This Here... “...God Damned Fucking Necessary...” (W Breiding)
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INTERPRET A - TITEL B - TITEL JAHR LAND FIRMA NUMMER 10 CC DREADLOCK HOLIDAY NOTHING CAN 1978 D MERCURY 6008 035 10 CC GOOD MORNING JUDGE DON'T SQUEEZE 1977 D MERCURY 6008 025 10 CC I'M MANDY FLY ME HOW DARE YOU 1975 D MERCURY 6008 019 10 CC I'M NOT IN LOVE GOOD NEWS 1975 D MERCURY 6008 014 2 PLUS 1 EASY COME, EASY GO CALICO GIRL 1979 D PHONOGRAM 6198 277 3 BESOFFSKIS EIN SCHÖNER WEISSER ARSCH LACHEN IST 0D FLOWER BMB 2057 3 BESOFFSKIS HAST DU WEINBRAND IN DER BLUTBAHN EIN SCHEICH IM 0 D FLOWER 2131 3 BESOFFSKIS PUFF VON BARCELONA SYBILLE 0D FLOWER BMB 2070 3 COLONIAS DIE AUFE DAUER (DAT MALOCHELIED) UND GEH'N DIE 1985 D ODEON 20 0932 3 COLONIAS DIE BIER UND 'NEN APPELKORN WIR FAHREN NACH 0 D COLONGE 13 232 3 COLONIAS DIE ES WAR IN KÖNIGSWINTER IN D'R PHILHAR. 1988 D PAPAGAYO 1 59583 7 3 COLONIAS DIE IN AFRICA IST MUTTERTAG WIR MACHEN 1984 D ODEON 20 0400 3 COLONIAS DIE IN UNS'RER BADEWANN DO SCHWEMB HEY,ESMERALDA 1981 D METRONOME 30 401 3 MECKYS GEH' ALTE SCHAU ME NET SO HAGENBRUNNER 0 D ELITE SPEC F 4073 38 SPECIAL TEACHER TEACHER (FILMM.) TWENTIETH CENT. 1983 D CAPITOL 20 0375 7 49 ERS GIRL TO GIRL MEGAMIX 0 D BCM 7445 5000 VOLTS I'M ON FIRE BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS I'M ON FIRE (AIRBUS) (A.H.) BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS MOTION MAN LOOK OUT,I'M 1976 D EPIC EPC S 3926 5TH DIMENSION AQUARIUS DON'T CHA HEAR 1969 D LIBERTY 15 193 A FLOCK OF SEAGULLS WISHING COMMITTED 1982 D JIVE 6 13 640 A LA CARTE DOCTOR,DOCTOR IT WAS A NIGHT 1979 D HANSA 101 080 A LA CARTE IN THE SUMMER SUN OF GREECE CUBATAO 1982 D COCONUT -
Click Formay Edition
ne nli O ly On This wretched global Coronavirus pandemic, is affecting every single one of us, given the unprecedented measures governments around the world have had to take, including ours. The virus itself has been slower to reach Shropshire, but is now in our midst and local residents have been responding brilliantly to the advice to stay at home, to prevent the NHS from being overwhelmed and save lives. I have been deeply heartened by the amazing response of communities across South Shropshire to pull together and help those in need. With around 30% of South Shropshire’s population over retirement age, we clearly have a substantial proportion of those at greater risk, and needing to shield themselves. The number of people aged 90 or above in South Shropshire has more than doubled in my time as your MP, many in residential or receiving domiciliary care locally. So helping those self-isolating or shielding to receive food and medicines safely, has been a key role for the wonderful coronavirus support groups that have sprung up across county. The number of those volunteering to help neighbours in need, has been truly inspirational to see. Having been in self-isolation myself since mid-March with a chronic lung condition, I am very much aware of the difficulties from not being able to go out as usual to get supplies or work as normal. Continued on page 3 In this Get the latest from us online month’s snailbeachdistrictnews.co.uk online issue Notes from the on-line editor I have been working to support those community groups of which I am aware, listed on www.philipdunne.com. -
Adrian Henri - Poems
Classic Poetry Series Adrian Henri - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adrian Henri(10 April 1932 - 20 December 2000) Adrian Henri was a British poet and painter, best remembered as the founder of poetry-rock group The Liverpool Scene and as one of three poets in the best- selling anthology The Mersey Sound, along with <a href=" Adrian Henri's grandfather was a seaman from Mauritius who settled in Birkenhead, Cheshire, where Henri was born. In 1938, at the age of 6, Henri moved to Rhyl. Henri studied art at Newcastle and for a short time taught art at Preston Catholic College before going on later to lecture in art at both Manchester and Liverpool Colleges of Art. He was closely associated with other artists of the area and the era including the Pop artist Neville Weston and the conceptual artist Keith Arnatt. In 1972 he won a major prize for his painting in the John Moores competition. He was president of the Merseyside Arts Association and Liverpool Academy of the Arts in the 1970s and was an honorary professor of the city's John Moores University. He married twice, but had no children. His career spanned everything from artist and poet to teacher, rock-and-roll performer, playwright and librettist. He could name among his friends John Lennon, George Melly, <a href=" His numerous publications include The Mersey Sound, with McGough and Patten—a best-selling poetry anthology that brought all three of them to wider attention—Wish You Were Here and Not Fade Away. -
Liverpool 8 and “Liverpool 8”: the Creation of Social Space in the Merseybeat Movement’ Author: Helen Taylor Source: Exegesis (2013) 2, Pp
Title: ‘Liverpool 8 and “Liverpool 8”: The creation of social space in the Merseybeat movement’ Author: Helen Taylor Source: Exegesis (2013) 2, pp. 34-44 Liverpool 8 and ‘Liverpool 8’: The creation of social space in the Merseybeat movement Helen Taylor The creative life of the city of Liverpool is wide-ranging, from Gerald Manley Hopkins to Levi Tafari, via the Pre- Raphaelite collection of the Walker Art Gallery and the Beatles’ Cavern. In the 1960s, one of the most important literary and cultural phenomena of the city emerged: the poetry movement called Merseybeat. Liverpool itself is central to this movement and both the external effects of this on, as well as the poets’ internal engagement with, the city need to be recognised. Liverpool owes its economic life to the Mersey, and it is from the Mersey that creative life flows into the city; it could not exist without it. This article will consider first the relationship of three of the Merseybeat poets to the city of Liverpool itself and then drill down to the district with which the poets most often identify: Liverpool 8. The three poets at the centre of the Merseybeat movement were Adrian Henri, Roger McGough, and Brian Patten, who lived and worked in the city in the 1960s. Whilst all three would go on to work in different fields and have distinct writing styles, what binds them together in this place in this period is an emphasis on live performance. Merseybeat is a ‘total art’ movement, using the live event in order to foster a direct connection with an audience, and seeing verbal, vocal, and visual performance (music, visual artworks, collaborative poetic and comedy sketches, ‘happenings’…) as key to the expression and dissemination of poetry. -
Liverpool Poets (1960S)
ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) B1 B2 Poetry Liverpool Poets (1960s) Adrian Henri Roger McGough Brian Patten pag. 1 ROUTE MAP English ® www.routeplanner-engels.nl © cetes.nl 2012 History of Literature: Poetry, Liverpool Poets (ERK B1, B2) Wat je in het algemeen moet kennen voor SE’s (SchoolExamens) 1. De hoofdkenmerken van de behandelde schrijvers en stromingen kennen en kunnen herkennen in de aange‐ boden teksten en ook in ongezien materiaal. 2. De vragen en opdrachten bij de behandelde teksten kunnen beantwoorden als je de tekst erbij krijgt. 3. Indien van toepassing, de ontwikkeling van een schrijver of een stroming kunnen uitleggen. 4. Schrijvers en hun werken kunnen vergelijken: overeenkomsten en verschillen. 5. Indien van toepassing, iets kunnen vertellen over het leven van de behandelde schrijvers voor zover dat be‐ trekking heeft op hun werk. 6. De schrijvers op basis van hun werk in de eeuw of in de tijd kunnen plaatsen. Liverpool poets From Wikipedia, the free encyclopedia The Liverpool Poets are a number of influential 1960s poets from Liverpool, England, influenced by 1950s Beat poetry. They were involved in the 1960s Liverpool scene that gave rise to The Beatles. Their work is characterized by its directness of expression, simplicity of language, suitability for live performance and concern for contemporary subjects and references. There is often humour, but the full range of human experience and emotion is addressed. Poets The poets most commonly associated with this label are Adrian Henri, Roger McGough and Brian Patten. -
¶Timglaset #3
¶Timglaset #3. 81 Bobbilott Fika: Innehållsförteckning / Table of Contents Joakim Norling: “proverb: words fly higher than eagles” 37 ¶Timglaset #3. ¶Nonsense is the sixth sense. PROVERB: ¶This issue is dedicated to the absurd, the nonsensical and the grotesque. Jokes and puns as serious artistic endeavour, but also boredom, WORDS FLY HIGHER THAN EAGLES seriousness and earnestness used to absurd or humouristic ends. (BENGT ADLERS Q & A) ¶Some of the inspiration was provided by: Akbar del Piombo Fuzz Against Junk (book), Eric Andersen The Untactis of Music (song), Hugo Ball Karawane (poem), Jacques Carelman Catalogue d’Objets Introuvables (drawings), Ivor Cutler Lemon Flower (song), Bill Domonkos, GIF animations, Bruno Dumont P’tit Quinquin (film), Jean Ferry Traveller with Luggage (story), Robert Filliou Futile Box (artwork), Franquin Black Pages (comic), John Greaves & Peter Blegvad & Lisa Herman Kew. Rhone. (album), ¶Bengt Adlers’ CV is a bit like a history of what Peter Greenaway The Falls (film), Ernst Jandl Tohuwabohu (poem/song), was exciting in art and literature in Malmö from Lyrikvännen 6/2012 Nonsens (magazine issue), Marx Brothers’ mirror the mid-seventies and onward. For fifteen years scene from Duck Soup (film), Francis Picabia Parade Amoureuse (painting), Bengt was the curator at Galerie Leger which Erik Satie A Mammal’s Notebook (writings), Soft Machine A Concise British was internationalist in its approach and in its Alphabet (song), Emmett Williams Duet (spoken word), ZNR Garden Party own way as important for the local art scene as (song). the council-owned Malmö konsthall/art gallery. And during those same years he pursued his own ¶Editor: Joakim Norling vision as an author of experimental, conceptual ¶Design & co-editor: Kolja Ogrumov and humourous books of poetry and stories. -
Bibliography
BIBLIOGRAPHY WORKS BY CAROL ANN DUFFY 1974 Fleshweathercock and other poems (Walton on Thames: Outposts). 1977 Beauty and the beast , with Adrian Henri (Liverpool: Glasshouse Press). 1982 Fifth last song (Liverpool: Headland). 1985 Standing female nude (London: Anvil). 1986. Thrown voices (London: Turret Books). 1987 Selling Manhattan (London: Anvil). 1990 The other country (London: Anvil). 1992 William and the ex-prime minister (London: Anvil). 1993 Mean time (London: Anvil). 1994 Selected poems (Harmondsworth: Penguin). 1995 Penguin modern poets 2 : Carol Ann Duffy, Vicki Feaver, Eavan Boland (Harmondsworth: Penguin). 1996 Grimm tales (London: Faber and Faber). 1996 The Salmon Carol Ann Duffy: Selected poems (County Clare: Salmon Poetry). 1997 More Grimm tales (London: Faber and Faber). 1998 The Pamphlet (London: Anvil). 1999 Meeting midnight , Illustrated by Eileen Cooper (London: Faber and Faber). 1999 The world’s wife (London: Anvil). 2000 The oldest girl in the world (London: Faber and Faber). 2002 Feminine gospels (London: Picador). 2002 Queen Munch and Queen Nibble, Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2002 Underwater Farmyard , Illustrated by Joel Stewart (London: Macmillan Children’s Books). © The Editor(s) (if applicable) and The Author(s) 2016 213 J. Dowson, Carol Ann Duffy, DOI 10.1057/978-1-137-41563-9 214 BIBLIOGRAPHY 2003 The good child’s guide to rock ‘ n ’ roll (London: Faber and Faber). 2003 The skipping-rope snake , Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2003 The stolen childhood and other dark fairy tales (Harmondsworth: Puffi n). 2003 Collected Grimm tales (London: Faber and Faber). 2004 Doris the giant , Illustrated by Annabel Hudson (Harmondsworth: Puffi n). -
Cataloguing the Archives of the Liverpool Poets
Private horde to public collection: cataloguing the archives of the Liverpool Poets Jo Klett Archivist, University of Liverpool Library Tel: 0151 794 2696 E-mail: [email protected] Photograph Copyright Marc Marnie Roger McGough, Brian Patten and the late Adrian Henri first emerged onto the national cultural scene in 1967 with their poetry anthology The Mersey Sound. With the exception of Henri, who died in 2000, the poets are still writing and performing. Their archives give insight into their working practices and are a rich source for the study of performance poetry and the Liverpool Scene of the 1960s and 1970s. The archives have been brought together by the University of Liver- pool library with support from the Heritage Lot- tery Fund and others, and have been catalogued as part of a two-year project. Having already acquired part of Henri´s archive in 1983, the library began negotiations for the purchase of the poets’ papers in August 2003, with the archives finally arriving in November of 2007. The poets had packed their own material in a variety of boxes, folders, plastic bags, suitcases, trunks and cardboard tubes, their personalities very much apparent. Patten’s rather disordered papers were stored in boxes alongside waste paper and old cigarette packets. Items frequently had post-it notes sporting hastily scribbled notes SCONUL Focus 50 2010 83 giving context, noting interesting facts and mark- system of arrangement for each collection. Gener- ing his attempts to bring the items he felt impor- ally the papers have been organised into series tant to the forefront of the collection. -
Adrian Henri and the Merseybeat Movement: Performance, Poetry, and Public in the Liverpool Scene of the 1960S
Adrian Henri and the Merseybeat movement: performance, poetry, and public in the Liverpool scene of the 1960s Helen Louise Taylor Royal Holloway, University of London A thesis presented for the degree of Doctor of Philosophy, 2013 1 For, and because of, my parents. 2 DECLARATION OF AUTHORSHIP I, Helen Louise Taylor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: . Date: . 3 THESIS ABSTRACT Adrian Henri and the Merseybeat movement: performance, poetry, and public in the Liverpool scene of the 1960s The thesis focuses on the Merseybeat movement and its manifestations in Liverpool in the 1960s, with particular emphasis on the work of Adrian Henri. The Merseybeat movement – centred upon Adrian Henri, Roger McGough, and Brian Patten – was a site-specific confluence of the alternative avant-garde and the British populist tradition of art, and deserves exploration as both a literary and a cultural phenomenon. The thesis argues that the dismissal of Merseybeat as ‘pop poetry’ has come from using the wrong critical tools: it is better viewed as a ‘total art’ movement, encompassing not only poetry but also visual art, music, comedy, happenings, and other forms of artistic expression. The thesis is primarily concerned with the performative and collaborative aspects of Merseybeat. As well as considering this particular movement in terms of oral performance and audience communication, this research also contributes to our understanding of the dissemination of this poetry – particularly how its audiences experienced live poetry alongside other artforms and media. -
May 2021 UDC Code: 8294 a LIFE in ART: ROGER
Oriental Renaissance: Innovative, VOLUME 1 | ISSUE 4 educational, natural and social sciences ISSN 2181-1784 Scientific Journal Impact Factor SJIF 2021: 5.423 UDC code: 8294 A LIFE IN ART: ROGER MCGOUGH Khakimova Maksadkhon Dilshodbekovna - Teacher Departmentof integrated language skills, Uzbek state worls languages university, Tashkent, Republic of Uzbekistan Email: [email protected] Abstract: The article devoted to the study of distinctive features of The Liverpool poets, especially Roger McGough, known for his children's poetry as well as his adult writing and performances, McGough has written or appeared in more than 50 books. His recent poem Roots now surrounds the Trafalgar Square Christmas tree, combining words, lines and images by London and Lincolnshire primary school children. He is a folk hero in his native Liverpool, where many of his poems and a work of art he created from donated old doors are part of the new Pier Head museum. Key words: The Liverpool poetry, dedication, anthology, Poetry society, Performance poetry, adult writing. Аннотация: Статья посвящена изучению отличительных черт ливерпульских поэтов, особенно Роджера Макгофа, известного своими детскими стихами, а также взрослыми произведениями и выступлениями. Макгоф написал или появился в более чем 50 книгах. Его недавнее стихотворение «Корни» теперь окружает рождественскую елку на Трафальгарской площади, сочетая слова, строки и изображения детей начальной школы Лондона и Линкольншира. Он - народный герой своего родного Ливерпуля, где многие его стихи и произведения искусства, созданные им из подаренных ему старых дверей, являются частью нового музея Пир-Хед. Ключевые слова: ливерпульская поэзия, посвящение, антология, Поэтическое общество, поэзия перформанса, письмо для взрослых. INTRODUCTION Roger McGough was an English poet, journalist and playwright. -
Westminsterresearch
WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch My generation: examining the music tastes and commercial opportunities within the new audience of 40-59 year olds in the UK Julia Jones Faculty of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2015. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] MY GENERATION: EXAMINING THE MUSIC TASTES AND COMMERCIAL OPPORTUNITIES WITHIN THE NEW AUDIENCE OF 40-59 YEAR OLDS IN THE UK J. JONES PhD 2015 MY GENERATION: EXAMINING THE MUSIC TASTES AND COMMERCIAL OPPORTUNITIES WITHIN THE NEW AUDIENCE OF 40-59 YEAR OLDS IN THE UK JULIA JONES A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy April 2015 My Generation: Examining the music tastes and commercial opportunities within the new audience of 40-59 year olds in the UK ABSTRACT This thesis provides an original contribution to the academic discourse regarding music taste. -
1974 Record Releases
1974 UK Record Releases by Date This is a list of all UK 45 singles and EP’s found on the 45 cat website and any new release sheets as of the 25/10/16. Generally records that don't have a full release are not included. Some spoken word only records are not listed, plus “story” ones. Records that would have had a specific week when they were first released, but which dates have not been found, but are known to have been issued on an actual month are included at the end of each weekly listing for the month in question. Numbers in red indicate ownership on 45 cat for those with 5 or more. In some cases, such as chart hits, the number of “wants” is added on. Caution should be noted with ownership figure, as the record might have only been available as a promo record that wasn’t issued to the public. These however will be popular with collectors of records. If it is known to be never issued to the public, what is called on the 45 Cat site as a “stock” record. Then that will not be included. In some cases records by well known acts were never issued as “stock” and some of these have been included, but such records are shown as “promo only”. They are included to show that the record couldn’t have made the charts in 1974. At least as a UK issue! Records that made the charts of the time are only stated where no specific week has been found or if a chart record fails to score 5 ownership indications - indicated by the term hit.