Evensong on the Death of Duke of Edinburgh
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Giovanni Paolo Colonna "Psalmi Ad Vesperas" Op. 12: Introduction
GIOVANNI PAOLO COLONNA Psalmi ad Vesperas OPUS DUODECIMUM, 1694 Edited by Pyrros Bamichas May 2010 WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.sscm-wlscm.org), WLSCM No. 18 Contents INTRODUCTION ......................................................................................................................... iii The Composer ........................................................................................................................ iii The Music .............................................................................................................................. vi Liturgical Practice .................................................................................................................. xi Acknowledgments................................................................................................................. xii CRITICAL COMMENTARY ..................................................................................................... xiv The Sources .......................................................................................................................... xiv Other Sources for the Pieces of Op. 12 .............................................................................. xviii Editorial Method ................................................................................................................... xx Critical Notes ....................................................................................................................... xxi [1] Domine ad adjuvandum -
Guidance on the Use of Royal Arms, Names and Images
GUIDANCE ON THE USE OF ROYAL ARMS, NAMES AND IMAGES 1 The following booklet summarises the legal position governing the use, for commercial purposes, of the Royal Arms, Royal Devices, Emblems and Titles and of photographs, portraits, engravings, effigies and busts of The Queen and Members of the Royal Family. Guidance on advertising in which reference is made to a Member of the Royal Family, and on the use of images of Members of the Royal Family on articles for sale, is also provided. The Lord Chamberlain’s Office will be pleased to provide guidance when it is unclear as to whether the use of “Arms” etc., may give the impression that there is a Royal connection. 2 TRADE MARKS Section 4 (1) of the Trade Marks Act 1994 states: “A trade mark which consists of or contains – (a) the Royal arms, or any of the principal armorial bearings of the Royal arms, or any insignia or device so nearly resembling the Royal arms or any such armorial bearing as to be likely to be mistaken for them or it, (b) a representation of the Royal crown or any of the Royal flags, (c) a representation of Her Majesty or any Member of the Royal Family, or any colourable imitation thereof, or (d) words, letters or devices likely to lead persons to think that the applicant either has or recently has had Royal patronage or authorisation, shall not be registered unless it appears to the registrar that consent has been given by or on behalf of Her Majesty or, as the case may be, the relevant Member of the Royal Family.” The Lord Chamberlain's Office is empowered to grant the consent referred to in Section 4(1) on behalf of Her Majesty The Queen. -
Roman-Barbarian Marriages in the Late Empire R.C
ROMAN-BARBARIAN MARRIAGES IN THE LATE EMPIRE R.C. Blockley In 1964 Rosario Soraci published a study of conubia between Romans and Germans from the fourth to the sixth century A.D.1 Although the title of the work might suggest that its concern was to be with such marriages through- out the period, in fact its aim was much more restricted. Beginning with a law issued by Valentinian I in 370 or 373 to the magister equitum Theodosius (C.Th. 3.14.1), which banned on pain of death all marriages between Roman pro- vincials and barbarae or gentiles, Soraci, after assessing the context and intent of the law, proceeded to discuss its influence upon the practices of the Germanic kingdoms which succeeded the Roman Empire in the West. The text of the law reads: Nulli provineialium, cuiuscumque ordinis aut loci fuerit, cum bar- bara sit uxore coniugium, nec ulli gentilium provinciales femina copuletur. Quod si quae inter provinciales atque gentiles adfinitates ex huiusmodi nuptiis extiterit, quod in his suspectum vel noxium detegitur, capitaliter expietur. This was regarded by Soraci not as a general banning law but rather as a lim- ited attempt, in the context of current hostilities with the Alamanni, to keep those barbarians serving the Empire (gentiles)isolated from the general Roman 2 populace. The German lawmakers, however, exemplified by Alaric in his 63 64 interpretatio,3 took it as a general banning law and applied it in this spir- it, so that it became the basis for the prohibition under the Germanic king- doms of intermarriage between Romans and Germans. -
Sample Intercessions for Atonement & Healing
Diocese of Scranton Sample Intercessions for Atonement & Healing From the Federation of Diocesan Liturgical Commissions and the Diocese of Scranton Office for Parish Life It is recommended to include at least one of these intercessions in the Universal Prayer each weekend. 1. For the victims of abuse at the hands of some members of the clergy, may they find healing, support, and peace within the Catholic community, we pray to the Lord. 2. For the families of abuse victims, that their compassionate concern may affect healing and that their strong advocacy may bring about change within the Church and society, we pray to the Lord. 3. For Pope Francis, for the bishops of the United States, and all the bishops of the world, that they may heed the promptings of the Holy Spirit and work to promote justice for all victims of sexual abuse, we pray to the Lord. 4. That those terrorized by sexual abuse, especially those abused by priests of our Diocese, may find the courage to come forward to authorities and find the peace and consolation they need, we pray to the Lord. 5. That the Church may be a safe refuge for all in need, especially those who suffer physical, mental and sexual abuse, we pray to the Lord. 6. That all members of the Church may commit themselves to protect children and the most vulnerable in our communities, we pray to the Lord. 7. For all those in parishes and dioceses who are responsible for safe environment training programs which promote the protection of children, we pray to the Lord. -
Being Lord Grantham: Aristocratic Brand Heritage and the Cunard Transatlantic Crossing
Being Lord Grantham: Aristocratic Brand Heritage and the Cunard Transatlantic Crossing 1 Highclere Castle as Downton Abbey (Photo by Gill Griffin) By Bradford Hudson During the early 1920s, the Earl of Grantham traveled from England to the United States. The British aristocrat would appear as a character witness for his American brother-in-law, who was a defendant in a trial related to the notorious Teapot Dome political scandal. Naturally he chose to travel aboard a British ship operated by the oldest and most prestigious transatlantic steamship company, the Cunard Line. Befitting his privileged status, Lord Grantham was accompanied by a valet from the extensive staff employed at his manor house, who would attend to any personal needs such as handling baggage or assistance with dressing. Aboard the great vessel, which resembled a fine hotel more than a ship, passengers were assigned to accommodations and dining facilities in one of three different classes of service. Ostensibly the level of luxury was determined solely by price, but the class system also reflected a subtle degree of social status. Guests in the upper classes dressed formally for dinner, with men wearing white or black tie and women wearing ball gowns. Those who had served in the military or diplomatic service sometimes wore their medals or other decorations. Passengers enjoyed elaborate menu items such as chateaubriand and oysters Rockefeller, served in formal style by waiters in traditional livery. The décor throughout the vessel resembled a private club in London or an English country manor house, with ubiquitous references to the British monarchy and empire. -
3 Cappella Romana Presents VENICE in the EAST: Renaissance Crete
Cappella Romana presents VENICE IN THE EAST: Renaissance Crete & Cyprus Wednesday, 8 May 2019, 7:30 p.m. Touhill Performing Arts Center, University of Missouri, Saint Louis Friday, 10 May 2019 at 7:30 p.m. Alexander Lingas Christ Church Cathedral, Vancouver, British Columbia Founder & Music Director Presented by Early Music Vancouver Saturday, 11 May 2019 at 8:00 p.m. St. Ignatius Parish, San Francisco Spyridon Antonopoulos John Michael Boyer Kristen Buhler PROGRAM Aaron Cain Photini Downie Robinson PART I David Krueger Emily Lau From the Byzantine and Venetian Commemorations of the Paschal Triduum Kerry McCarthy The Crucifixion and Deposition Mark Powell Catherine van der Salm Venite et ploremus Johannes de Quadris David Stutz soloists: Aaron Cain, Mark Powell Liber sacerdotalis (1523) of Alberto Castellani Popule meus Liber sacerdotalis soloist: Kerry McCarthy Sticherón for the Holy Passion: Ἤδη βάπτεται (“Already the pen”) 2-voice setting (melos and “ison”) Manuel Gazēs the Lampadarios (15th c.) soloists: Spyridon Antonopoulos, MS Duke, K. W. Clark 45 John Michael Boyer Traditional Melody of the Sticherarion Mode Plagal 4 Cum autem venissent ad locum de Quadris Liber sacerdotalis soloists: Aaron Cain, Mark Powell O dulcissime de Quadris Liber sacerdotalis soloists: Photini Downie Robinson, Kerry McCarthy Verses of Lamentation for the Holy Passion “Corrected by” Angelos Gregoriou MS Duke 45, Mode Plagal 2 Sepulto Domino de Quadris Liber sacerdotalis The Resurrection Attollite portas (“Lift up your gates”) Liber sacerdotalis celebrant: Mark Powell Ἄρατε πύλας (“Lift up your gates”) Anon. Cypriot (late 15th c.?), MS Sinai Gr. 1313 Attollite portas … Quem queritis … Liber sacerdotalis Χριστὸς ἀνέστη (“Christ has risen”) Cretan Melody as transcribed by Ioannis Plousiadenós (ca. -
Ancient Rome
HISTORY AND GEOGRAPHY Ancient Julius Caesar Rome Reader Caesar Augustus The Second Punic War Cleopatra THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. Ancient Rome Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019
16 March — 14 July 2019 British Royal Portraits Exhibition organised by the National Portrait Gallery, London Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019 Tudors to Windsors traces the history of the British monarchy through the outstanding collection of the National Portrait Gallery, London. This exhibition highlights major events in British (and world) history from the sixteenth century to the present, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. Presenting some of the most significant royal portraits, the exhibition will explore five royal dynasties: the Tudors, the Stuarts, the Georgians, the Victorians and the Windsors shedding light on key figures and important historical moments. This exhibition also offers insight into the development of British art including works by the most important artists to have worked in Britain, from Sir Peter Lely and Sir Godfrey Kneller to Cecil Beaton and Annie Leibovitz. 2 UK WORLDWIDE 1485 Henry Tudor defeats Richard III at the Battle of Bosworth Field, becoming King Henry VII The Tudors and founding the Tudor dynasty 1492 An expedition led by Italian explorer Christopher Columbus encounters the Americas 1509 while searching for a Western passage to Asia Henry VII dies and is succeeded Introduction by King Henry VIII 1510 The Inca abandon the settlement of Machu Picchu in modern day Peru Between 1485 and 1603, England was ruled by 1517 Martin Luther nails his 95 theses to the five Tudor monarchs. From King Henry VII who won the door of the Castle Church in Wittenberg, crown in battle, to King Henry VIII with his six wives and a catalyst for the Protestant Reformation 1519 Elizabeth I, England’s ‘Virgin Queen’, the Tudors are some Hernando Cortes lands on of the most familiar figures in British history. -
Notes for the Guidance of Rep Dls Re Borough Observance of Mourning Following the Death of a Member of the Royal Family [Not Including the Sovereign]
Notes for the Guidance of Rep DLs re Borough Observance of Mourning Following the Death of a Member of the Royal Family [not including the Sovereign] The forms of Mourning are: NATIONAL MOURNING ROYAL MOURNING Following the death of a Member of The Royal Family, the Lord Chamberlain or the Earl Marshal will consult with the Prime Minister before seeking The Sovereign’s Commands with regard to mourning. No action should be taken until there is a formal announcement of the death (that is, when the media reports that Buckingham Palace or Downing Street has announced the death, not when they indicate that “reports are coming in of the death of …..”). National Mourning Observed by all, including national representatives serving abroad. Flags lowered from the day of death to the day of Funeral. Business/Sporting activities considered by Prime Minister’s Office. Royal Mourning Observed by Members of the Royal Family, Households of the Royal Family and Troops on Public Duties. Flags Flags should be flown at half-mast on the day the death is announced (or immediately following) and day of Funeral. Flags also lowered on any other occasions where Her Majesty has given special command. Half-mast means the flag is flown two-thirds of the way up the flagpole with at least the height of the flag between the top of the flag and the top of the flagpole. On flag poles that are more than 45o from the vertical, flags cannot be flown at half-mast and the pole should be left empty. When a flag is to be flown at half-mast it should first be raised all the way to the top of the mast, allowed to remain there for a second and then lowered to the half-mast position. -
Edward C. Malesic Solemn Installation “ I Will Appoint Over You Shepherds After My Own Heart, Who Will Shepherd You Wisely and Prudently.” JEREMIAH 3:15
THE MOST REVEREND Edward C. Malesic Solemn Installation “ I will appoint over you shepherds after my own heart, who will shepherd you wisely and prudently.” JEREMIAH 3:15 In prayerful respect for the Liturgy, please turn off all mobile phones and electronic devices. Kindly refrain from flash photography as well as video recording during the Liturgy. “ I will appoint over you shepherds after my own heart, who will shepherd you wisely and prudently.” JEREMIAH 3:15 olemn nstallation of The Most Reverend Edward C. Malesic as the Twelfth Bishop of Cleveland Monday the Fourteenth of September Two Thousand and Twenty at two o’clock in the afternoon In prayerful respect for the Liturgy, please turn off all mobile phones Feast of the Exaltation of the Holy Cross and electronic devices. Kindly refrain from flash photography Cathedral of Saint John the Evangelist as well as video recording during the Liturgy. Cleveland, Ohio 3 His Holiness Pope Fr ancis 4 His Excellency The Most Reverend Christophe Pierre Apostolic Nuncio to the United States of America 5 His Excellency The Most Reverend Dennis M. Schnurr Archbishop of Cincinnati Metropolitan, Province of Cincinnati His Excellency The Most Reverend Anthony M. Pilla Bishop-Emeritus of Cleveland 6 His Excellency The Most Reverend Roger W. Gries, OSB Retired Auxiliary Bishop of Cleveland His Excellency The Most Reverend Martin J. Amos Bishop-Emeritus of Davenport 7 8 His Excellency The Most Reverend Edward C. Malesic Twelfth Bishop of Cleveland 9 Serve the LORD with Gladness Heraldic Achievement of Most Reverend Edward C. Malesic Bishop of Cleveland In designing the shield—the central element in what is formally called the heraldic achievement—a bishop has an opportunity to depict symbolically various aspects of his own life and heritage, and to highlight particular aspects of Catholic faith and devotion that are important to him. -
Lift up Your Hearts. All: We Lift Them up to the Lord. Priest
Priest: The Lord be with you. CONGREGATION’S PRAYER CARD All: And with your spirit. NEW RESPONSES AT MASS Priest: Lift up your hearts. All: We lift them up to the Lord. (Changes are indicated in bold type.) Priest: Let us give thanks to the Lord our God. All: It is right and just. THE GREETING Priest: In the name of the Father, and of the Son, and of the Holy Spirit. Holy, Holy, Holy Lord God of hosts. All: Amen. Heaven and earth are full of your glory. Priest: The Lord be with you. Hosanna in the highest. All: And with your spirit. Blessed is he who comes in the name of the Lord. Hosanna in the highest. PENITENTIAL ACT A All: I confess to almighty God and to you, my brothers and sisters, Priest: The mystery of faith. that I have greatly sinned, in my thoughts and in my words, All: We proclaim your death, O Lord, and profess your in what I have done and in what I have failed to do, Resurrection until you come again. Striking your breast as you say: through my fault, Or When we eat this Bread and drink this Cup, through my fault, we proclaim your death, O Lord, until you come again. through my most grievous fault; therefore I ask blessed Mary ever-Virgin, Or Save us Saviour of the world, for by your Cross and all the Angels and Saints, and you, my brothers and sisters, Resurrection, you have set us free. to pray for me to the Lord our God. -
The Constitution of the Elites in the Rise of the Brazilian Imperial State Diálogos Latinoamericanos, Núm
Diálogos Latinoamericanos ISSN: 1600-0110 [email protected] Aarhus Universitet Dinamarca Malerba, Jurandir The Constitution of the elites in the rise of the Brazilian Imperial State Diálogos Latinoamericanos, núm. 4, 2001, pp. 1-20 Aarhus Universitet Aarhus, Dinamarca Available in: http://www.redalyc.org/articulo.oa?id=16200401 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Diálogos Latinoamericanos The Constitution of the elites in the rise of the Brazilian Imperial State Jurandir Malerba * The reflections I intend to develop bellow are the result of a wider research work achieved in my Ph.D thesis. Two connected phenomena were analysed: the structure of two elites merging in Rio de Janeiro when the Portuguese royal family fled to Brazil in 1808, or rather, the court society that came to Brazil with the Portuguese king and the wealthy classes that financed the king’s stay in Brazil for thirteen years. Even though the importance of these events in the history of the two countries will not be analysed, this encounter leading to the Independence process some months after the king’s return to Portugal should always be kept in mind. Another aim of this research was the cultural codes that favoured communications between two distinct societies, or rather, between the court society and the working “capitalist” groups dedicated to down-to-earth mercantile strategies controlling the credit system, internal commerce and international slave trafficking to Brazil.