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Adrian Henri - Poems
Classic Poetry Series Adrian Henri - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adrian Henri(10 April 1932 - 20 December 2000) Adrian Henri was a British poet and painter, best remembered as the founder of poetry-rock group The Liverpool Scene and as one of three poets in the best- selling anthology The Mersey Sound, along with <a href=" Adrian Henri's grandfather was a seaman from Mauritius who settled in Birkenhead, Cheshire, where Henri was born. In 1938, at the age of 6, Henri moved to Rhyl. Henri studied art at Newcastle and for a short time taught art at Preston Catholic College before going on later to lecture in art at both Manchester and Liverpool Colleges of Art. He was closely associated with other artists of the area and the era including the Pop artist Neville Weston and the conceptual artist Keith Arnatt. In 1972 he won a major prize for his painting in the John Moores competition. He was president of the Merseyside Arts Association and Liverpool Academy of the Arts in the 1970s and was an honorary professor of the city's John Moores University. He married twice, but had no children. His career spanned everything from artist and poet to teacher, rock-and-roll performer, playwright and librettist. He could name among his friends John Lennon, George Melly, <a href=" His numerous publications include The Mersey Sound, with McGough and Patten—a best-selling poetry anthology that brought all three of them to wider attention—Wish You Were Here and Not Fade Away. -
Liverpool 8 and “Liverpool 8”: the Creation of Social Space in the Merseybeat Movement’ Author: Helen Taylor Source: Exegesis (2013) 2, Pp
Title: ‘Liverpool 8 and “Liverpool 8”: The creation of social space in the Merseybeat movement’ Author: Helen Taylor Source: Exegesis (2013) 2, pp. 34-44 Liverpool 8 and ‘Liverpool 8’: The creation of social space in the Merseybeat movement Helen Taylor The creative life of the city of Liverpool is wide-ranging, from Gerald Manley Hopkins to Levi Tafari, via the Pre- Raphaelite collection of the Walker Art Gallery and the Beatles’ Cavern. In the 1960s, one of the most important literary and cultural phenomena of the city emerged: the poetry movement called Merseybeat. Liverpool itself is central to this movement and both the external effects of this on, as well as the poets’ internal engagement with, the city need to be recognised. Liverpool owes its economic life to the Mersey, and it is from the Mersey that creative life flows into the city; it could not exist without it. This article will consider first the relationship of three of the Merseybeat poets to the city of Liverpool itself and then drill down to the district with which the poets most often identify: Liverpool 8. The three poets at the centre of the Merseybeat movement were Adrian Henri, Roger McGough, and Brian Patten, who lived and worked in the city in the 1960s. Whilst all three would go on to work in different fields and have distinct writing styles, what binds them together in this place in this period is an emphasis on live performance. Merseybeat is a ‘total art’ movement, using the live event in order to foster a direct connection with an audience, and seeing verbal, vocal, and visual performance (music, visual artworks, collaborative poetic and comedy sketches, ‘happenings’…) as key to the expression and dissemination of poetry. -
Liverpool Poets (1960S)
ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) B1 B2 Poetry Liverpool Poets (1960s) Adrian Henri Roger McGough Brian Patten pag. 1 ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) Wat je in het algemeen moet kennen voor SE’s (SchoolExamens) 1. De hoofdkenmerken van de behandelde schrijvers en stromingen kennen en kunnen herkennen in de aange‐ boden teksten en ook in ongezien materiaal. 2. De vragen en opdrachten bij de behandelde teksten kunnen beantwoorden als je de tekst erbij krijgt. 3. Indien van toepassing, de ontwikkeling van een schrijver of een stroming kunnen uitleggen. 4. Schrijvers en hun werken kunnen vergelijken: overeenkomsten en verschillen. 5. Indien van toepassing, iets kunnen vertellen over het leven van de behandelde schrijvers voor zover dat be‐ trekking heeft op hun werk. 6. De schrijvers op basis van hun werk in de eeuw of in de tijd kunnen plaatsen. Liverpool poets From Wikipedia, the free encyclopedia The Liverpool Poets are a number of influential 1960s poets from Liverpool, England, influenced by 1950s Beat poetry. They were involved in the 1960s Liverpool scene that gave rise to The Beatles. Their work is characterized by its directness of expression, simplicity of language, suitability for live performance and concern for contemporary subjects and references. There is often humour, but the full range of human experience and emotion is addressed. Poets The poets most commonly associated with this label are Adrian Henri, Roger McGough and Brian Patten. -
¶Timglaset #3
¶Timglaset #3. 81 Bobbilott Fika: Innehållsförteckning / Table of Contents Joakim Norling: “proverb: words fly higher than eagles” 37 ¶Timglaset #3. ¶Nonsense is the sixth sense. PROVERB: ¶This issue is dedicated to the absurd, the nonsensical and the grotesque. Jokes and puns as serious artistic endeavour, but also boredom, WORDS FLY HIGHER THAN EAGLES seriousness and earnestness used to absurd or humouristic ends. (BENGT ADLERS Q & A) ¶Some of the inspiration was provided by: Akbar del Piombo Fuzz Against Junk (book), Eric Andersen The Untactis of Music (song), Hugo Ball Karawane (poem), Jacques Carelman Catalogue d’Objets Introuvables (drawings), Ivor Cutler Lemon Flower (song), Bill Domonkos, GIF animations, Bruno Dumont P’tit Quinquin (film), Jean Ferry Traveller with Luggage (story), Robert Filliou Futile Box (artwork), Franquin Black Pages (comic), John Greaves & Peter Blegvad & Lisa Herman Kew. Rhone. (album), ¶Bengt Adlers’ CV is a bit like a history of what Peter Greenaway The Falls (film), Ernst Jandl Tohuwabohu (poem/song), was exciting in art and literature in Malmö from Lyrikvännen 6/2012 Nonsens (magazine issue), Marx Brothers’ mirror the mid-seventies and onward. For fifteen years scene from Duck Soup (film), Francis Picabia Parade Amoureuse (painting), Bengt was the curator at Galerie Leger which Erik Satie A Mammal’s Notebook (writings), Soft Machine A Concise British was internationalist in its approach and in its Alphabet (song), Emmett Williams Duet (spoken word), ZNR Garden Party own way as important for the local art scene as (song). the council-owned Malmö konsthall/art gallery. And during those same years he pursued his own ¶Editor: Joakim Norling vision as an author of experimental, conceptual ¶Design & co-editor: Kolja Ogrumov and humourous books of poetry and stories. -
Bibliography
BIBLIOGRAPHY WORKS BY CAROL ANN DUFFY 1974 Fleshweathercock and other poems (Walton on Thames: Outposts). 1977 Beauty and the beast , with Adrian Henri (Liverpool: Glasshouse Press). 1982 Fifth last song (Liverpool: Headland). 1985 Standing female nude (London: Anvil). 1986. Thrown voices (London: Turret Books). 1987 Selling Manhattan (London: Anvil). 1990 The other country (London: Anvil). 1992 William and the ex-prime minister (London: Anvil). 1993 Mean time (London: Anvil). 1994 Selected poems (Harmondsworth: Penguin). 1995 Penguin modern poets 2 : Carol Ann Duffy, Vicki Feaver, Eavan Boland (Harmondsworth: Penguin). 1996 Grimm tales (London: Faber and Faber). 1996 The Salmon Carol Ann Duffy: Selected poems (County Clare: Salmon Poetry). 1997 More Grimm tales (London: Faber and Faber). 1998 The Pamphlet (London: Anvil). 1999 Meeting midnight , Illustrated by Eileen Cooper (London: Faber and Faber). 1999 The world’s wife (London: Anvil). 2000 The oldest girl in the world (London: Faber and Faber). 2002 Feminine gospels (London: Picador). 2002 Queen Munch and Queen Nibble, Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2002 Underwater Farmyard , Illustrated by Joel Stewart (London: Macmillan Children’s Books). © The Editor(s) (if applicable) and The Author(s) 2016 213 J. Dowson, Carol Ann Duffy, DOI 10.1057/978-1-137-41563-9 214 BIBLIOGRAPHY 2003 The good child’s guide to rock ‘ n ’ roll (London: Faber and Faber). 2003 The skipping-rope snake , Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2003 The stolen childhood and other dark fairy tales (Harmondsworth: Puffi n). 2003 Collected Grimm tales (London: Faber and Faber). 2004 Doris the giant , Illustrated by Annabel Hudson (Harmondsworth: Puffi n). -
Cataloguing the Archives of the Liverpool Poets
Private horde to public collection: cataloguing the archives of the Liverpool Poets Jo Klett Archivist, University of Liverpool Library Tel: 0151 794 2696 E-mail: [email protected] Photograph Copyright Marc Marnie Roger McGough, Brian Patten and the late Adrian Henri first emerged onto the national cultural scene in 1967 with their poetry anthology The Mersey Sound. With the exception of Henri, who died in 2000, the poets are still writing and performing. Their archives give insight into their working practices and are a rich source for the study of performance poetry and the Liverpool Scene of the 1960s and 1970s. The archives have been brought together by the University of Liver- pool library with support from the Heritage Lot- tery Fund and others, and have been catalogued as part of a two-year project. Having already acquired part of Henri´s archive in 1983, the library began negotiations for the purchase of the poets’ papers in August 2003, with the archives finally arriving in November of 2007. The poets had packed their own material in a variety of boxes, folders, plastic bags, suitcases, trunks and cardboard tubes, their personalities very much apparent. Patten’s rather disordered papers were stored in boxes alongside waste paper and old cigarette packets. Items frequently had post-it notes sporting hastily scribbled notes SCONUL Focus 50 2010 83 giving context, noting interesting facts and mark- system of arrangement for each collection. Gener- ing his attempts to bring the items he felt impor- ally the papers have been organised into series tant to the forefront of the collection. -
Adrian Henri and the Merseybeat Movement: Performance, Poetry, and Public in the Liverpool Scene of the 1960S
Adrian Henri and the Merseybeat movement: performance, poetry, and public in the Liverpool scene of the 1960s Helen Louise Taylor Royal Holloway, University of London A thesis presented for the degree of Doctor of Philosophy, 2013 1 For, and because of, my parents. 2 DECLARATION OF AUTHORSHIP I, Helen Louise Taylor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: . Date: . 3 THESIS ABSTRACT Adrian Henri and the Merseybeat movement: performance, poetry, and public in the Liverpool scene of the 1960s The thesis focuses on the Merseybeat movement and its manifestations in Liverpool in the 1960s, with particular emphasis on the work of Adrian Henri. The Merseybeat movement – centred upon Adrian Henri, Roger McGough, and Brian Patten – was a site-specific confluence of the alternative avant-garde and the British populist tradition of art, and deserves exploration as both a literary and a cultural phenomenon. The thesis argues that the dismissal of Merseybeat as ‘pop poetry’ has come from using the wrong critical tools: it is better viewed as a ‘total art’ movement, encompassing not only poetry but also visual art, music, comedy, happenings, and other forms of artistic expression. The thesis is primarily concerned with the performative and collaborative aspects of Merseybeat. As well as considering this particular movement in terms of oral performance and audience communication, this research also contributes to our understanding of the dissemination of this poetry – particularly how its audiences experienced live poetry alongside other artforms and media. -
May 2021 UDC Code: 8294 a LIFE in ART: ROGER
Oriental Renaissance: Innovative, VOLUME 1 | ISSUE 4 educational, natural and social sciences ISSN 2181-1784 Scientific Journal Impact Factor SJIF 2021: 5.423 UDC code: 8294 A LIFE IN ART: ROGER MCGOUGH Khakimova Maksadkhon Dilshodbekovna - Teacher Departmentof integrated language skills, Uzbek state worls languages university, Tashkent, Republic of Uzbekistan Email: [email protected] Abstract: The article devoted to the study of distinctive features of The Liverpool poets, especially Roger McGough, known for his children's poetry as well as his adult writing and performances, McGough has written or appeared in more than 50 books. His recent poem Roots now surrounds the Trafalgar Square Christmas tree, combining words, lines and images by London and Lincolnshire primary school children. He is a folk hero in his native Liverpool, where many of his poems and a work of art he created from donated old doors are part of the new Pier Head museum. Key words: The Liverpool poetry, dedication, anthology, Poetry society, Performance poetry, adult writing. Аннотация: Статья посвящена изучению отличительных черт ливерпульских поэтов, особенно Роджера Макгофа, известного своими детскими стихами, а также взрослыми произведениями и выступлениями. Макгоф написал или появился в более чем 50 книгах. Его недавнее стихотворение «Корни» теперь окружает рождественскую елку на Трафальгарской площади, сочетая слова, строки и изображения детей начальной школы Лондона и Линкольншира. Он - народный герой своего родного Ливерпуля, где многие его стихи и произведения искусства, созданные им из подаренных ему старых дверей, являются частью нового музея Пир-Хед. Ключевые слова: ливерпульская поэзия, посвящение, антология, Поэтическое общество, поэзия перформанса, письмо для взрослых. INTRODUCTION Roger McGough was an English poet, journalist and playwright. -
Burning Through the Fade: the Poetry of Brian Jones
Burning Through The Fade: The Poetry of Brian Jones PAUL MICHAEL McLOUGHLIN ROYAL HOLLOWAY UNIVERSITY OF LONDON PhD THESIS ABSTRACT This thesis, the first extended consideration of the work of Brian Jones (1938-2009), serves as both a re-introduction to and a reassessment of his poetic œuvre. It considers the work for the most part chronologically, noting developments and changes of direction. After a brief introduction and a note on context, Chapter Two deals with Poems (1966), which was met with popular and critical acclaim, sold over a thousand copies in its first month of publication, and brought a young poet an unusual degree of media attention that focused on what was seen as a fresh approach to domestic and personal subject matter. Chapter Three discusses A Family Album (1968), a set of four monologues spoken by members of an extended working-class Islington family who all use the same verse-format. Chapter Four notes how, in Interior (1969), the male voice is largely replaced by the female as Jones extended his range and sought to avoid too obvious autobiographical associations. Chapter Five focuses on For Mad Mary (1974), which again includes the influential figure of the reclusive Aunt Emily, continued Jones's interest in the verse-sequence, and introduces poems written from a historical and public perspective. The Island Normal (1980), discussed in Chapter Six, draws heavily on contemporary England, the English Civil War and Aeneas's journey of re-creation from Troy. Jones returns to domestic concerns in The Children of Separation (1985) and to political matters in the last volume published in his lifetime, Freeborn John (1990), collections dealt with in Chapters Seven and Eight. -
UK Popular Music and Society in the 1970S John Mullen
UK Popular Music and Society in the 1970s John Mullen To cite this version: John Mullen. UK Popular Music and Society in the 1970s. Revue française de civilisation britannique, CRECIB - Centre de recherche et d’études en civilisation britannique, 2017, The United Kingdom and the Crisis in the 1970s, XXII (hors-série), 10.4000/rfcb.1695. hal-01766603 HAL Id: hal-01766603 https://hal-normandie-univ.archives-ouvertes.fr/hal-01766603 Submitted on 13 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Revue Française de Civilisation Britannique French Journal of British Studies XXII- Hors série | 2017 The United Kingdom and the Crisis in the 1970s UK Popular Music and Society in the 1970s La musique populaire et la société britannique dans les années 1970 John Mullen Electronic version URL: http://journals.openedition.org/rfcb/1695 DOI: 10.4000/rfcb.1695 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference John Mullen, « UK Popular Music and Society in the 1970s », Revue Française de Civilisation Britannique [Online], XXII- Hors série | 2017, Online since 30 December 2017, connection on 02 January 2018. -
ICA Educator's Resource Pack Adrian Henri.Pdf
21 Jan – 15 Mar 2015 Fox Reading Room ICA First Happenings Educator’s Adrian Henri in Resource Pack the ‘60s and ‘70s 2 Contents About this pack . p .03 ICA Exhibitions . p .04 About the ICA . p .04 Introduction to First Happenings Adrian Henri in the ‘60s and ‘70s . p .05 Discussion Points . p .06 Activities . p 11. ICA Learning events . p .17 Information . p .20 3 About this Pack This resource pack has been developed to support teaching and learning both at the ICA and offsite . It offers starting points and ideas for visiting educators to use with students . It was developed with GCSE and A-Level students in mind but is well suited for work with groups of all ages . Activities and discussion points are suggested and one of the key learning objectives is for students to develop their skills in aesthetic understanding and critical judgement . Students will be guided towards an analysis and exploration of how the works by Adrian Henri reflect the social and cultural contexts in which they were made . Suggested activities are offered for use in the gallery and offsite . Please note We will tailor programmes to respond to curriculum Contact learning@ica org. uk. for more information or to needs whenever possible . Please contact us add your contact to our learning mailing list . to make arrangements and check the website for upcoming Learning Events . 4 First Happenings: Adrian Henri in the ‘60s and ‘70s ICA Exhibitions 27 Jan 2015 – 15 Mar 2015 Fox Reading Room Viviane Sassen: Pikin Slee 3 Feb 2015 – 12 Apr 2015 Lower Gallery Dor Guez: The Sick Man of Europe 3 Feb – 12 Apr 2015 Upper Gallery fig-2 5 Jan – 20 Dec 2015 ICA Studio The ICA supports radical art and culture . -
Carol Ann Duffy Poet for Our Times Carol Ann Duffy
Jane Dowson Carol Ann Duffy Poet for Our Times Carol Ann Duffy Jane Dowson Carol Ann Duffy Poet for Our Times Jane Dowson De Montfort University Leicester , UK ISBN 978-1-137-41562-2 ISBN 978-1-137-41563-9 (eBook) DOI 10.1057/978-1-137-41563-9 Library of Congress Control Number: 2016938778 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.