Adrian Henri - Poems
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Antiquarian & Modern
Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Haiku in Britain
Haiku in Britain Theory, Practice, Context by Martin Lucas Thesis submitted for the degree of PhD at the University of Wales, Cardiff April2001 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed F!.\Q.~~ ~.~s.: (candidate) Date·············..·..9.··..·····hf0.\··..···..~~·J······..···.. STATEMENT1 This thesis is the result of my own investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ~~~r.- ~ ..~.~ (candidate) Date 5 ~.o..~ k.~..L .. STATEMENT2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. signed ~9.-:.r.hD. ~ ..~ (candidate) Date 3 ~.:,;~ U..9.1 . II Acknowledgements and Dedications Thanks are due to Dr John Freeman, my supervisor, for his critical insights and his constant encouragement, and to Mr Norman Schwenk, Creative Writing convenor, for seeing the value in the project from the beginning. I also thank all the members of my family, in particular my brother David, for his moral support, and my brother Peter, for his example. Nori, my wife, also showed great patience with the project, and acted as Japanese consultant'. Although my meetings with my fellow Creative Writing PhD students have been infrequent, I have deep appreciation for their companionship on the journey. The influence and inspiration of other haiku poets, in Britain and, indeed, around the world, has been an immense asset. They have loaned me much essential reading material, walked with me on desolate mountain-tops, and in sharing their enthusiasm they have brought joy to my life. -
Crafts of World Literature Faculty of English, Oxford 28-30 September 2012
CRAFTS OF WORLD LITERATURE FACULTY OF ENGLISH, OXFORD 28-30 SEPTEMBER 2012 ABSTRACTS FOR PANEL SESSIONS 1. Short Story Shital Pravinchandra (Yale): ‘World Literature and the Short Story’ This paper engages with Moretti’s hypotheses about world literature in order to argue that the excessive attention he bestows upon the novel effectively reproduces the ‘one but unequal’ status of the world literary system. My claim is that an adequate theorization of world literature requires the literary critic to understand that unless we fail to take notice of the problem of literary genre the problem of world literature will only be further compounded. My paper turns to an entirely different genre — the short story — on the grounds that this is a necessary shift in focus that both takes into account the actual literary production of the global south and showcases the urgent need for literary critical attention to genre, both in postcolonial studies and in studies of world literature. Although the short story largely remains, to this day, as F. Odun Balogun puts it when discussing the case of the African short story, “a literature in search of critics” my paper looks at concrete instances of short story criticism and explores the shortcomings of the predominant models for understanding world literature, which rely heavily on the novel. The short story, I suggest, might offer a different yardstick with which to approach world literary production. Shital Pravinchandra is Assistant Professor of English at Yale University. She is currently working on a monograph entitled Same Difference: Literature and the Postcolony in the Age of Biotechnology, which explores the transformations that biotechnology has wrought on postcolonial studies. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Title the First Female British Poet Laureate, Carol Ann Duffy
Title The first female British poet laureate, Carol Ann Duffy : a biographical sketch and interpretation of her poem 'The Thames, London 2012' Sub Title 英国初の女性桂冠詩人, キャロル・アン・ダフィーの経歴と作品, 「テムズ川, ロンドン2012年」の考察 Author 富田, 裕子(Tomida, Hiroko) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 2016 Jtitle 慶應義塾大学日吉紀要. 言語・文化・コミュニケーション (Language, culture and communication). No.47 (2016. ) ,p.39- 59 Abstract Notes Genre Departmental Bulletin Paper URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN1003 2394-20160331-0039 Powered by TCPDF (www.tcpdf.org) The First Female British Poet Laureate, Carol Ann Duffy —a Biographical Sketch and Interpretation of her Poem ‘The Thames, London 2012’ Hiroko Tomida Introduction Although the name of Carol Ann Duffy has been known to the British public since she was appointed Britain’s Poet Laureate in May 2009, she remains an obscure figure outside Britain, especially in Japan.1 Her radio and television interviews are accessible, and the collections of her poems are easily obtainable. However, there are only a few books, exploring her poetry from a wide range of literary and theoretical perspectives.2 The rest of the publications are short articles, which appeared mostly in literary magazines and newspapers.3 Indeed her biographical sketches and analyses of her poems, especially the recent ones, are very limited in number. Therefore the main objectives of this article are to introduce her biography and to analyse one of her recent poems relating to British history. This article will be divided into two sections. In the first part, Duffy’s upbringing, and family and educational backgrounds, and her careers as a poet, playwright, literary critic and an academic will be examined. -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
Liverpool's Place at the Heart of Cern
insight LIVERPOOL’S PLACE AT THE HEART OF CERN The University’s 60-year role in the most important physics laboratory on the planet Blackboard to red carpet Making my heart bleed Cemented in history Educating Yorkshire’s Michael Steer The UK’s Information Commissioner on How the University’s expertise infl uenced adapts to life in the limelight tackling online fraud the world during WWI THE UNIVERSITY OF LIVERPOOL ALUMNI MAGAZINE 2014/15 EDITION CONTENTS 04 - University news 24 - Summer in the city 36 - Volunteering Rounding up an eventful year Some familiar faces return in a Alumni Ambassador for for the University round-up of city news Beijing, Jason Han insight The Excellence In history: In touch 09 - 26 - 37 - Scholarships University life during the Following alumni from across A new programme for the First World War the decades 16 most talented students The University’s contribution Hello and welcome to your STILL to the war effort 40 - In memoriam new-look magazine! ACCELERATING 10 - Faculty news Including alumni, staff, AT 60 Tofu, Ebola treatment and 30 - Changing lives students, Friends of the I joined the University at the terrorism in the latest Faculty across the globe University and honorary beginning of the year and what a The University’s updates Online postgraduates’ impact graduates year it has been! contribution to six in Pakistan, Germany, Africa We have held events across the incredible decades 22 - Legacies and the Gulf 42 - Alumni travel guide globe and welcomed our Class of discovery at the Former English Literature Focusing on Hong Kong, of 2014 graduates to our alumni CERN laboratory lecturer, Brian Nellist’s 34 - Building a healthier home to Liverpool’s oldest network. -
Click Formay Edition
ne nli O ly On This wretched global Coronavirus pandemic, is affecting every single one of us, given the unprecedented measures governments around the world have had to take, including ours. The virus itself has been slower to reach Shropshire, but is now in our midst and local residents have been responding brilliantly to the advice to stay at home, to prevent the NHS from being overwhelmed and save lives. I have been deeply heartened by the amazing response of communities across South Shropshire to pull together and help those in need. With around 30% of South Shropshire’s population over retirement age, we clearly have a substantial proportion of those at greater risk, and needing to shield themselves. The number of people aged 90 or above in South Shropshire has more than doubled in my time as your MP, many in residential or receiving domiciliary care locally. So helping those self-isolating or shielding to receive food and medicines safely, has been a key role for the wonderful coronavirus support groups that have sprung up across county. The number of those volunteering to help neighbours in need, has been truly inspirational to see. Having been in self-isolation myself since mid-March with a chronic lung condition, I am very much aware of the difficulties from not being able to go out as usual to get supplies or work as normal. Continued on page 3 In this Get the latest from us online month’s snailbeachdistrictnews.co.uk online issue Notes from the on-line editor I have been working to support those community groups of which I am aware, listed on www.philipdunne.com. -
Adrian Henri in the ‘60S and '70S
ICA Press release: 18 November 2014 First Happenings: Adrian Henri in the ‘60s and '70s 27 January – 15 March 2015 Fox Reading Room First Happenings: Adrian Henri in the ‘60s and '70s, in the Fox Reading Room, offers a focussed look at Adrian Henri’s pioneering role in the ‘happenings movement’ in Britain, setting up the first ‘Event’ in 1962, through to enabling various collaborative events into the 1970s. As a painter, poet, musician and performer he was a central protagonist during a period of intense creativity and collaborative artistic endeavours that centred in Liverpool – at the time a parallel centre for such activity alongside London and New York. Henri corresponded with performance artists including Allan Kaprow, Yoko Ono and Mark Boyle and authored a landmark publication, Total Art, Environments and Happenings *Thames and Hudson, 1974). Reflecting Henri’s eclecticism and insatiable curiosity, the display features numerous artefacts from the Adrian Henri estate, including original prints, collages, annotated scripts and hand-made posters for happenings, objects, ephemera, rock posters, counterculture documents and correspondence, as well as rare audio and video material. Adrian Henri (1932–2000) trained as a painter under Victor Pasmore and Richard Hamilton, and taught at Liverpool Art College in the 1960s. He came to prominence as one of the 'Liverpool poets', alongside Roger McGough and Brian Patten, through the best-selling Penguin anthology ‘The Mersey Sound’ - irreverently urban and popular. Performance was central to Henri’s practice, both as a visual artist and as a poet. In the 1960s and 70s he fronted the poetry and rock group Liverpool Scene (signed by RCA). -
Liverpool 8 and “Liverpool 8”: the Creation of Social Space in the Merseybeat Movement’ Author: Helen Taylor Source: Exegesis (2013) 2, Pp
Title: ‘Liverpool 8 and “Liverpool 8”: The creation of social space in the Merseybeat movement’ Author: Helen Taylor Source: Exegesis (2013) 2, pp. 34-44 Liverpool 8 and ‘Liverpool 8’: The creation of social space in the Merseybeat movement Helen Taylor The creative life of the city of Liverpool is wide-ranging, from Gerald Manley Hopkins to Levi Tafari, via the Pre- Raphaelite collection of the Walker Art Gallery and the Beatles’ Cavern. In the 1960s, one of the most important literary and cultural phenomena of the city emerged: the poetry movement called Merseybeat. Liverpool itself is central to this movement and both the external effects of this on, as well as the poets’ internal engagement with, the city need to be recognised. Liverpool owes its economic life to the Mersey, and it is from the Mersey that creative life flows into the city; it could not exist without it. This article will consider first the relationship of three of the Merseybeat poets to the city of Liverpool itself and then drill down to the district with which the poets most often identify: Liverpool 8. The three poets at the centre of the Merseybeat movement were Adrian Henri, Roger McGough, and Brian Patten, who lived and worked in the city in the 1960s. Whilst all three would go on to work in different fields and have distinct writing styles, what binds them together in this place in this period is an emphasis on live performance. Merseybeat is a ‘total art’ movement, using the live event in order to foster a direct connection with an audience, and seeing verbal, vocal, and visual performance (music, visual artworks, collaborative poetic and comedy sketches, ‘happenings’…) as key to the expression and dissemination of poetry. -
Yorkshire Poetry, 1954-2019: Language, Identity, Crisis
YORKSHIRE POETRY, 1954-2019: LANGUAGE, IDENTITY, CRISIS Kyra Leigh Piperides Jaques, BA (Hons) and MA, (Hull) PhD University of York English & Related Literature October 2019 This work was supported by the Arts & Humanities Research Council (grant number AH/L503848/1) through the White Rose College of the Arts & Humanities. ABSTRACT This thesis explores the writing of a large selection of twentieth- and twenty-first- century East and West Yorkshire poets, making a case for Yorkshire as a poetic place. The study begins with Philip Larkin and Ted Hughes, and concludes with Simon Armitage, Sean O’Brien and Matt Abbott’s contemporary responses to the EU Referendum. Aside from arguing the significance of Yorkshire poetry within the British literary landscape, it presents poetry as a central form for the region’s writers to represent their place, with a particular focus on Yorkshire’s languages, its identities and its crises. Among its original points of analysis, this thesis redefines the narrative position of Larkin and scrutinizes the linguistic choices of Hughes; at the same time, it identifies and explains the roots and parameters of a fascinating new subgenre that is emerging in contemporary West Yorkshire poetry. This study situates its poems in place whilst identifying the distinct physical and social geographies that exist, in different ways, throughout East and West Yorkshire poetry. Of course, it interrogates the overarching themes that unite the two regions too, with emphasis on the political and historic events that affected the region and its poets, alongside the recurring insistence of social class throughout many of the poems studied here. -
Liverpool Poets (1960S)
ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) B1 B2 Poetry Liverpool Poets (1960s) Adrian Henri Roger McGough Brian Patten pag. 1 ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) Wat je in het algemeen moet kennen voor SE’s (SchoolExamens) 1. De hoofdkenmerken van de behandelde schrijvers en stromingen kennen en kunnen herkennen in de aange‐ boden teksten en ook in ongezien materiaal. 2. De vragen en opdrachten bij de behandelde teksten kunnen beantwoorden als je de tekst erbij krijgt. 3. Indien van toepassing, de ontwikkeling van een schrijver of een stroming kunnen uitleggen. 4. Schrijvers en hun werken kunnen vergelijken: overeenkomsten en verschillen. 5. Indien van toepassing, iets kunnen vertellen over het leven van de behandelde schrijvers voor zover dat be‐ trekking heeft op hun werk. 6. De schrijvers op basis van hun werk in de eeuw of in de tijd kunnen plaatsen. Liverpool poets From Wikipedia, the free encyclopedia The Liverpool Poets are a number of influential 1960s poets from Liverpool, England, influenced by 1950s Beat poetry. They were involved in the 1960s Liverpool scene that gave rise to The Beatles. Their work is characterized by its directness of expression, simplicity of language, suitability for live performance and concern for contemporary subjects and references. There is often humour, but the full range of human experience and emotion is addressed. Poets The poets most commonly associated with this label are Adrian Henri, Roger McGough and Brian Patten.