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Thornton, Arland. Reading History Sideways: the Fallacy and Enduring Inpact of The
Thornton, Arland. Reading History Sideways: The Fallacy and Enduring Inpact of the Developmental Paradigm on Family Life. University of Chicago Press, Chicago, 2005. x, 312 pp.$39 By “reading history sideways,” Arland Thornton means an approach that uses information from a variety of societies at one point in time to make inferences about change over time. He attacks this method as both pervasive and pernicious, influencing scholars, past and present, as well as ordinary people and governments around the world today. A well-known demographer and sociologist, Thornton first set forth his critique to a larger audience in his 2001 presidential address to the Population Association of America (PAA). In his intellectual history of the approach, he absolves Scottish and English writers of the Enlightenment of much blame. Lacking reliable information about the distant past of their own society, authors such as John Millar, Adam Smith, and Robert Malthus seized on data pouring in from European visitors to non-European worlds as a substitute for genuine historical information. Nevertheless, they launched an enduring and fatally flawed perspective. In this book, Thornton concentrates on subjects from his areas of expertise—demographic and family studies—as he criticizes the application of the traditional-to-modern paradigm. In my opinion, Thornton’s reading of the Enlightenment founders is not so much inaccurate as it is single-minded in its emphasis and vague in its documentation. Perhaps because of his narrow, relentless focus, Thornton does not bother to cite page numbers for his sources. In my view, these writers were not principally concerned with setting forth a historical account of change over time. -
Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenKnowledge@NAU Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C. Thomason Abstract This paper provides a list of 200 feature films and five television programs that may be of special interest to counselors, psychologists and other mental health professionals. Many feature characters who portray psychoanalysts, psychiatrists, psychologists, counselors, or psychotherapists. Many of them also feature characters who have, or may have, mental disorders. In addition to their entertainment value, these videos can be seen as fictional case studies, and counselors can practice diagnosing the disorders of the characters and consider whether the treatments provided are appropriate. It can be both educational and entertaining for counselors, psychologists, and others to view films that portray psychotherapists and people with mental disorders. It should be noted that movies rarely depict either therapists or people with mental disorders in an accurate manner (Ramchandani, 2012). Most movies are made for entertainment value rather than educational value. For example, One Flew Over the Cuckoo’s Nest is a wonderfully entertaining Academy Award-winning film, but it contains a highly inaccurate portrayal of electroconvulsive therapy. It can be difficult or impossible for a viewer to ascertain the disorder of characters in movies, since they are not usually realistic portrayals of people with mental disorders. Likewise, depictions of mental health professionals in the movies are usually very exaggerated or distorted, and often include behaviors that would be considered violations of professional ethical standards. Even so, psychology students and psychotherapists may find some of these movies interesting as examples of what not to do. -
The Sex Pistols: Punk Rock As Protest Rhetoric
UNLV Retrospective Theses & Dissertations 1-1-2002 The Sex Pistols: Punk rock as protest rhetoric Cari Elaine Byers University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Byers, Cari Elaine, "The Sex Pistols: Punk rock as protest rhetoric" (2002). UNLV Retrospective Theses & Dissertations. 1423. http://dx.doi.org/10.25669/yfq8-0mgs This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA
DOCUMENT RESUME ED 439 463 CS 510 274 AUTHOR Mackey-Kallis, Susan; Kirk-Elfenbein, Sharon TITLE A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA. PUB DATE 1997-00-00 NOTE 17p. AVAILABLE FROM For full text: http://www.natcom.org/ctronline2/96-97mas.htm. PUB TYPE Opinion Papers (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Family Relationship; *Family (Sociological Unit); *Films; Higher Education; Mass Media Effects; Mass Media Role; Programming (Broadcast); *Television IDENTIFIERS *Family Communication ABSTRACT Teaching family communication is unique. However, unlike courses in small group and interpersonal communication, which illustrates communication processes in experiential settings, family communication courses cannot create "families" in the classroom. As such, film and television depictions of the family become all the more important in their ability to illustrate key concepts of family communication theory while providing common experiences for classroom discussion. Accordingly, this paper has two purposes:(1) to inform and affirm the ways in which films and television programming can be used to illustrate significant family concepts, relationships, and issues in family communication courses; and (2) to demonstrate how the examination of media families helps students to learn more about culture's representation of this most important social institution. After exploring the impact of mass media portrayals of families, the paper discusses ways in which such films as "Ordinary People," "Terms of Endearment," "On Golden Pond," and "Frances" can be used to teach various family communication concepts and topics. The use of films' and television shows' depictions of the family in a course stimulates students to take a closer look at their own families and themselves, and to understand how mass mediated images of the family shape their own expectations of family life. -
On-The-Waterfront-Study-Guide
On the Waterfront Study Guide Acknowledgements Writer: Susan Bye Education Programmer Australian Centre for the Moving Image Susan’s primary role at the Australian Centre for the Moving Image is to support the teaching of film as text to secondary school students. Initially trained as an English teacher, she studied and taught film and media at La Trobe University before joining ACMI in 2009. Study Guide > On the Waterfront 2 On the Waterfront: difficult choices in an uncertain world The purpose of this guide is to provide an introduction to On the Waterfront (PG, Elia Kazan, 103 mins, USA, 1954), an overview of the commentary and debate that the film has generated and some ideas that will help you form your own interpretation of this challenging film. Studying and Interpreting On the Waterfront On the Waterfront is a film that is as problematic as it is extraordinary. It carries with it an interesting history which has, over the years, affected the way people have responded to the film. On the Waterfront encourages different and conflicting interpretations, with its controversial ending being a particular source of debate. This study guide is intended as an informative resource, providing background information and a number of different ways of thinking about the film. One of the most exciting and satisfying aspects of the film is its capacity to invite and sustain different and multifaceted interpretations. On the Waterfront focuses on life’s uncertainty and confusion, depicting both Father Barry’s dogmatic certainty and Johnny Friendly’s egotistical self-confidence as dangerously blinkered. For some viewers, Father Barry’s vision of collective action and Terry Malloy’s confused struggle to be a better man belong in two different films; however, the contrast between these two ways of looking at, and responding to, life’s challenges highlights the limitations of each of these perspectives. -
July 4, 2021 the Fourteenth Sunday in Ordinary Time Parish Office
July 4, 2021 The Fourteenth Sunday in Ordinary Time Parish Office Pastor 6673 West Chatfield Avenue • Littleton, CO 80128 Rev. John Paul Leyba www.sfcparish.org Parochial Vicars 303-979-7688 Parish Office Rev. Israel Gonsalves, O.C.D. Open: Monday-Friday, 8:30am-5:00pm Rev. Ron Sequeira, O.C.D. (closed 12:00 noon-1:00pm daily) 303-979-7688 Voice mail access after 5:00pm 303-953-7777 Youth Office (Jr. & Sr. High, Young Adult) Deacons 303-972-8566 Fax Line Rev. Mr. Chet Ubowski 303-979-7688 SACRAMENTAL EMERGENCIES Rev. Mr. Marc Nestorick 24 hrs/day Rev. Mr. Brian Kerby St. Frances303-953-7770 Cabrini Weather/Emergency Hotline Rev. Mr. Spencer Thornber (for schedule changes due to inclement Rev. Mr. Paul Grimm (retired) weather/emergency situations) Rev. Mr. Witold Engel (retired) Welcome to Our Parish! We are glad you are here! If you are a visitor and would like to join our parish family, please pick up a registration form in the gathering space, visit the parish office during the week or you may visit our website to register. Sacramental Information Mass Schedule Infant Baptism: Please contact Deacon Chet at 303-953-7783. Weekend ... Saturday (Anticipatory) 4:15 pm; Sunday 7:15, 9:15, 11:15am & 5:15pm Marriage Preparation: Please contact Trudy at 303-953-7769 at Weekday .............. Monday-Friday 9:00 am; least 9-12 months prior to your wedding to make arrangements. Mon., Tues., Thurs., Fri. 6:30am RCIA: Interested in becoming Catholic or questions about the faith? First Saturday .............................. 10:00am Call Deacon Chet at 303-953-7783. -
Protest Music As Adult Education and Learning for Social Change: a Theorisation of a Public Pedagogy of Protest Music
Australian Journal of Adult Learning Volume 55, Number 3, November 2015 Protest music as adult education and learning for social change: a theorisation of a public pedagogy of protest music John Haycock Monash University Since the 1960’s, the transformative power of protest music has been shrouded in mythology. Sown by musical activists like Pete Seeger, who declared that protest music could “help to save the planet”, the seeds of this myth have since taken deep root in the popular imagination. While the mythology surrounding the relationship between protest music and social change has become pervasive and persistent, it has mostly evaded critical interrogation and significant theorisation. By both using the notion as a theoretical lens and adding to scholarship in the field, this article uncovers understandings of the public pedagogical dimensions of protest music, as it takes place as a radical practice and critical form of contemporary mass culture. In doing this, this article provides a theorisation of public pedagogy as it encapsulates protest music, and those who are conceptualised as the critical and radical public pedagogues who produce this mass cultural form. Keywords: public pedagogy; protest music; adult learning; education for social change 424 John Haycock Maybe it’s just the time of year Maybe it’s the time of man I don’t know who I am But life is for learning… Joni Mitchell, Woodstock, (1970), [side B, track 5]. Introduction The emergence of protest or a political popular music in the 1960s has been inextricably linked in the popular imaginary and public history with social change and youth revolt. -
Stand by Me”—Ben E
“Stand by Me”—Ben E. King (1961) Added to the National Registry: 2014 Essay by Amanda Rodgers (guest post)* Ben E. King Original 45rpm Leiber and Stoller It started with a simple chord progression, one that had appeared in hundreds of soul and doo- wop songs already but that was used here with such effective grace that it came to be known as the “’Stand By Me’ changes.” That chord progression inspired the iconic bass line that begins the song, accompanied only by a triangle and a brush scraped lightly across the base of a snare drum. And when Ben E. King’s passionate, gospel-flavored tenor joined that simple introduction, the world sat up and took notice. Of course, this is none other than the timeless “Stand By Me,” a song that has touched millions of people’s hearts since it was recorded and released in 1961. A seamless combination of gospel and doo-wop, a love song, a protest anthem, a declaration of enduring friendship, a worship song --this incredible composition is all of these and more. In 1960, King was already a star. His band, the Drifters, had recently scored their first number- one hit with “Save the Last Dance for Me,” thanks in part to King’s heavenly tenor voice. However, due to a contract dispute, King left the Drifters just as they were picking up momentum. After he convinced Jerry Wexler at Atlantic Records to let him have a shot at a solo career, Wexler put King in touch with none other than Jerry Leiber and Mike Stoller. -
The Role of Political Protest
4.12 The Role of Political Protest Standard 4.12: The Role of Political Protest Examine the role of political protest in a democracy. (Massachusetts Curriculum Framework for History and Social Studies) [8.T4.12] FOCUS QUESTION: What are the Different Ways That Political Protest Happens in a Democracy? Building Democracy for All 1 Rosa Parks being fingerprinted by Deputy Sheriff D.H. Lackey after being arrested for boycotting public transportation, Montgomery, Alabama, February, 1956 Public domain photograph from The Plain Dealer newspaper The right to protest is essential in a democracy. It is a means for people to express dissatisfaction with current situations and assert demands for social, political, and economic change. Protests make change happen and throughout the course of United States history it has taken sustained protests over long periods of time to bring about substantive change in governmental policies and the lives of people. Protest takes political courage as well, the focal point of Standard 4.11 in this book. The United States emerged from American protests against England’s colonial rule. Founded in 1765, the Sons of Liberty and the Daughters of Liberty organized protests against what they considered to be unfair British laws. In 1770, the Boston Massacre happened when British troops fired on protestors. Then, there was the Boston Tea Party (December 16, 1773) when 60 Massachusetts colonists dumped 342 chests of tea—enough to make 19 million cups—into Boston Harbor. In 1775, there were armed skirmishes between colonists -
The Contemporary Relevance of Protest Song Aileen Dillane, Martin
Stand Up, Sing Out: The Contemporary Relevance of Protest Song Aileen Dillane, Martin J. Power, Amanda Haynes and Eoin Devereux Sound is an integral part of protest, and singing is a way for ordinary people, as well as amateur or professional musicians, to sonorously raise their voices in an appeal for justice. The intimate and sensuous activity of singing, in solo form or as part of a collective, has a power and persuasiveness beyond mere rhetoric. Because of music’s ubiquity, its presence in all cultures, and its fundamental ownership by all human beings, it is a medium and a performance act that is essentially recognisable, familiar, and translatable; therefore, it has the potential to reach across social and political divides, or, at the very least, reveal our shared humanity. Music, of course, is not intrinsically good or inherently utopian, even if, in making music – in musiking - people celebrate not only who they are, but also often who they hope to become (Small 1998: xi). Like any medium, music can be used for malign propaganda purposes. It can disinform, it can proselytise, it can incite, and it can exclude; singers, song texts and performance activities may, in fact, be part of the very systems that reproduce oppressive structures and behaviours (Turino 2008). But when singing is mobilized in order to counter injustice, to challenge inequality, to rise above hate and fear, to appeal against the normalisation of bigotry, racism, misogyny, homophobia, and a myriad of other anti-democratic, anti-human practices, then the power of song is revealed as affective, persuasive, ethical and hopeful. -
Leading Nonviolent Movements for Social Progress
Leading Nonviolent Movements for Social Progress October 15 – November 16, 2018 This distance learning course contains five 2-part learning modules. Each module is designed with a specific learning and/or project outcome in mind. Below, you will find a list of key readings, videos, and a general overview of the course. Instructions for how to complete the discussion questions and written assignments are provided in each module of the website. This is a lot to do in a short amount of time! We recommend that you start by reading the module overview first. Then complete the readings starting with “required readings.” If you have additional time, also download and read the recommended readings. Then, watch all of the videos associated with the module. The live classes give all of us a chance to reflect on the lessons we want to take away from the module. The class is enhanced by the participants not only asking questions, but also by those who are willing to share their insights about their own experiences. We will ask for volunteers to share their insights and pose further questions to the whole class. Our participants always have years of valuable experience to share with each other! After the live classes, there will be short exercises where you will be asked to reflect on what you have learned so far. These might take the form of a survey, a post to our discussion board, or a paper that is handed in. We will also coordinate group work that you will do with other participants. Objectives This course brings together theory and practice of strategic nonviolence to evaluate the nature of nonviolent social change. -
Anti-Apartheid Movement Annual Report on Activities and Developments
Anti-Apartheid Movement Annual Report on Activities and Developments http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.aam00064 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Anti-Apartheid Movement Annual Report on Activities and Developments Author/Creator Anti-Apartheid Movement Publisher Anti-Apartheid Movement Date 1986-09-00 Resource type Reports Language English Subject Coverage (spatial) South Africa, Southern Africa (region), United Kingdom Coverage (temporal) 1985 - 1986 Source AAM Archive Rights By kind permission of the AAM Archives