Technology and Entrepreneurship 12 57 71 Making Every Big Data: the New Face Nutrition
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FROM LOCAL to GLOBAL in 2010, After a Decade Focused on Its Home City of Boston, the Barr Foundation Launched a Pilot in Global Grantmaking
FROM LOCAL TO GLOBAL In 2010, after a decade focused on its home city of Boston, the Barr Foundation launched a pilot in global grantmaking. Over the next three years, guided by a vision for a vibrant, just, and sustainable world with hopeful futures for children, the foundation engaged with over 20 organizations striving to improve the lives of children and families living in poverty in East Africa, India, and Haiti. This booklet summarizes our approach, grant investments, and learning from this initiative. Contents 04 A Message from Barbara Hostetter Chair of Barr Foundation’s Board of Trustees 05 Reflections from Heiner Baumann Director of Barr Foundation’s Global Programs 06 Four Interconnected Portfolios 08 Three Priority Geographies 10 Grantee Profiles in… Community Health 10 Sustainable Agriculture 22 Clean Energy 42 Exploration And Learning 52 64 Looking Back, Looking Forward 68 Portfolio Logic Models 70 Barr Global Staff 70 Acknowledgments 71 Grantee Websites BARR FOUNDATION FROM LOCAL TO GLOBAL 3 From local to global I am pleased to introduce this booklet, which shares the Barr Foundation’s early work and learning from a three-year pilot in global giving. In 2010, after a decade focused on our home city of Boston, we set out to learn whether a small Boston- based team could find meaningful ways to engage with efforts to improve the lives of children and families in the Global South. We began with many questions. Over three years, we have answered some of them. Yet in this work we have found there are always questions beyond questions. The one thing we know for certain is that our learning has only begun. -
3 Bis Rue Jean Pierre-Bloch – 75015 PARIS Tél : 01 45 66 59 49 – Email
3 bis rue Jean Pierre-Bloch – 75015 PARIS Tél : 01 45 66 59 49 – Email : [email protected] www.bu.edu/paris SOMMAIRE Page Bienvenue à Paris ! 3 Administrative,Teaching & Internship staff 6-7 American Embassy/Consulate 8 American Embassies around Europe 8 BU Paris Emergency Plan 5 Boston University Center in Paris 6 Boston University abroad 9 Boulangeries, Pâtisseries & Salon de thé 14 Blogs – Paris Life 28 Cabarets & Guinguettes 14 Cafés 15 CellPhones___________ 42-43 Classes (Ceramics, Cooking, Dance) 15-16 Cool hangouts 16 Direction _____________________________________________________________________ 4 Discothèques & Clubs 17 Doctors, Pharmacies 18-19 Counselling 20 Entertainment Listings: Cinema, Clubs, Concerts, Theaters 21 Fitness/Sports 22 Gift ideas from France 23 H1N1 51-53 Hair salons 24 Hostels 25 Hotels 26-27 Internet / Cybercafés 28 Marchés 29-30 Money 31 Museums 32 Organic foods (Bio) 33 Parks & Gardens 34-35 Radio & Television stations 36 Restaurants 37-39 In the neighbourhood, Reasonable, Brunch, Brasseries, Vegetarian, Expensive Safety tips from the U.S. Embassy 10-13 Shopping 40 Supermarkets 41 Telephone 44 Theme parks 44 Tipping 44 Transportation 45-47 Metro, Buses, Airport transportation, Trains, Boat tours Transportation Pass 45 Travel agencies, Shipping 48 University cafeteria information 48 Weather 49 Websites 49 Worship directory 50 Emergency phone numbers 54 2 BIENVENUE A PARIS ! Félicitations! Vous faites partie de Boston University Paris. Ce programme a fêté ses 20 ans en 2009 et a vu défilé plus de 1800 étudiants dans ses murs. Les mois à venir vont marquer un grand tournant dans votre vie et vont devenir une expérience inoubliable. Vous avez l’opportunité unique de vivre et d’étudier ici à Paris, de faire des stages dans des organisations ou des entreprises tout en goûtant à une autre culture, vibrante et variée. -
Updated Paris II Program
HOLLINS ABROAD PARIS II: PARIS TO DAY ! ALL PANEL DISCUSSIONS AND GUIDED TOURS WILL BE OFFERED IN ENGLISH Saturday, October 21, 2017 2:30-4:30 p.m. Paris Today: Allons-Y! Welcome Reception at Restaurant du Rond Point 5:00-6:00 p.m. Guided FIAC Visit For several days each year, Paris becomes the world capital of contemporary art with FIAC, the International Contemporary Art Fair. FIAC is an opportunity to discover the latest in contemporary art, through works by some of the most famous artists in the world. Exhibitions take place at the Grand Palais, Petit Palais, and hors les murs. 7:30 p.m. Optional Captain’s Table Dinner Pershing Hall Sunday, October 22, 2017 12:00-1:00 p.m. Orientation at Reid Hall, Home of Hollins Abroad Paris Enjoy a catered lunch & the wisdom & humour of our speaker, Diane Johnson, who also will lead an afternoon walking tour through her own Paris quartier, St. Germain des Prés. 2:30 p.m. Walking Tours (One of the following, assigned at random.) Diane Johnson, author of the bestselling novels Le Divorce, Le Mariage, and L'Affaire and Into a Paris Quartier: Reine Margot's Chapel and Other Haunts of St.-Germain – and two-time finalist for both the Pulitzer Prize and the National Book Award -- will share a personal tour of her St.-Germain neighborhood. (45 minutes-1 hour) John Baxter, author of The Most Beautiful Walk in the World: A Pedestrian in Paris and Saint-Germain-des-Prés: Paris's Rebel Quarter (among many others) will lead a lively tour of St.-Germain-des-Prés, the neighborhood that’s been his home for more than two decades. -
Henri Lefebvre Published by the University of Minnesota Press
HENR LEFEBVRE TOWARD AN ARCH TECTURE OF ENJOYMENT Edited by l:.ukasz Stanek I Translated by Robert Bononno TOWARD AN ARCHITECTURE OF ENJOYMENT Also by Henri Lefebvre Published by the University of Minnesota Press The Urban Revolution Translated by Robert Bononno Foreword by Neil Smith Dialectical Materialism Translated by John Sturrock Foreword by Stefan Kipfer State, Space, World: Selected Essays Edited by Neil Brenner and Stuart Elden Translated by Gerald Moore, Neil Brenner, and Stuart Elden Also on Henri Lefebvre Published by the University of Minnesota Press Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory Łukasz Stanek TOWARD AN ARCHITECTURE OF ENJOYMENT Henri Lefebvre EDITED BY ŁUKASZ STANEK TRANSLATED BY ROBERT BONONNO University of Minnesota Press Minneapolis • London This book was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. English translation copyright 2014 by Robert Bononno Introduction copyright 2014 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Lefebvre, Henri, –, author. [Vers une architecture de la jouissance. English] Toward an architecture of enjoyment / Henri Lefebvre; edited by Lukasz Stanek; translated by Robert Bononno. Includes bibliographical references and index. ISBN ---- (hc) ISBN ---- (pb) . -
Du Ba-Ta-Clan À Favart, Les Itinéraires Du Baryton Lucien Fugère (1871-1935)
Les colloques de l’Opéra Comique La notion d’emploi dans l’art lyrique français. février 2013 sous la direction de Patrick TAÏEB et Agnès TERRIER Du Ba-ta-clan à Favart, les itinéraires du baryton Lucien Fugère (1871-1935) Sabine TEULON LARDIC Le 9 septembre 1927, à près de quatre-vingts ans, Fugère comptait exactement cinquante années d’Opéra-Comique. Cinquante ans de théâtre ! Quatre- vingt-dix-huit rôles ! […] cette carrière unique allant de Ba-Ta-Clan à la salle Favart à cheval sur deux siècles1. Quand on entend chanter Lucien Fugère, on se demande : mais alors, puisqu’on peut chanter comme cela, avec tant de goût, tant de tact, puisqu’on peut ne pas crier, puisqu’on peut, sans effort apparent, charmer toute une salle, puisqu’on peut mettre d’accord toutes les catégories de public, depuis la plus raffinée jusqu’à l’autre, pourquoi tant de chanteurs continuent-ils à chanter si mal2 ? Une des composantes essentielles du spectacle vivant demeure le faire-valoir des interprètes. Sous la IIIe République, à la salle Favart ou au Théâtre-Lyrique, types et emplois s’enracinent encore dans des traditions issues de la Comédie-Italienne et de l’opéra-comique des Lumières. Créant une connivence entre scène et public, le type est un « mode d’incarnation du personnage à l’aide de caractéristiques psychiques et sociales, parfois physiques, fixes et permanentes tout au long de l’action dramatique, précises […] irrémédiablement repérables par le spectateur3. » Grâce à la législation des théâtres lyriques parisiens, cloisonnés par genre, la pérennité de ces types génère la notion d’emploi, « ensemble de rôles d’une même 1 Raoul DUHAMEL, Lucien Fugère, chanteur scénique français, Paris : Bernard Grasset, 1929, p. -
Print Version Feb 2020
7 2 3 4 5 Place Jacques Bonsergent Paris Catwalk dates: 24 February – 3 March 2020 Organised by The Brits in Paris map is put together by the # UK Fashion & Textile Association (UKFT) to help in association with buyers and press find British designers across 16 18 20 8 9 11 13 14 15 17 19 Paris Women’s Fashion Week. 21 22 20 26 29 32 35 Boulevard de Magenta Quai de Jemmapes Rue de l'Échiquier Goncourt Le Marais Rue de Lancry Rue Richer Rue Albert Thomas Rue Dieu Quai de Valmy Boulevard RueMontmartre du Faubourg Saint-Denis Rue René Boulanger47 Boulevard du Faubourg-Saint-Martin Rue de la Pierre Lev 49 24 Rue Bichat 11 Rue du Faubourg-du-Temple 8Rue Meslay 19 R ue du Gre é nier e 10 -Sai nt-L aza Rue Saint-Martin re Avenue de la R 35 3 épublique 30 7 Rue de Turbigo Rue Yves Toudic 36 14 Boulevard Richard-Lenoir 43 23 9 2 Boulevard Voltaire 16 Rue Du Temple 39 45 B Goncourt 29 13 15 48 Boulevard de Strasbourg 21 38 Ru 37 e R 25 12 C amb 32 uteau 4 Rue Oberkampf Rue Charlot 6 17 18 D 42 Rue de la Perle 28 34 50 Passage Saint-Sébastien s 26 e D iv Rue Saint-Sébastien h 46 le rc p A em s T Boulevard Beaumarchais e d u e d u le R 5 l u R i e ie d u R V P Rue Amelot 31 ue a e F r Rue de Turenne de r c l u a -R Le Marais- a R nc o Rue Saint-Sébastien y 20 Ve s a 1 Rue Beaubourg rre -B l rie ou 27 rg eo See Insert Rue des Rosiers is 41 40 Boulevard Richard-Lenoir 22 Rue de Rivoli 44 33 in e Franç l Ru ois M l iron Rue de Sévigné Rue du Chemin Vert o R - u e r ronn d ha Rue de la Roquette e e C Quai de l'Hôtel de ville L Ru Rue Saint-Antoine Rue -
By Alex Kanos Graffitiparis Guide by Alex Kanos Spraycans
GRAFFITIPARIS GUIDE BY ALEX KANOS GRAFFITIPARIS GUIDE BY ALEX KANOS SPRAYCANS 01 POLYMEX 03 MAQUIS-ARTS 05 All CITY Montana Black Molotow / Loop / Cobra Mtn 94 ADRESS: 45 Rue de la Chapelle, 75018 Paris ADRESS: 42 Rue quincampoix, 75004 Paris ADRESS: 8 Rue Pasteur, 75011 Paris METRO: Porte de la chapelle M12 METRO: Châtelet M1 / M4 / M7 / M11 / M14 METRO: St Ambroise M9 PHONE: 01 42 49 34 64 PHONE: 01 34 18 86 83 PHONE: 01 30 90 33 92 WEBSITE: http://www.polymexint.com/ WEBSITE: http://www.maquis-art.com/ WEBSITE: http://www.allcity.fr/ OpeNING: 10h-19h, closed sunday OpeNING: 11h-20h, closed monday & sunday OpeNING: 10h-18h, closed monday & sunday 02 GENERATION 400ML 04 ROUGIER & plÉ 06 paSSAGE cloUTÉ True Color Liquitex & fine arts Liquitex & fine arts ADRESS: 31 Rue des Récollets, 75010 Paris ADRESS: 13-15 Boulevard des Filles du Calvaire, ADRESS: 5-7 Rue des Boulets, 75011 Paris METRO: Gare de l’Est M4 / M5 / M7 75003 Paris METRO: Nation M1 / M2 / M6 / M6 / M9 / RER A PHONE: 01 46 07 68 64 METRO: Filles du calvaire M8 PHONE: 01 43 73 40 73 WEBSITE: http://generation400ml.fr/ PHONE: 01 44 54 81 00 WEBSITE: http://www.passagecloute.com/ OpeNING: 10h-19h, closed sunday WEBSITE: http://www.rougier-ple.fr/liquitex.r.html OpeNING: 10h-20h, Saturday 10h-19h, closed OpeNING: 9h30-19h, closed sunday sunday. All your need about canvas, brush & fine arts Very Expensive Prise. tools. Cheaper price. GRAFFITIPARIS GUIDE BY ALEX KANOS TOOLS 07 BRIcoRAMA 08 CASTORAMA 09 leRoy MERLIN Pull, scale, roll, buff Pull, scale, roll, buff Pull, scale, roll, -
Scaling Pathways- Financing for Scaled Impact
Scaling Catherine Clark, Kimberly Langsam, Ellen Martin, and Erin Worsham Pathways MARCH 2018 Insights from the field on unlocking impact at scale FINANCING FOR SCALED IMPACT Innovation Investment Alliance, Skoll Foundation, and CASE at Duke ABOUT THE SCALING PATHWAYS SERIES Googling “social enterprise” calls up over 20 million links. Indeed, there are hundreds of thousands of new ideas for mission-driven ventures emerging around the world. And there are some notable social enterprise organizations who have started to solve social and environmental problems at scale. What can we learn from the experiences of these organizations? Their hard-won lessons can benefit other social enterprises, funders, and the surrounding ecosystem. Social enterprises often work on problems that are deeply entrenched, depend on cross-sector collaboration, and require multiple pathways to scale their impact and create systems-level change. The road to scaled impact is a nonlinear, complicated journey. Along the way, the organizations have to overcome many challenges and roadblocks, including the following: Financing for Scale: Determining Government Partnerships: which financing strategies best support Effectively cultivating and managing their plan for impact at scale. partnerships with government and other actors in order to increase impact. Pathways to Scale: Data: Understanding Assessing which of the many how to best use data to pathways to scale will most drive performance, impact efficiently and effectively drive management, and decision- towards their desired end game making as they scale. Talent: Defining the different talent strategies needed to identify, train, and retain the human capital needed for scale. The Scaling Pathways Theme Studies series dives into each of these topics in-depth, bringing to light lessons learned by successful social enterprises who have navigated these challenges on the road to scaled impact. -
Voir L'invitation
Quelques repères pour une promenade encore plus belle ... our visiter les artistes du 1er arrondissement abordez par l’ouest la rue Saint Honoré qui Pservira cette année de point de départ de la ballade. Rue où l’Histoire de la capitale et celle de la France s’écrivent à chaque coin de rue. Et l’histoire de l’architecture dans tous les immeubles. La rue d’Argenteuil s’abouche rue de l’Échelle et serpente comme l’ancien chemin menant à Argenteuil. Dans cette rue mourut le grand Corneille. Rue Saint Honoré la traversée de la Place Colette est semée d’embûches, à vous de choisir de continuer sur cette voie ou traverser l’arrière-cour de la Comédie Française. Si vous prenez ce cheminement, après avoir escaladé les colonnes de Buren du jardin du Palais Royal, dans la rue Montesquieu une résille métallique habille le ministère de la Culture. En prenant le passage Vero-Dodat, vous écouterez le bruit de vos pas. Après la rue du Louvre, tournez autour de la Bourse du Commerce qui servit de décor au film de Marco Ferreri « Touche Claudine ALEXANDRE Sabine AMOYEL pas la Femme Blanche », vous arriverez à la colonne Médicis, l’observatoire de la reine Mikhail ANOKHIN dit « BAZILIO » Catherine. Vous êtes sur le site des anciennes Halles. Vous pouvez rejoindre la rue Rambuteau Guiseppe ANESSE en suivant le flanc sud de Saint-Eustache. Elvire BONDUELLE Arleta CHOJNACKA Si vous empruntez la rue Saint Honoré, d’abord à l’ombre de l’Oratoire du Louvre, traversez la Martine DE BAECQUE rue du Louvre. -
Collection 2019 Restaurants, Clubs & Hôtels
COLLECTION 2019 RESTAURANTS, CLUBS & HÔTELS Recevoir Dans un lieu Beaumarly Les lieux Beaumarly s’ouvrent à l’événementiel – C’est le privilège d’un emplacement de choix, et font la part belle aux projets de caractère et à l’organisation de tous types d’événements. – C’est le faste d’un décor raffiné signé par un grand architecte ou designer, Chaque lieu offre différentes possibilités selon sa capacité d’accueil, la configuration de ses – C’est l’assurance d’un accueil et d’un service espaces et sa localisation. élégants, souriants et attentionnés, Organiser une réception dans un lieu Beaumarly – C’est la convivialité d’une cuisine française est une garantie de séduction, de satisfaction et savoureuse aux influences internationales, et de succès auprès des convives. élaborée sur place et à base de produits frais, — – C’est l’avantage d’une carte composée de plats « Signature » et rehaussée de quelques Le service commercial Beaumarly centralise exclusivités selon le lieu et la tendance. la gestion des demandes pour l’ensemble des établissements. Une maîtrise parfaite de chaque lieu et de son potentiel lui permet d’être force de proposition et de pouvoir répondre aux attentes les plus spécifiques. Les restaurants & clubs 14 15 Beaumarly 11 10 1. Café Marly 93 Rue de Rivoli, 75001 Paris 2. Café Ruc | 2 159 Rue Saint-Honoré, 75001 Paris 1 4 3 3. Café Beaubourg 8 9 43 Rue Saint-Merri, 75004 Paris 7 6 5 4. Georges Place Georges Pompidou, 75004 Paris 5. Café Français 1-3 Place de la Bastille, 75004 Paris 6. -
Walking Tours the Central Paris Set
Walking Tours The Central Paris Set Table of Contents Culture and History Stroll from Saint Germain to Notre Dame Louvre to Opera Walk Stroll from Saint Germain to the Louvre Walk from the Palais Royal to Pompidou Through Fashionable Paris in the Steps of Audrey Hepburn Stroll from St. Germain to Notre Dame (6th - 5th) 28 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 1. Carrefour de L’Odeon – starting point 2. 5 Carrefour de L’Odeon – Le Comptoir du Relais 2b. 4-6-8 Cour de Commerce – Un Dimanche à Paris 3. 13 rue de l’Ancienne Comedie – Le Procope 4. 41 rue St. Andre des Arts – Allard 5. St. Severin Church 6. St. Julien le Pauvre 7. 56 rue Galande – Aux Trois Mailletz 8. 50 & 52 rue Galande – Le Chat Huant 9. 14 rue St. Julien le Pauvre – the Tea Caddy 10. 4 rue St. Julien le Pauvre – Hotel Esmeralda 11. 37 rue de la Bucherie – Shakespeare and Co. 12. 21 Quai Montebello – Café Panis 13. Eglise Notre Dame 14. Square de Ile de France - Memorial des Martyrs 2 2 29 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 15. 55 Quai de Bourbon – Brasserie de l’Île St. Louis 16. 31 rue St. Louis-en-L’ile – Berthillon Ice Cream 3 3 30 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d This tour takes between 2 and 4 hours vards we now see on the right bank. depending on how long you linger. Note the 4. Bistro Allard at 41 St. -
Urban Space and Bourgeois Identity in Early Nineteenth-Century Paris*
Telling “Spatial Stories”: Urban Space and Bourgeois Identity in Early Nineteenth-Century Paris* Victoria E. Thompson Arizona State University Writing about Paris in 1835, the Englishwoman Fanny Trollope lamented: “You must remember . before the last revolution [of 1830],—how very agreeable a part of the spectacle at the Louvre and in the Tuileries garden was constituted by the people....Butnow,till the fresh dirt . of the Three Days’ labour be worn off, dingy jackets, uncomely casquettes . must all be toler- ated; and in this toleration appears to consist at present the principal external proof of the increased liberty of the Parisian mob.”1 Mrs. Trollope’s comment reveals her anxiety concerning the changes wrought in the people by the July Revolution, which ousted Charles X and replaced him with Louis-Philippe during three days of public protest and street fighting. In expressing this anxiety within a specifically urban context, linking the transformation of the popular classes to the question of urban mobility, Mrs. Trollope was also crafting a “spatial story.” French theorist Michel de Certeau used the term “spatial stories” to emphasize the interdependency of textual narratives and spatial practices.2 According to de Certeau, as individ- uals move through urban space, they craft personal itineraries that they infuse with meaning.3 This meaning can be expressed to others through writing. Al- though they are highly personal, he believes that these itineraries, which he * I am extremely grateful to those who have read and commented on any of the many versions of this article. Thanks in particular to John Fairfield, Rachel Fuchs, Matthew Ramsey, and participants in the History Workshop at the University of Ari- zona.