Baaba Maal Che Apalacha Sultans of String William Prince Chris Whitely
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Is Jack Antonoff Overrated?
:: View email as a web page :: What is it like to have a conversation with Isaac Brock? Actually, it’s a lot like listening to Modest Mouse — he’s somewhat erratic, often explosively funny, and, just when you least expect it, brutally honest and insightful. Believe it or not, but Brock now qualies as a true indie-rock elder statesman. Modest Mouse’s seventh album due out June 25, The Golden Casket, arrives 25 years after their 1996 debut, This Is A Long Drive For Someone With Nothing To Think About. Back then, Brock was a few months shy of his 20th birthday, and he sounded like it. His early songs were rough-hewn, combustible, and lled with pointed observations about small-town blue-collar life that still seem utterly unique in the largely bourgeois world of indie music. The next two Modest Mouse albums, 1997’s The Lonesome Crowded West and 2000’s The Moon & Antarctica, are landmarks of modern indie. Then came 2004’s Good News For People Who Love Bad News, which shockingly transformed them into a multi- platinum mainstream rock band. While their output since then has come slower — just three albums in the past 17 years — Brock remains committed as ever to not repeating himself. Check out this interview where Brock talks about Modest Mouse’s discography. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest episode of Indiecast reviewed the new Modest Mouse album and remembered The Shins. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Colin Linden
Colin Linden Colin Kendall Linden (born 16 April 1960) is a Canadian musician, songwriter and record producer. He has worked with a wide variety of artists, including Bruce Cockburn, Lucinda Williams, T-Bone Burnett, Colin James, Leon Redbone, Rita Chiarelli, Chris Thomas King, the Band, and Bob Dylan. Linden is a versatile guitarist, both on acoustic and electric guitars, specializing in slide guitar and country blues and ragtime fingerpicking. He frequently collaborates with country and folk performers. He is also a member, with Stephen Fearing and Tom Wilson, of the group Blackie and the Rodeo Kings. Early years Linden was born in Toronto, Ontario, Canada When he was still an infant, his family moved to White Plains, New York. The ten-year-old Linden heard rock performers in New York venues, such as Van Morrison, the Flying Burrito Brothers, James Taylor, John Mayall, Johnny Winter and Taj Mahal 1970s When the family moved back to Toronto, Linden became interested in performers such as Taj Mahal, Mississippi Fred McDowell and Howlin' Wolf. When Howlin' Wolf played at Toronto’s Colonial Tavern, the then-11-year-old Linden spent three hours talking with the elder bluesman. A young Linden began performing at a local coffee house, the Fiddler’s Green Coffee House, singing and strumming a guitar. By 1973, Linden began learning how to finger pick. When Linden met David Wilcox, Linden decided to learn how to play slide guitar. Wilcox gave 140 blues albums to young Linden, to help Linden to learn about blues styles. Paul Mills, the producer of Sylvia Tyson’s Touch the Earth show, at the Winnipeg Folk Festival and an outlet on CBC Radio for acoustic roots music, booked Linden in 1975 . -
Jokerman — Bob Dylan 1999 Page 1 of 87
Jokerman — Bob Dylan 1999 page 1 of 87 JOKERMAN BOB DYLAN 1999 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , TAPES & BOOKS . © 2000 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. © Olof Björner 26 February 2009 Jokerman — Bob Dylan 1999 page 2 of 87 CONTENTS: 1 INTRODUCTION ............................................................................................................................................. 6 2 THE YEAR AT A GLANCE ............................................................................................................................ 6 3 CALENDAR ...................................................................................................................................................... 7 4 NEW RELEASES AND RECORDINGS ........................................................................................................ 9 4.1 MILLION MILES ............................................................................................................................................... 9 4.2 WEB BOB ........................................................................................................................................................ 9 4.3 NEW TAPES & BOOTLEGS ............................................................................................................................... 10 4.3.1 Sydney Stadium, Sydney, Australia -
A SONG for MUM (This Is Your Song)
www.dancewithgordon.com A SONG FOR MUM (This Is Your Song) SONG: “THIS IS YOUR SONG” by RONAN KEATING ALBUM: “SONGS FOR MY MOTHER” ORIGINAL POSITION: FEET TOGETHER WEIGHT ON THE LEFT FOOT. CHOREOGRAPHER: GORDON ELLIOTT. Sydney. AUSTRALIA. August 2017 THIS DANCE IS DEDICATE TO NOT ONLY MY MUM BUT ALL OUR MOTHERS BEATS STEPS: This dance is done in FOUR directions. Introduction : 16 Beats SWEEP, SWEEP. QUICK PIVOT- FORWARD SWEEP, SWEEP, QUICK PADDLE-ACROSS 1, 2 SWEEP TO STEP R FORWARD, SWEEP TO STEP L FORWARD, 3 & QUICK PIVOT : STEP R FORWARD, TURN 180 ° LEFT TAKE WEIGHT ONTO L, 4 STEP R FORWARD, 5, 6 SWEEP TO STEP L FORWARD, SWEEP TO STEP R FORWARD, 7 & QUICK PADDLE : STEP L FORWARD, TURN 90 ° RIGHT TAKE WEIGHT ONTO R, 8 STEP L ACROSS IN FRONT OF RIGHT (9.00) SIDE, ROCK, BEHIND-SIDE-ACROSS, SIDE, ROCK, BEHIND-1/4 FORWARD-FORWARD 1, 2 STEP R TO THE SIDE, SIDE ROCK INTO L, 3 & 4 STEP R BEHIND LEFT, STEP L TO THE SIDE, STEP R ACROSS IN FRONT OF LEFT, 5, 6 STEP L TO THE SIDE, SIDE ROCK ONTO R, 7&8 ## STEP L BEHIND RIGHT, TURN 90 ° RIGHT STEP R FORWARD, STEP L FORWARD. FORWARD, ROCK-1/2 TOGETHER-FORWARD, ROCK & SIDE, ROCK & SIDE, ROCK & 1, 2 & STEP R FORWARD, ROCK BACK ONTO L, TURN 180 ° RIGHT STEP R TOGETHER, 3, 4 & STEP L FORWARD, ROCK BACK ONTO R, STEP L TOGETHER, 5, 6 & STEP R TO THE SIDE, SIDE ROCK ONTO L, STEP R TOGETHER, 7, 8 & STEP L TO THE SIDE, SIDE ROCK ONTO R, STEP L TOGETHER. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
Rights Reserved by HDM for This Digital Publication Copyright 1998 Holiness Data Ministry Duplication of This CD by Any Mean
All Rights Reserved By HDM For This Digital Publication Copyright 1998 Holiness Data Ministry Duplication of this CD by any means is forbidden, and copies of individual files must be made in accordance with the restrictions stated in the B4Ucopy.txt file on this CD. * * * * * * * MY LIFE STORY AS A MOUNTAIN BOY AND PREACHER By B. H. Lucas NO PUBLISHING INFORMATION Printed Book: No Date -- No Copyright * * * * * * * Digital Edition 05/13/98 By Holiness Data Ministry * * * * * * * PREFACE The value of Christian testimony in persuading men to be saved has never been rated at its full worth. When St. Paul's life was at stake, whether before a Jewish mob or a pagan king, he always told his experience. You will find in this book the life story of Reverend B. H. Lucas. Although he was deprived of a theological education God used him in bringing the glad message of salvation to thousands. It is a demonstration of what God can do in uplifting from a lower to a higher plane of living. Evangelist R. W. Chatfield * * * * * * * INTRODUCTION As an Evangelist I have been asked to write an introduction to this book. I have known the Rev. B. H. Lucas for over twenty-five years. He is one of God's good men and one of the Holiness Movement's good evangelists and pastors, winning thousands of souls to God. He is fearless, never compromising and a dynamic speaker. His messages are saturated with prayer; he is tender in spirit. Bro.. Lucas has been redeemed from a life of sin and is a miracle of divine grace. -
Juno Awards Celebration Begins at the Art Gallery of Hamilton
JUNO AWARDS CELEBRATION BEGINS AT THE ART GALLERY OF HAMILTON Two great exhibitions: JUNO Photography Exhibition and JUNO Tour of Canadian Art open January 24 City and Colour at The JUNO Awards 2012 Photo courtesy of CARAS/iPhoto Inc. January 22, 2015 –The Art Gallery of Hamilton is getting a jump on the JUNO Awards celebrations by presenting two captivating exhibitions profiling award winning and nominated Canadian bands and singers. The JUNO Photography Exhibition and the JUNO Tour of Canadian Art sponsored by La Piazza Allegra will open at the AGH on Saturday, January 24. Admission to both is free. “We are honoured to collaborate with Canada’s most important music awards program,” said Shelley Falconer, AGH President and CEO. “These two exhibitions exemplify the critically important relationship between visual art and music. We hope that people from across the Greater Hamilton Area and those attending the JUNO Awards will visit the AGH and enjoy some of their favourite Canadian musicians and works of art.” The JUNO Photography Exhibition features classic JUNO photos and exclusive images taken by Canada’s top rock and roll photographers. This stunning retrospective showcases the past 40-plus years of Canadian music and the JUNO Awards. More than 50 photos from the JUNO Awards’ 40th anniversary book, Music from Far and Wide, as well as never before seen photos taken by Canada’s foremost rock and roll photographers including Barry Roden, Bruce Cole, Grant Martin, Tom Sandler and photographers from iPhoto Inc. The exhibition features images of leading musicians such as Drake, Feist, K'naan, Michael Bublé, Sam Roberts, Sarah McLachlan and many more. -
The Uses and Gratifications of Music, by Personality Type, of a Central South African Radio Station’S Audience
KOM 700 THE USES AND GRATIFICATIONS OF MUSIC, BY PERSONALITY TYPE, OF A CENTRAL SOUTH AFRICAN RADIO STATION’S AUDIENCE This dissertation is submitted in accordance with the requirements for the M.A. Communication Science degree in the faculty of Humanities in the Department of Communication Science at the University of the Free State Supervisor: Prof. H.J. Breytenbach November 2012 Student: Rozanne Kotzee Student number: 2005114869 DECLARATION BY STUDENT I declare that this dissertation, hereby handed in for the qualification M.A. Communication Science at the University of the Free State, is my own independent work and that I have not previously submitted the same work for a qualification at / in another University / faculty. I hereby concede copyright of this dissertation to the University of the Free State. Name: Rozanne Kotzee Date: 22 November 2012 CONTENTS PAGE NUMBERS CHAPTER 1 CONTEXTUALISATION OF THE STUDY 1.0 Introduction 1 1.1 Background 1 1.2 Identification of the research problem 6 1.3 Formulation of the research question 7 1.4 Purpose, goal and objectives of the study 7 1.5 Delimitation of the study 8 1.6 Defining terms 10 1.7 Theoretical points of departure 11 1.8 Value of the study 11 1.9 Research design 11 1.9.1 A quantitative approach 12 1.9.2 Survey research 12 1.9.3 Literature review 12 1.10 Research methodology 13 1.10.1 Research participants and sample selection 13 1.10.2 Data and data collection 13 1.10.3 Data analysis 16 i 1.11 Validity 17 1.12 Structure of the dissertation 18 CHAPTER 2 MUSIC AS A METHOD OF COMMUNICATION