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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
The Children of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre. Tony Earnest Medlin Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Medlin, Tony Earnest, "The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre." (2000). LSU Historical Dissertations and Theses. 7281. https://digitalcommons.lsu.edu/gradschool_disstheses/7281 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Mother's Forgotten Garden
MOTHER'S FORGOTTEN GARDEN by Cory Daniel Zimmerman A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Florida Atlantic University Boca Raton, Florida December 2008 Copyright by Cory Daniel Zimmerman 2008 ii Abstract Author: Cory Daniel Zimmerman Title: Mother’s Forgotten Garden Institution: Florida Atlantic University Thesis Advisor: Dr. Jason Schwartz Degree: Master of Fine Arts Year: 2008 The thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e. sine and cosine curves, the yin-yang, etc.). The plot of loose soil holding these collective experiments together is their earthy thematic focus—namely, the way in which Nature has been systematically backgrounded by western ideology. On occasion, a story’s conceptual focus may stray from these ecofeminist principles, but only for the purpose of leveling a more critical or satirical eye upon common American ideologies. iv Table of Contents The cosmis joke redux ...................................................................................................... -
Samstag, 6. Juli 2013: 6. Juli
Samstag, 6. Juli 2013: Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 6. Juli - IT WAS MANY YEARS AGO TODAY: Samstag, 6. Juli 1957: JOHN LENNONs Gruppe QUARRYMEN spielt auf ST. PETER'S-Kirchenfest; JOHN LENNON und PAUL McCARTNEY begegnen sich zum ersten Mal. Donnerstag, 6. Juli 1961: Liverpool-Musikzeitschrift "Mersey Beat" veröffentlicht LENNON-Kurzgeschichte. Samstag, 6. Juli 1963: BEATLES besuchen Karnevalsveranstaltung in Northwich; PAUL McCARTNEY krönt "Northwich Carneval Queen". Montag, 6. Juli 1964: BEATLES & TONY SHERIDAN-Single AIN'T SHE SWEET in USA. Montag, 6. Juli 1964: APPLEJACKS-Single LIKE DREAMERS DO (JOHN LENNON/PAUL McCARTNEY-Komposition) in USA. Montag, 6. Juli 1964: BEATLES-LP YEAH! YEAH! YEAH! (A HARD DAY'S NIGHT) in West-Deutschland. Montag, 6. Juli 1964: BEATLES-Filmpremiere A HARD DAY'S NIGHT in London. Montag, 6. Juli 1970: YOKO ONO-BUCH GRAPEFRUIT mit JOHN LENNON-Vorwort in England.. Freitag, 6. Juli 1973: PAUL McCARTNEY-Single MY LOVE in USA vergoldet. Freitag, 6. Juli 1973: Soundtrack-LP LIVE AND LET DIE (mit PAUL McCARTNEY und anderen) in England. Samstag, 6. Juli 1974: PATTIE HARRISON verlässt GEORGE HARRISON und zieht zu ERIC CLAPTON. Dienstag, 6. Juli 1976: LARRY HOSFORD-Single WISHING I COULD (mit GEORGE HARRISON) in USA. Donnerstag; 6. Juli 1978: RINGO STARR-Single HEART ON MY SLEEVE in USA. Hallo M.B.M., hallo BEATLES-Fan! Mojo mit viel BEATLES und zwei deutsche Bücher mit deutschen BEATLES-Themen Buch BRAVO BEATLES BLITZTOURNEE - mit höchst interessanten neuen Fakten und Fotos. Buch ROCKSHOW - über die Solo-BEATLES in Deutschland mit vielen unbekannten Fakten August 2013: Zeitschrift MOJO & CD WE'RE WITH THE BEATLES. -
Breakfast)W/)The)Beatles) .)PLAYLIST).) Sunday'dec.'9Th'2012' Remembering John
Breakfast)w/)the)Beatles) .)PLAYLIST).) Sunday'Dec.'9th'2012' Remembering John 1 Remembering'John' John Lennon – (Just Like) Starting Over – Double Fantasy NBC NEWS BULLETIN 2 The Beatles – A Day In The Life - Sgt. Peppers Lonely Hearts Club Band Recorded Jan & Feb 1967 Quite possibly the finest Lennon/McCartney collaboration of their song-writing career. Vin Scelsa WNEW FM New York Dec.8th 1980 Paul McCartney – Here Today - Tug of War ‘82 This was Paul’s elegy for John – it was a highlight of the album, and as was the entire album, produced by George Martin. This continues to be part of Paul’s repertoire for his live shows. George Harrison – All Those Years Ago This particular track is a puzzle still somewhat unsolved. Originally written for Ringo with different lyrics, (which Ringo didn’t think was right for him), the lyrics were rewritten after John Lennon’s murder. Although Ringo did provide drums, there is a dispute as to whether Paul, Linda and Denny did backing vocals at Friar Park, or in their own studio – hence phoning it in. But Paul insists that he had asked George to play on his own track, Wanderlust, for the Tug Of War album. Having arrived at George’s Friar Park estate, they instead focused on backing vocals for All Those Years Ago. It became George’s biggest hit in 8 years, just missing the top spot on the charts. 3 2.12 BREAK/OPEN Start with songs John liked…. The Beatles – In My Life - Rubber Soul Recorded Oct.18th 1965 Of all the Lennon/McCartney collaborations only 2 songs have really been disputed by John & Paul themselves one being “Eleanor Rigby” and the other is “In My Life”. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
Vienna Young & Clever
Bertha-Zuckerkandl-Weg Hannovergasse Jägerstraße Rebhanngasse Gersthofer Straße Gersthofer Simonygasse Kaschlgasse Heistergasse Kluckygasse Unterbergerg. Wallensteinstraße Weschelstraße Sporkenbühelgasse Ayrenhogasse Hirschvogelgasse Weinhauser G. Pulverturmgasse Adolf-Gstöttner-G. Köhlergasse Edelhofg. Rufgasse Bäuerlegasse Nußg. Wallenstein Anton-Frank-G. Alexander-N.-G. Rauscherstraße Haizingergasse Michaelerstraße platz Karl-Meißl-Straße Kunzg. Streeurg. NORDWESTBAHNSTR. Newaldg. Karajangasse Friedrich-H.-Str. Vereinsstiege Sobieskig. Webergasse Heinzelmanng. Weitlofg. Tepserng. SPITTELAUER LÄNDE WÄHRINGER STR. Badgasse 59 Kreuzgassenbrücke Lazaristeng. Staudingerg. Dittesgasse Hofstattg. Nordbergstraße Wieseng. BRIGITTENAUER LÄNDE U1 Liechtensteinstr. Reznicekg.Marktg. Aumann Canisiusg. platz Cottageg. GYMNASIUMSTR. Petraschgasse Haussteinstraße Wasserb.g. Lampigasse WALLENSTEINSTRAßE Wehlistraße Gussenb.g. Traunfelsg. Kutschkergasse Paulinengasse Salzergasse Argauerg. Lustkandlgasse Schubertg. Treustraße Gentzgasse Wolfsaug. Engerthstraße Lichtentaler G. Althanstraße Friedens Plenergasse Riglergasse Himmelpfortst. Ingen-H.-G. U4 brücke JÄGERSTRAßE Weimarer Straße Säuleng Sobieski Spittelauer Eberlg. Vinzenzgasse platz Platz Grundlg. Wasnergasse Säuleng. Gaußplatz WÄHRINGER GÜRTEL REICHSBRÜCKE Schopenhauerstraße 60 Vorgartenstraße Teschnerg. Semperstraße Löblichg. Schweidlg. Nordpol Dreihackeng. Simon-Denk-G. AUGARTEN Fechtergasse Württemb.g. straße Binderg. Marinellig. Krütznerg. Sechsschimmelg. Pugg. Stroheckgasse Gertrud Fechterg. -
The Accent of John Lennon 5: British and American Pronunciation in the Songs
1 The Accent of John Lennon 5: British and American pronunciation in the songs Shinji Sato 1.1 Introduction British rock singers seem to use a certain amount of American pronunciation in their songs. Considering the fact that a style of music called ‘rock’n’roll’ is said to have been originated in the United States in the nineteen fi fties, it is not surprising that British youngsters who listened to it were infl uenced in their style of singing. However, this phenomenon seems to be limited to a certain number of phonemes and lexical items. This study aims to investigate this issue in detail, using the songs of John Lennon as its material. 1.2 RP, GA and Liverpool accent John Lennon’s native accent is that of Liverpool, and there are some differences from the British standard accent sometimes referred to as Received Pronunciation( RP), and similarities to the accent called General American( GA). Some of the main diff erences and similarities are shown below. 2 Table 1 RP, GA and Liverpool accent Liverpool RP GA examples accent LOT vowel / 㷜 / / ɑ: / / 㷜 / got, not, want, what BATH vowel(1) / ɑ: / / æ / / æ / dance, laugh, path BATH vowel(2) / ɑ: / / æ / / ɑ: / can't, part, bar STRUT vowel / ʌ / / ʌ / / 㷚 / love, sun, come rhoticity non-rhotic rhotic non-rhotic hard, girl, more, there intervocalic /t/[ t ] [ 㶵 (] tap)[ 㶵 ]( tap) better, getting, let it Note: LOT, BATH, and STRUT represent the keywords used by Wells(1982) . See Watt, Trudgill & Hughes(2013) for diff erent sets of words belonging to BATH vowel. -
An Interview with John Franks
AN INTERVIEW WITH JOHN FRANKS An Oral History conducted and edited by Robert D. McCracken LINCOLN COUNTY TOWN PROJECT LINCOLN COUNTY, NEVADA CONTENTS Preface........................................................ 4 CHAPTER ONE.................................................... 1 The Franks and Johnson families, and some of their well-known members; Johnson's Law; childhood in Pioche. CHAPTER TWO................................................... 10 Mining in the Pioche area and the geology of the region. CHAPTER THREE................................................. 19 The discussion of Pioche-area mining continues; mining techniques; the Wah Chang mining operation at Timpahute; John Franks' Minerva tungsten mine. CHAPTER FOUR.................................................. 30 Mining at Delamar; other area mines and a further description of their geology; the various miners in the region; fisticuffs; the Fourth of July. CHAPTER FIVE.................................................. 40 Childhood adventures, including a baseball game in Panaca, digging a shaft, a Thanksgiving turkey, blasting for firewood, 12 kids on a car, playing in the old mineshafts and with burros; Pupsize, a town pet. CHAPTER SIX................................................... 50 Edgar L. Nores; more on childhood activities; a great marbles challenge. CHAPTER SEVEN................................................. 59 Tramp miners; more on the mining profession; the hoistman's job; brothels in Lincoln County. CHAPTER EIGHT................................................ -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Magic and Mermaids: Fairy Tales Revisited
Magic and Mermaids: Fairy Tales Revisited Senior Creative Writing Project Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2016 By Amily Sommers Thesis Director Katherine Min Thesis Advisor Cynthia Chadwick 1 The Porrectus Pearl Everything was quiet as Jamie walked down the cracked pavement of the old service road that wound around the back edge of town. There were a few houses on the left, old and falling apart from disuse, with overgrown lawns threatening to swallow the structures whole. The forest was on the right, huge and imposing. The trees were old and tall, their overlapping branches tied together by trailing vines, and the ground was packed with undergrowth. Despite its intimidating appearance, local teenagers were often caught sneaking into or out of the forest. Some of them went on their own, dared by their friends and eager to prove that they weren’t cowards. The stories of what happened to anyone who ventured too closely to the house on the other side were well-known. Many were couples, sneaking off in search of privacy. Jamie snorted. Nothing says romance like fear and rule breaking. Of course, Jamie didn’t really understand relationships. Teenage flings never lasted, so why bother putting one’s limited amount of time and energy into a relationship that would no doubt end as quickly as it began? Even most of the married adults in the town seemed to tolerate each other more than like each other.