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History Knowledge Organiser: the First World War Key Terms Definitions Key People/Events Definitions
Knowledge Organiser Year 9 Term 1 and 2 2019-2020 Name: ………………………………... Try using these memorisation techniques with your Knowledge Organisers Quizlet Login Details: Show my Homework Login Details: Autumn Term - Biology Knowledge Organiser 1 1. The importance of communities 2. Organisms in their environment 5. Competition in plants An ecosystem is the interaction of a community of living organisms with the non-living (abiotic) parts of their environment Abiotic (non-living factors) that effect Biotic (living factors) that effect commu- Plants often compete with each other for light, space, water communities of organisms nities of organisms and mineral ions from the soil Organisms require materials from their surroundings and other liv- ing organisms to survive and reproduce Light intensity Availability of food Light is needed for photosynthesis Within a community, each species depends on other species for Temperature New predators arriving Water is needed for photosynthesis and to keep their tissues food, shelter, pollination, seed dispersal. If one species is removed it rigid and supported Moisture levels New pathogens can affect the whole community. This is called interdependence Minerals are needed to make all the chemicals they need in A stable community is where all the species and environmental fac- Soil pH and mineral content New competitors their cells tors are in balance so that population sizes remain fairly constant. Wind intensity and direction Space allows them to grow—it allows their roots to take in water and minerals and their leaves capture sunlight Carbon dioxide levels for plants Plants have many adaptations that make them good com- Availability of oxygen for aquatic animals petitors for example different types of roots ; some have shallow roots to take in water from the surface and some 3. -
UNIVERSITY of CAPE COAST TRADITION in TRANSITION: the HABITS of LANGUAGE in GHANAIAN HIPLIFE LYRICS by SAMUEL KWESI NKANSAH Thes
© University of Cape Coast https://erl.ucc.edu.gh/jspui UNIVERSITY OF CAPE COAST TRADITION IN TRANSITION: THE HABITS OF LANGUAGE IN GHANAIAN HIPLIFE LYRICS BY SAMUEL KWESI NKANSAH Thesis submitted to the Department of English, Faculty of Arts, of College of Humanities and Legal Studies, University of Cape Coast, in partial fulfillment of the requirements for award of Doctor of Philosophy degree in Literature FEBRUARY 2019 i Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui DECLARATION Candidate’s Declaration I hereby declare that this thesis is the result of my own original research and that no part of it has been presented for another degree in this university or elsewhere. Candidate’s Signature: …………………… Date: ……………………… Candidate’s Name: Samuel Kwesi Nkansah Supervisors’ Declaration We hereby declare that the preparation and presentation of the thesis were supervised in accordance with the guidelines on supervision of thesis laid down by the University of Cape Coast. Principal Supervisor’s Signature: ………………… Date: ……………………… Name: Prof. Kwadwo Opoku-Agyemang Co- Supervisor’s Signature: ……………………… Date: ……………………… Name: Prof. Timothy Sola Babatunde ii Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui ABSTRACT The future of every nation is embedded in its youth. The older generation eats sour grape and sets the teeth of the youth on edge. A vibrant youth seeks a better future for itself since if one fails to comment on how one’s head is shaven, one ends up having a bad shave (The Author). This qualitative (textual) research is premised on the fact that research into Hiplife genre in recent years has not devoted attention to the source of its rhetorical vehemence, leading Adegbite (2006) to admonish scholars to broaden their scope of research to embrace all varieties of musical styles. -
Hiplife Music in Ghana: Postcolonial Performances of Modernity
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2019 Hiplife Music in Ghana: Postcolonial Performances of Modernity Nii Kotei Nikoi University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Critical and Cultural Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Nikoi, Nii Kotei, "Hiplife Music in Ghana: Postcolonial Performances of Modernity" (2019). Doctoral Dissertations. 1804. https://doi.org/10.7275/14792936 https://scholarworks.umass.edu/dissertations_2/1804 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. HIPLIFE MUSIC IN GHANA: POSTCOLONIAL PERFORMANCES OF MODERNITY A Dissertation Presented By NII KOTEI NIKOI Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2019 Department of Communication © Copyright by Nii Kotei Nikoi 2019 All Rights Reserved HIPLIFE MUSIC IN GHANA: POSTCOLONIAL PERFORMANCES OF MODERNITY A Dissertation Presented By NII KOTEI NIKOI Approved as to style and content by: ________________________________________________ Sut -
Afrima Presentation by Nathan Kwabena Anokye Adisi
AFRIMA PRESENTATION BY NATHAN KWABENA ANOKYE ADISI AFRICA MUSIC IN A GLOBAL VILAGE: LEVERAGING THE OPPORTUNITIES § Good day to you all present. It feels good to be on this stage. My name is Nathan Kwabena Anokye Adisi, widely referred to in the ecosystem, as Bola Ray. § I work as the Chief Servant of Africa’s fastest growing media group; the EIB Network. EIB operates 9 radio properties, 3 television stations, a newspaper and a digital-only unit. Introduction § To all participating guests, we say Akwaaba, and do well to enjoy the proverbial Ghanaian hospitality. We are hopeful that after this event, you would have found a new home, that is if you have not. § I want to congratulate the organizers for a good job done. Indeed, AFRIMA has come to stay and what better way to consolidate that fact than to use Ghana as a vehicle of getting that message through. On behalf of the Ghanaian people, I can assure you that you will continue to enjoy our immense support. Thank you. § There is no doubt African music has taken its rightful place in the established world order. From the unique Afrobeats sound to the rich Hiplife and Highlife tunes blazing their way through a sonic journey that begins in Accra, the streets of Mombasa and Lagos to the Projects Africa Music in a in the United States, there is one unique theme that runs Global Village: through: African music is live and alive. Leveraging the § On a recent trip to London for the maiden edition of the Opportunities Ghana Meets Naija UK concert, I was impressed to note how the playlists of some of London’s popular urban radio stations have largely been shaped by Afrobeats. -
P3p33p3 Video
P3p33p3 video Music video by Criss Waddle performing 'P3p33p3'. Directed by Jus Gorilla. R2Bees Entertainment...ENjoy Video embedded · R2Bees Entertainment presents the official music video for P3p33p3 performed by Criss Waddle featuring Mugeez. Video was shot and directed by Justin … VIDEO: P3p33p3- Criss Waddle ft. Mugeez.. Criss Waddle’s latest music video ft Mugeez P3p33p3 Produced by Dj Breezy. Brought to you by R2bees Entertainment. Dec 12, 2014 · Want to watch this again later? Sign in to add this video to a playlist. Music video by Criss Waddle performing 'P3p33p3' ft. Mugeez. … Music video by Criss Waddle of R2Bees performing 'P3p33p3' featuring Mugeez. It was produced by DJ Breezy and directed by Justin Campos of Gorilla Films Videos; RSS Feed; Facebook; Flickr;. VIDEO: Criss Waddle – P3p33p3 ft Mugeez http://t.co/Ob04v4f8TG via @ghxclusives. Video: A Ghanaian Girl. Posts tagged with "yaa pono p3p33p3" Tag: yaa pono p3p33p3. Yaa Pono – My Case ft StoneBwoy. Kevy. 0.. You Might Also Like Download Criss Waddle ft Mugeez "P3P33P3" : Download Video / MP3:. Watch unlimited videos including movies, tv shows, funny videos, music videos 3gp videos,. Ghana's premier music portal where you can Listen to Ghana Music, Watch Videos, Buy Ghana Music, Stream Ghana Music, Ghana Mixtapes, DJ Mixes, Radio & More GN Bank Division One Match Day 3 Preview: Gold Stars and Elmina Sharks clash for top spot, Bofoakwa look to extend lead as Olympics and Lions seek to maintain winning. Criss Waddle – P3p33p3 ft Mugeez (Prod by DJ Breezy) December 12, 2014.. Next Criss Waddle – P3p33p3 ft Mugeez (Official Video) Related Articles. -
Visions of a New World – Ghana | Norient.Com 4 Oct 2021 22:32:27 Visions of a New World – Ghana PLAYLIST by Thomas Burkhalter
Visions of a New World – Ghana | norient.com 4 Oct 2021 22:32:27 Visions of a New World – Ghana PLAYLIST by Thomas Burkhalter Ghana offers a great range of contemporary music, inspired by international trends like trap and dancehall, mixed with local rhythms and melodies, sung in different languages, with topics related to corruption, to religion to champagne. Enjoy this round up with recent tracks and video clips. The Film «Contradict» will be available for streaming on demand throughout all of 2021 via Vimeo. In Ghana they call it hiplife or just afropop or local songs, in Anglophone African Diasporas they sometimes use the term afrobeats. These popular sounds co-emerged with privatisation of media in Ghana in the early 1990s, promoted through then new private radio stations, produced in small studios by pioneers like Reggie Rockstone. Local rappers started to spit lyrics in local languages like Ewe, Ga or Pidgin, and thanks to digitalization of production and promotion these sounds became less and less music of an elite, but a sound through which young people from different regions and backgrounds in Ghana aspire to reach status, popularity, fame, money, success. These tracks at times use local rhythms, or melodies and harmonies from local highlife music – the former popular music in Ghana. Others are full of international flavours: dancehall, ragga, reggae, and recently US American trap – similar to a lot of rap music worldwide that today is inspired by OG Maco and other trap rappers. Some of these tracks and clips are socially and politically engaged. Some celebrate lifestyle in big villas, swimming pools, https://norient.com/podcasts/visions-of-a-new-world-ghana Page 1 of 6 Visions of a New World – Ghana | norient.com 4 Oct 2021 22:32:27 expensive cars, and champagne. -
Standing Committee on Copyright and Related Rights
E SCCR/39/3 ORIGINAL: ENGLISH DATE: SEPTEMBER 30, 2019 Standing Committee on Copyright and Related Rights Thirty-Ninth Session Geneva, October 21 to 25, 2019 AN INTRODUCTION TO THE GLOBAL DIGITAL MUSIC MARKET 1 prepared by Susan Butler 1 The views expressed in this study are those of the author and do not necessarily reflect those of the WIPO. Secretariat or any of the Organization’s Member States. SCCR/39/3 page 2 TABLE OF CONTENTS Table Of Contents ...................................................................................................................... 2 1. INTRODUCTION ................................................................................................................. 3 2. THE ARTISTS ..................................................................................................................... 4 A. A SINGLE PROJECT....................................................................................................... 4 B. DIGITAL MUSIC CHART ANALYSIS ............................................................................... 6 (1) THE PROCESS ........................................................................................................ 6 (2) THE RESULTS ......................................................................................................... 7 C. A SINGLE SERVICE .............................................................................................. 12 D. THE ROAD TRAVELED ............................................................................................ -
The Community Adman Introducing Accra >>>>>> Page 8
APRIL ISSUE DIGITAL EDITION Accra Community Magazine Digital Edit ion THE COMMUNITY ADMAN TheACCRA Community COMMUNITY MAGAZINE ADman Free monthly community magazine for the people in Accra. .............................................................................................................................Accra Free copy March ...2019...................... Introducing Accra >>>>>> page 8 LOCAL NEWS,https://www.facebook.com/communityadman ASK, BUSINESS BEAT, WHAT’S ON, WHAT’S https://www.twitter.com/communityadman UP DOC?, ENTERTAINMENT, ESSENTIAL INFO Accra Community Magazine Apri l 2019 Contents Introduction 3 10 Hello April 4 Local news 6 Introducing Accra 8 Parents’ Corner 10 Business News 12 Kitchen Shuffle 14 What’s up Doc? 16 16 Laugh Out Loud 20 Entertainment 22 What’s on 26 Essential Info 29 20 ACCRA COMMUNITY MAGAZINE IS PUBLISHED BY THE COMMUNITY ADMAN TELEPHONE: 0573568118 EMAIL: [email protected] Send articles, area news, essential infor- mation, and other relevant information on Accra to the Editor. Email: [email protected] 22 Or Contact: 0573568118 Deadline for May issue is 20th April, 2019. Free Advertisements for All 2 To advertise call 0573568118 or Email [email protected] Read online https://www.issuu.com/communityadman Accra Community Magazine Digital Edit ion EDITOR’S VOICE Hello family, thank you for glancing through this magazine. The Community Adman; Accra Community Magazine is a monthly local community magazine delivered freely to individuals, homes, businesses/ organizations, shopping centres and schools. This magazine provides authentic and reliable information for people in Accra. This is our first digital issue and we hope to come your way every month with information you love, enjoy and appreciate. In this magazine, you will be provided with local news, Parents’ corner, What’s up Doc?; where we’ll give you health tips, What’s On; your definitive events diary for the whole month and many more. -
Code-Switching in Contemporary Ghanaian Hip-Hop Lyrics
Code-Switching in Contemporary Ghanaian Hip-hop Lyrics Franka Smet, 5916267 BA Thesis English Language and Culture Utrecht University Supervisor: Dr. Koen Sebregts Second Reader: Dr. Nynke de Haas June 30, 2019 5391 words 2 Abstract This paper explores the function of code-switching between English and Twi in contemporary Ghanaian hip-hop music. Previous research has shown that code-switching is common in daily discourse in Ghana, where this paper explores whether code-switching occurs regularly in Ghanaian hip-hop music as well. It was found that it occurs most frequently to express emotions and represent Ghanaian culture, such as street culture and religion. The connection to this subculture is proven to be important for globalisation of the music as hip-hop artists use their indigenous language to represent the streets, but accompany it with English lyrics to make the topics globally acknowledged. Although the function of code-switching does not seem to follow a specific pattern, it most likely functions as a way of self-expression, allowing the artists to include themselves in the American hip-hop culture. Researching code- switching in Ghanaian hip-hop music will add to previous knowledge about English in African hip-hop and give insight into current language attitudes towards English in Ghana. 3 Table of Contents I. Introduction ....................................................................................................................... 4 II. Methodology .................................................................................................................... -
A Study of the Music Sector in Ghana Questionnaire for Traditional Folkloric Groups
1 Contents 1 Executive Summary 11 1.1 Introduction 11 1.2 Country Profile 11 1.3 The Creative Industries in Ghana 11 1.4 Music Sector Overview 12 1.5 Market Characteristics 12 1.6 Regional and Local Sector Dynamics 13 1.7 Regulatory Framework 13 1.8 Economic Value Analysis 13 1.9 Social Contribution 15 1.10 Industry Infrastructure 16 1.11 International Dynamics 17 1.12 Linkage with other Sectors 17 1.13 SWOT Analysis 17 1.14 Recommendations 18 19 1.15 Conclusion 19 2 Introduction 20 2.1 Project Background 20 2.2 Objectives 20 2.3 Scope of Work 20 2.4 Justification 21 2.5 Methodology 22 2.5.1 Sources of Data 22 2.5.2 Sampling Techniques 24 2.6 Limitations 24 2.7 Conclusion 24 3 Country Profile 26 3.1 Introduction 26 3.2 Political Environment 26 3.3 Economic Environment 27 3.4 Social Dynamics 29 3.5 Technological Factors 31 3.6 Country Outlook 31 3.7 Conclusion 32 4 The Creative Industry in Ghana 33 4.1 Overview 33 4.2 Characteristics of the Creative Industry in Ghana 34 2 4.2.1 Overview 34 4.3 Conclusion 36 5 Music Sector Overview 37 5.1 Historical Perspective 37 5.1.1 Overview 37 5.1.2 Music Genres 37 5.2 Industry Oversight 42 5.3 Professional Organizations 45 5.3.1 Creators Associations 45 5.3.2 Producers Associations 46 5.3.3 Collective Management Organization (CMO) 47 5.4 Current State of the Sector – Challenges and Opportunities 48 5.5 Porter‘s Five Forces Model 48 5.6 Conclusion 49 6 Market Characteristics 51 6.1 Overview of Music Value Chain 51 6.1.1 Typical Music Value Chain around the World 51 6.1.2 Music Value Chain in Ghana -
Brochure 3Music Fn
THE POWER OF 3 MALE ACT OF THE YEAR The most outstanding and dominant male act This award goes to music’s leading “MAN OF on the basis of the popularity of his recordings THE YEAR”. This is voted for by the board, and activities within the year under review academy and the public including performances and social engagements with atleast one video release of any of his recordings. Fameye Joey B Kelvyn Boy Kwesi Arthur Medikal Sarkodie Shatta Wale Stonebwoy FEMALE ACT OF THE YEAR The most outstanding and dominant female act on This award goes to music’s leading WOMAN OF the basis of the popularity of her recordings and THE YEAR. This is voted for by the board, activities within the year under review including academy and the public performances and social engagements with atleast one video release of any of her recordings. Becca | Celestine Donkor | Cina Soul | Diana Hamilton S3fa | Sista Afia | Obaapa Christy | Wendy Shay GROUP OF THE YEAR The most outstanding and dominant music group with atleast one video release of any of their on the basis of the popularity of their recordings recordings. This is voted for by the board, and activities within the year under review academy and the public including performances and social engagements DopeNation | La Même Gang | R2Bees BREAKTHROUGH ACT OF THE YEAR The most exciting and dominant breakthrough act/group of the year whose recordings became extremely popular within the year under review. This is voted for by the board/Academy and the public. Fameye J.Derobie Kofi Mole Lord Paper MOG Music OV S3fa TulenkeY ALBUM OF THE YEAR (TECHNICAL AWARD) The most outstanding album on the basis of song but recognizes the songwriters, producers, lyrical power and or superior songwriting, sound engineers and or mixers on the album. -
Autotuned Africa (Info)
AUTO-TUNED AFRICA VOL. 1 WONDERFUL WARBLES Auto-Tune has bad press among the so-called "organic music" lovers, as proven by the amount of friends who cringed when I mentioned I was working on this compilation! Cher’s metallic shrieks on 1998’s "Believe" seem to have left some scars. From the T-Pain swagger era to Lady Gaga’s stadium-sized antics, up to today’s robotic-sounding trappers, the overuse of this audio processor has become one of the standards of mainstream pop music. Long used behind the scenes as a barely noticeable and almost shameful pitch/time corrector, it is now played for effect, loudly and proudly distorting many voices on FM radio. As a result, it has become synonymous with "bad taste" and "fake," many listeners believing that it is employed as an easy trick to cover a lack of musical talent. This first mixtape is an attempt at showing the incredible beauty and variety of music featuring Auto-Tune manipulations. Let’s turn our ears away for a moment from the dominant musical output from the Western world, and focus on the plethora of unfairly overlooked African songs. Auto-Tune has indeed democratized access to music making and quickly become hybridized and assimilated into the popular African music tradition, particularly in North Africa. After digging for sonic gold for days and nights, lending a curious and attentive ear to these songs, I remain convinced that all the singers featured here can actually sing. The ill-reputed software is actually often employed not as a quick fix to patch up mistakes made by self-conscious amateurs, but as a purposeful aesthetic flourish, a bold artistic choice even.