Rights Reserved by HDM for This Digital Publication Copyright 1998 Holiness Data Ministry Duplication of This CD by Any Mean

Total Page:16

File Type:pdf, Size:1020Kb

Rights Reserved by HDM for This Digital Publication Copyright 1998 Holiness Data Ministry Duplication of This CD by Any Mean All Rights Reserved By HDM For This Digital Publication Copyright 1998 Holiness Data Ministry Duplication of this CD by any means is forbidden, and copies of individual files must be made in accordance with the restrictions stated in the B4Ucopy.txt file on this CD. * * * * * * * MY LIFE STORY AS A MOUNTAIN BOY AND PREACHER By B. H. Lucas NO PUBLISHING INFORMATION Printed Book: No Date -- No Copyright * * * * * * * Digital Edition 05/13/98 By Holiness Data Ministry * * * * * * * PREFACE The value of Christian testimony in persuading men to be saved has never been rated at its full worth. When St. Paul's life was at stake, whether before a Jewish mob or a pagan king, he always told his experience. You will find in this book the life story of Reverend B. H. Lucas. Although he was deprived of a theological education God used him in bringing the glad message of salvation to thousands. It is a demonstration of what God can do in uplifting from a lower to a higher plane of living. Evangelist R. W. Chatfield * * * * * * * INTRODUCTION As an Evangelist I have been asked to write an introduction to this book. I have known the Rev. B. H. Lucas for over twenty-five years. He is one of God's good men and one of the Holiness Movement's good evangelists and pastors, winning thousands of souls to God. He is fearless, never compromising and a dynamic speaker. His messages are saturated with prayer; he is tender in spirit. Bro.. Lucas has been redeemed from a life of sin and is a miracle of divine grace. You are sure to receive light and truth from reading this book. It should be in every home in America. I heartily recommend this book to his many friends and also to my friends among all denominations. I pray that the Spirit that has always dominated this life may be felt in the pages of this life's story. Evangelist C. B. Fugett * * * * * * * CONTENTS 1 My Childhood Days 2 When I Left Home 3 Courtship and Marriage 4 My Marvelous Conversion and Call to Preach 5 My First Full Time Pastor Charge 6 My Experiences as An Evangelist 7 My Pastoral and Home Missionary Work in Kentucky 8 The Scattering of My Family 9 My Experiences on the Eastern Shore * * * * * * * Chapter 1 MY CHILDHOOD DAYS I want to grant the request of many of my friends by writing a book about my life. I was born the first time into this world at String Town, Willard, Kentucky, February 17, 1889. We lived there about four years. The child next to me was a girl, whose name was Bertha. When she was two or three days old, my Aunt Jane was staying with us taking care of mother, and one afternoon after she had cleared the dinner dishes away, she felt so bad she went out on the back porch and lay on two chairs and went to sleep. The sun finally made its way around the corner of the house, and shone on her for a while. When she awoke, she was broke out with the measles and had to be confined to bed. Then we had to send and get Grandma to come and take care of Aunt Jane and Mother. In about ten days, Mother broke out with measles. That was the way old time religion did me. When I went to work the next day, it broke out on me, and folks knew I had it. Mother was a tall woman with long, black hair. When she sat in a straight-backed chair, her hair lay in a ring on the floor. Mother became very ill with measles, and most of her hair came out, but it grew again before very long, and was somewhat shorter than it had been originally. In about two years, another girl was born in our home. Her name was May, and I can remember when she was born. One night when May was a baby, my Mother got scared. She took May in her arms and Bertha by the hand, and we went through a big field, climbed a big rail fence, and reached the neighbor's house on the next farm before anything caught us. We moved from String Town to near Carter City, Kentucky. Then we moved over on the Half Way Branch above Carter City. My Mother's first husband's sister lived down below us and we were staying with them until we got a house built. Her name was Ollie Wiggens. Her husband became a preacher some years after that. While staying with Mrs. Wiggens, we didn't have anything to eat for a day or two, and my aunt by marriage went to the store and got some fat meat and corn meal. She baked a big pone of corn bread and fried a plate of side meat. It seems that I ate too much, and it was years before I could eat meat or anything very greasy. But Mother began frying sorghum molasses in grease and I got to eating them, and so I could eat grease again. We then moved over on Zornes Branch, and my Mother went to work at Carter City. A big building had been built there, and it was called the Pavilion. They ran excursion trains there from Cincinnati, Ohio, on Sundays and holidays. On one of these excursion trains, Old Man Johnson, the conductor, found a baby girl in the ladies' rest room, but he never found the mother. She will be found at the Judgment. Mr. Johnson named the baby Ollie Ganunk. My Mother worked at this building getting things ready for the week-end. She would leave about daylight and wouldn't get back home until after dark. We had a big willow rocking chair that would hold all four of us; and we would sit in that chair and sing songs for half a day at a time. Then we would pop corn for our dinner or parch some field corn and grind it in a coffee mill, and put some sugar and milk on it and eat that. You see, that's where we got our vitamins. We didn't know what a vitamin was then. If some one would have asked us if we had any vitamins, we probably would have asked how to catch the varmint, with dogs? do you trap them? or do you kill them with a gun? It was while we lived here that the youngest child died. His name was Luther. A family that lived down below us lost one of their children, and one night while Father was at this house, Mother looked down there, and she saw an angel sitting on the rail fence that was around our house. She said this was a token that Luther was going to die. Sure enough, in a few days, Luther took sick and was sick for a little while. One night just as we were ready to eat supper, Mother was sitting at the end of the table. She said, "My baby is dying." She handed him to a neighbor and the child passed away. We were living in this same place when a great hail storm came just at corn-cutting time. Hail fell as big as baseballs. After the storm was over, my sisters, Bertha and May, and I, went to the spring and picked up a bucket of ice and had ice water before we ever knew there was anything like an ice plant. This hail was so big it went through galvanized roofing, knocked one mule down twice, and broke a calf's back. These are the ones I know about, and I don't know how many more. While we were living here, we raised so many beans that I wished I had never seen a bean. One year while we lived here, we planted a bean they call the "greasy bean." I picked and strung beans and strung them on strings. These we hung around the wall to dry, to make shuck beans or "leather-britches." I tell you, I picked and strung beans that year, and cried and wished there had never been a bean in the world. That year, and many other years, Mother picked a sixty-gallon barrel of beans, a sixty-gallon barrel of kraut, and sixty gallons of corn-on-the-cob. My father wasn't much to work, so Mother and I had to raise something during the summer to live on in the winter. Well, that's the way the ants do, and the Bible makes mention of them. We moved from here to Greenup County. There Mother and her first husband separated; she left him. My step-father moved back to Carter County in a two-horse wagon, and there we met. I had been with Mother, Bertha had gone with Father, and Mother also kept May. Then one day Father came and got May. At that time I was nine years old, Bertha was seven, and May was five. We never saw each other again until we were all grown. I stayed with Grandma for a while. She lived in a big house on the head of what was called the "Wilcox Branch," which emptied into Buffalo Creek, just below Carter City. This house didn't have a floor in it for years, other than a dirt floor. They swept it every morning, just as we sweep our wood floors. Out in front of this house, they had cut down a large poplar tree, which measured about five feet in diameter.
Recommended publications
  • A SONG for MUM (This Is Your Song)
    www.dancewithgordon.com A SONG FOR MUM (This Is Your Song) SONG: “THIS IS YOUR SONG” by RONAN KEATING ALBUM: “SONGS FOR MY MOTHER” ORIGINAL POSITION: FEET TOGETHER WEIGHT ON THE LEFT FOOT. CHOREOGRAPHER: GORDON ELLIOTT. Sydney. AUSTRALIA. August 2017 THIS DANCE IS DEDICATE TO NOT ONLY MY MUM BUT ALL OUR MOTHERS BEATS STEPS: This dance is done in FOUR directions. Introduction : 16 Beats SWEEP, SWEEP. QUICK PIVOT- FORWARD SWEEP, SWEEP, QUICK PADDLE-ACROSS 1, 2 SWEEP TO STEP R FORWARD, SWEEP TO STEP L FORWARD, 3 & QUICK PIVOT : STEP R FORWARD, TURN 180 ° LEFT TAKE WEIGHT ONTO L, 4 STEP R FORWARD, 5, 6 SWEEP TO STEP L FORWARD, SWEEP TO STEP R FORWARD, 7 & QUICK PADDLE : STEP L FORWARD, TURN 90 ° RIGHT TAKE WEIGHT ONTO R, 8 STEP L ACROSS IN FRONT OF RIGHT (9.00) SIDE, ROCK, BEHIND-SIDE-ACROSS, SIDE, ROCK, BEHIND-1/4 FORWARD-FORWARD 1, 2 STEP R TO THE SIDE, SIDE ROCK INTO L, 3 & 4 STEP R BEHIND LEFT, STEP L TO THE SIDE, STEP R ACROSS IN FRONT OF LEFT, 5, 6 STEP L TO THE SIDE, SIDE ROCK ONTO R, 7&8 ## STEP L BEHIND RIGHT, TURN 90 ° RIGHT STEP R FORWARD, STEP L FORWARD. FORWARD, ROCK-1/2 TOGETHER-FORWARD, ROCK & SIDE, ROCK & SIDE, ROCK & 1, 2 & STEP R FORWARD, ROCK BACK ONTO L, TURN 180 ° RIGHT STEP R TOGETHER, 3, 4 & STEP L FORWARD, ROCK BACK ONTO R, STEP L TOGETHER, 5, 6 & STEP R TO THE SIDE, SIDE ROCK ONTO L, STEP R TOGETHER, 7, 8 & STEP L TO THE SIDE, SIDE ROCK ONTO R, STEP L TOGETHER.
    [Show full text]
  • The Uses and Gratifications of Music, by Personality Type, of a Central South African Radio Station’S Audience
    KOM 700 THE USES AND GRATIFICATIONS OF MUSIC, BY PERSONALITY TYPE, OF A CENTRAL SOUTH AFRICAN RADIO STATION’S AUDIENCE This dissertation is submitted in accordance with the requirements for the M.A. Communication Science degree in the faculty of Humanities in the Department of Communication Science at the University of the Free State Supervisor: Prof. H.J. Breytenbach November 2012 Student: Rozanne Kotzee Student number: 2005114869 DECLARATION BY STUDENT I declare that this dissertation, hereby handed in for the qualification M.A. Communication Science at the University of the Free State, is my own independent work and that I have not previously submitted the same work for a qualification at / in another University / faculty. I hereby concede copyright of this dissertation to the University of the Free State. Name: Rozanne Kotzee Date: 22 November 2012 CONTENTS PAGE NUMBERS CHAPTER 1 CONTEXTUALISATION OF THE STUDY 1.0 Introduction 1 1.1 Background 1 1.2 Identification of the research problem 6 1.3 Formulation of the research question 7 1.4 Purpose, goal and objectives of the study 7 1.5 Delimitation of the study 8 1.6 Defining terms 10 1.7 Theoretical points of departure 11 1.8 Value of the study 11 1.9 Research design 11 1.9.1 A quantitative approach 12 1.9.2 Survey research 12 1.9.3 Literature review 12 1.10 Research methodology 13 1.10.1 Research participants and sample selection 13 1.10.2 Data and data collection 13 1.10.3 Data analysis 16 i 1.11 Validity 17 1.12 Structure of the dissertation 18 CHAPTER 2 MUSIC AS A METHOD OF COMMUNICATION
    [Show full text]
  • DEQ No.15 Interactive
    LETTER FROM THE DEQ STAFF Between the time of our previous edition and the one currently in your hands, Detroit Electronic Quarterly and the Detroit music community at-large lost one of its most generous, encouraging advocates. And quite simply one of the best people ever to set foot within city limits. LaVell Williams made his transition on Saturday Oc- tober 27th, 2018, and did so in a manner reflective of how he chose to live every single day: listening to the music of his heroes, holding hands of those who loved him deeply, and selflessly comforting everyone with grace, love and care. He was a tireless, vocal advocate for numerous move- ments and a generous participant. It was a common sight to see LaVell volunteering at a registration table for AIDS Walk Detroit, helping program the Michigan Lesbian & Gay Film Festival, setting up equipment at the inaugural Detroit Electronic Music Festival, or working with families to present quilts at the AIDS Quilt Project in Hart Plaza. One of the great loves of his life was helping to pre- serve the music and history of the city he loved so much. In 2011, he became a founding member of the Detroit Sound Conservancy. It was not uncommon to see LaVell and Conservancy founder Dr. Carleton Gholz running from a jazz concert at Baker’s to a rock show at the Majestic to an afterhours in Eastern Mar- ket, often all on the same night’s calendar, enjoying each with equal enthusiasm. or, friend, companion, sounding board, punching bag, LaVell was probably best known to readers of this pub- Mother Superior, hall monitor, drama negotiator, refer- lication as a manager of the legendary record store ee, family member and deeply beloved.
    [Show full text]
  • Előadó Album Címe Hanghordozó Kiadó Release Oszlop1 Oszlop2
    Előadó Album címe Hanghordozó Kiadó Release Oszlop1 Oszlop2 Oszlop3Oszlop4 Oszlop5 A CAMP A CAMP CD STOCK 2001.08.16 A FINE FRENZY BOMB IN A BIRDCAGE CD VIRGI 2009.08.27 A FINE FRENZY PINES CD VIRGI 2012.10.11 A FLOCK OF SEAGULLS BEST OF -12TR- CD JIVE 2005.12.05 A FLOCK OF SEAGULLS PLAYLIST-VERY BEST OF CD EPIC 1990.06.30 A TEENS GREATEST HITS CD STOCK 2004.05.20 A TRIBE CALLED QUEST LOW END THEORY CD JIVE 2003.08.28 A TRIBE CALLED QUEST MIDNIGHT MARAUDERS CD JIVE 2003.08.28 A TRIBE CALLED QUEST PEOPLE'S INSTINCTIVE TRAV CD JIVE 2003.08.28 A.F.I. SING THE SORROW CD UNIV 2003.04.22 A.F.I. DECEMBER UNDERGROUND CD IN.SC 2006.06.01 AALIYAH AGE AIN'T NOTHIN' BUT A N CD JIVE 2005.12.05 AALIYAH AALIYAH CD UNIV 2007.10.04 AALIYAH ONE IN A MILLION CD UNIV 2007.10.04 AALIYAH I CARE 4 U CD UNIV 2007.11.29 AARSETH, EIVIND ELECTRONIQUE NOIRE CD VERVE 1998.05.11 AARSETH, EIVIND CONNECTED CD JAZZL 2004.06.03 ABBA 18 HITS CD UNIV 2005.08.25 ABBA RING RING + 3 CD POLYG 2001.06.21 ABBA WATERLOO + 3 CD POLYG 2001.06.21 ABBA ABBA + 2 CD POLYG 2001.06.21 ABBA ARRIVAL + 2 CD POLYG 2001.06.21 ABBA ALBUM + 1 CD POLYG 2001.06.21 ABBA VOULEZ-VOUS + 3 CD POLYG 2001.06.21 ABBA SUPERTROUPER + 3 CD POLYG 2001.06.21 ABBA VISITORS + 5 CD POLYG 2001.06.21 ABBA NAME OF THE GAME CD SPECT 2002.10.07 ABBA CLASSIC:MASTERS.
    [Show full text]
  • Volume 25, No. 2 • 2019 Beth Denisch, Director IAWM and FT&M15
    In this issue: Sarah Baer Wanda Brister Eugenia Errázuriz Miriam Gerberg Juliana Hall Gyuli Kambarova Astrid Kuljanic Margaret Ruthven Lang Jeremy Orosz Hasu Patel Jeannie Gayle Pool Margaret Widdemer IAWM and FT&M15 Conference Reviews Reports IAWM News President’s Message New Board Members Search for New Music Winners Awards Members’ News Beth Denisch, Director IAWM and FT&M15 Conference 9ROXPH1R Table of Contents Volume 25, Number 2 (2019) ARTICLES Resurrecting a Pulitzer Poet after a Century of Silence: Through the Guarded Gate, A Song Cycle by Juliana Hall .................................................................................................... Juliana Hall ...................1 Margaret Ruthven Lang’s Dramatic Overture: A Case Study in How to Value Lost Works .......... Sarah Baer .....................6 Preserving the Women-in-Music Legacy ......................................................................................... Jeannie Gayle Pool ......10 Social Justice Innovators: Women Connected Through Film and Space ........................................ Gyuli Kambarova ........12 Eugenia Errázuriz and Stravinsky’s Neoclassicism ......................................................................... Jeremy Orosz...............13 Hasu Patel: Teacher and Award Winner .......................................................................................... Amanda Etchison ........15 Meet Three New Members of the IAWM Wanda Brister, Singer, Scholar, and Teacher ...................................................................................................................16
    [Show full text]
  • Clermont-Ferrand 2017
    Festival du court métrage Clermont-Ferrand 2017 Visuel : Riccardo Guasco Festival du court métrage 29E INTERNATIONAL 39E NATIONAL 16E LABO 3 AU 11 FÉVRIER 2017 CLERMONT-FERRAND CATALOGUE ORGANISATION BUREAU D’ACCUEIL CLERMONTFILMFEST Sauve qui peut Téléphone : 2017 le court métrage 04 73 98 50 43 ou 44 La Jetée Salle Louis Chavignier Consultez le catalogue officiel 6 place Michel-de-L’Hospital Maison de la culture sur votre tablette ou smartphone 63058 Clermont-Ferrand Bd François-Mitterrand sans devoir vous connecter Cedex 1 63000 Clermont-Ferrand à Internet Tel. : 04 73 91 65 73 Check out the official catalogue SALLE DE PRESSE Fax : 04 73 92 11 93 on your tablet or smartphone Téléphone : 04 73 98 36 79 [email protected] er (no Internet connection required) Piscine - 1 étage Suivez notre actualité sur Place Pierre-de-Coubertin 63000 Clermont-Ferrand Clermontferrandshortfilmfestival @Clermont_Court MARCHÉ DU FILM #ClermontFF17 Téléphone : 04 73 98 50 42 Clermontfilmfest Gymnase Honoré-et-Jean-Fleury Rue Abbé-de-l’Epée www.clermont-filmfest.com 63000 Clermont-Ferrand Tous les films, quelle que soit leur nationalité, sont présentés de la façon suivante : Les coordonnées du bureau d’accueil, TITRE ORIGINAL (Traduction française du titre) de la salle de presse et du marché du film Le Festival de Clermont-Ferrand est membre de la Conférence Internationale du Court Métrage, ne sont valables que de Carrefour des Festivals et du ROC (Regroupement des Organisations du Court) pour la durée du festival. 1 LES VIGNES LYCÉE AMBROISE-BRUGIÈRE Stade de la GauthièGauthièrre Bogoshorts s’expose Le petit vélo Fête de clôture Closing Party Se fendre la gueule Humour sans frontières ! Anatomie du Labo 9 Zone piétonne TRAM Station Les enfants de Kinshasa Station C.Vélo 2 S OMMAIRE Plan de situation ........................................................................2 Grilles de programmation et nomenclature .............4 à 7 Introduction de Mme la Ministre Audrey Azoulay ........8 Éditorial de Sauve qui peut le court métrage .................9 Présentations de MM.
    [Show full text]
  • Lüneburg Aktuell ½ Kultur ½ Kunst ½ Porträt Senioren ½
    03 2009 MAGAZIN FÜR DAS LEBEN IN LÜNEBURG ˾ KOSTENLOS ˾ MAI 2009 DEERBERG FEIERT DEN SOMMER AUF SCHWEDISCH LÜNEBURG AKTUELL ½ KULTUR ½ KUNST ½ PORTRÄT SENIOREN ½ REISE ½ LANDKREIS ½ EMPFEHLUNGEN Stadtwerke in Lüneburg Am Alten Eisenwerk 2c · Tel. (0 41 31) 2 30 39 93 www.stadtwerke-lueneburg.de advertorial quadrat 03 Stadtwerke in Lüneburg Die Renaissance der kommunalen Energieversorgung fi ndet Barmstedt bereits 12.000 Kunden in ganz Norddeutschland nun auch in Lüneburg statt. Die Stadtwerke Barmstedt eröffnen hinzugewonnen. Dass sich der Gewinn nicht entsprechend ent- ein zentral gelegenes Kundenbüro im Behördenzentrum. „Der wickelt hat, stellt die Grundsätze des Unternehmens unter Be- enorme Erfolg unseres Angebotes, insbesondere für Erdgas, hat weis. „Die Geschäftspolitik wird in öffentlichen Sitzungen beraten uns zu diesem Schritt bewogen“, erläutert Fred Freyermuth, und unsere Mitarbeiter einschließlich Werkleitung erhalten keine Werkleiter der Stadtwerke Barmstedt. Seit Mitte Februar bietet erfolgsabhängigen Tantiemen oder Boni“, erläutert Freyermuth. das Versorgungsunternehmen in Lüneburg seine Energie an. Da die Nachfrage nach wie vor anhält und Freyermuth den persön- Wir kennen nicht nur die Wünsche lichen Kontakt zum Kunden mit höchster Priorität bewertet, unserer Kunden, sondern wir wissen wollen die Stadtwerke ihr ernsthaftes Engagement hierdurch unterstreichen: „Wir sind keine Glücksritter, sondern Gasliefe- auch wie sie erfüllt werden! rant seit 1899. Energieversorgung ist aus unserer Sicht eine kommunale und quasi hoheitliche Aufgabe und sollte kein Ins- Bezeichnenderweise war es die Trennung von der E.ON, die den trument zur Gewinnmaximierung sein“. Stadtwerken Barmstedt den Weg zum Erfolg ebnete. Seit 2005 wird das benötigte Gas nicht mehr von E.ON Hanse AG bezo- Wir sind keine Glücksritter, gen, sondern in Dänemark bei Produzenten sowie auf dem freien Markt gekauft.
    [Show full text]
  • Gender in Fusion Kugak: an Examination of Women’S Fusion Kugak Groups and Their Music Practices
    GENDER IN FUSION KUGAK: AN EXAMINATION OF WOMEN’S FUSION KUGAK GROUPS AND THEIR MUSIC PRACTICES by Jungwon Kim Bachelor of Music, Kyungwon University, 1999 Bachelor of Music, Korea National University of Arts, 2004 Master of Arts, Seoul National University, 2008 Submitted to the Graduate Faculty of The DIETRICH School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH THE DIETRICH SCHOOL OF ARTS AND SCEINCES This thesis was presented by Jungwon Kim It was defended on March 26, 2012 and approved by Andrew N. Weintraub, PhD, Professor of Music Gabriella Lukacs, PhD, Assistant Professor of Anthropology Thesis Director: Adriana N. Helbig, PhD, Assistant Professor of Music ii Copyright © by Jungwon Kim 2012 iii GENDER IN FUSION KUGAK: AN EXAMINATION OF WOMEN’S FUSION KUGAK GROUPS AND THEIR MUSIC PRACTICES Jungwon Kim, M.A. University of Pittsburgh, 2012 Fusion kugak is defined as a contemporary and popular form of the traditional Korean music kugak. On the one hand, fusion kugak can appeal to researchers in terms of its musical style since it includes arrangements of Western music for traditional Korean instruments with non-Korean instruments accompanying; new compositions for ensembles combining traditional Korean instruments with non-Korean instruments; and collaboration between fusion kugak and other performing arts such as dance, martial arts, or acrobatics. On the other hand, as a cultural phenomenon in contemporary Korea, fusion kugak can be viewed from the perspective of gender, a social value system. However, which positions women are occupying in the field of fusion kugak; how women are playing their gender roles in their fusion kugak performances; whether women demonstrate their sexuality in their fusion kugak practices or not; and how women empower themselves in fusion kugak are all questions that current research has not yet explored.
    [Show full text]
  • Jan Delay Kommt Zum Heimspiel in Die Color-Line-Arena >> Seite 2
    RESTAURANT KINO FESTIVAL Ramazzotti Mit Drama Gabourey Revue Musikalische Antipasti und anderen Sidibe spielt das pfundige Erinnerungen an die italienischen Klassikern Mädchen „Precious“ Goldenen Zwanziger im zu neuer Ehre >> Seite 4 sensationell >> Seite 6 St. Pauli Theater >> Seite 12 25. bis 31. März 2010 www.abendblatt.de/live Großer Bahnhof Die Tour ist zu Ende – Jan Delay kommt zum Heimspiel in die Color-Line-Arena >> Seite 2 >> clubs & konzerte Seite 2–3 >> city & singles mit Restaurant-Tipps und Nina Georges Kolumne „Lieben Sie Hamburg?“ Seite 4–5 >> film Seite 6–11 >> kultur Seite 12–13 >> die woche Seite 14–16 >> vorverkauf Klassik/Rock, Pop, Jazz Seite 16 FOTOS: GULLIVER THEIS, STEFAN MALZKORN, PROKINO, REEMTSMA-STIFTUNG 2 clubs & konzerte 25. bis 31. März 2010 LIVE Synthie-Rave Gefühlvolle Lieder Datarock im Uebel Etta Scollo in der Fabrik Mit ihrem hymnischen Elektro-Rave könnte „Caro Diario“, liebes Tagebuch, nennt Etta Scollo die Band Datarock beinahe Fußballstadien ihr aktuelles Programm, mit dem sie am 26.3. in beschallen. Ihr Song „The Blog“ vom ak- der Fabrik gastiert. Zu erwarten ist eine musikali- tuellen Album „Red“ ist ein toller Einheizer. sche Rückschau auf die vergangenen zehn Jahre, Die beiden norwegischen Multiinstrumenta- in denen die wechselweise in Hamburg und auf listen Fredrik Saroea und Ketil Mosnes mixen Sizilien lebende Sängerin viele Projekte an- unverfroren 80er-Jubeltechno mit allerlei geschoben hat. Mal beschäftigte sie sich mit dem trashigen Synthieklängen. Auch der Vocoder Liedgut der großen Rosa Balistreri, dann wieder kommt zum Einsatz. Besonders gelungen in veröffentlichte sie eine Hommage an die ara- ihrem Eklektizismus sind die beiden Uptem- bischen Dichter, die vom 9.
    [Show full text]
  • Issue Number 31 February 1999
    Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 31 February 1999 Song Pitching Is Paying Off For Bruce Cockburn From the January 30, 1999 issue of Billboard magazine, by Larry LeBlanc. Despite his worldwide status as a quality music artist and his reputation for literate and personalized songwriting, Canadian singer/songwriter Bruce Cockburn tends to overlook his songwriting achievements. Cockburn wrote and performs the theme of Nelvana Production’s 2-year-old children’s TV show “Franklin,” broadcast worldwide. And Tara McLean sang his song “Pacing The Cage” in the Brett “Hitman” Hart documentary “Wrestling With Shadows,” which aired December 20, 1998, on the A&E channel in the U.S. Last year, Cockburn’s version of “Lord Of The Starfields” appeared in the Italian film “Radiofreccia,” the biography of singer Luciano Ligabue, as well as on the accompanying Warner Music Italia soundtrack. Canadian act The Rankins recorded his song “One Day I walk”; Steve Bell recorded “Can I Go With You”; and American singer Maria Muldaur titled her Telarc album “Southland Of The Heart” after Cockburn’s song. To date, there have been some 100 covers of Cockburn’s songs. The most covered are “If I Had A Rocket Launcher,” “One Day I Walk,” “Wondering Where The Lions Are,” and “Lovers In A Dangerous Time.” Among those who’ve recorded Cockburn’s tunes are Canada’s Barenaked Ladies, Barra MacNeils, Bob Wiseman, Skydiggers, and Anne Murray; Britain’s Ron Kavan and Oyster Band; Ireland’s Mary Coughlan; Sweden’s Mats Klingstrom; and U.S.
    [Show full text]
  • The Advance of English Poetry in the Twentieth Century
    The Advance Of English Poetry in the Twentieth Century By William Lyon Phelps THE ADVANCE OF ENGLISH POETRY IN THE TWENTIETH CENTURY CHAPTER I SOME CONTRASTS HENLEY, THOMPSON, HARDY, KIPLING Meaning of the word "advance" the present widespread interest in poetry the spiritual warfare Henley and Thompson Thomas Hardy a prophet in literature The Dynasts his atheism his lyrical power Kipling the Victorian his future possibilities Robert Bridges Robert W. Service. Although English poetry of the twentieth century seems inferior to the poetry of the Victorian epoch, for in England there is no one equal to Tennyson or Browning, and in America no one equal to Poe, Emerson, or Whitman, still it may fairly be said that we can discern an advance in English poetry not wholly to be measured either by the calendar and the clock, or by sheer beauty of expression. I should not like to say that Joseph Conrad is a greater writer than Walter Scott; and yet in The Nigger of the Narcissus there is an intellectual sincerity, a profound psychological analysis, a resolute intention to discover and to reveal the final truth concerning the children of the sea, that one would hardly expect to find in the works of the wonderful Wizard. Shakespeare was surely a greater poet than Wordsworth; but the man of the Lakes, with the rich inheritance of two centuries, had a capital of thought unpossessed by the great dramatist, which, invested by his own genius, enabled him to draw returns from nature undreamed of by his mighty predecessor. Wordsworth was not great enough to have written King Lear; and Shakespeare was not late enough to have written Tintern Abbey.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    13 July 2009 CHART #1677 Top 40 Singles Top 40 Albums I Gotta Feeling Billie Jean Number Ones The Fame 1 Black Eyed Peas 21 Michael Jackson 1 Michael Jackson 21 Lady Gaga Last week 1 / 5 weeks Gold x1 / Universal Last week 15 / 20 weeks Gold x1 / SonyMusic Last week 4 / 15 weeks Platinum x3 / SonyMusic Last week 22 / 41 weeks Platinum x2 / Universal New Divide Bad Influence Hannah Montana: The Movie OST Faith + Hope + Love 2 Linkin Park 22 Pink 2 Hannah Montana Cast 22 Hillsong Last week 4 / 8 weeks WEA/Warner Last week 21 / 9 weeks SonyMusic Last week 5 / 9 weeks Gold x1 / Disney/Universal Last week 0 / 1 weeks Hillsong/SonyMusic Knock You Down All On Our Own The Essential Michael Jackson My One And Only Thrill 3 Keri Hilson feat. Kanye West 23 Midnight Youth 3 Michael Jackson 23 Melody Gardot Last week 3 / 10 weeks Gold x1 / Universal Last week 18 / 16 weeks WEA/Warner Last week 8 / 16 weeks Platinum x1 / SonyMusic Last week 15 / 10 weeks Universal 21 Guns The Climb The E.N.D. The Brave Don't Run 4 Green Day 24 Miley Cyrus 4 Black Eyed Peas 24 Midnight Youth Last week 10 / 3 weeks WEA/Warner Last week 31 / 14 weeks Disney/Universal Last week 2 / 5 weeks Universal Last week 23 / 11 weeks Gold x1 / WEA/Warner Boom Boom Pow Always On My Mind Thriller: 25th Anniversary Edition Lines, Vines And Trying Times 5 Black Eyed Peas 25 Tiki Taane 5 Michael Jackson 25 The Jonas Brothers Last week 2 / 15 weeks Gold x1 / Universal Last week 23 / 47 weeks Platinum x2 / DirtyDub/Rhythm/D..
    [Show full text]