Module 2 (Week 2): Characteristics of Southeast Asian Arts and Crafts
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Baju Kurung Sebagai Pakaian Adat Suku Melayu Di Malaysia
Foreign Case Study 2018 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta BAJU KURUNG SEBAGAI PAKAIAN ADAT SUKU MELAYU DI MALAYSIA Selfa Nur Insani 1702732 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Abstract : Makalah ini merupakan hasil laporan Foreign Case Study untuk syarat publikasi ilmiah di Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta dengan Judul Baju Kurung Sebagai Pakaian Adat Suku Melayu di Malaysia. 1. PENDAHULUAN Penulis adalah seorang mahasiswi Sekolah Tinggi Pariwisata Ambarrukmo Yogyakarta (STIPRAM) semester VII jenjang Strata I jurusan Hospitality (ilmu kepariwisataan). Tujuan penulis berkunjung ke Malaysia adalah mengikuti Internship Program yang dilakukan oleh STIPRAM dengan Hotel The Royal Bintang Seremban Malaysia yang dimulai pada 15 September 2015 sampai dengan 11 Maret 2016 [1]. Selain bertujuan untuk Internship Program, penulis juga telah melakukan Program Foreign Case Study (FCS) selama berada di negari itu.Program FCS merupakan salah program wajib untuk mahasiswa Strata 1 sebagai standar kualifikasi menjadi sarjana pariwisata. Program ini meliputi kunjungan kebeberapa atau salah satu negara untuk mengkomparasi potensi wisata yang ada di luar negeri baik itu potensi alam ataupun budaya dengan potensi yang ada di Indoensia. Berbagai kunjungan daya tarik dan potensi budaya negeri malaysia telah penulis amati dan pelajari seperti Batu Cave, China Town, KLCC, Putra Jaya, Genting Highland, Pantai di Port Dikson Negeri Sembilan, Seremban, Arena Bermain I-City Shah Alam, pantai cempedak Kuantan pahang serta mempelajari kuliner khas negeri malaysia yaitu kue cara berlauk dan pakaian tradisional malasyia yaitu baju kurung. Malaysia adalah sebuah negara federasi yang terdiri dari tiga belas negara bagian dan tiga wilayah persekutuan di Asia Tenggara dengan luas 329.847 km persegi. Ibu kotanya adalah Kuala Lumpur, sedangkan Putrajaya menjadi pusat pemerintahan persekutuan. -
Report on Status of Silk Textile Production in Malaysia 2021
Report on Status of Silk Textile Production in Malaysia 2021 EDRIC ONG (MALAYSIA) INTRODUCTION • Contemporary Malaysian textiles are: • Hand-woven: Kain Songket, Kain tenun and ‘Pua Kumbu’ Ikat. • Batik: Hand drawn by wax with ‘canting’ or brush; Hand-block/cap with metal blocks. • Innovative new techniques Hand-woven: Kain Songket/Kain Tenun • Mainly in the East Coast states of Peninsular Malaysia i.e. Kelantan, Terengganu and Pahang; and in Sarawak. • Considered as traditional Malay costume and has royal patronage. • Woven in silk, and also in cotton. • Traditional motifs are retained, but a new verve in large floral and geometric patterns are flourishing. ‘Tanoti’ silk ‘kain sampin’ hip wrap ‘Tanoti’ ‘Kain Songket’ from Terengganu ‘Kain Songket’ from Terengganu Traditional Malay ‘kain songket’ ensemble ‘Pua Kumbu’ ( morinda citrifolia natural dye) hand-woven warp ikat textiles of the Iban in Sarawak ‘Pua Kumbu’ ( marsdenia tinctoria indigo natural dye) hand-woven warp ikat silk textiles of the Iban in Sarawak ‘tarum’- marsdenia tinctoria(indigo) ‘akar penawar landak’-fibraurea tinctoria(yellow) ‘Pua Kumbu’ ( fibrauria tinctoria natural dye) hand-woven warp ikat silk textiles of the Iban in Sarawak Rumah Garie revival of ‘akar penawar landak’ (fibraurea tinctoria) Malaysian Silk Batik Silk Batik Fashion in Malaysia Malaysian Batik Innovation • Malaysian batik artisans are now using the ‘textile painting’ method rather than the ‘textile dyeing’ method more prevalent in Indonesia. • The innovation is to be able to apply natural dyes direct -
A Case Study of Batik in Java and Santiniketan
Universiteit Leiden Journey of Textile Designs: A Case Study of Batik in Java and Santiniketan Master Thesis, Asian Studies (60 EC) 2015-16 Name of student: Deboshree Banerjee Student Number: s1684337 Date: 1st September 2016 Supervisors: Prof. dr. N.K. Wickramasinghe-Samarasinghe Prof. dr. P.R. Kanungo Table of Contents Table of Contents ....................................................................................................................... ii List of Figures and Tables......................................................................................................... iv Abstract ...................................................................................................................................... v Chapter 1: Introduction .............................................................................................................. 1 1.1. Textiles: A Medium of Cultural Studies ......................................................................... 1 1.2. Diffusion Theory ............................................................................................................. 3 1.3. Literature Review: Javanese and Santiniketan Batik ...................................................... 4 1.3.1. Javanese Batik .......................................................................................................... 5 1.3.2 Santiniketan Batik ..................................................................................................... 7 1.4. Proposed Hypothesis ...................................................................................................... -
Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor
Samsuddin M. F., Hamzah A. H., & Mohd Radzi F. dealogy Journal, 2020 Vol. 5, No. 2, 79-88 Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor Muhammad Fitri Samsuddin1, Azni Hanim Hamzah2, Fazlina Mohd Radzi3, Siti Nurul Akma Ahmad4, Mohd Faizul Noorizan6, Mohd Ali Azraie Bebit6 12356Faculty of Art & Design, Universiti Teknologi MARA Cawangan Melaka 4Faculty of Business & Management, Universiti Teknologi MARA Cawangan Melaka Authors’ email: [email protected]; [email protected]; [email protected]; [email protected]; [email protected]; [email protected] Published: 28 September 2020 ABSTRACT Malaysian textile motifs especially the Batik motifs and its product are highly potential to sustain in a global market. The integration of intercultural design of Malaysian textile motifs and Japanese textile motifs will further facilitate both textile industries to be sustained and demanded globally. Besides, Malaysian and Japanese textile motifs can be creatively design on other platforms not limited to the clothes. Therefore, this study is carried out with the aim of integrating the Malaysian textile motifs specifically focuses on batik motifs and Japanese textile motifs through product diversification. This study focuses on integrating both textile motifs and diversified the design on a home décor including wall frame, table clothes, table runner, bed sheets, lamp shades and other potential home accessories. In this concept paper, literature search was conducted to describe about the characteristics of both Malaysian and Japanese textile motifs and also to reveal insights about the practicality and the potential of combining these two worldwide known textile industries. The investigation was conducted to explore new pattern of the combined textiles motifs. -
Understanding Intangible Culture Heritage Preservation Via Analyzing Inhabitants' Garments of Early 19Th Century in Weld Quay
sustainability Article Understanding Intangible Culture Heritage Preservation via Analyzing Inhabitants’ Garments of Early 19th Century in Weld Quay, Malaysia Chen Kim Lim 1,*, Minhaz Farid Ahmed 1 , Mazlin Bin Mokhtar 1, Kian Lam Tan 2, Muhammad Zaffwan Idris 3 and Yi Chee Chan 3 1 Institute for Environment & Development (LESTARI), Universiti Kebangsaan Malaysia, Bangi 43600, Malaysia; [email protected] (M.F.A.); [email protected] (M.B.M.) 2 School of Digital Technology, Wawasan Open University, 54, Jalan Sultan Ahmad Shah, George Town 10050, Malaysia; [email protected] 3 Faculty of Art, Computing & Creative Industry, Sultan Idris Education University, Tanjong Malim 35900, Malaysia; [email protected] (M.Z.I.); [email protected] (Y.C.C.) * Correspondence: [email protected] Abstract: This qualitative study describes the procedures undertaken to explore the Intangible Culture Heritage (ICH) preservation, especially focusing on the inhabitants’ garments of different ethnic groups in Weld Quay, Penang, which was a multi-cultural trading port during the 19th century in Malaysia. Social life and occupational activities of the different ethnic groups formed the two main spines of how different the inhabitants’ garments would be. This study developed and demonstrated a step-by-step conceptual framework of narrative analysis. Therefore, the procedures used in this study are adequate to serve as a guide for novice researchers who are interested in undertaking Citation: Lim, C.K.; Ahmed, M.F.; a narrative analysis study. Hence, the investigation of the material culture has been exemplified Mokhtar, M.B.; Tan, K.L.; Idris, M.Z.; by proposing a novel conceptual framework of narrative analysis. -
The Ithacan, 1969-12-12
Ithaca College Digital Commons @ IC The thI acan, 1969-70 The thI acan: 1960/61 to 1969/70 12-12-1969 The thI acan, 1969-12-12 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1969-70 Recommended Citation The thI acan, "The thI acan, 1969-12-12" (1969). The Ithacan, 1969-70. 12. http://digitalcommons.ithaca.edu/ithacan_1969-70/12 This Newspaper is brought to you for free and open access by the The thI acan: 1960/61 to 1969/70 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1969-70 by an authorized administrator of Digital Commons @ IC. ' .. ' .. ',•' ,'~ ~ .. omputer System Settlement Council Releases Findings: ought By I.C. Reached By Goldman Should Stay Ithaca College and the Radio data, financial information sys College and The Faculty Council this week kind, and accept moral and ethi-1 clear fn respect to he!' eKtraordi orporation of America an- tem, and facilities management." concluded its investigation into cal responsibilities when judging nary competence as a teacher. ounced today the college's pur- According to Dominic Bordon • t the dismissal of Mrs. Beatrice faculty members." "References from professors at ase of an RCA Spectr~ 70/35 aro, director of data processing - oc1e y Goldman by recommending that u also recommended to the U.C.L.A. and at Corne!! highly omputer System for mstruc- systems at the college, "The in A L S Mrs. Goldman be retained as an faculty and administration that Irecommend her potential as a onal research and general ad- stallation should easily meet most by Larry Himelein instructor in the English Depart- "both faculty and administration 1scholar and proven ability as a inistrative data processing. -
Quarter 1 – Module 2 the Characteristics of Arts and Crafts in Southeast Asia
8 Arts Quarter 1 – Module 2 The Characteristics of Arts and Crafts in Southeast Asia Arts – Grade 8 Alternative Delivery Mode Quarter 1 – Module 2: The Characteristics of Arts and Crafts in Southeast Asia First Edition, 2020 Republic Act 8293, Section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio Development Team of the Module Writer: Mary Jane N. Salvaleon Editors:Paulita L. Vernal, Lenycres V. Libres, Charito B. Cabug-os Reviewer: Cecilia M. Saclolo, Jay Y. Cabahug Illustrator: Stephany Bryan D. Itao Layout Artist: Ivan Paul V. Damalerio Management Team: Francis Cesar B. Bringas Isidro M. Biol, Jr. Maripaz F. Magno Josephine Chonie M. Obseñares Ma. Teresa M. Real Dominico P. Larong, Jr. Gemma C. Pullos Dulcisima A. Corvera Printed in the Philippines by Department of Education – Caraga Region Learning Resource Management Section (LRMS) Office Address: J.P. Rosales Avenue, Butuan City, Philippines 8600 Tel. -
Panduan Pengurusan Asrama
1. PERATURAN PAKAIAN 1.1 PELAJAR LELAKI a. Baju Kemeja/Baju T i. Baju kemeja berkolar potongan biasa sama ada berlengan panjang atau pendek dibenarkan. Lain-lain jenis baju seperti baju T berkolar, baju T sukan atau seumpamanya dibenarkan untuk aktiviti riadah sahaja. Baju T TIDAK BERKOLAR TIDAK DIBENARKAN. ii. Baju hendaklah disisipkan ke dalam seluar. iii. Baju kemeja berlengan panjang hendaklah dibutangkan di pergelangan tangan dan tidak dibenarkan dilipat. iv. Pemakaian semua jenis jaket tidak dibenarkan ke kelas akademik. Baju panas (sweater) dibenarkan dalam keadaan tertentu saja. b. Seluar i. Kain seluar slack yang dibenarkan ialah daripada jenis cotton dan synthetic material (PVC atau Polyster). ii. Selain daripada jenis kain di atas TIDAK DIBENARKAN. iii. Fesyen seluar slack hendaklah tidak terlalu longgar baggy, slim fit, terlalu ketat dan berkaki singkat tidak dibenarkan. Paras kaki seluar hendaklah melepasi bawah buku lali dan ukur lilit seluar di antara 36cm – 45cm / 14 inci - 18 inci. (adakah ulur lilit ini terpakai untuk semua tingkatan dan saiz pelajar) c. Tali Pinggang i. Tali pinggang hendaklah dari jenis kulit atau PVC. ii. Lebar tali pinggang hendaklah di antara 2.5cm – 3.0cm dan berwarna hitam atau coklat tua. Tali pinggang yang berwarna-warni dan berbelang tidak dibenarkan. iii. Kepala tali pinggang hendaklah tidak terlalu besar (3cm x 3.5cm) dan tidak berlambang seperti lambang binatang, lambang keagamaan atau tulisan yang tidak sesuai dan tidak bermoral. d. Kasut dan Stoking i. Kasut sekolah hendaklah dari jenis kulit atau PVC berwarna hitam. ii. Pemakaian kasut bersama stoking adalah DIWAJIBKAN. Stoking hendaklah melepasi buku lali. iii. Stoking hendaklah berwarna HITAM SAHAJA. -
Tuttle 2014Fall Final Interior.Indd 1 3/17/14 5:46 PM YOUNG ADULT
Publishing A Member of The Periplus Publishing Group 364 Innovation Drive North Clarendon, VT 05759-9436 www.tuttlepublishing.com TUTTLE PUBLISHING • NEW TITLES AND BACKLIST HIGHLIGHTS • FALL 2014 • TUTTLE • PERIPLUS 2014 • HIGHLIGHTS • FALL AND BACKLIST TITLES TUTTLE PUBLISHING • NEW TUTTLE Printed in Singapore 978-0-8048-4505-2 BOOKS TO SPAN THE EAST AND WEST NEW TITLES AND BACKLIST HIGHLIGHTS • FALL 2014 TTuttleuttle 22014Fall014Fall OutsideOutside CCVRs_.inddVRs_.indd 1 1st Proof Title: Tuttle 2014 Fall : Berkeley 33/15/14/15/14 11:23:23 PPMM Job No: D0314-22/Alice RECENT PUBLICITY HIGHLIGHTS JAPANESE SCHOOLGIRL CONFIDENTIAL…page 3 DOMESTIC ORDERS BOOK TRADE INTERNATIONAL DISTRIBUTION Tuttle Publishing MIDWEST MIDWEST EUROPE “Whether your preferred schoolgirl is more the upstanding heroine c/o Simon & Schuster, Inc. Fujii Associates IA, IL, IN, KS, MO, NE, OH, MI Bill Bailey, Matt Parsons & Sailor Moon or the vengeful, weapon-wielding Gogo Yubari of 100 Front Street 10621 Tower Drive Kelley & Crew Inc. Nick Hammond Riverside, NJ 08075 Orland Park, IL 60467 The Merchandise Mart Bill Bailey Publishers Representatives Quentin Tarantino’s Kill Bill, Vol. 1, you’ll come away well versed”. (708) 978-7826 Suites 13-604 and 13-606 16 Devon Square —Library Journal Orders and Customer Service Fax: (708) 949-8846 222 Merchandise Mart Plaza Newton Abbot (877) 409-1013 Chicago, IL 60654 Devon, TQ12 2HR UK Fax: (800) 943-9831 NORTHEAST & MID-ATLANTIC (773) 774-3495 +(44)1626-331-079 [email protected] Parson Weems Publisher -
Cabang-Katalog-Inventaris-Cabang
0 DAFTAR ISI Daftar Isi ..................................................................................................................................................................... 1 Kata Pengantar Ketua Umum PPI Tiongkok 2018/2020 ......................................................................... 2 Region Selatan Changsha ..................................................................................................................................................................... 4 Chongqing .................................................................................................................................................................. 5 Guangzhou ................................................................................................................................................................. 12 Guilin ............................................................................................................................................................................ 21 Nanning ....................................................................................................................................................................... 25 Wuhan .......................................................................................................................................................................... 28 Xiamen ........................................................................................................................................................................ -
Universiti Putra Malaysia Citra Busana Dalam
UNIVERSITI PUTRA MALAYSIA CITRA BUSANA DALAM NASKHAH MELAYU SYAIR AGUNG ADILAH BINTI HJ. JUSOH FBMK 2015 69 CITRA BUSANA DALAM NASKHAH MELAYU SYAIR AGUNG UPM Oleh ADILAH BINTI HJ. JUSOH COPYRIGHT Tesis ini dikemukakan kepada Sekolah Pengajian Siswazah, Universiti Putra Malaysia, sebagai memenuhi keperluan untuk Ijazah Master Sastera © Devember 2015 Semua bahan yang terkandung dalam tesis ini, termasuk tanpa hak teks, logo, ikon, gambar dan semua karya seni lain, adalah bahan hak cipta Universiti Putra Malaysia kecuali dinyatakan sebaliknya. Penggunaan mana-mana bahan yang terkandung dalam tesis ini dibenarkan untuk tujuan bukan komersial daripada pemegang hak cipta. Penggunaan komersial bahan hanya boleh dibuat dengan kebenaran bertulis terdahulu yang nyata daripada Universiti Putra Malaysia. Hak cipta © Universiti Putra Malaysia UPM COPYRIGHT © Abstrak tesis yang dikemukakan kepada Senat Universiti Putra Malaysia Sebagai memenuhi keperluan untuk ijazah Master Sastera CITRA BUSANA DALAM NASKHAH MELAYU SYAIR AGUNG Oleh ADILAH BINTI HJ. JUSOH November 2015 Pengerusi: Fazilah Husin, PhD Fakulti: Bahasa Moden dan Komunikasi UPM Kajian ini adalah analisis tentang gambaran busana dalam Naskhah Melayu Syair Agung (NMSA) yang telah diselenggarakan oleh Zahir Ahmad, dan diterbitkan pada tahun 1991. Objektif kajian ini adalah bertujuan untuk mengenal pasti jenis-jenis citra busana dalam NMSA, menghuraikan bahan, corak, warna, dan buatan busana serta menganalisis fungsi busana yang digambarkan kepada masyarakat dalam teks tersebut. Kajian ini menggunakan kaedah analisis teks dengan mengumpulkan data-data berkaitan busana dalam NMSA dan mengaplikasikannya dengan menggunakan pendekatan estetika. Dapatan kajian menunjukkan bahawa terdapat pelbagai jenis busana digambarkan dalam teks yang dapat dikategorikan kepada pakaian, perhiasan dan peralatan atau kelengkapan. Berdasarkan kepada pengkategorian tersebut, didapati bahawa terdapat sebilangan gambaran busana dalam jenis yang sama, namun dipaparkan oleh pengarang dengan nama busana yang berlainan. -
Malaysian Batik Industry: Protecting Local Batik Design by Copyright and Industrial Design Laws
International Journal of Business and Society, Vol. 13 No. 2, 2012, 117 - 132 MALAYSIAN BATIK INDUSTRY: PROTECTING LOCAL BATIK DESIGN BY COPYRIGHT AND INDUSTRIAL DESIGN LAWS Rohaida Nordin♣ Universiti Kebangsaan Malaysia Siti Safina Abu Bakar Kolej Profesional MARA Beranang ABSTRACT The batik is one of many popular handicraft products. Malaysia, through its agency, Malaysian Handicraft, has stepped forward to promote the Malaysian batik as an artistic product. As a result, the Malaysian batik has become a sought after product by consumers and tourists. Unfortunately, the popularity of the Malaysian batik has sparked the interest of other batik producers, such as China and Vietnam, who imitate the designs of local batik producers. Such acts negatively impact the local batik industry as the imitation products are priced considerably lower than articles produced by the local industry. This article analyses how existing intellectual property laws in Malaysia can be utilised to protect the local batik industry. The analysis also considers the potential problems in utilising intellectual property law as a framework for protection and provides recommendations to address such problems. Keywords: batik industry, batik design, intellectual property, Copyright Act 1987, Industrial Designs Act 1996 1. INTRODUCTION The batik industry has a long history in Malaysia. Beginning with small-scale operations, batik production has developed into a lucrative cottage industry and national enterprise. Batik refers to decorative fabrics containing various colours and patterns. The term ‘batik’ is derived from the Javanese word ‘tick’, meaning to drip or write points. ‘Ambatik’ means to draw, write, paint or drip. Batik patterns can be produced by using a carved block, a screen or a hand stroke.