DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography BIBLIOGRAPHY WORKS BY CAROL ANN DUFFY 1974 Fleshweathercock and other poems (Walton on Thames: Outposts). 1977 Beauty and the beast , with Adrian Henri (Liverpool: Glasshouse Press). 1982 Fifth last song (Liverpool: Headland). 1985 Standing female nude (London: Anvil). 1986. Thrown voices (London: Turret Books). 1987 Selling Manhattan (London: Anvil). 1990 The other country (London: Anvil). 1992 William and the ex-prime minister (London: Anvil). 1993 Mean time (London: Anvil). 1994 Selected poems (Harmondsworth: Penguin). 1995 Penguin modern poets 2 : Carol Ann Duffy, Vicki Feaver, Eavan Boland (Harmondsworth: Penguin). 1996 Grimm tales (London: Faber and Faber). 1996 The Salmon Carol Ann Duffy: Selected poems (County Clare: Salmon Poetry). 1997 More Grimm tales (London: Faber and Faber). 1998 The Pamphlet (London: Anvil). 1999 Meeting midnight , Illustrated by Eileen Cooper (London: Faber and Faber). 1999 The world’s wife (London: Anvil). 2000 The oldest girl in the world (London: Faber and Faber). 2002 Feminine gospels (London: Picador). 2002 Queen Munch and Queen Nibble, Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2002 Underwater Farmyard , Illustrated by Joel Stewart (London: Macmillan Children’s Books). © The Editor(s) (if applicable) and The Author(s) 2016 213 J. Dowson, Carol Ann Duffy, DOI 10.1057/978-1-137-41563-9 214 BIBLIOGRAPHY 2003 The good child’s guide to rock ‘ n ’ roll (London: Faber and Faber). 2003 The skipping-rope snake , Illustrated by Lydia Monks (London: Macmillan Children’s Books). 2003 The stolen childhood and other dark fairy tales (Harmondsworth: Puffi n). 2003 Collected Grimm tales (London: Faber and Faber). 2004 Doris the giant , Illustrated by Annabel Hudson (Harmondsworth: Puffi n). 2004 Beasts and beauties: Eight tales from Europe (London: Faber). 2004 New selected poems 1984 – 2004 (London: Picador). 2005 Another night before Christmas (London: John Murray). 2005 Moon zoo, Illustrated by Joel Stewart (London: Macmillan Children’s Books). 2005 Rapture (London: Picador). 2006 The lost happy endings , Illustrated by Jane Ray (Harmondsworth: Penguin). 2007 The hat (London: Faber and Faber). 2007 The tear thief (Oxford: Barefoot Books). 2009 Mrs Scrooge: A Christmas tale, Illustrated by Posy Simmonds (London: Picador); Illustrated by Beth Adams (New York: Simon & Schuster). 2009 New & collected poetry for children (London: Faber and Faber). 2009 The Princess’s blankets , Illustrated by Catherine Hyde (Dorking: Templar). 2010 Love poems (London: Picador). 2010 The gift , Illustrated by Rob Ryan (Oxford: Barefoot Books). 2010 Another night before Christmas (London: Picador). 2011 The bees (London: Picador). 2011 The Christmas truce , Illustrated by David Roberts (London: Picador). 2012 Near (London: Faber and Faber). 2012 Rats’ tales , adapted for stage by Melly Still (London: Faber and Faber). 2012 Wenceslas: A Christmas poem, Illustrated by Stuart Kolakovic (London: Picador). 2013 Bethlehem (London: Picador). 2014 Ritual lighting: Laureate poems, artwork by Stephen Raw (London: Picador). 2014 Faery tales , Illustrated by Tomislav Tomic (London: Faber and Faber). 2014 Dorothy Wordsworth’s Christmas birthday (London: Picador). 2015 Everyman (London: Faber and Faber). 2015 Collected poems (London: Picador). WORKS EDITED BY CAROL ANN DUFFY 1992 I wouldn’t thank you for a valentine (London: Viking). 1995 Anvil new poets 2 no. 2 (London: Anvil). 1996 Stopping for death (London: Viking). 1999 Time’s tidings: Greeting the 21st century (London: Anvil). 2001 Hand in hand: An anthology of love poetry (London: Picador). 2004 Out of fashion: An anthology of poems (London: Faber and Faber). BIBLIOGRAPHY 215 2004 Overheard on a saltmarsh: Poets’ favourite poems (London: Macmillan Children’s Books). 2007 Answering back: Living poets reply to the poetry of the past (London: Picador). 2009 The twelve poems of Christmas [and for each subsequent year until 2019] (Nottingham: Candlestick Press). 2009 To the moon: An anthology of lunar poetry (London: Picador). 2012 Jubilee lines: 60 poets for 60 years (London: Faber and Faber). 2013 1914: Poetry remembers (London: Faber and Faber). UNCOLLECTED POEMS BY CAROL ANN DUFFY ‘McGonagall’s Burd’ (2002) Sunday Herald, 29 December. ‘December’ (2009) Christmas Pamphlet (Nottingham: Candlestick Press). ‘Inside the Yurt (for Catherine Lockerbie)’ (2009) Times, 18 August. ‘Politics’ (2009) Guardian, 13 June. ‘The Twelve Days of Christmas’ (2009) Radio Times, 8 December. ‘Vigil’ (2010) https://www.youtube.com/watch?v=JkDV_mqnJT4 ‘Democracy’ (2010) Guardian, 7 May . ‘A Cut Back’ (2011) Guardian, 9 April . ‘Remembering a Teacher’ (2012) Daily Mail , 31 January 2012. [Aka ‘Death of a Teacher’, NSP 134]. ‘The Thames, London, 2012’ (2012) Guardian, 27 April. ‘Translating The British’ (2012) Mirror, 11 August. ‘22 Reasons for the Bedroom Tax’ (2013) Guardian, 11 October. ‘September 2014: Tha gaol agam ort’ (2014) Guardian, 23 September . ‘Richard’ (2015) Guardian, 26 March. ARTICLES AND INTERVIEWS (WITH AN UNNAMED INTERVIEWER) BY CAROL ANN DUFFY 1989 Interview for BBC English File ( http://www.bbc.co.uk/poetryseason/ poets/carol_ann_duffy.shtml ). 1990 ‘Carol Ann Duffy’, Interview, Options, June: 61. 1993 Interview, Writer’s Monthly, October: 4–5. 1993 Poet’s Comment on Mean Time , Poetry Book Society Bulletin, Summer: 8. 1994 ‘A Place of Escape’, Interview, Second Shift 4: 20–2. 2001 ‘Introduction: Alter Egos: New Writing’, Mslexia 8, Winter/Spring: 23–4. 2002 Poet’s Comment on Feminine Gospels , Poetry Book Society Bulletin, Autumn: 10. 2005 Poet’s Comment on Rapture , Poetry Book Society Bulletin , Autumn: 5. 2005 ‘The Most Natural Gift’, Daily Telegraph, 10 December. 2008 ‘Winning Poets’, Mslexia 38, July/August/September: 31–3. 2009 ‘Sisters in Poetry’, Guardian, 2 May. 216 BIBLIOGRAPHY 2009 ‘Exclusive: Poet Laureate Carol Ann Duffy’s Poems for Children’, Mirror , 4 May. 2009 ‘Exit Wounds’, Guardian, 25 July: Review 2–4. 2010 ‘Poetry Is the Music of Being Human’, Times, 30 January: Saturday Review 2. 2010 ‘As Tempting as Chocolates’, Daily Telegraph, 13 February: Saturday Review : 20 2010 ‘Older and Wiser’, Guardian, 13 March. 2010 ‘The Week in Books’, Guardian, 1 May: Review 5. 2010 ‘Play up! Play up!’, Guardian, 10 July. 2010 ‘Carols for Christmas’, Guardian, 18 December : Review 2–4. 2011 Interview, The Stylist: 100. 2011 ‘Poems for a Wedding’, Guardian, 23 April. 2012 Interview, Times, 29 September. 2012 ‘Choosing Sylvia’s Poems’, Guardian, 2 November. CRITICAL WORKS (INCLUDING INTERVIEWS WITH A NAMED INTERVIEWER) Acheson, James, and Romana Huk (eds.). 1996. Contemporary British poetry: Essays in theory and criticism . New York: State University of New York Press. Addley, Esther. 2008. Poet’s rhyming riposte leaves Mrs Schofi eld “gobsmacked”. Guardian, September 6. Aitchison, James. 1990. Nightmare of our times. Review of The Other Country, Glasgow Herald, September 15. Allnutt, Gillian, Fred D’Aguiar, Ken Edwards, and Eric Motram (eds.). 1988. The new British poetry 1968–88 . Colorado: Paladin. Ambrose, Alice (ed.). 1979. Wittgenstein’s lectures 1932–35 . Oxford: Blackwell. Anderson, Hephzibah. 2005. Christmas Carol. Observer , December 4. Armstrong, Amanda. 1993. Potent poetry. Interview with Carol Ann Duffy. Writers’ Monthly , October. Armstrong, Isobel, and Virginia Blain (eds.). 1999. Women’s poetry: Late Romantic to late Victorian: Gender and genre, 1830–1900 . Basingstoke: Macmillan. Bakhtin, M.M. 1965. Rabelais and His World , Trans. H. Iswolksy, in Morris (1994), 195–206. Bakhtin, M.M. 1981. In The dialogic imagination: Four essays , ed. Michael Holquist. Austin: University of Texas Press. Barry, Peter. 2000. Contemporary British poetry and the city . Manchester: Manchester University Press. Barry, Peter. 2002. Contemporary poetry and ekphrasis. The Cambridge Quarterly 31(2): 155–165. Barry, Peter. 2006. Poetry Wars: British poetry of the 1970s and the Battle over Earls Court . Cambridge: Salt Publishing. BIBLIOGRAPHY 217 Bate, Jonathan. 2000. The song of the earth . London: Picador. Baudrillard, Jean. 1988. In Selected writings , ed. M. Poster. Cambridge: Polity Press. Bell, Jo. 2011. Landlines. National Trust Magazine , Spring: 48–52. Bell, Jo. 2014. ‘Jo Bell’s always there awards #5’, blog. The Bell Jar , May 19. http://belljarblog.wordpress.com/2014/05/19/jo-bells-always- there-awards-5/ Belsey, Catherine, and Jane Moore (eds.). 1997. The feminist reader . Malden: Blackwell. Berger, John. 2008. Ways of seeing . London: Penguin Books. Bertram, Vicki. 2004. Gendering poetry: Contemporary women and men poets . London: Rivers Oram/Pandora Press. Boland, Eavan. 1993. Between me and the mass. Review of Mean Time , Independent on Sunday , July 25. Boland, Eavan. 1994. Making the difference: Eroticism and ageing in the work of the woman poet. P.N. Review 20(4): 13–21. Bradbury, Lorna. 2009. Can poetry change the world? Daily Telegraph, October. Review 3. Bragg, Melvyn. 2009. Interview with Carol Ann Duffy. South Bank Show, ITV Television , December 6. Bray, Elisa. 2005. The fi ve minute interview with Carol Ann Duffy. Independent, August 13. Breton, André. 1972. Manifestoes of surrealism . Michigan: Ann Arbor Press. Brown, Mark. 2009. Carol Ann Duffy leaps into expenses row with fi rst offi cial poem as laureate. Guardian , June 13. Brown, Jeffrey. 2014. Reporting poetry. Poetry 203(6): 567–573. Brown, Clare, and Don Patterson (eds.). 2003. Don’t ask me what I mean: Poets in their own words . London: Picador. Brownjohn, Alan. 2012. Waggledance
Load more

Recommended publications
  • Final Thesis Phil Isherwood
    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Bolton Institutional Repository (UBIR) Numinous Connections: Poetry in the Hospice Philip Isherwood A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy January 2015 Numinous Connections - Poetry in the Hospice - Philip Isherwood A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy Philip Isherwood Numinous Connections: Poetry in the Hospice Abstract This thesis offers a distinctive approach to writing poetry which has been developed within the context of the author’s/researcher’s observations of, and participation in, end of life care. It will be argued that poetry can have a unique role in supporting patients within a hospice setting. It emerges that there may be a further role of the poem as ‘memorial art’. The practical base to the research has been writing poetry based on conversations with, and the creative artwork of, hospice patients throughout a period of over three years. These working methods have enabled the author to produce a substantial collection of poetry, presented at the start of the thesis, as the prime evidence of the value of the approach. In this research context the ‘numinous’ is interpreted from its extended definition as relating to transcendence, wonder and otherness. Particular components of the writing practice have formed a ‘numinous poetics’. The numinous as a focus in this research has emerged through careful and scholarly reading and reflection as part of the author’s response to the perceived qualities and value of the poems as they were written.
    [Show full text]
  • An Unexplained Death TPB an Unexplained Death the True Story of a Body at the Belvedere MIKITA BROTTMAN
    An Unexplained Death TPB An Unexplained Death The True Story of a Body at the Belvedere MIKITA BROTTMAN The unnerving true story of an unexplained death in Baltimore’s historic Belvedere building When the body of a missing man is discovered in the Belvedere, an apparent suicide, resident Mikita Brottman becomes obsessed with the mysterious circumstances of his death. The Belvedere used to be a hotel dating back to Baltimore’s Golden Age but is now converted into flats, and as Brottman investigates the perplexing case of the dead man, she soon becomes caught up in the strange and violent secrets of the Belvedere’s past. Her compulsions drive her to an investigation lasting over a decade. Utterly absorbing and unnerving, An Unexplained Death will lead you down the dark and winding corridors of the Belvedere and into the deadly impulses and obsessions of the human heart. RELEASE DATE: 8 NOVEMBER 2018 ABOUT THE AUTHOR Export/Airside - Export/Airside/Ireland Mikita Brottman is a writer and a professor in the Department of PAPERBACK Humanistic Studies at the Maryland Institute College of Art in downtown 9781786892652 Baltimore. She is also a certified psychoanalyst and runs a true crime £ podcast called Forensic Transmissions. She lives in the old Belvedere Hotel in Mount Vernon, Baltimore, with her partner, David, and French bulldog, Oliver. @MikitaBrottman | mikitabrottman.com An Unexplained Death TPB 02 SALES & DISTRIBUTION CONTACTS TRADE ORDERS & AUTHORIZED REPRESENTATIVES RETURNS UK Sales Manager The Book Service Ltd (TBS) Sam Brown Frating Green, Colchester, 07980 712110 Essex CO7 7DW samb@faber.co.uk Phone +44 (0)1206 256 060 Key Account Manager www.thebookservice.co.uk Kim Lund Grantham Book Services (GBS) 07980 712111 Trent Road kiml@faber.co.uk Grantham Scotland and North East England Lincolnshire John McColgan NG31 7XQ Tel.
    [Show full text]
  • Caryl Phillips
    Caryl Phillips born 1958, St. Kitts, West Indies website: www.carylphillips.com Education B.A. (Honours) The Queens College, Oxford University (1979) Honorary Degrees • Hon. D. Univ: Leeds Metropolitan University (1997) • Hon. D. Univ: University of York (2003) • Hon. D. Lett: University of Leeds (2003) • Hon. D. Lett: University of the West Indies (2010) • Hon. D. Lett: University of Edinburgh (2012) • Docteur Honoris Causa: University of Liege, Belgium (2015) Publications Fiction • A VIEW OF THE EMPIRE AT SUNSET (2018) • Farrar, Straus, and Giroux. USA • Random House/Vintage. UK • THE LOST CHILD (2015) • Farrar, Straus, and Giroux. USA • Oneworld. UK • IN THE FALLING SNOW (2009) • Harvill Secker. UK • Knopf. USA • DANCING IN THE DARK (2005) • Secker and Warburg. UK • Knopf. USA • A DISTANT SHORE (2003) • Secker and Warburg. UK • Knopf. USA • THE NATURE OF BLOOD (1997) • Faber and Faber. UK • Knopf. USA • CROSSING THE RIVER (1993) • Bloomsbury. UK • Knopf. USA (1994) • CAMBRIDGE (1991) • Bloomsbury. UK • Knopf. USA (1992) • HIGHER GROUND (1989) • Viking. UK • Viking. USA • A STATE OF INDEPENDENCE (1986) • Faber and Faber. UK • Farrar, Straus and Giroux. USA • THE FINAL PASSAGE (1985) • Faber and Faber. UK • Penguin. USA Non fiction • COLOUR ME ENGLISH (2011) • Harvill Secker. UK • The New Press. USA • FOREIGNERS (2007) • Harvill Secker. UK • Knopf. USA • A NEW WORLD ORDER (2001) • Secker and Warburg. UK • Vintage. USA • THE ATLANTIC SOUND (2000) • Faber and Faber. UK • Knopf. USA • THE EUROPEAN TRIBE (1987) • Faber and Faber. UK • Farrar, Straus and Giroux. USA Anthologies • THE RIGHT SET: A TENNIS ANTHOLOGY (1999) [Editor] • Faber and Faber. UK • Vintage. USA • EXTRAVAGANT STRANGERS: A LITERATURE OF BELONGING (1997) [Editor] • Faber and Faber.
    [Show full text]
  • Carol Ann Duffy
    NCTE Verse - Carol Ann Duffy mail.google.com/mail/u/1 Poet of the Day: Carol Ann Duffy 1/5 Carol Ann Duffy, born in 1955, became the first female poet laureate of Britain in 2009. She often explores the perspectives of the voiceless women of history, mythology, and fairy tales as well as those on the fringes of society in her dramatic monologues. Duffy is most well-known for her collections Standing Female Nude (1985) and The World’s Wife (1999). She has also written plays and poetry for children. CC image “Carol Ann Duffy 8 Nov 2013 5” courtesy of Steel Wool on Flickr under a CC BY-NC-ND 2.0 license. This poet belongs in our classrooms because… she explores the voices of those who have traditionally been silenced. Her poetry uses humor and emotion with simple language that hits us in the gut with its truth. It’s poetry that students can understand quickly but can also explore at length, uncovering its layers and relating to the speakers and their experiences. A Poem by Carol Ann Duffy Warming Her Pearls for Judith Radstone Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I'll brush her hair. At six, I place them round her cool, white throat. All day I think of her, 2/5 resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope.
    [Show full text]
  • Antiquarian & Modern
    Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: rarebooks@blackwell.co.uk Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale).
    [Show full text]
  • T. S. Eliot Collection
    T. S. Eliot Collection Books and Pamphlets (unless otherwise noted, the first listing after each Gallup number is a first edition) The Love Song of J. Alfred Prufrock in Poetry. A Magazine of Verse. Edited by Harriet Monroe. June 1915. Gallup C18. The first appearance of the poem. Near fine copy. A2 Ezra Pound: His Metric and Poetry, Alfred A. Knopf, 1917 [i.e. 1918]. Good copy, a bit worn and faded. A4 Ara Vus Prec, The Ovid Press, 1920. Very good copy, light wear. Poems, Alfred A. Knopf, 1920 (first American edition), Head of spine chipped, otherwise very good. A5 The Sacred Wood: Essays on Poetry and Criticism. Alfred A. Knopf, 1921 (American issue). Fine in chipped dust jacket. ----- Alfred A. Knopf, 1930 (American issue). Good, no dust jacket. The Waste Land in The Dial, Vol. LXXIII, Number 5, November 1922. Gallup C135. Published “almost simultaneously” in The Criterion. Extremities of spine chipped, otherwise a very good copy. A8 Poems: 1909-1925, Faber & Gwyer Ltd., 1925 (first edition, ordinary copies). Very good, no dust jacket. ----- Harcourt, Brace and Company, 1932 (first American edition). Good only, no dust jacket. Poems: 1909-1925. Faber & Faber, 1932. Reset edition. Fine in dust jacket. 1 T. S Eliot Collection A9 Journey of the Magi, Faber & Gwyer Ltd., 1927. Very good. ----- Faber & Gwyer Ltd., 1927 (limited copies). Fine copy. ----- William Edwin Rudge, 1927 (first American edition). Copyright issue, one of only 27 copies. Fine copy. A10 Shakespeare and the Stoicism of Seneca, Humphrey Milford, Oxford University Press, 1927. Very good. A11 A Song for Simeon, Faber & Gwyer Ltd., 1928.
    [Show full text]
  • Haiku in Britain
    Haiku in Britain Theory, Practice, Context by Martin Lucas Thesis submitted for the degree of PhD at the University of Wales, Cardiff April2001 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed F!.\Q.~~ ~.~s.: (candidate) Date·············..·..9.··..·····hf0.\··..···..~~·J······..···.. STATEMENT1 This thesis is the result of my own investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ~~~r.- ~ ..~.~ (candidate) Date 5 ~.o..~ k.~..L .. STATEMENT2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. signed ~9.-:.r.hD. ~ ..~ (candidate) Date 3 ~.:,;~ U..9.1 . II Acknowledgements and Dedications Thanks are due to Dr John Freeman, my supervisor, for his critical insights and his constant encouragement, and to Mr Norman Schwenk, Creative Writing convenor, for seeing the value in the project from the beginning. I also thank all the members of my family, in particular my brother David, for his moral support, and my brother Peter, for his example. Nori, my wife, also showed great patience with the project, and acted as Japanese consultant'. Although my meetings with my fellow Creative Writing PhD students have been infrequent, I have deep appreciation for their companionship on the journey. The influence and inspiration of other haiku poets, in Britain and, indeed, around the world, has been an immense asset. They have loaned me much essential reading material, walked with me on desolate mountain-tops, and in sharing their enthusiasm they have brought joy to my life.
    [Show full text]
  • The Forties: a Doctorate in Creative and Critical Writing
    The Forties: A Doctorate in Creative and Critical Writing Todd Swift Thesis submitted in fulfilment of the degree of PhD University of East Anglia Faculty of Humanities School of Literature and Creative Writing August, 2011 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK copyright law. In addition, any quotation or extract must include full attribution. ABSTRACT Todd Swift, 2011, ‗The Forties: A Doctorate in Creative and Critical Writing‘ This work is in two parts: a portfolio of creative writing (poetry), preceded by a critical thesis. In the critical aspect of my dissertation I contest a dominant account of poetic creation and influence in the period 1938–1954, and consider a third line of influence that arose in post-war British poetry. The methodology follows in the footsteps of Other Traditions by John Ashbery: literary criticism by a practitioner. My critical writing complements my poetry collection, whose various styles and registers relate to the poetic influences discussed. My first three chapters develop the argument as follows: Chapter One considers ideas of ‗style‘ and ‗poetic style‘. Chapter Two narrows in on the idea of ‗period style‘ in poetry and turns more specifically into a discussion of the Forties Style in Poetry. Chapter Three looks directly at the period under question, the Forties, and its key poet, Dylan Thomas, as read by critics. Chapter Four discusses F.T. Prince, a major poet much overlooked.
    [Show full text]
  • Crafts of World Literature Faculty of English, Oxford 28-30 September 2012
    CRAFTS OF WORLD LITERATURE FACULTY OF ENGLISH, OXFORD 28-30 SEPTEMBER 2012 ABSTRACTS FOR PANEL SESSIONS 1. Short Story Shital Pravinchandra (Yale): ‘World Literature and the Short Story’ This paper engages with Moretti’s hypotheses about world literature in order to argue that the excessive attention he bestows upon the novel effectively reproduces the ‘one but unequal’ status of the world literary system. My claim is that an adequate theorization of world literature requires the literary critic to understand that unless we fail to take notice of the problem of literary genre the problem of world literature will only be further compounded. My paper turns to an entirely different genre — the short story — on the grounds that this is a necessary shift in focus that both takes into account the actual literary production of the global south and showcases the urgent need for literary critical attention to genre, both in postcolonial studies and in studies of world literature. Although the short story largely remains, to this day, as F. Odun Balogun puts it when discussing the case of the African short story, “a literature in search of critics” my paper looks at concrete instances of short story criticism and explores the shortcomings of the predominant models for understanding world literature, which rely heavily on the novel. The short story, I suggest, might offer a different yardstick with which to approach world literary production. Shital Pravinchandra is Assistant Professor of English at Yale University. She is currently working on a monograph entitled Same Difference: Literature and the Postcolony in the Age of Biotechnology, which explores the transformations that biotechnology has wrought on postcolonial studies.
    [Show full text]
  • The Ship 2014/2015
    A more unusual focus in your magazine this College St Anne’s year: architecture and the engineering skills that make our modern buildings possible. The start of our new building made this an obvious choice, but from there we go on to look at engineering as a career and at the failures and University of Oxford follies of megaprojects around the world. Not that we are without the usual literary content, this year even wider in range and more honoured by awards than ever. And, as always, thanks to the generosity and skills of our contributors, St Anne’s College Record a variety of content and experience that we hope will entertain, inspire – and at times maybe shock you. My thanks to the many people who made this issue possible, in particular Kate Davy, without whose support it could not happen. Hope you enjoy it – and keep the ideas coming; we need 2014 – 2015 them! - Number 104 - The Ship Annual Publication of the St Anne’s Society 2014 – 2015 The Ship St Anne’s College 2014 – 2015 Woodstock Road Oxford OX2 6HS UK The Ship +44 (0) 1865 274800 development@st-annes.ox.ac.uk 2014 – 2015 www.st-annes.ox.ac.uk St Anne’s College St Anne’s College Alumnae log-in area Development Office Contacts: Lost alumnae Register for the log-in area of our website Over the years the College has lost touch (available at https://www.alumniweb.ox.ac. Jules Foster with some of our alumnae. We would very uk/st-annes) to connect with other alumnae, Director of Development much like to re-establish contact, and receive our latest news and updates, and +44 (0)1865 284536 invite them back to our events and send send in your latest news and updates.
    [Show full text]
  • Robin Morrow, AM
    The International Board on Books for Young People (IBBY) is a non-profit organisation which represents an international network of people from all over the world committed to bringing books and children together. NEWSLETTER No 32 February, 2017 President’s Letter Dear members and supporters of IBBY Australia The office of the United Nations High Commissioner for Refugees (UNHCR) was created in 1950, in the aftermath of World War II when millions of people had fled or lost their homes. (And Australia was quick to sign up as a state party to the Refugee Convention). IBBY was founded very soon after, in 1953. These were two of the organisations which arose at that time to work cooperatively, across national borders, to build a better world. Now we see many countries and leaders retreating from transnational policies. The president of the US has banned entry for people from a list of countries, in clear breach of the Geneva Convention. Australia has made savage cuts to its foreign aid budget. Millions of people, including many children, are refugees. It is easy to lose heart, and feel powerless in the face of such challenges. IBBY continues to advocate for the right of every child to be a reader, and to work to implement this through the IBBY Fund for Children in Crisis. In this newsletter are stories to inspire us, of a bilingual picture book club in Germany, and of a French project with wordless books, linked to IBBY Italia’s Silent Books: Final Destination Lampedusa. Go to the revamped website www.ibby.org to find out more of how IBBY combines idealism with practical efforts to bring quality books to children everywhere.
    [Show full text]
  • The Review Index Compiled by Ryan Roberts in February 2009 for the Ian Hamilton Website
    The Review Index Compiled by Ryan Roberts in February 2009 for the Ian Hamilton Website www.ianhamilton.org Issue No. 1 Zbigniew Herbert: 'Chairs', 'Drunkards', 'Hobgoblins', 'Help Pompeii' [Four prose poems translated by George Gömöri]: 3 Donald Davie: 'Right Wing Sympathies' [Poem]: 4-5 Peter Redgrove: 'His Luck' [Poem]: 6-7 A. Alvarez: 'Night Music' [Poem]: 7 Michael Fried: 'Parting' [Poem]: 8 Roy Fuller: 'Religion' [Poem]: 9 'A. Alvarez and Donald Davie: A Discussion': 10-25 Vladimir Mayakovsky: 'Fiddle-ma-Fidgin' [Poem; translated by Edwin Morgan]: 26-28 John Fuller: 'Thom Gunn' [Rev. of Fighting Terms, by Thom Gunn; Note on the text of Fighting Terms]: 29-34 Ian Hamilton: 'There is a Happy Land' [Rev. of Liareggub Revisited, by David Holbrook]: 35-36 Francis Hope: 'Barker without his Bite' [Rev. of The View From a Blind I, by George Barker]: 37-38 Edward Pygge: 'A Pretty Pair' [Rev. of The Night of the Hammer, by Ned O'Gorman; A Row of Pharoahs, by Patrick Creagh]: 38-39 Clive Jordan: 'A Lonely Apocalyptic' [Rev. of torse 3, by Christopher Middleton]: 39-40 Peter Marsh: 'Cold Comfort' [Rev. of Haste to the Wedding, by Alex Comfort]: 40-41 John Fuller: 'Five Riddles' [Poems; 'A Note on Riddles']: 42-43 Issue No. 2 Colin Falck: 'Dreams and Responsibilities' [Rev. of The New Poetry, selected by A. Alvarez]: 3-18 George MacBeth: 'Er' [Poem]: 19 Jon Silkin: 'Nature with Man' [Poem]: 20-21 John Fuller: 'Out of the Wood' [Poem]: 22-27 Martin Dodsworth: 'The Man in the Iron Mask' [Rev. of Oxford Address on Poetry, by Robert Graves]: 29-32 Peter Marsh: 'An Unconvincing Handful' [Rev.
    [Show full text]