At Tony Lena's, It's All in the Bread
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Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
I Know Nothing Stays the Same
I know nothing stays the same click here to download Baby sneezes. Mommy pleases. Daddy breezes in. So good on paper. So romantic. But so bewildering. I know nothing stays the same. But if you're willing to. i know nothing stays the same but if you're willing to play the game it's coming around again so don't mind if i fall apart there's more room in a broken heart. "Coming Around Again" is a single by Carly Simon from the album of the same title and . "Kissing with Confidence"; "You Know What to Do"; "Tired of Being Blonde"; "My New Boyfriend"; "Coming Around Again"; "Give Me All Night" . May 3, ''I know nothing stays the same/ But if you're willing to play the game/ It's coming around again,'' the singer asserts. Then suddenly the song. Baby sneezes. Mummy pleases. Daddy breezes in. So good on paper. So romantic. But so bewildering. I know nothing stays the same. But if you're willing to. Baby sneazes. Mommy pleases. Daddy breezes in. So good on paper. So romantic. So bewildering. I know nothing stays the same. But if you're willing to play. Oct 12, I know nothing stays the same. But if you're willing to play the game. It's coming around again. So don't mind if I fall apart. There's more room in. Baby sneezes. Mommy pleases. Daddy breezes in. So good on paper. So romantic. So bewildering. I know nothing stays the same. But if you're willing to play. -
Francesco Mancini Solos for a Flute
FRANCESCO MANCINI Solos for a Flute Gwyn Roberts recorder • flauto traverso CHANDOS early music Dedication of the first edition of ‘XII Solos for a Flute’ Francesco Mancini (1672 – 1737) Solos for a Flute with a Thorough Bass for the Harpsichord or for the Bass Violin (1724) Sonata VI 8:17 in B flat major • in B-Dur • en si bémol majeur alto recorder, theorbo, harpsichord, and cello 1 Largo 2:01 2 Allegro 2:23 3 Largo 2:07 4 Allegro 1:37 Sonata IV 8:40 in A minor • in a-Moll • en la mineur alto recorder, archlute, and cello 5 Spiritoso – Largo 2:01 6 Allegro 2:35 7 Largo 2:07 8 Allegro spiccato 1:48 3 Sonata X 8:05 in B minor • in h-Moll • en si mineur voice flute and harpsichord 9 Largo 1:54 10 Allegro 2:19 11 Largo 2:01 12 Allegro 1:43 Sonata XII 8:29 in G major • in G-Dur • en sol majeur flauto traverso, theorbo, harpsichord, and cello 13 Allegro – Largo 2:09 14 Allegro 2:56 15 Andante 1:53 16 Allegro 1:23 4 Sonata XI 9:37 in G minor • in g-Moll • en sol mineur alto recorder, theorbo, and organ 17 Un poco andante 2:42 18 Allegro 2:07 19 Largo 2:22 20 Allegro 2:18 Sonata I 8:49 in D minor • in d-Moll • en ré mineur alto recorder and archlute 21 Amoroso 2:03 22 Allegro 2:15 23 Largo 2:04 24 Allegro 2:18 5 Sonata II 8:16 in E minor • in e-Moll • en mi mineur flauto traverso, harpsichord, and cello 25 Andante 1:29 26 Allegro 2:29 27 Largo 1:45 28 Allegro 2:25 Sonata V 7:31 in D major • in D-Dur • en ré majeur voice flute, guitar, harpsichord, and cello 29 Allegro – Largo 1:59 30 Allegro 2:16 31 Largo 1:33 32 Allegro 1:35 TT 68:01 Tempesta -
Marc Zermati
Marc Zermati: farewell to the 'hippest man in Paris' Zermati, who has died aged 74, was an anglophile dandy whose label Skydog crashlanded rock’n’roll into conservative France Andrew Gallix Wed 17 Jun 2020 13.42 BST arc Zermati, who died of a heart attack on Saturday at the age of 74, was a true underground legend: a national treasure France had never heard of and probably did not deserve. Rock Is My Life – the title of a 2008 exhibition celebrating his career on the radical fringes of the music business – would serve as a fitting M epitaph. Skydog, which Zermati co-created with Pieter Meulenbrock in 1972, was the first modern indie label, directly inspiring the launch of Chiswick and Stiff in England – its most successful release was the Stooges’ Metallic KO in 1976. As a promoter Zermati organised the world’s first punk festival, at Mont-de-Marsan, and introduced bands such as the Clash to a French audience. His heroin addiction and wheeler-dealing landed him on the wrong side of the law, and in latter years his curmudgeonly rightwing views alienated many people. But as one of the earliest champions of punk his importance in rock history cannot be overstated; if cut, he would have bled vinyl. Zermati was born into a family of Sepharadi Jews in Algiers. Growing up against the bloody background of the war of independence, he took refuge in rock’n’roll records imported from the US, which were more readily available – as he often boasted – than in metropolitan France. Like so many other pieds-noirs (the name given to people of European origin born in Algeria under French rule) the family fled to la métropole in 1962, when the country gained independence. -
NYRO 2004 Booklet.Pub
Society of Recorder Players Charity no 282751 Helen Hooker Information booklet Designed by Helen Beare Price £2 activities workshops serious study music & residential courses instruments Recorder recorder orchestras www.srp.org.uk This page is blank www.srp.org.uk President Sir Peter Maxwell Davies CBE Chairmain Andrew Short, 12 Woodburn Terrace, Edinburgh, EH10 4SJ [email protected] Secretary Alistair Read, 6 Upton Court, 56 East Dulwich Grove, London SE2 8PS The SRP is a registered charity, no 282751 The first version of this booklet was compiled for the National Youth Recorder Orchestra 2003 so that young players could learn more about what is happening in the recorder world in the UK, contribute to and extend it. NYRO 2003 was funded by Youth Music as part of their outreach programme. The SRP committee decided in 2003 that it would be useful for further copies to be produced for general use. In 2004 a copy, free of charge, is being supplied to each member of the SRP funded by the Arthur Ingram legacy to the Society. The booket’s information will also be on the SRP website. Every effor has been made to include suppliers, courses and other information, and omissions are unintended. One-day workshops and playdays are not included in the booklet. Readers should check the SRP website, the Recorder Magazine and SRP branch Secretaries for up-to-date information and workshops. With thanks to Davide Beare, Andrew Short, Ashley Allerton, David Scruby and Jeremy Burbridge for their help, SRP Branch Secretaries for their involvement, Harry Routledge for illustrations, and above all to the Arthur Ingram legacy. -
Sunday Morning Tambourine by Juliana M Sartor B.S., Central
sunday morning tambourine by Juliana M Sartor B.S., Central Michigan University, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Fine Arts Department of English 2013 This thesis entitled: sunday morning tambourine written by Juliana M Sartor has been approved for the Department of English Ruth Ellen Kocher Noah Eli Gordon Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # ____________________ iii Sartor, Juliana M (MFA, English) sunday morning tambourine Thesis directed by Ruth Ellen Kocher Like the chatter of its namesake, the poetry of sunday morning tambourine chimes between rhythm and ringing, between recall and recognition; an exploration of truth and record, language and retelling; building momentum and reason through repetition, a tinnitus of memory: the best i can do for whatever becomes my history. iv table of contents one recall poem 1 the CAVES of MAVES 2 sunday morning tambourine 11 miscellaneous swans one 24 first: 30 miscellaneous swans two 31 two recall poem 39 the bell/noise use 43 miscellaneous swans three 47 sunday morning tambourine 54 HYSHAM 69 then: 74 Annotated Bibliography 75 1 one recall poem when i wake, i stumble to recount. grey light pressed into pulled blinds. you at the kitchen table your fingers through a mug handle. this is how life moves. this is what recognition gives us. -
The Normative Influence of Syndi-Court on Contemporary Litigiousness
Volume 11 Issue 1 Article 1 2004 As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness Kimberlianne Podlas Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Civil Procedure Commons, Communications Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Kimberlianne Podlas, As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness, 11 Jeffrey S. Moorad Sports L.J. 1 (2004). Available at: https://digitalcommons.law.villanova.edu/mslj/vol11/iss1/1 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Podlas: As Seen on TV: The Normative Influence of Syndi-Court on Contempo VILLANOVA SPORTS & ENTERTAINMENT LAW JOURNAL VOLUME XI 2004 ISSUE 1 Article AS SEEN ON TV: THE NORMATIVE INFLUENCE OF SYNDI-COURT ON CONTEMPORARY LITIGIOUSNESS KIMBERLIANNE PODLAS* I. INTRODUCTION A variety of disciplines have investigated the ability of the me- dia, particularly television, to influence public perceptions.' Re- gardless of the theory employed, all posit that television content has a reasonably direct and directional influence on viewer attitudes and propensities to engage in certain behaviors. 2 This article ex- tends this thesis to the impact of television representations of law: If television content generally can impact public attitudes, then it is reasonable to believe that television law specifically can do so. 3 Nevertheless, though television representations of law have become * Kimberlianne Podlas, Assistant Professor, Caldwell College, Caldwell, New Jersey. -
A COLLECTION of SHORT STORIES by SHIRLEY MASON
A COLLECTION OF SHORT STORIES by SHIRLEY MASON LEWTER, B.A. A THESIS IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Accepted August, 1993 ACKNOWLEDGEMENTS I owe special thanks to Professors Doug Crowell and Barbara Rodman, whose creative writing classes first inspired me to travel this route. Their suggestions and encouragement have been invaluable. Thanks, also, to Professor John Samson, who patiently read this manuscript and offered his critical advice. Finally, I thank classmates and friends who commented upon these stories. Their understanding of them, as well as their questions concerning them, helped me a great deal. Frank O'Connor, in The Lonely Art: A Study of the Short Story, states that the writing of short stories is "a lonely art, and [writers] too are lonely." Were it not for the people mentioned above, I would have to agree with him. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS • ••••••••••••••••••••••••••••••••••••••••• ii CHAPTER I. INTRODUCTION • .••••••••••••••••••••••••••••••••••• 1 II. MINKS •••••••••••••••••••••••••••••••••••••••••••• 6 III. BROTHER, MY SIBYL •.••••••.•••••••••••••••••••••• 2 3 IV. LITTLE LOVE NEST ON THE TRACKS •••••••••••••••••• 34 v. PINK CRUISE ...................•.•.........•..... 40 VI. LA PETITE MORT DE RENART: UN FABLIAU •••••••••••• 60 VII. JIMMY CRACK CORN AND I DON'T CARE ••••••••••••••• 68 VIII. LAST DANCE AT THE WHITE GODDESS BURLESQUE ••••••• 82 IX. CHAMOIS AFTERNOON ••••••••••••••••••••••••••••••• 95 iii CHAPTER I INTRODUCTION "You can call every prostitute a Theban Sphinx. They babble not simply, but in riddles." (Athenaeus) " ... you yourselves are the riddle." (Freud [concerning women]) "Shall I create a world?" (Oedipa Maas/The Crying of Lot 49) In 1948, Robert Graves stated in The White Goddess, that .•• woman is not a poet: she is either a Muse or she is nothing. -
DBE Participation Commitment(S)
Attachment A Attachment B Pre-Proposal Conference for RFP 8-2039 Operations & Maintenance Services for the OC Streetcar Project Orange County Transportation Authority Agenda • Introductions • Safety/Emergency Evacuation • Online Business and Networking Tools • Key Procurement Information & Dates • Review of RFP Documents • Disadvantaged Business Enterprise (DBE) Requirements • Scope of Work • Questions and Answer 2 CAMM NET Registration Why register on CAMM NET? https://cammnet.octa.net/ • To receive e-mail notifications of Solicitations, Addenda and Awards • View and update your vendor profile • Required for Award 3 Online Business & Networking Tools • CAMM NET Connect • https://www.facebook.com/CammnetConnect • Working with OCTA • https://cammnet.octa.net/about-us/working/ • Planholder’s List • https://cammnet.octa.net/procurements/planholders-list-selection/ • Disadvantaged Business Enterprise (DBE) Program • https://cammnet.octa.net/dbe/ 4 Key Procurement Dates Written Questions Due: January 3, 2019 OCTA Responds: January 17, 2019 Proposals Due: February 12, 2019 2:00 PM Interviews: April 23, 2019 Board of Directors Award: November 25, 2019 5 Key Procurement Information • All questions/contact with Authority staff should be directed to the assigned Senior Contract Administrator, Irene Green. • Next Addendum will contain a copy of the Pre-Proposal sign-in sheet and today’s presentation • Award based on prime-sub relationship, not joint ventures • Contract term is for approximately 7 years; with 2, 2-year options • Funded with Federal Transit Administration (FTA) funds • DBE participation goal is 4% 6 Guidelines for Written Questions • Questions must be submitted directly to Irene Green, Senior Contract Administrator, in writing, by: January 3, 2019, 5:00 p.m. • E-mail recommended: [email protected] • Any changes Authority makes to procurement documents will be by written Addenda only • Addenda will be issued via CAMM NET • Today’s Verbal discussions today are non-binding 7 Next… Proposal Instructions Followed by …. -
SOUND EDUCATION Secondary Ensemble
SOUND EDUCATION Secondary Ensemble INTEGRAL MUSIC EDUCATION The explorations, free play and concentrated practices with sound and music should find their dedicated place and space in every educational The experience of recent decades in Music Education worldwide has environment to enhance the individual, group and social development and shown that culturally sensitized and integrative new approaches work ex- competency. traordinary well in imparting to the young generation the sense of wonder for music, the principles of harmony and the possibilities for a creative and SECONDARY INSTRUMENTS fulfilled life. This prepared ensemble of instruments is based on a careful selection We work toward a synthesis of innovative and traditional practices to devel - representing the different categories and types of instruments. Through it op an integral approach to curriculum development, learning materials and a full exposure of an original instrument circle with its diverse opportunities methodologies including a selected range of World Music Instruments. Based for free play and improvisation can be offered to the growing youth. on the qualities of different materials (stone, clay, wood, bamboo, reed, metal, glass) and the diverse ways of sound production (flutes, solids, strings, skins The instruments are ordered according to standard classification of aero- and voice) with a correlation with the elements (air, fire, water, earth and phones (winds), chordophones (strings), idiophones (percussion), mem- ether) a variable framework is set for creative encounter with and deepening branophones (skins), and nature sounds/atmospherics to encompass all research into the uniquely human faculty of musical expression. elements and parts of the being in an integration of head, heart and hara, mental cognition, vital emotion and physical perception and movement. -
No Past Pour Le Rock Corse
Strabique anarchiste : « Bourgeois salope, à bas l’élite, fuck, l’école municipale d’art dramatique. Par analogie insoumission totale ». On trouve le slogan « Punk’s avec le nom de l’émission de télévision Les enfants No past not dead ». En 1986, la musique punk continuait du rock 6, je nomme cet ensemble social « les enfants d’être écoutée et appréciée. Le groupe phare de ce qui de Radio-actif ». Avant qu’elle ne cesse d’émettre en deviendra la « scène rock alternative » en France, les 19877 Radio-actif impliquait et formait la jeunesse Béruriers noirs, dont le nom est bombé, chantent des selon différentes modalités : on pouvait y animer pour le rock corse ? ? textes défendant des valeurs libertaires et valorisant une émission (cela assurait une notoriété dans son la révolte. Quelques rares graffitis nationalistes milieu d’interconnaissance), écouter les émissions par Pierre Bertoncini corses apparaissent également : « FLNC, Resistenza, (ou les enregistrements d’émissions qui circulaient IFF ». Par le croisement de multiples sources, on en cassettes même après la fin de la radio), ou enfin L’expérience musicale des rockers insulaires est dans l’angle mort des représentations de la peut néanmoins affirmer que participer à des événements société corse, où la musique se doit d’être polyphonique ou porteuse de corsophonie. Pourtant ce corpus n’est pas un reflet tels qu’une soirée organisée une scène rock est en place depuis plus de vingt ans. Il est urgent d’en prendre conscience. fidèle de la scène graffitique dans le péristyle du théâtre e 24 mars 2007 à Calvi, un débat public où revendication nationaliste et rock fusionnèrent bastiaise du temps. -
Éric Laforge Préface
Éric Laforge Préface J’ai été très honoré que pour ce livre, était consacré au cinéma : Rock’n’roll… Of Henry Padovani accepte d’en écrire la pré- Corse ! Deux dates qui figureront à n’en pas face. Lui, cofondateur de The Police. Il ex- douter dans l’Almanach de l’année prochaine. plique d’ailleurs dans les lignes qui suivent Encore merci Henry. l’arrivée de Sting dans le groupe. Il a sorti le 2 septembre dernier son nouvel album Éric Laforge I Love Today et le 21 septembre un film lui « Je ne regarde pas en arrière. les coups de guigne, les accidents, les Je ne suis pas le seul. Dans notre accidents heureux… Bref, tout ce qui métier, on ne s’intéresse qu’au futur. nous fait fantasmer et croire chaque Et à l’instant présent. Peu importe si jour un peu plus dans ce rock’n’roll le concert d’hier était super ou mau- que nous vénérons. vais. Ce qui intéresse le musicien, Lorsque j’ai écrit Secret Police Man en c’est le concert qui arrive. C’est ce 2006, une autobiographie, j’ai ren- qui nous ancre dans la vie. Notre pas- contré un Allemand qui savait tout de sé, nous l’appelons l’expérience. Les Sting, de Stewart, d’Andy mais aussi musiciens apprennent à tout conju- de moi. Ce qui m’a surpris mais bien guer au présent et surtout au futur. aidé. Ainsi, il m’expliqua que c’est Pourtant, ce présent est construit le 12 janvier 1977 que Stewart et d’aventures, de regrets, parfois de moi avions auditionné Sting, dans le remords alors que le futur nous berce squat de Stewart au 26 Green Street.