DOCSLIB.ORG

Master's Degree Programme Femininity in Philip Roth's American

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Master's Degree Programme Femininity in Philip Roth's American Master’s Degree Programme In European, American and Postcolonial Languages and Literature “Second Cycle (D.M. 270/2004)” Final Thesis Femininity in Philip Roth’s American Trilogy Supervisor Prof. Pia Masiero Assistant supervisor Prof. Simone Francescato Graduand Giulia Scordari Matriculation Number 866056 Academic Year 2017 / 2018 Table of contents Introduction ................................................................................................... 1 Chapter I ........................................................................................................ 5 1. American Pastoral .................................................................................. 5 1.1. American Chronicle ............................................................................. 5 1.2. What is wrong with their life? ............................................................. 7 1.3. Dawn Dwyer ........................................................................................ 9 1.4. Meredith (Merry) Levov .................................................................... 28 Chapter II ..................................................................................................... 49 2. I Married a Communist ........................................................................ 49 2.1. Voices are Indispensable .................................................................... 49 2.2. Eve Frame .......................................................................................... 53 2.3. Sylphid Pennington ............................................................................ 67 Chapter III ................................................................................................... 78 3. The Human Stain ................................................................................... 78 3.1. Life as Fiction .................................................................................... 78 3.2. Delphine Roux: nobody knows anything ........................................... 81 3.2.1. Delphine Roux and American Pastoral ......................................... 103 3.2.2. Antithetical Women: Delphine and Marcia Umanoff ................... 109 3.3. Faunia Farley .................................................................................... 111 Conclusion ................................................................................................. 129 Selected Bibliography ............................................................................... 133 Introduction The three novels that constitute the American Trilogy—American Pastoral, I Married a Communist and The Human Stain—published between 1997 and 2000, concern the life of three formidable men, Seymour Levov, Ira Ringold and Coleman Silk, and each one is set against an important moment in American history. As the name itself says, the trilogy investigates fundamental aspects of both America and the men who are part of it. Each novel is characterized by the presence of the same narrator, Nathan Zuckerman, who crosses the paths of these men and is so much engaged by their lives that he cannot but write about them. The focus of my thesis will be on the novels’ female protagonists. Despite the centrality of masculinity, femininity is an essential aspect of the American Trilogy. The protagonists of the three novels, in fact, are males who perfectly embody the type of masculinity typical of their era and their lives, the way they act, they feel, their goals and experiences are defined by their being males, in particular by their being American men, and are interwoven with their women’s lives. The representation of male characters is closely linked to that of the women they live with and one must be seen in light of the other. The portraits of these female characters represent a pivotal depiction of femininity, not only because in every novel they play a significant role in defining the male protagonists’ lives but also because they forge their identities and their private life inside the American society, as men do. A crucial theme in the trilogy is exactly the life of these women being part of societal and historical changes and as manifestations of American national identity. The objective of this thesis is exactly to see if the female characters are equally rich and independent characters, or if they solely exist to play a secondary—and negative—role in their men’s lives. All the women in the novels are presented through the point of view of the male protagonist, which is typical of Roth’s work. The female characters are objects of the men’s gaze, objects either of the men’s desire or disdain, and 1 sometimes both. In some cases, their portrayal in the American Trilogy has been considered, for this reason, as a proof of Roth’s misogyny or as Roth’s personal vengeance against some women of his own life. Some reviewers, such as Linda Grant, have argued that his ex-wife Claire Bloom is the model on which Eve Frame has been built as character1. This view is shared by many literary scholars, starting from Mary Allen who, in 1976, writes that «in his creation of heroines Roth projects his enormous rage and disappointment with womankind as a man who rails at the world because he has never found in it a woman who is both strong and good»2. In addition, Dale Peck’s review “Dangerous Girls”, published in July 1997 in The London Review of Books, defines American Pastoral as «anti-woman»3. This opinion was echoed in 2006 by the literary scholar Elaine B. Safer who explicitly defines I Married a Communist as «clearly a retaliatory act»4, and in 2008 by the writer Vivian Gornick who, attacking the author for misogyny in her book The Men in My Life, affirms that «for Philip Roth, women are monstrous»5. I do not want to look at the three novels’ portrayals of women as the proof of Philip Roth’s vengeance or misogyny. However, I do recognize that these women negatively affect the male characters’ lives, so I consider it essential to further analyze the six female characters that inhabit the American trilogy. In the first chapter I will focus on American Pastoral’s main female characters: the Swede’s wife, Dawn Dwyer, and their daughter Merry Levov. In the second chapter, which is dedicated to I Married a Communist, I will analyze Ira Ringold’s wife, Eve Frame, and her daughter Sylphid Pennington. Finally, in the third and final chapter, I will examine The Human Stain’s main female characters: Coleman Silk’s colleague, professor Delphine Roux, and his younger 1 L. Grant, “The Wrath of Roth”, The Guardian, 1998. https://bit.ly/2RIIz6c 2 M. Allen, The Necessary Blankness: Women in the Major American Fiction of the Sixties, Illinois, University of Illinois Press, 1976, p. 96. 3 D. Peck, “Dangerous Girls”, in The London Review of Books, 3 July 1997. https://bit.ly/2FglKWn 4 E.B. Safer, Mocking the Age The Later Novels of Philip Roth, New York, State University of New York, 2006, p. 129. 5 V. Gornick, The Men in My Life, London, The MIT Press, 2008, p. 125. 2 lover, Faunia Farley. I will look into how they shape their existence in society, how they as individuals are thrown into the heart of important changes in that society, how “public” and “private” are defined in the realm of the novels, with an accurate description of everything that pertains to them: from clothes, to speaking habits, to psychical condition, and a comparison between the six women, with regard to the recurring features that connect them. My method to approach and discuss the female quest for selfhood in Philip Roth’s American Trilogy will be a comprehensive one, ranging from close reading of the texts and psychoanalysis—I drew in particular from Lacan’s and Chodorow’s studies on matrophobia—to Bataille’s theories on eroticism and literature, and the feminist studies on “Object relations” and on women’s autobiographical texts by Susan Friedman. I also used Rivière’s and Luce Irigaray’s concepts of femininity as constructed through masquerade, which is an artificial contrivance, a cultural fabric, a mode of enacting gender norms. The female protagonists perform femininity as an attentively elaborated social mask, or refuse to do so. These theorists illuminate my analyses of the female characters’ system of identity construction. My objective is also to show how Roth’s portraits of women don’t represent his misogyny, but they are the means to achieve his goal, to give, as Henry James said, a sense of reality. «The protagonist who provides the central standpoint around which the dialogue accrues», so the protagonist through which this goal is achieved, states Debra Shostak in her book Philip Roth—Countertexts, Counterlives, «is almost always male, almost always Jewish, and frequently a writer»6. Here this writer is Nathan Zuckerman and the protagonists are all males but the narrative choice is merely a medium. «The primary purpose of Roth’s fiction is […] inquiry into subjectivity, then the way for him to approach the nature of the subject is through its contextualization, in the world, by others»7. Women characters condition male ones. Roth challenges their performances as 6 D. B. Shostak, Philip Roth—Countertexts, Counterlives, Columbia, University of South Carolina Press, 2004, p. 10. 7 Ibidem. 3 he does with male identities. Identities caught in the web of historical events. The allegation of misogyny does not allow us to go further and see that there is much more behind these characters, and can be considered only according to «the logic that misogyny emerges from a
Load more

Recommended publications
  • The American Jewishness in Philip Roth's Fiction—The Thematic Study
    ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 2, pp. 313-317, February 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.2.313-317 The American Jewishness in Philip Roth’s Fiction—The Thematic Study of American Pastoral Ting Gao Shandong University of Finance and Economics, Ji Nan, China Abstract—As one of the most prominent living Jewish writers in contemporary American Literature, Philip Roth (1933- ) has been producing excellent works despite his 80-year-old age. He is a frequent subject of Chinese researchers, but among those literary studies of Philip Roth’s fiction, Jewishness is not a subject to be discussed much. One of the reasons is that as an ethnic term, Jewishness is ambiguous in perception. As Roth persists with his American stance in interviews, literary discussions on his Jewishness seems to be more ambiguous. Nevertheless, Roth does not deny his Jewish root, and Roth devotes his whole life writing with the subject of American Jewish life. In view of this, there is a Jewishness that exists in his fiction which best reflects his ethnic ethos as well as the characteristic position he holds as a Jew and American writer. In analyzing one of the Roth’s most important works in late-twentieth century, namely, American Pastoral, this thesis aims to put forward the idea that Jewishness exhibited in this fiction is Americanized Jewishness. Index Terms—Jewisheness, Americanized Jewishness, the American pastoral I. INTRODUCTION Generally speaking, Jewishness is regarded as an inherited and inherent trait which indicates an ancestral background or lineage to genetics.
    [Show full text]
  • Bitter-Sweet Home: the Pastoral Ideal in African-American Literature, from Douglass to Wright
    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2011 Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright Robyn Merideth Preston-McGee University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons Recommended Citation Preston-McGee, Robyn Merideth, "Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright" (2011). Dissertations. 689. https://aquila.usm.edu/dissertations/689 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2011 The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee May 2011 Discussions of the pastoral mode in American literary history frequently omit the complicated relationship between African Americans and the natural world, particularly as it relates to the South. The pastoral, as a sensibility, has long been an important part of the southern identity, for the mythos of the South long depended upon its association with a new “Garden of the World” image, a paradise dependent upon slave labor and a racial hierarchy to sustain it.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
    Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley
    [Show full text]
  • Classics by American Authors
    BRAILLE AND TALKING BOOK LIBRARY (800) 952-5666; btbl.ca.gov; [email protected] Classics by American Authors The American classics listed here range from some of the earliest American novels to more contemporary additions to the cannon. To order any of these titles, contact the library by email, phone, mail, in person, or order through our online catalog. Most titles can be downloaded from BARD. Little Women by Louisa May Alcott Read by Laura Giannarelli 21 hours, 35 minutes Recounts the lives of the four March sisters--quick-tempered Jo, who is restless for freedom; Beth, who loves her home and family; Meg who longs for pretty clothes; and self-absorbed Amy. Includes 1989 introduction by Elaine Showalter. For grades 6-9 and older readers. 1868. Download from BARD: Little Women Also available on digital cartridge DB058830 Download from BARD as Electronic Braille BR11778 Also available in braille BR011778 Dark Laughter by Sherwood Anderson Read by Anne Jemison 7 hours, 33 minutes Rebellious John Stockton weary of the shoddy newspaper work he is doing, drifts down the Mississippi River, changes his name, and becomes involved in a love affair with his employer’s wife. Download from BARD: Dark Laughter Also available on digital cartridge DB014786 I Know Why the Caged Bird Sings by Maya Angelou Read by Andrea Frierson-Toney 9 hours, 14 minutes Memoir by well-known African American poet and college professor Maya Angelou. She describes her childhood and adolescent years in rural Arkansas, in St. Louis, and in San Francisco, and the racial and gender hardships she endured.
    [Show full text]
  • Adult Fiction Book Bag Titles
    ADULT FICTION BOOK BAG TITLES Alvarez, Julia. How the Garcia Girls Lost Their Accents. Four sisters from the Dominican Republic adjust to life in the United States. Also appropriate for a young adult audience. Alvarez, Julia. In the Time of the Butterflies. Fictionalized account of the Mirabel sisters who fought against the Trujillo dictatorship in the Dominican Republic. Austen, Jane. Persuasion. The troubled romance of poor Captain Wentworth and upper class Anne Elliot. Austen, Jane. Sense and Sensibility. Austen’s first novel about two sisters romantically pursuing unsuitable men. Baldwin, James. Go Tell it on the Mountain. A troubled African-American family in 1930’s Harlem and the difficult relationship between teen-age John and his preacher stepfather. Banks, Russell. Affliction. A dark novel about a New Hampshire small town policeman whose life is coming apart and devolving into violence. Banks, Russell. Cloudsplitter. Novel about the abolitionist John Brown as narrated by his son Owen. Banks, Russell. Sweet Hereafter. A school bus crash kills 14 children in a small upstate New York town. The aftereffects of the tragedy are told by several narrators. Banks, Russell. Trailerpark. Related stories set in a New Hampshire trailer park. Barker, Pat. Regeneration. Booker Prize nominee novel is the fictional account of the hospitalization of poet and soldier Siegfried Sassoon for condemning World War I. Barnes, Linda. Flashpoint. Boston private detective Carlotta Carlyle investigates the murder of elderly Valentine Phipps. Beattie, Ann. Park City: new and selected stories. 36 stories, mostly culled from earlier collections, of contemporary life. Beckett, Samuel. Murphy. The first published novel by Beckett about a poor Irishman, Murphy, trying to make his fortune in London.
    [Show full text]
  • The Resistance of Pastoral Romanticism in Upton Sinclair ’S the Jungle
    Humanities and Social Sciences Review, CD-ROM. ISSN: 2165-6258 :: 09(01):411–420 (2019) THE PASTORAL ESCAPE: THE RESISTANCE OF PASTORAL ROMANTICISM IN UPTON SINCLAIR ’S THE JUNGLE Cihan Yazgı Baskent University, Turkey Though being considered a ‘muckraker ’ journalist, Upton Sinclair is best known for his fictional work The Jungle . Muckrakers were not many in number but each had their viewpoint on how the society was to be reformed, and these were observed in their journalism. As for Sinclair, his was the clearest in The Jungle : reform was to come through ‘socialism ’. His later chapters on socialist solutions have always been criticised, even by himself, as weak. His ending invests too much in mere propagandistic scaffolding and hence ends up collapsing altogether into repugnant prattle, unable to provide a closure to Jurgis ’s gripping tragedy. However, it eventually serves to, together with Sinclair ’s deliberate marketing of it so, present The Jungle as a complete Marxist-socialist statement in its entirety, and conceals the inability of the narrative to square its circles with the social contradictions it initially sets out to resolve, namely corruption and injustice in all aspects of society. This inability manifests itself at the text level in Sinclair ’s inability to plot a socialist deliverance for Jurgis and his society from corruption and injustice at the end. Yet, although his ending fails, Chapter 22 stands out as the closest thing to salvation Jurgis attains throughout. A surfacing of the southern country life in a single Chapter 22, in contradiction to an otherwise urban Chicago setting, becomes symptomatic of the ideological closure in Sinclair ’s grasp of the contradictions mentioned.
    [Show full text]
  • A Companion to American Literature]
    Journal of Transnational American Studies 10.2 (Winter/Spring 2019–20) Reprise Connecting a Different Reading Public: Compiling [A Companion to American Literature] Yu Jianhua Shanghai International Studies University At the end of 2015, ten years after the project was initiated, A Companion to American Literature was finally published by Commercial Press in Beijing. This was the first attempt in Chinese academia at compiling a large-scale handbook covering foreign literature published in China and in Chinese. The Companion provides readers in China with easy access to sources in order for them to gain a better understanding of three hundred years of American literature. It includes well-known authors and their major works, literary historians and critics, literary journals, awards, organizations and movements, as well as terminologies such as “tall tale” and “minstrel show” that are unique to American literature. We started in a small way in 2003 after a suggestion from Fudan University Press that we provide a handy companion on American literature for Chinese undergraduates and graduate students. After American Literature: Authors and Their Works was published in 2005, a more ambitious plan emerged for a new handbook that was to be more comprehensive, and one that was to be written in Chinese for Chinese readers. The proposition received financial support from the Shanghai International Studies University Research Fund, and later, The National Social Science Fund of China, with more than thirty professors and young scholars participating in the project. After decisions were made in regard to the general layout and entries, we set to work, each responsible for an area that he or she specialized in, and together we contributed to the project that came to fruition ten years later.
    [Show full text]
  • Right and Wrong in Philip Roth's American Pastoral
    Right and wrong in Philip Roth’s American Pastoral Claire Maniez To cite this version: Claire Maniez. Right and wrong in Philip Roth’s American Pastoral. CELIS, 2011. hal-02018070 HAL Id: hal-02018070 https://hal.archives-ouvertes.fr/hal-02018070 Submitted on 13 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Right and wrong in Philip Roth’s American Pastoral “What the hell is wrong with doing things right?”1: Seymour Levov’s angry question to his brother Jerry during their phone conversation in chapter 6 of American Pastoral epitomizes the central conundrum explored in the novel, where the words “right” and “wrong” recur with a frequency much above average. Of course, we are dealing here with very ubiquitous words, which can be adjectives, nouns, adverbs and verbs, and have a wide range of meanings. Even so, their repeated occurrences raise questions which are central to the interpretation of the novel, and this paper will examine some of the uses of the words and the links they develop with one another. The first meaning of “right” listed in the American Heritage Dictionary is what could be called the “moral” one: “Conforming with or conformable to justice, law, or morality.” Interestingly, this acceptation only comes second in the definition of “wrong”: “Contrary to conscience, morality, or law; immoral or wicked.
    [Show full text]
  • Storytelling As a Pastoral Care Intervention That Ministers Healing to Adult Parishioners of St
    Gardner-Webb University Digital Commons @ Gardner-Webb University Divinity Projects School of Divinity 5-2018 Storytelling as a Pastoral Care Intervention that Ministers Healing to Adult Parishioners of St. Paul African Methodist Episcopal Church in Canton, Georgia Who Have Experienced Violence Lemora Dobbs Follow this and additional works at: https://digitalcommons.gardner-webb.edu/divinity_etd Part of the Religion Commons Recommended Citation Dobbs, Lemora, "Storytelling as a Pastoral Care Intervention that Ministers Healing to Adult Parishioners of St. Paul African Methodist Episcopal Church in Canton, Georgia Who Have Experienced Violence" (2018). Divinity Projects. 41. https://digitalcommons.gardner-webb.edu/divinity_etd/41 This Project is brought to you for free and open access by the School of Divinity at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in Divinity Projects by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please see Copyright and Publishing Info. STORYTELLING AS A PASTORAL CARE INTERVENTION THAT MINISTERS HEALING TO ADULT PARISHIONERS OF ST. PAUL AFRICAN METHODIST EPISCOPAL CHURCH IN CANTON, GEORGIA WHO HAVE EXPERIENCED VIOLENCE A PROJECT SUBMITTED TO THE FACULTY OF THE M. CHRISTOPHER WHITE SCHOOL OF DIVINITY GARDNER-WEBB UNIVERSITY BOILING SPRINGS, NC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF MINISTRY BY LEMORA B. DOBBS MAY 2018 APPROVAL FORM STORYTELLING AS A PASTORAL CARE INTERVENTION THAT MINISTERS HEALING TO ADULT PARISHIONERS OF ST. PAUL AFRICAN METHODIST EPISCOPAL CHURCH IN CANTON, GEORGIA WHO HAVE EXPERIENCED VIOLENCE LEMORA B. DOBBS Approved by: __________________________________________ (Faculty Advisor) __________________________________________ (Field Supervisor) __________________________________________ (D.Min. Director) Date:____________________________ Copyright @ 2018 by Lemora B.
    [Show full text]
  • Discerning the Call to Prophetic Civic Leadership Within the African
    DISCERNING THE CALL TO PROPHETIC CIVIC LEADERSHIP WITHIN THE AFRICAN AMERICAN PASTORAL TRADITION By Daryl L. Horton Bachelor of Science, 1998 Southwest Texas State University San Marcos, TX Master of Arts, 2009 Austin Graduate School of Theology Austin, TX Master of Divinity, 2015 Austin Presbyterian Theological Seminary Austin, TX A PROJECT REPORT AND THESIS Presented to the Doctor of Ministry Committee of the Brite Divinity School in partial fulfillment of the requirements for the degree of Doctor of Ministry Fort Worth, TX July 2020 BRITE DIVINITY SCHOOL DISCERNING THE CALL TO PROPHETIC CIVIC LEADERSHIP WITHIN THE AFRICAN AMERICAN PASTORAL TRADITION APPROVED BY PROJECT COMMITTEE: Dr. Russell Dalton Director Dr. D. Newell Williams Reader Dr. Timothy Robinson Director of the Doctor of Ministry Program Dr. Michael Miller Dean DEDICATION I dedicate this project to my late grandparents, Andrew and Earline Blanks Sr., Jimmy and Amenta Moody and Ellis Horton, Sr., who saw God’s hands on me before my first steps. Thank you for teaching me to “take what you got, to make what you want, to get what you need, and if you see where you can’t make it, just draw a line”. To Rev. Dr. G. V. Clark, my pastor and the “Paul” to my “Timothy”, thank you for your prayers and presence every step of the way. Thank you for believing this was in me and that God has a plan. ACKNOWLEDGEMENTS I thank God for the opportunity to return to TCU. God is the God of another chance. I am grateful for the unceasing prayer, love and support of my wife, Dr.
    [Show full text]
  • Pulitzer Prize Bookmark.Pub
    Pulitzer Prize Winners Pulitzer Prize Winners Pulitzer Prize Winners Pulitzer Prize Winners for Fiction for Fiction for Fiction for Fiction 2006: March 2006: March 2006: March 2006: March by Geraldine Brooks by Geraldine Brooks by Geraldine Brooks by Geraldine Brooks 2005: Gilead 2005: Gilead 2005: Gilead 2005: Gilead by Marilynne Robinson by Marilynne Robinson by Marilynne Robinson by Marilynne Robinson 2004: The Known World 2004: The Known World 2004: The Known World 2004: The Known World by Edward P. Jones by Edward P. Jones by Edward P. Jones by Edward P. Jones 2003: Middlesex 2003: Middlesex 2003: Middlesex 2003: Middlesex by Jeffrey Eugenides by Jeffrey Eugenides by Jeffrey Eugenides by Jeffrey Eugenides 2002: Empire Falls 2002: Empire Falls 2002: Empire Falls 2002: Empire Falls by Richard Russo by Richard Russo by Richard Russo by Richard Russo 2001: The Amazing 2001: The Amazing 2001: The Amazing 2001: The Amazing Adventures of Kavalier Adventures of Kavalier Adventures of Kavalier Adventures of Kavalier & Clay & Clay & Clay & Clay by Michael Chabon by Michael Chabon by Michael Chabon by Michael Chabon 2000: Interpreter of 2000: Interpreter of 2000: Interpreter of 2000: Interpreter of Maladies Maladies Maladies Maladies by Jhumpa Lahiri by Jhumpa Lahiri by Jhumpa Lahiri by Jhumpa Lahiri 1999: The Hours 1999: The Hours 1999: The Hours 1999: The Hours by Michael Cunningham by Michael Cunningham by Michael Cunningham by Michael Cunningham 1998: American Pastoral 1998: American Pastoral 1998: American Pastoral 1998: American Pastoral
    [Show full text]