History Knowledge Organiser: the First World War Key Terms Definitions Key People/Events Definitions
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5th - Oct - 2020 FESTIVALS IN Africa East Meets West Festival This is an afro-beat festival that brings talent together from West and East Africa. Western artists meet with eastern artists on the same stage to share W E talent and portray different dynamics. There’s a lot of activities seen at East meets West Festival for example deejays playing the best music, face paint- S ing, performances from different artists in form of a Coachella. East meets west has worked with a couple of artists namely Burna boy, Wizkid, Lapidoe, Mayorkun, Leru, Lagum, King Perry, John Blaq to mention Festival but a few. Gidi Fest This festival usually takes place once a year in Nigeria, Lagos. This festival that’s usually known as the Coachella Lagos which features live bands, deejays and musical performances to be done throughout that day. It attracts numerous people from different countries including Uganda, Kenya, United Kingdom, Ghana, South Africa and Congo. Its sponsors for the festival to be successful include brandit old school, vintage studio, brandna tagline, yellow bepink etc Nyege Nyege Festival Nyege Nyege meaning peace, joy and love is a festival that happens in Jinja town located at the pearl of Africa, Uganda. The festival that was founded in 2015 is one of a kind which happens every September. Its takes duration of four days infused with music, dance and excitement. Over 300 artists travel to Uganda during this time to go perform on nyege nyege and sponsor for this beautiful event has been the South African telecom called MTN. Afro-chella Festival This festival is done to embrace thrilling and thriving millennial talent from and within Africa. -
University of Education, Winneba Framing Of
University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA FRAMING OF SELECTED DANCEHALL ARTISTES ON BLOGS SAMUEL TAKYI SELBY 2017 i University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA FRAMING OF SELECTED DANCEHALL ARTISTES ON BLOGS SAMUEL TAKYI SELBY A THESIS IN THE DEPARTMENT OF COMMUNICATION AND MEDIA STUDIES, FACULTY OF FOREIGN LANGUAGES EDUCATION AND COMMUNICATION, SUBMITTED TO THE SCHOOL OF GRADUATE STUDIES, UNIVERSITY OF EDUCATION, WINNEBA, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR AWARD OF THE MASTER OF ART DEGREE IN COMMUNICATION AND MEDIA STUDIES (MEDIA STUDIES). DECEMBER, 2017 ii University of Education,Winneba http://ir.uew.edu.gh DECLARATION STUDENT’S DECLARATION I, Samuel Takyi Selby declare that this dissertation, with the exception of quotations and references contained in published works which have all been identified and duly acknowledged, is entirely my original work, and it has not been submitted, either in part or whole, for another degree elsewhere. SIGNATURE: ………………………….. DATE: …………………………………… SUPERVISOR’S DECLARATION I hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of Dissertation as laid down by the University of Education, Winneba. NAME OF SUPERVISOR: MR KWESI AGGREY SIGNATURE: ………………………………………………………. DATE: …………………………… ii University of Education,Winneba http://ir.uew.edu.gh ACKNOWLEDGEMENTS I wish to express my deepest gratitude to each and every person who has influenced my life, directly and indirectly to this point. My greatest gratitude goes to God almighty, the one who gave me life, knowledge, wisdom and understanding to sail through graduate school successfully. -
Download Best of Wizkid Mp3
Download best of wizkid mp3 CLICK TO DOWNLOAD Listen and Download “Latest Best of Wizkid Mixtape Mp3 Songs By DJ Ppeliance” Below: Download Latest Best of Wizkid Mixtape By DJ Ppeliance – MB. Show Some ♥ if you like this and your're a fan drop your comment. Be social!! ♥Click Here To Comment♥. Download and enjoy the latest best of WizKid DJ Mix and don’t forget to tell us what you feel about the mixtape. As we all know, Starboy always delivers. Download Mp3. DJ HighBee the Mega mixer decided to celebrate Naija's finest musician, Wizkid with a dedicated compilation mixtape with all his songs on board. This is DJ Highbee - Best Of Wizkid mixtape download. DOWNLOADED TIMES File Name: Best Of Wizkid (oLD & nEw Jamz).mp3 MB It will only get better! Free ANSWERS and CHEATS to GAMES and APPS. DOWNLOADED TIMES File Name: Dj Baddo Best Of renuzap.podarokideal.ru3 MB It will only get better! Free ANSWERS and CHEATS to GAMES and APPS. 18/05/ · Mix By: DJ Candle Mixtape Title: Best Of Wizkid Mix Type: Best of Wizkid DJ Mix Latest Release Date: May DJ Mix Press Release: “DJ Candle AKA Light Of The Wusic drops another mixtape on us, compiling tracks from the legend himself “Starboy” featuring all old hits making us feel nostalgic and also new grooves from Baba Nla. DJ Candle has got us in a loop of evergreen . Download Latest Wizkid Songs , Wizkid Music Video , Downlaod Wizkid mp3, lyrics, Wizkid mp4 Video, Wizkid Song Download. Download Latest Wizkid Songs & also get Top Wizkid DOWNLOAD MP3 HERE. -
HIPLIFE MUSIC in GHANA: ITS EVOLUTION and WESTERNISATION Nana Osei Bonsu M.Ed. IT Student, College of Distance Education, Unive
Afro Asian Journal of Social Sciences Volume X, No. 10.4 Quarter IV 2019 ISSN: 2229 – 5313 HIPLIFE MUSIC IN GHANA: ITS EVOLUTION AND WESTERNISATION Nana Osei Bonsu M.Ed. IT Student, College of Distance Education, University of Cape Coast, Ghana Samuel Kofi Adjepong MPhil Candidate, Institute for Educational Planning and Administration, University of Cape Coast, Ghana ABSTRACT Music is an indispensable aspect of African culture; hence, music permeates in all aspect of African lives i.e. festivals, ceremonies, rituals, music and entertainments. In Ghana, highlife and hiplife music are the two most popular music genres. Hiplife which evolved in the twentieth century is a fusion of highlife and hip hop. This study discusses the evolution of hiplife music genre. It also establishes that although hiplife has western elements in its formation and evolution, those elements have been indigenised, decolonised and Africanised and thus could be said to be African music. Furthermore, this study posits that there has been progressive westernisation of Ghanaian hiplife music and musicians; this westernisation is evident in the stage names, music video concept, costume and music video location of hiplife musicians in Ghana. Key Words: Hiplife, Highlife, Ghana Music, Evolution, Indigenisation, westernisation, Introduction Music is an important element of human culture, and every culture that exists in human history has a form of music. Thus, music is inseparable from culture. Over the years, scholars have defined music in their own perspective. Levinson (1990:273) defines music as ‘sounds temporally organised by a person for the purpose of enriching or intensifying experience through active engagement (e.g. -
UNIVERSITY of CAPE COAST TRADITION in TRANSITION: the HABITS of LANGUAGE in GHANAIAN HIPLIFE LYRICS by SAMUEL KWESI NKANSAH Thes
© University of Cape Coast https://erl.ucc.edu.gh/jspui UNIVERSITY OF CAPE COAST TRADITION IN TRANSITION: THE HABITS OF LANGUAGE IN GHANAIAN HIPLIFE LYRICS BY SAMUEL KWESI NKANSAH Thesis submitted to the Department of English, Faculty of Arts, of College of Humanities and Legal Studies, University of Cape Coast, in partial fulfillment of the requirements for award of Doctor of Philosophy degree in Literature FEBRUARY 2019 i Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui DECLARATION Candidate’s Declaration I hereby declare that this thesis is the result of my own original research and that no part of it has been presented for another degree in this university or elsewhere. Candidate’s Signature: …………………… Date: ……………………… Candidate’s Name: Samuel Kwesi Nkansah Supervisors’ Declaration We hereby declare that the preparation and presentation of the thesis were supervised in accordance with the guidelines on supervision of thesis laid down by the University of Cape Coast. Principal Supervisor’s Signature: ………………… Date: ……………………… Name: Prof. Kwadwo Opoku-Agyemang Co- Supervisor’s Signature: ……………………… Date: ……………………… Name: Prof. Timothy Sola Babatunde ii Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui ABSTRACT The future of every nation is embedded in its youth. The older generation eats sour grape and sets the teeth of the youth on edge. A vibrant youth seeks a better future for itself since if one fails to comment on how one’s head is shaven, one ends up having a bad shave (The Author). This qualitative (textual) research is premised on the fact that research into Hiplife genre in recent years has not devoted attention to the source of its rhetorical vehemence, leading Adegbite (2006) to admonish scholars to broaden their scope of research to embrace all varieties of musical styles. -
The Textuality of Contemporary Hiplife Lyrics
THE TEXTUALITY OF CONTEMPORARY HIPLIFE LYRICS by PETER ARTHUR A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre of West African Studies School of History and Cultures University of Birmingham Edgbaston Birmingham, B15 2TT University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This research looks at the textuality of hiplife - the Ghanaian version of hip hop - by investigating the hiplife discursive and non discursive practices. The thesis of this research is that hiplife provides the platform for self expression or a new culture for the Ghanaian youth. This ethnography of hiplife covers two main areas of investigation: hiplife as a syncretic and a protest culture. Chapter one presents the background and research design of the study while chapter two provides a broad scholarly exploration of hiplife, taking into account the history and culture of hiplife against the background of African hip hop literature. Chapter three explores the cultural production of hiplife while chapter four investigates the very core of hiplife rap, its oral rhythmic production. In chapter five, the hiplife culture, like all hip hop cultures, seeks to redefine the Ghanaian normative moral grounds. -
Hiplife Music: a Monograph
HIPLIFE MUSIC: A MONOGRAPH A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Emmanuel Anim-Koranteng August, 2018 HIPLIFE MUSIC: A MONOGRAPH EMMANUEL ANIM-KORANTENG THESIS Approved: Accepted: _____________________________ __________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza ___________________________ _________________________ Committee Member Dean of the College Dr. Christopher Hariasz Dr. Linda Subich ____________________________ _________________________ Committee Member Dean of the Graduate School Mr. Adel. A. Migid Dr. Chand Midha ______________________________________ Date ii ABSTRACT This thesis examined the hiplife genre in Ghana and explored the various genres that led to the discovery of hiplife. The purpose of this research was to offer an analysis of the hiplife movement in Ghana as a contributor to youth empowerment applying new forms of entertainment strategies, artist management, and technology enhancement that could broaden the awareness of hiplife and create economic opportunities for artists. This thesis also discussed the event management company, The Afro Giants (tAG), which was created to groom, manage, record musicians, and produce shows around the world. Information for this thesis was gathered from personal contact with industry insiders from most of the entertainment houses, entertainment magazines, and record labels in Ghana. iii ACKNOWLEDGEMENTS A special thanks to God for giving me life and my ancestors who passed the touch to me. I would like to express my special appreciation to my thesis committee members, Christopher Hariasz, Adel Migid and, especially, my thesis supervisor, James Slowiak, for his excellent guidance, care, patience, and for providing a good atmosphere for doing this research. -
MAMA 2015 Winners
MTV AFRICA MUSIC AWARDS KWAZULU-NATAL RAISES THE ROOF AT THE DURBAN I.C.C. FIFTH EDITION OF THE SHOW MARKS TENTH ANNIVERSARY OF VIMN AFRICA & BIRTHDAY OF THE LATE NELSON MANDELA Johannesburg/Lagos, 18 July 2015: Stars of the African and international music industry came out in force tonight in KwaZulu-Natal, South Africa for the fifth uplifting edition of the MTV Africa Music Awards KwaZulu-Natal. Saluting and championing African music, youth culture and achievement, MAMA 2015 brought the continent together for a massive celebration contemporary music and creativity, including electrifying performances, collaborations and awards presentations. The MTV Africa Music Awards KwaZulu-Natal 2015, brought to you by KwaZulu-Natal Province in association with Absolut Vodka and in partnership with The City of Durban, returns to the Durban International Convention Centre (ICC), KwaZulu-Natal, South Africa on Saturday 18 July 2015. The big winners on the night included Nigerian stars Yemi Alade and Davido, who took home the Best Male and Best Female awards, respectively, while hip hop star Cassper Nyovest nabbed the Best Hip Hop award. “Koko master”, D’Banj, won the MAMA Evolution award, a new category honouring established artists who have made an indelible mark on African and global music culture, taken African music to new territories around the world, pushed the boundaries of creativity, and shaped the soundscape of contemporary Africa. South African comedian and newly appointed Daily Show host Trevor Noah triumphed in Personality of the Year. Patoranking won Best New Act Transformed by Absolut, given in recognition of new and emerging artists. -
Hiplife Music in Ghana: Postcolonial Performances of Modernity
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2019 Hiplife Music in Ghana: Postcolonial Performances of Modernity Nii Kotei Nikoi University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Critical and Cultural Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Nikoi, Nii Kotei, "Hiplife Music in Ghana: Postcolonial Performances of Modernity" (2019). Doctoral Dissertations. 1804. https://doi.org/10.7275/14792936 https://scholarworks.umass.edu/dissertations_2/1804 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. HIPLIFE MUSIC IN GHANA: POSTCOLONIAL PERFORMANCES OF MODERNITY A Dissertation Presented By NII KOTEI NIKOI Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2019 Department of Communication © Copyright by Nii Kotei Nikoi 2019 All Rights Reserved HIPLIFE MUSIC IN GHANA: POSTCOLONIAL PERFORMANCES OF MODERNITY A Dissertation Presented By NII KOTEI NIKOI Approved as to style and content by: ________________________________________________ Sut -
'The Rockstars' Announce the Most Influential Global
‘THE ROCKSTARS’ ANNOUNCE THE MOST INFLUENTIAL GLOBAL AFRICAN PERSONALITIES 2020 NOMINEES For Immediate Release: Monday, 17th February 2020 ‘The Rockstars’ nominations 2020 are in following a Pan African announcement tour seeing several African countries each reveal a set or part of the nominees for this year’s historic 1st ever African influencer awards. Among ‘The Rockstars’ 2020 nominees, Maître Gims, who’s from the Democratic Republic of Congo and France, received the most nominations with 16, including nominations in the two big categories of the major overall global African ‘Rockstar’ category, the ‘StarBoy’ category in addcategory for videos ition to nominations in categories ‘FacebookStar’, ‘Fandom’, ‘LiveStar’, ‘RapStar’, ‘Smashit’, ‘TwiiterStar’, ‘WorldStar’, ‘YouTubeStar’ and an unprecedented 6 nominations for the ‘Blockbuster’ achieving between over 200 million and 450 million views each to date, on his official YouTube channel. Nigerian superstar Wizkid received 15 nods, including nominations in the big categories of overall global African ‘Rockstar’, ‘Starboy’ in addition to ‘AfrobeatStar’, ‘Fandom’, ‘Gamechanger’, ‘InstaStar’, ‘LiveStar’, ‘MegaMusicVideo’, ‘TwitterStar’, ‘WorldStar’, ‘YouTubeStar’ and a double nomination for both ‘Blockbuster’ and ‘Smashit’ categories. Fellow Nigerian superstars Davido and Burna Boy each received 14 nominations. Davido received nominations in the big categories of overall global African ‘Rockstar’, ‘Starboy’ in addition to ‘AfrobeatStar’, ‘FacebookStar’, ‘Fandom’, ‘InstaStar’, ‘MegaMusicVideo’ -
Afrima Presentation by Nathan Kwabena Anokye Adisi
AFRIMA PRESENTATION BY NATHAN KWABENA ANOKYE ADISI AFRICA MUSIC IN A GLOBAL VILAGE: LEVERAGING THE OPPORTUNITIES § Good day to you all present. It feels good to be on this stage. My name is Nathan Kwabena Anokye Adisi, widely referred to in the ecosystem, as Bola Ray. § I work as the Chief Servant of Africa’s fastest growing media group; the EIB Network. EIB operates 9 radio properties, 3 television stations, a newspaper and a digital-only unit. Introduction § To all participating guests, we say Akwaaba, and do well to enjoy the proverbial Ghanaian hospitality. We are hopeful that after this event, you would have found a new home, that is if you have not. § I want to congratulate the organizers for a good job done. Indeed, AFRIMA has come to stay and what better way to consolidate that fact than to use Ghana as a vehicle of getting that message through. On behalf of the Ghanaian people, I can assure you that you will continue to enjoy our immense support. Thank you. § There is no doubt African music has taken its rightful place in the established world order. From the unique Afrobeats sound to the rich Hiplife and Highlife tunes blazing their way through a sonic journey that begins in Accra, the streets of Mombasa and Lagos to the Projects Africa Music in a in the United States, there is one unique theme that runs Global Village: through: African music is live and alive. Leveraging the § On a recent trip to London for the maiden edition of the Opportunities Ghana Meets Naija UK concert, I was impressed to note how the playlists of some of London’s popular urban radio stations have largely been shaped by Afrobeats. -
For Immediate Release Rocky Dawuni New Album Beats Of
FOR IMMEDIATE RELEASE ROCKY DAWUNI NEW ALBUM BEATS OF ZION DROPS TODAY THROUGH SIX DEGREES DISTRIBUTION FEATURED ARTISTS INCLUDE STONEBWOY, SARDOKIE, ALIKA, & WIYAALA “African reggae star Rocky Dawuni continues to demonstrate he’s one of the most exciting artists coming out of Africa. His style goes beyond traditional roots reggae by incorporating other genres such as highlife, ear friendly Afropop, seductive global beats and more. “- World Music Central (Los Angeles, CA) -- Rocky Dawuni, the international music star/global ambassador and humanitarian activist, releases his highly anticipated 7th studio album Beats of Zion today with Six Degrees Distribution. [Order here: https://rockydawuni.lnk.to/beatsalbum] The thirteen-track set follows the GRAMMY nominated album Branches of the Same Tree, (“Best Reggae Album” in 2016) and expands Rocky’s “Afro Roots” sound to include the diversity of the Ghanaian music scene and its current global outreach. Although Rocky’s music has had CNN naming him “Africa’s Top 10 global stars” and Ziggy Marley stating “Rocky’s music is creative inspiration that knows no boundaries,” it’s only one part of what drives his mass appeal. Dawuni’s eloquence, cultural diplomacy and passionate activism have led him to become a moving spokesperson for various global causes. Recently, Rocky was designated a UN Environment Goodwill Ambassador for Africa at a beautiful concert at the UN Headquarters in Nairobi, Kenya in August 2018 at the Global Landscapes Forum with dignitaries from all over the world. This is on top of the social campaigns and activism he’s done including work with Product (RED), ONE, UNICEF, The Carter Center, Clean Cooking Alliance and the United Nations Foundation.