namen. Am 21. April 1860 kaufte der Berliner Buch- und Musikalienhändler Julius Friedländer den Verlag.
    [Show full text]
  • Gerhard Herz Bach Sources in America
    AMERICAN CHORAL REVIEW GERHARD HERZ BACH SOURCES IN AMERICA JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XXV • NUMBER 2 • APRIL, 1983 AMERICAN CHORAL REVIEW ALFRED MANN, Editor ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD jACKSON MARTIN PICKER jAMES MCCRAY jACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of The American Choral Foundation, Inc. The Foundation also publishes a supplemen­ tary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in The American Choral Foundation is available for an annual contribution of $22.50 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. Through affiliation with the American Choral Directors Association the Founda~ tion offers membership to American Choral Directors Association members ·at a reduced contribution amount. Please consult the boxed announcement on the inside back cover for details. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer.
    [Show full text]
  • Wirtschaftsbericht 2013 Der Stadt Leipzig (Englisch)
    Stadt Leipzig Dezernat Wirtschaft und Arbeit Business Development Leipzig Means Business 2013 Automotive & Suppliers Healthcare & Biotech Energy & Environment Logistics Media & Creativity // 2 // 4 // 8 // 14 // 46 // 70 // 80 // 90 // Foreword // Leipzig: // Smooth landing // Networkers // Assistance for // Wagner was born // Higher education // Statistics A growing city business in Leipzig and research 5 Continuing constant growth 9 Modern transport 15 Five clusters ripe for further 47 Shoulder-to-shoulder 71 High culture supported 81 A bastion of science 90 1. Population 6 Economy in Leipzig expanding infrastructure: Highways development with mid-sized business by a proud citizenry 82 Higher education 2. The labour market and looking ahead for investors 16 Automotive & Suppliers 49 Investment by the private 74 Living in Leipzig: 84 Research 91 3. Education and training 7 In touch with the world 10 Leipzig/Halle Airport: 20 Healthcare & Biotech sector (selection) Atmosphere, diversity, quality 92 4. Private sector Freight traffic soars 24 Energy & Environment 50 Marketing managers: 75 Leipzig: The green city 96 5. Finance 11 Modern transport 28 Logistics Showcasing Leipzig 76 Sporting Leipzig: 97 6. Public procurement infrastructure in and 32 Media & Creativity 51 Publicizing Leipzig Top of the league 98 7. Major investments in Leipzig around Leipzig 36 Industry: Good prospects internationally 77 A pro-family attitude: 12 Revamped railway network 37 Skilled trades in the Leipzig 52 WRL: Regional business Vital for the economy for central
    [Show full text]