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Boston Symphony Orchestra Concert Programs, Season 100, 1980

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Boston Symphony Orchestra Concert Programs, Season 100, 1980 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 PRE-SYMPHONY CHAMBER CONCERTS Thursday, 20 November at 6 Saturday, 22 November at 6 SHEILA FIEKOWSKY, violin NANCY BRACKEN, violin BERNARD KADINOFF, viola ROBERT RIPLEY, cello MICHAEL ZARETSKY, viola TATIANA YAMPOLSKY, piano SHOSTAKOVICH String Quartet No. 7, Opus 108 Allegretto Lento Allegro Mmes. FIEKOWSKY and BRACKEN, Messrs. KADINOFF and RIPLEY SHOSTAKOVICH Viola Sonata, Opus 147 Moderato Allegretto Adagio Mr. ZARETSKY and Ms. YAMPOLSKY made possible by ^S StateStreet Baldwin piano Please exit to your left for supper following the concert. 35 This is a CoacH Belt It is one of eleven models we make out of real Glove Tanned Cowhide in ten colors and eight lengths for men 5 and women from size 26 to 40. Coach Belts are sold in many nice stores throughout the country. If you cannot find the one you want in a store near you, you can also order it directly from the Coach Factory in New York. For Catalogue and Store List write: Consumer Service, Coach Leatherware, 516 West 34th Street, New York City 10001. 36 Dmitri Shostakovich String Quartet No. 7, Opus 108 Shostakovich wrote the seventh of his fifteen string quartets in 1960, a memorial tribute to his first wife, Nina Vasilyevna. Like so much of the chamber music of his last years, this quartet is imbued with an inwardness, a sense of personal expression that is not always present in the sometimes bombastic public statements that were his symphonies. The second movement in particular forecasts in many ways the subjectivity and the spare, almost austere style of his later quartets. The first movement, highly rhythmic in character, is a compressed sonata form with little or no development of the two main themes, which take on a different metrical guise in the recapitulation. Throughout the second movement there is scarcely a moment when all four instruments are playing simultaneously (it happens just once, for six measures, when viola and cello are doubled in octaves under the two violin parts). For the rest, the texture is limited to two or three parts only, a simplicity that Shostakovich much relished in this repertoire. The final Allegro begins with a wild fugue that is eventually transformed into an odd waltz-like movement suggesting gentle grotesqueries before fading away. Dmitri Shostakovich Viola Sonata, Opus 147 Shostakovich was putting the finishing touches on this, his final work, when he died on 9 August 1975 (the first announcement in the United States of his death came at Tanglewood, where Mstislav Rostropovich was just about to begin conducting a performance of Shostakovich's Fifth Symphony; no one who was in the audience that day will forget the shock of the news or the conductor's innately Russian gesture of homage in kissing the score as he closed it after the performance). The sonata was composed for the violist of the Beethoven Quartet, Fedor Druzhinin (a pupil of and replacement for the original violist Vadim Borisovsky). It is a pensive, autumnal work, like so much of the music of the composer's last years. The viola is featured throughout, even to the extent of beginning and ending the entire sonata unaccompanied and having several lengthy and difficult cadenzas. The first movement builds from the pizzicato opening to a powerful climax with both instruments. The Allegretto is overtly folklike and filled with characteristic dance rhythms and melodies of intensely Russian character. In the final Adagio, the longest movement of the sonata, Shostakovich writes deeply introspective music that closes in a long morendo ("dying away"),-the composer's own final farewell. — Steven Ledbetter 37 Iftk Sheila Fiekowsky Sheila Fiekowsky was born in Detroit, Michigan, and has been a violinist with the Boston Symphony Orchestra since 1975. She began her study of the violin at age nine with Emily Austin of the Detroit Symphony, was a soloist with that orchestra at the age of sixteen, and won the National Federation of Music Clubs Biennial Award that same year. Ms. Fiekowsky attended the Curtis Institute of Music in Philadelphia and studied there with Ivan Galamian. She has also studied with BSO concertmaster Joseph Silverstein, and she holds a master of music degree from Yale University. Before joining the Boston Symphony, Ms. Fiekowsky was a member of the Andreas Quartet at Yale's Summer Music Festival in Norfolk, Connecticut. little do-re-mi can 11 into an n The Fidelity Group of Companies 82 Devonshire Street, Boston, MA 02109 (617)523-1919 Investment Funds • Brokerage Services • Institutional Money Management 38 Nancy Bracken University of Buffalo and Eastman School of Music. She received her master's degree from Eastman in 1977, and before joining the violins of the Boston Symphony in 1979 she was a member for two years of the Cleveland Orchestra's second violin section. Ms. Bracken was concertmaster of the Colorado Philharmonic for two summers, a first violin- ist with the Rochester Philharmonic, first violin of a graduate string quartet assisting Nancy Bracken studied at the Curtis Institute the Cleveland String Quartet at Eastman, of Music in Philadelphia, where she was a and a first violinist with the orchestras of the student of Ivan Galamian, and later at the Aspen and Grand Teton summer festivals. 6 floors and 12 unusual shops Distinguished ANTIQUES from England SHIPMENTS ARRIVE CONTINUOUSLY From Connecticut: Rte. 7 to Sheffield. Turn left on Berkshire School Rd. Twin Fires Antiques Follow to Twin Fires Antiques. From Lenox: berkshire school rd & route 41 Rte. 7 to Sheffield. Turn right on Berkshire School Rd. Follow to Twin Fires Sheffield, mass. Antiques. (413) 229-8307 From New York: Taconic Parkway to Rte. 23-right to Rte. 41 -right on Hours: Open Daily 10 a.m. - p.m. 5 41 (3 miles) to Twin Fires Antiques. 39 apcuiDPHs ease ^ !/ln$ner<Seasotv To delight the senses with fine dinners, special catering and private lunches. Serving dinner 5:30-10:30 Monday thru Saturday. JhALWernotvS. T$o$otv)s/l(u )(jj-o88o \jiriE iJ^EX±ian <z/\ug± of <^Afsujton A Distinctive Selection of Oriental Rugs and Carpets 1643 Beacon Street Waban Square, Massachusetts (617)964-2686 Tues.-Sat. 11-5, Evenings thurs & Fri til 8 ,( O/aCus IL*. 3h\ cMois tyou J(nous c/ttout OxUntJ J?u9±, DL cMozz tyou a round of applause for the store in the heart of the square aSSp HARVARD SQUARE MIT. STUDENT CENTER CHILDREN'S HOSPITAL MEDICAL CENTER 40 Bernard Kadinoff BSO violist Bernard Kadinoff plays a Testore viola which was owned previously by the eminent British violist Lionel Tertis. Born in New York City, Mr. Kadinoff studied at the City College of New York and at the Juilliard School, and his teachers included Milton Katims, Emanuel Vardi, and Nicholas Moldavan. Before joining the Boston Sym- phony in 1951, he was a member of the NBC Symphony Orchestra under Arturo Toscanini. A member of the Boston Fine Arts Ensemble, he is a solo viola recitalist and is on the faculty of the Boston Univer- sity School for the Arts. Robert Ripley In 1942, the summer before he joined the Cleveland Orchestra, Robert Ripley was principal cellist of the Berkshire Music Cen- ter Orchestra under Koussevitzky. From 1942-45 he played in the Glenn Miller Air Force Orchestra, rejoining the Cleveland Or- chestra after the war and remaining there until he came to the Boston Symphony in 1955. While in Cleveland, Mr. Ripley was an active quartet player, taught at the Cleveland Music School Settlement from 1948-55, gave solo faculty recitals, and played chamber music with the Cleveland's then concertmas- ter Josef Gingold and pianist Leonard Shure. Born in Philadelphia, Mr. Ripley attended the Curtis Institute and, later, the Cleveland Institute of Music; his teachers included Jean Bedetti, Felix Salmond, and Ernst Silberstein. 41 "I was supposed to go shopping, stop at the library, TuckerAnthony TUCKER. ANTHONY 4 R L DAY. INC do all kinds of things that day. But sometimes it's more important just to listen." Serving Investors from 29 offices in the U.S. and abroad. Since 1892. One Beacon Street Boston, Massachusetts 02108 Wellesley Office Park 20 William Street You have a special way Wellesley, Massachusetts 02181 ofgetting down to basics. do our clothes. So £J , T Member, Since 7947 New York Stock Exchange, Inc. and Other Simple. Understated. 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There, while a member of the Berkshire Music Center Or- chestra, he successfully auditioned for the BSO. A frequent performer of solo and chamber music in the Boston area, Mr. Zaretsky has been soloist with the Boston Pops and the Rhode Island Philharmonic.
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