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I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
The Linguistic Categorization of Deictic Direction in Chinese – with Reference to Japanese – Christine Lamarre
The linguistic categorization of deictic direction in Chinese – With reference to Japanese – Christine Lamarre To cite this version: Christine Lamarre. The linguistic categorization of deictic direction in Chinese – With reference to Japanese –. Dan XU. Space in Languages of China, Springer, pp.69-97, 2008, 978-1-4020-8320-4. hal-01382316 HAL Id: hal-01382316 https://hal-inalco.archives-ouvertes.fr/hal-01382316 Submitted on 16 Oct 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Lamarre, Christine. 2008. The linguistic categorization of deictic direction in Chinese — With reference to Japanese. In Dan XU (ed.) Space in languages of China: Cross-linguistic, synchronic and diachronic perspectives. Berlin/Heidelberg/New York: Springer, pp.69-97. THE LINGUISTIC CATEGORIZATION OF DEICTIC DIRECTION IN CHINESE —— WITH REFERENCE TO JAPANESE —— Christine Lamarre, University of Tokyo Abstract This paper discusses the linguistic categorization of deictic direction in Mandarin Chinese, with reference to Japanese. It focuses on the following question: to what extent should the prevalent bimorphemic (nondeictic + deictic) structure of Chinese directionals be linked to its typological features as a satellite-framed language? We know from other satellite-framed languages such as English, Hungarian, and Russian that this feature is not necessarily directly connected to satellite-framed patterns. -
Ssu K'u Ch'üan Shu, Its Continuing Series and Selections, and Their Acquisitions in North America
Journal of East Asian Libraries Volume 1998 Number 116 Article 5 10-1-1998 Ssu k'u ch'üan shu, Its Continuing Series and Selections, and Their Acquisitions in North America Guoqing Li Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation Li, Guoqing (1998) "Ssu k'u ch'üan shu, Its Continuing Series and Selections, and Their Acquisitions in North America," Journal of East Asian Libraries: Vol. 1998 : No. 116 , Article 5. Available at: https://scholarsarchive.byu.edu/jeal/vol1998/iss116/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. SSUKUssukvchuanshuch17anshu continuing SERIES selections acquisitions NORTH AMERICAAMIERICA guoguoqingqing li ohio state university ssu kuvu chuan shu great source cainaschinas literary cultural tradition compilation ssu vuk u ch gianfianuan shu Q jfsjsjisjib complete library four categories greatest event cainaschinas publishing history 3800 chinese scholars worked ten years 177217811772 1781 project undertaken order emperor chien lung 13254 titles collected country valuable titles 3461 total selected ssu kuvu chlianchfianch uan shu 6793 titles left Ts un mu 4-9 political reasons 3000 titles rejecterejectedd destroyed either totally partially mainly political reasons 1 see chart 1 chart I1 ssu kuvu collections -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
2020 Annual Report
2020 ANNUAL REPORT About IHV The Institute of Human Virology (IHV) is the first center in the United States—perhaps the world— to combine the disciplines of basic science, epidemiology and clinical research in a concerted effort to speed the discovery of diagnostics and therapeutics for a wide variety of chronic and deadly viral and immune disorders—most notably HIV, the cause of AIDS. Formed in 1996 as a partnership between the State of Maryland, the City of Baltimore, the University System of Maryland and the University of Maryland Medical System, IHV is an institute of the University of Maryland School of Medicine and is home to some of the most globally-recognized and world- renowned experts in the field of human virology. IHV was co-founded by Robert Gallo, MD, director of the of the IHV, William Blattner, MD, retired since 2016 and formerly associate director of the IHV and director of IHV’s Division of Epidemiology and Prevention and Robert Redfield, MD, resigned in March 2018 to become director of the U.S. Centers for Disease Control and Prevention (CDC) and formerly associate director of the IHV and director of IHV’s Division of Clinical Care and Research. In addition to the two Divisions mentioned, IHV is also comprised of the Infectious Agents and Cancer Division, Vaccine Research Division, Immunotherapy Division, a Center for International Health, Education & Biosecurity, and four Scientific Core Facilities. The Institute, with its various laboratory and patient care facilities, is uniquely housed in a 250,000-square-foot building located in the center of Baltimore and our nation’s HIV/AIDS pandemic. -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
Nonveridicality and Existential Polarity Wh-Phrases in Mandarin1
Nonveridicality and Existential Polarity Wh-Phrases in Mandarin1 Zhiguo Xie Cornell University 1 Motivation Any good theory in linguistics is ideally both descriptively and explanatorily adequate (Chomsky 1965). It should be able to capture language universality on one hand and account for cross-linguistic variation on the other. Therefore, it is worthwhile to put various theories dealing with the same phenomenon under cross-linguistic scrutiny to see how each of them fares (von Fintel and Matthewson 2007). With this in mind, in this paper I look at the cross-linguistic applicability of several theories dealing with polarity items within the context of existential polarity wh-phrases (EPWs) in Mandarin Chinese. In particular, I examine von Fintel’s Strawson Downward Entailment analysis and Giannakidou’s Nonveridicality analysis. Polarity items (PIs) such as ever and any in English have received much attention in the field of semantics. Vast literature has mainly dealt with two fundamental issues: (a) the descriptive distribution of PIs within a particular language and cross-linguistically; and (b) the licensing condition(s) for PIs. Three proposals dealing with the latter issue stand out in the literature. Ladusaw (1979), followed by several others, proposed that negative polarity items (NPIs) are licensed when they appear in the scope of Downward Entailing (DE) expressions: (1) Downward Entailing Functions A function f is downward entailing iff for every arbitrary element X, Y it holds that: X⊆Y Æ f(Y) ⊆f(X) There are many counterexamples to this classic DE analysis in English, not to mention cross-linguistically. NPIs, for instance, can appear in the scope of the generalized quantifier “only DP”, but by no means is ‘only DP’ Downward Entailing (2 &3). -
11. Ts'ung-Shu
Handbook of Reference Works in Traditional Chinese Studies (R. Eno, 2011) 11. TS’UNG-SHU Ts’ung-shu 叢書 (sometimes referred to as “collectanea”) are collections of independent works that are published together in order to preserve them, to market them effectively, or to present a unified series edition. Ts’ung-shu may be, and most often are, miscellaneous collections, but there are many that are published to give broader circulation to the writings of one person, one family, or one locality, to collect editions or commentaries of a single work or group of works, or to bring together a number of works related by subject or genre. In this respect, many ts’ung-shu resemble anthologies. Although there is some conceptual overlap between the two genres, ts’ung-shu are, strictly speaking, collections only of entire independent books, rather than collections of sections, stories, poems, or prefaces selected from the larger works of which they originally formed a part. This distinction is sometimes blurred, but is generally unambiguous. The philologist Lo Chen-yü 羅振玉, himself the compiler of several ts’ung-shu, claimed that ts’ung-shu had flourished in China since early Chou times, when texts were cast on bronze. While this may be an exaggeration, Lo was correct in noting that the Han Dynasty “stone classics” stele monuments constituted an early ts’ung-shu, as did the Imperially commissioned “Nine Classics” project of the T’ang period. It is perfectly reasonable to view pre-Ch’in compendia such as the Lü-shih ch’un-ch’iu 呂氏春秋 and the Kuan Tzu 管子 as ts’ung-shu, and in their early bamboo forms they would have appeared as huge and encyclopedic as the Ssu-k’u collection does today. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
8 Days in Chengdu and Around
8 days in Chengdu and around Contact us | turipo.com | [email protected] 8 days in Chengdu and around 3 days in Chengdu and around: Leshan, Eemeishan, Qingcheng Mountain and Jiuzhaigou Nature Reserve. Contact us | turipo.com | [email protected] Day 1 - Changdu Contact us | turipo.com | [email protected] Day 1 - Changdu WIKIPEDIA 1. Chengdu Panda Breeding Research Center People's Park may refer to: Chengdu Panda Breeding Research Center, Chengdu, China Rating: 4.7 4. Jinli Road This place is awesome. lots off to people working there who keep this park so well maintained and friendly for the Jin Li Lu, Wuhou Qu, Chengdu Shi, Sichuan Sheng, China animals there as well as for the visitors. They are doing a great job in conservaon of these cuddly cute bears. Very Jinli Ancient Street is “The First Street of Shu Kingdom”, beautiful. A must visit place. and it’s a famous snack street in Chengdu. The ambiance was like stepping back into the past, well presented and historically brilliant. Evening stroll is extreme beauful, and 2. Luodai Ancient Town picturesque with the lanterns lit up and the street performances are also wonderful. China, Sichuan Sheng, Chengdu Shi, Longquanyi Qu, Bajiaojing St, 东郊龙泉驿区 Telephone: +86 28 8489 3693 Rating: 4.2 This is a nice ancient town with local snacks and shopping. It's very convenient to get here from Chengdu and a nice half day trip. 3. People's Park People's Park, Chengdu, Sichuan, China This place is very good naonal park for walking and breath some air with a tea house and great environment. -
Xu Zhimo and His Literary Cambridge Identity
2011 International Conference on Languages, Literature and Linguistics IPEDR vol.26 (2011) © (2011) IACSIT Press, Singapore Two Tiers of Nostalgia and a Chronotopic Aura: Xu Zhimo and his Literary Cambridge Identity + + Lai-Sze NG and Chee-Lay TAN Jurong Junior College, Singapore & Singapore Centre for Chinese Language, Nanyang Technological University Abstract. More than a turning point in his life, Xu Zhimo’s (1897–1931) Cambridge experience is pivotal in producing and shaping one of the most romantic writers in modern China. Xu created a literary Cambridge that, more than any other foreign places that were portrayed in modern Chinese literature, is Chinese readers’ “dreamland” of the West. When the native Chinese Xu addressed Cambridge as “xiang” (native place), how should we see Xu’s nostalgia for his second homeland? Through his Cambridge works, Xu created a perceived image of the place to his readers, and this image possessed an aura that stood the test of time and space, which we would term as “chronotopic aura”. Furthermore, we shall analyse Xu’s Cambridge experience that evoked his nostalgia and to propose a new reading of Xu’s works on Cambridge in terms of the chronotopic aura between his literary Cambridge identity and his readers. Keywords: nostalgia, Xu Zhimo, Literary Cambridge, chronotopic aura, identity 1. Introduction If Shaoxing of China is identified with Lu Xun, West Hunan with Shen Congwen and Beijing with Lao She, then the mention of Xu Zhimo (1897–1931) will invoke the image of Cambridge among readers of modern Chinese literature. In fact, the most celebrated work of Xu is his poem entitled “Farewell again, Cambridge” (再别康桥), which has been included in Chinese literature textbooks around Asia, such as Singapore and Taiwan. -
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Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) Discussion on Western Region Music in Northern Zhou Dynasty Xing Tang School of Literature Northwest Minzu University Lanzhou, China Abstract—The Northern Zhou Dynasty (including Western Western and Eastern Han Dynasty, which include folk witch Wei Dynasty), as a dynasty that serve as a link between past and music dance, welcome God music, send God music, Xiangge future, should have its place in the cultural history. In the and other songs; Later music is the Western music after the Northern Zhou Dynasty, various cultures in Western Regions Han Dynasty and before Western Wei Dynasty, which include were closely interwoven. As one of the important representatives, game music, ritual music, custom music and so on; Current the music presented a wide range of sources with a large number music is the Western music in Northern Zhou Dynasty, due to of complicated compositions. These Western music has unique the large number of countries in the Western Regions and the style but also coexistence which has very close relationship with constant attacking and frequent destruction of the Western Northern Zhou’s music, so it has great influence to the music of Northern Zhou Dynasty and even the music of future Regions, so current music in fact refers to the remnants and integration of the music of different countries in different generations. historical periods in the Western Regions, which include Keywords—Northern Zhou Dynasty; Western Regions; music Shengming music, Tuozhi music and so on.