DOCSLIB.ORG

Aarsha Vani (Voice of Sanatana Dharma)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aarsha Vani (Voice of Sanatana Dharma) AArsha Vani (Voice of Sanatana Dharma) March 2016 Volume: 2 Issue: 02 “Sarvam Sivamayam Jagat” Upcoming Pravachanams “Brahma and Vishnu worshipped Siva who manifested Himself on Maha Sivaratri day as Date: Mar 6- 12, 2016 11AM & 6:30PM ‘Maha Linga’. They propagated this through Gods and sages for the ultimate benefit of Topic: Maha Bharatha Gaadhalu - mankind. Worship of Siva on Maha Sivaratri day Bodhalu grants the merit of worshipping Siva the entire year. Venue: Jute Dharmasala, Kurukshetram Worshipping Siva in the form of ‘Paarthiva Linga’ Contact: Chandrasekhar Gupta 9246530318 (Linga made with clay) is effective. ‘Linga’ is the 9391033782 unified form of Siva and Shakti – the cylindrical Date: Mar 14-16, 2016 6:30PM sphere represents Siva and the base (Yoni) represents Topic: Hindu Dharmam-Swarupam, Shakti. Worshipping Siva at Maha Pradosham i.e. Swabhavam, Prabhavam twilight time and ‘Lingodbhava kala’ i.e. at midnight Venue: Mahati Auditorium, Tirupati on Maha Sivaratri day is auspicious and bestows Contact: C Subrahmanyam 9440352995 many favors. One should worship Nandiswara before Date: Mar 19 –23, 2016 6:30PM worshipping Siva. Observing Maha Sivaratri following all or at least one of the following Topic: Sri Kamakshi Mahima - Sri Guru Siva Dharmas grants everything here and hereafter - Parampara 1. Abhishekam – ‘Abhishekaat Atma Suddhi:’. Performing abhishekam grants internal Venue: Sri Vivekananda Samskruta purity. At mundane level, those who perform abhishekam are blessed with opulence and Patasala, Kurnool. success. Doing abhishekam with milk, curd, cow ghee, honey and sugar is in vogue in Contact: Jogayya Sarma 7382106171 many parts of Bharat. Rudram (Namakam & Chamakam) is chanted while performing VS Prasad 9440293007 abhishekam. But, Siva Puranam mentions about Siva Himself telling Amba that D.Y. Rama Murthy 9490131175 abhishekam can be performed reciting the mantra ‘Sreem Sivaya Namaha’. Applying A Srinivasa Sastry 9490131179 some ghee around Parthiva linga does not let dilution and enables sustenance during abhishekam. Reciting ‘Sri Sivaya Namastubhyam Mahadevaya te namaha’ transforms Date: Mar 28 – Apr 1, 2016 9AM & 4PM even ordinary waters into sacred Ganga waters. Topic: Siva Parvati Kalyanam – Siva 2. Archana – Worship with flowers, Bilva leaves, Vibhuti etc. is performed chanting Bhakti Vaibhavam Astotra (108) or Sahasra (1000) namas of Siva. Siva Purana mentions that at least reciting Venue: Pravachana Mandapam, Sringeri the following names of Siva mentioned below without changing the order is auspicious Contact: PV Sasi Kumar Sarma 8886371773 – ‘Sivaya namaha’, ‘Maheswaraya Namaha’, ‘’Rudraya Namaha’, ‘Vishnave Namaha’, ASV Prasad Sarma 9908233033 (For details visit http://rushipeetham.org/ Event Calendar) ‘Pitamahaya Namaha’, ‘Samsara Vaidyaya Namaha’, ‘Sarvagnyaya Namaha’, ‘Paramatmane Namaha’. These eight names are called ‘Naamaashtaka Yogam’ because Traditions-Fulfilments they connote the summum bonum of philosophy hidden behind the orchestration of this entire universe. Worship of Vishnu starting from 3. Sankirtana – Reciting mantras, Siva stotrams and doing Siva japam purifies speech. Phalguna Suddha Vidiya to Bahula Vidiya 4. Dhyanam – Meditation purifies mind. Doing Dhyana contemplating Siva’s splendid without fail grants happiness and forms such as ‘Dakshinamurti’, ‘Mrityunjaya’, ‘Nataraja’, ‘Adi Bhikshu’, ‘Ardha freedom from debts and diseases. Nariswara’, ‘Hari Haratmaka’ etc. yields immense merits. Meditation of Siva as It is immensely efficacious if one ‘Jyotirlinga’ in the center of eyebrows is auspicious. just has the ‘Darshan’ of Siva Linga that 5. Upavaasa & Jaagarana – Fasting and staying awake. Observing restrain in diet to control senses and leaving aside the sleep of Ajnana (ignorance) and remaining conscious has been propitiated according to with knowledge is true ‘Jaagarana’. scriptural injunctions. Darshan in Understanding the significance and performing worship with faith and devotion is morning eliminates all causes of sorrows important. When all our spiritual practices mature, grace of Siva dawns upon us. Till that and gives extreme happiness, in time, it is very important to continue our sadhana, visit holy places, perform daily puja, afternoon grants the merits of recite stotras, and do charity and service activities. Let us pray Siva to bless us all with performing many Yagnas, in evening peace and prosperity. – Samavedam Shanmukha Sarma. bestows liberation and at mid-night (Adapted from multiple sources) transmigrates from mundane bondages. Sadhu Vachanam – Siva purana. When Dharma is absent, the company of two persons will always result in selfishness Reciting the below sloka before and violence. When Dharma prevails, they enrich each other." travel makes the journey peaceful and — Sadguru Sri Sivananda Murty. protects from unexpected troubles. Bharateeyam ātta sajja dhanur bāṇa karaṁ vr̥ṣabha "Shiva is the Lord of all the asanas, the Lord of all mantras, the personification of Prana, vāhanaṁ | annapūrṇā samā śliṣṭhaṁ and the Supreme Lord of meditation. Through an inner consecration to Shiva, all Yoga pathi ṣaṭ rudram āśrayē ॥ practices can reach their highest efficacy.” - Dr. David Frawley (Vamadeva Shastri). Spiritual Quest (Answers by Sri Samavedam Shanmukha Sarma) What is the best way to worship God? Is it Puja, Stotram or Dhyanam? “We accumulate merits or sins by doing virtue or vice respectively with three instruments (Karanas) – Manas (Mind), Vak (Speech), and Kaya (Body). Getting ready for worship by smearing sacred vibhuti or tripundram etc. and performing Abhishekam, Archana and other rituals purifies body. Reciting hymns purifies our speech. Doing Smarana and Dhyanam purifies our mind. Each one compliments the other. Hence, all the three are very essential in the worship of God.” ‘Samarasya is Sanatana – Samanvaya is Bharateeyata’ © Samavedam Shanmukha Sarma ‘PHILOSOPHY OF ASHTA MURTI’ Siva encompasses the entire cosmos in ‘Eight’ forms. Five elements (Pancha bhutas), Sun, Moon and the Self (Yajman or Kshetragnya) constitute these eight forms. In this world, everyone experiences joy or sorrow only through these eight constituents. Every individual directs his or her efforts every moment to get these eight under control internally and externally for ultimate happiness. Everyone wants cordial relationship and favorable behavior from these eight at every stage of their existence. Any slight variation in the composition of these eight constituents leads to disease internally and discomfort externally. Because everything is under His supreme control, He will subdue those occurrences that are unfavorable and promote those occurrences that are favorable to all His devotees who worship Him with faith and devotion. It is very important to comprehend that the worship is done not just to the ‘Five Elements’, ‘Sun’, ‘Moon’ or ‘Individual’, but to ‘Siva’ who is always inherently present within them. Siva innately present in Earth is ‘Prithvi Linga’, Water is ‘Jala Linga’, Fire is ‘Agni Linga’, Air is ‘Vayu Linga’ and Ether is Sri Guruvu garu about ‘Siva Padam’ ‘Akasha Linga’, Intellect is ‘Surya Linga’, Mind is ‘Chandra Linga’ and ‘Out of more than 1000 compositions, 111 Consciousness of self, present within everyone is ‘Yajamana Linga’. The very are picked and arranged according to a term ‘Linga’ connotes the same. ‘Linga’ means one that which amalgamates or theme along with commentary in this book. merges. The ‘Supreme Consciousness’ or ‘Siva’ which is unified with the entire These were composed with self-imposed universe is ‘Linga’. Hence, Bhagavan Ramana Maharshi in His work ‘Upadesa discipline to deliver one composition every Saram’ declared ‘Jagata īsadī yukta sēvanaṁ। aṣṭa mūrti bhr̥t dēva day and offer at the Lotus Feet of Siva. pūjanam॥’ i.e. prudent worship of omnipresent Siva is to worship Him in these Every word in this rendering is due to the eight forms. Great poet Kalidasa mentioned in his classic ‘Abhijnana absolute grace of Siva. Sakuntalam’ that everything experienced by our senses i.e. the above These reflect my understanding of the mentioned eight forms are the direct visible manifestations of Lord. Sage Veda philosophy of Siva that has been elaborated Vyasa proclaimed ‘Sarvam Sivamayam Jagat’ meaning this entire universe is in our Puranas and Scriptures. This is the filled with Siva. Sri Lalita Sahasranama Stotra describes Sri Lalita Devi as ‘Asta garland of flowers from the garden of Murti’. In Dakshinamurty’s hymn, Sri Adi Sankara propounded the scriptures that contain the gist. These are ‘Sagunopasana’ (worship the noumenon in the form of phenomenon) in these pregnant with my emotions & viewpoints. eight forms – These compositions are part of my spiritual bhūraṁ bhānsya nālō nilōmbara mahārnāthō himānśu: practice to take refuge in those definitive pumā nityābhāti carā carātmikamidaṁ yasyaiva mūrtyaṣṭakaṁ proclamations and surrender to Him in nānyatkin̄ca na vidyatē vimr̥śatāṁ yasmāt parasmādvibhō: ultimate silence. tasmai śrī guru mūrtayē nama idaṁ śrī dakṣināmūrtayē nama: This is a humble attempt to elucidate the “He, whose subtle and unmanifest eight-fold form causes the movable and multi-faceted philosophy of Siva. immovable universe, and by whose grace alone all these manifestations Compositions are picked and arranged disappear to reveal the supreme truth that ‘All that exists is only the Brahman’, based on the themes of – to that Dakshinamurti who is my Guru, I offer my profound salutations.” • His many forms – Everyone can do Ashtamurti
Load more

Recommended publications
  • Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars
    Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars -****- by Tamarapu Sampath Kumaran About the Author: Mr T Sampath Kumaran is a freelance writer. He regularly contributes articles on Management, Business, Ancient Temples and Temple Architecture to many leading Dailies and Magazines. His articles for the young is very popular in “The Young World section” of THE HINDU. He was associated in the production of two Documentary films on Nava Tirupathi Temples, and Tirukkurungudi Temple in Tamilnadu. His book on “The Path of Ramanuja”, and “The Guide to 108 Divya Desams” in book form on the CD, has been well received in the religious circle. Preface: Tirth Yatras or pilgrimages have been an integral part of Hinduism. Pilgrimages are considered quite important by the ritualistic followers of Sanathana dharma. There are a few centers of sacredness, which are held at high esteem by the ardent devotees who dream to travel and worship God in these holy places. All these holy sites have some mythological significance attached to them. When people go to a temple, they say they go for Darsan – of the image of the presiding deity. The pinnacle act of Hindu worship is to stand in the presence of the deity and to look upon the image so as to see and be seen by the deity and to gain the blessings. There are thousands of Siva sthalams- pilgrimage sites - renowned for their divine images. And it is for the Darsan of these divine images as well the pilgrimage places themselves - which are believed to be the natural places where Gods have dwelled - the pilgrimage is made.
    [Show full text]
  • South-Indian Images of Gods and Goddesses
    ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh.
    [Show full text]
  • Praying Through Politics, Ruling Through Religion
    Praying through Politics, Ruling Through Religion: The Rajarajeswaram as an Instrument of Economic and Political Unification in the Chola Empire Preeti Talwai Andrew Shanken, GSI Kartikeya Date Architecture 170A 23 November 2010 Talwai 1 Introduction Sacred spaces throughout architectural history are rarely limited to reflecting religious ideology. Many layers of socio-cultural, political, or economic motives can be peeled away from famous religious buildings over time. The Hindu temple of South India is no exception. At first a purely religious institution, it evolved into an imperial political and economic instrument with an influence far beyond the religious sphere. This paper will examine the temple which is canonically considered the apex of Hindu temple architecture, which marked the shift to royal temple patronage: the Rajarajeswaram temple (Sri Brihadeshwara) at Tanjore, in modern day Tamil Nadu, India. Completed in 1010 C.E. during the reign of Rajaraja Chola I, the Rajarajeswaram is a monumental institution that relies on double-coding in its architectural forms to both religiously appeal to the masses as well as to politically control and economically benefit a vast empire. The paper will first lay out the background of the bhakti (devotional) temples to show their contrast with the royal temple. It will then address the temple’s architectural elements of structure, art, sculpture, and inscription in each main part of its layout, with respect to the novel political and economic meanings that the temple pioneered. Finally, the paper will discuss temple management and the monetary system of devadana, or land grants, the sustaining backbone of this new economic system.
    [Show full text]
  • Elements of Hindu Iconography
    6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity.
    [Show full text]
  • ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
    ' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography.
    [Show full text]
  • My HANUMAN CHALISA My HANUMAN CHALISA
    my HANUMAN CHALISA my HANUMAN CHALISA DEVDUTT PATTANAIK Illustrations by the author Published by Rupa Publications India Pvt. Ltd 2017 7/16, Ansari Road, Daryaganj New Delhi 110002 Copyright © Devdutt Pattanaik 2017 Illustrations Copyright © Devdutt Pattanaik 2017 Cover illustration: Hanuman carrying the mountain bearing the Sanjivani herb while crushing the demon Kalanemi underfoot. The views and opinions expressed in this book are the author’s own and the facts are as reported by him which have been verified to the extent possible, and the publishers are not in any way liable for the same. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 978-81-291-3770-8 First impression 2017 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. This edition is for sale in the Indian Subcontinent only. Design and typeset in Garamond by Special Effects, Mumbai This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. To the trolls, without and within Contents Why My Hanuman Chalisa? The Text The Exploration Doha 1: Establishing the Mind-Temple Doha 2: Statement of Desire Chaupai 1: Why Monkey as God Chaupai 2: Son of Wind Chaupai 3:
    [Show full text]
  • Sri Vidya Sai Srinivasa Shodasha Darshanam
    Sri Vidya Sai Srinivasa Shodasha Darshanam Sai Venkatesh Introduction What is the ultimate goal of human life? What is the ultimate truth of all existence? The answers to both of these lie in a single source, which is the highest point human thinking and consciousness has ever reached: This source is called Advaita Vedanta. This is the universal truth for all of humanity. For various reasons, recorded and compiled literature of Vedanta is available presently in India, and in the same language, Sanskrit. This does not make Vedanta Indian or Hindu. Vedanta is Global. It is Universal. It is Truth. Vedanta is the end wisdom of the vast collection known as Vedas. It is condensed in Upanishads. Kanchi Mahaperiyava has said that there are records of Vedanta existing in the entire world, divided into 32 geographic regions. By its nature of Truth, Vedanta is called non-dual or Advaita. The appearance of entire world, as distinct objects, is illusion or Maya. It is all just creation in a dream. The Self is in reality the dreamer, not this human with body and mind, which is just one of many characters in the dream. God is that highest character who is beyond the universe, creating and destroying it. Since the Self creates the universe of illusion like in a dream, the Self is God, or Parabrahma. The objects in universe is not distinct. It is all one consciousness, just as dream with all its characters is one unit. Sarvam Brahmamayam. Characters in your dream are essentially you. Since the Self is the origin of the world, the Self, which is God or Truth, is the Mother.
    [Show full text]
  • Review of Research
    Review Of Research ISSN: 2249-894X Impact Factor : 3.8014(UIF) Volume - 6 | Issue - 3 | December - 2016 _________________________________________________________________________________ ART AND ARCHITECTURE IN VIJAYANAGARA PERIOD- SOME REFLECTIONS I. Nageswara Reddy M.A. Lecturer in History , SKR & SKR Govt. Degree College for Women Kadapa Town, YSR Dist, A.P. India. ABSTRACT structures over South The Vijayanagara kings India, with the largest were the force behind concentration located in the artistic activity of its capital. The the period. The finest monuments in and flowering of this around Hampi, in the movement is seen in the Vijayanagara magnificent examples at principality, are listed as Vjayanagara, once UNESCO World Heritage noted for gaity and Sites. colour, now deserted In addition to building and known popularly as new temples, the Hampi. Though the city temple structures. The paper highlights the empire also added new became a victim of Separate shrines art and architecture, structures and made destruction and plunder, celebrating various finearts and paintings of modifications to it retains its charm even festivals were erected. vijayanagara period. hundreds of existing in the ruins. The The notable con- temples across South Vijayanagara rulers tributions of the KEYWORDS: India. Some structures restored many shrines Vijayanagara craftsmen Vijayanagara craftsmen , at Vijayanagara are from throughout south India were a shrine to godess, architectural structures , the pre-Vijayanagara and lavished wealth pillared halls and
    [Show full text]
  • Temple-Mystery-India.Pdf
    Newsletter Archives www.dollsofindia.com Five Hindu Temples Shrouded in Mystery Copyright © 2017, DollsofIndia India is a land of myriad temples and other sacred places of worship. According to experts, Hindu temples did not exist before or during the Vedic period (1500-500 BC). The concept of idol worship came into existence only after this era - this in turn gave rise to the construction of shrines and temples of all shapes and sizes. Most of the major Hindu temples are truly amazing, jaw-dropping creations, which inspire a sense of awe and wonder in us. Yet others give rise to a totally different sensation in us - that of being in a mystical; sort of magical and surreal location. In this post, we bring you a feature on five major Hindu temples, which seem unusually numinous and are shrouded in mystery and mysticism. Konark Sun Temple The Konark Sun Temple, also referred to as Konarak Sun Temple and Surya Deula, was built in 13th century CE. Located about 35 kilometers northeast of Puri, it lies along the coastline of Odisha. This temple is attributed to King Narasimhadeva of the Eastern Ganga Dynasty (around 1250 CE). Dedicated to Surya (the Sun God), this structure is presently a 100-foot high chariot with huge wheels and horses; all carved from stone. Today, much of the temple is in ruins. A large shikhara, which rose high above the present mandapa, has unfortunately fallen off. The surviving structure is famed for its intricate sculpture, artwork and themes including the erotic Kama and Mithuna scenes. Built in the typical Oriyan style of temple architecture, it stood over 200 feet high before the start of its ruin.
    [Show full text]
  • ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
    ' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography.
    [Show full text]
  • Annexure 1B 18416
    Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION
    [Show full text]
  • Component-I (A) – Personal Details
    Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Ravi Korisettar, UGC Emeritus Fellow Karnatak University, Dharwad. Onkar Tendulkar Virasat E Hind Foundation. Bombay. Ravi Korisettar Karnatak University, Dharwad. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Art and Architecture of India Module Name/Title Vijayanagara School of Architecture (Outside Hampi) Module Id IC / AAI / 07 Pre requisites Understanding the features of Vijayanagara empire’s Objectives architecture with examples from outside Hampi Dravida school of temple architecture, Vijayanagara, Penukonda, Chandragiri, Gingee, Varadaraja Perumal, Keywords Kanchipuram, Tadipatri, Kolar, Shringeri, Lepakshi, Gandikota, Vellore E-text (Quadrant-I) : 1. General Architectural Features of Vijayanagara Architecture Style: Sky soaring gopuras at the entrance of the temple known as Raya Gopuras. Concentrated on building temple complexes instead of stand-alone temples. Major temples often had long bazar streets along the main approach road and also a pushkarni (stepped well) close by for the fetching water for various uses in temple activities. Addition of kalyana mandapa to the newly built as well as existing temple complexes. Kalyana mandapas were vast halls with flat roofs supported by a number of pillars and used during annual festivities of marriage between the god and his consort. Presence of a separate Devi0Amma shrine- usually to the north-west of the garbhagriha of main temple. Usage of various types of pillars such as double pillars, composite pillars, round pillars etc. most famous of these pillars being the musical pillars present in the temples of Hampi. Pushpapotika- the inverted lotus flower bud shaped pillar brackets.
    [Show full text]