DOCSLIB.ORG

Télécharger Gratuitement La Version PDF De La Dernière

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Télécharger Gratuitement La Version PDF De La Dernière Sommaire Carte des régions administratives du Québec ...........................2 Le projet ADAPI .......................................................................3 Le Prix Mnémo 2011 : Mémoire du Conseil québécois du patri- moine vivant (CQPV) : « Le patrimoine immatériel dans la légis- lation québécoise» ...................................................................4 Le Prix Mnémo 2011 : le double CD « John J. Kimmel, Un héri- tage fabuleux » .........................................................................5 Le Bulletin Mnémo ...................................................................6 Abonnez-vous en devenant membre du Centre Mnémo ! ........6 Les articles publiés dans le Bulletin Mnémo dans les deux dernières années (2011-2012) .........................................7 Le Calendrier Mnémo sur Internet ............................................8 Annuaire ..................................................................................9 Le Guide Mnémo en ligne ......................................................59 Recherchez dans le Guide Mnémo en ligne ...........................59 Index des noms par région .....................................................59 Liste de nos annonceurs .........................................................64 Tous droits de reproduction, de traduction et d’adaptation réservés © Mnémo 2012 ISBN 2-9805282-8-5 Dépot légal-Bibliothèque nationale du Québec, 2012 Dépot légal-Bibliothèque nationale du Canada, 2012 2 Carte des régions administratives du Québec Guide Mnémo 2012-2013 10 Nord du Québec 09 Côte-Nord 11 Gaspésie 02 Îles de la Saguenay / Lac Saint-Jean Madeleine 08 01 Abitibi / Témiscamingue Bas Saint-Laurent 04 Mauricie 03 15 Québec Laurentides 07 Outaouais 14 12 Chaudières Lanaudière Appalaches 17 Centre du Québec 13 Laval 05 Estrie 16 Montérégie 06 Montréal - L’index à la fin du Guide vous donne l’ensemble des intervenants par région admnistrative - Le projet ADAPI (Alliance documentaire des associations en patrimoine immatériel) Un portail unique pour l’ensemble des organismes et associations en patrimoine immatériel! otre projet ADAPI N(Alliance documentaire des associations en patri- moine immatériel) vise à : • uniformiser les cata- logues de collections des divers centres et chercheurs indépendants; • les héberger sur le même serveur et les rendre accessi- bles en ligne; • permettre la mise en ligne de certains documents numérisés (textes, audio, vidéo) selon les droits affé- rents à chaque document. Le Centre Mnémo développe le projet ADAPI depuis 2010, et devrait procéder au lancement officiel du portail internet en automne 2012. Ce projet regroupe actuellement 8 organismes et plusieurs chercheurs indépendants. • Association montréalaise des arts et traditions populaires (AMATP) à Montréal; • Centre de documentation Marius-Barbeau (CDMB) à Montréal; • Centre du patrimoine vivant de Lanaudière (CPVL) à Saint-Côme; • Centre Mnémo à Drummondville; • Centre régional d’animation en patrimoine oral (CRAPO) à Saint-Jean- de-Matha; • Musée de l’accordéon de Montmagny; • Société pour le patrimoine d’expression du Québec (SPEQ) à Montréal; • Société pour la promotion de la danse traditionnelle québécoise, à Montréal. • À ces organismes s’ajoutent plusieurs chercheurs indépendants. À cette date (hiver 2012) le système est déjà en fonction, le Catalogue type est com- plété, et il y a déjà certaines collections en ligne (le catalogue du Centre Mnémo, et une partie de celui-ci du Centre de documentation Marius-Barbeau). Au lancement du projet à l’automne le portail devrait offrir un catalogue présentant environ 25 850 titre audios, 1 341 titres vidéos, 5 262 titres imprimés... et par la suite, quand chaque centre complétera son catalogue propre : 3 717 monnographies, 150 périodiques, 3 000 dossiers thématiques, 5 500 notations chorégraphiques, 10 108 dis- ques vinyles, 8 000 photos et diapos, etc... adapi.mnemo.qc.ca/adapi/ Guide Mnémo 2012-2013 3 Le Prix Mnémo 2011 : Mémoire du Conseil québécois du patrimoine vi- vant (CQPV) : « Le patrimoine immatériel dans la législation québécoise» Nous tenons à voir subventionnaire du ministre ne s’applique récompenser qu’à la seule connaissance des éléments du la vigilance patrimoine immatériel, au contraire des autres et la passion catégories du patrimoine culturel et que la mise d’un groupe en valeur et la transmission n’étaient pas consi- de gens qui dérés. Les références appropriées ont été faites ont à cœur à la Convention pour la sauvegarde du patri- le patrimoine moine culturel immatériel (UNESCO, 2003). intangible, un organisme qui Le mémoire a aussi proposé de bonifier la défi- a consacré de nition du terme patrimoine immatériel pour le nombreuses rendre plus compréhensible. Enfin, le texte s’est années de penché de façon concrète sur le rôle des méca- représenta- nismes administratifs. Ce mémoire deviendra tions et de certes un jalon important dans l’histoire de la mémoires à la reconnaissance du patrimoine immatériel au modification Québec. de la loi sur le patrimoine. Évaluation du Jury du Prix Mnémo La nouvelle Loi 82 sur le Patrimoine cultu- rel balisera l’intervention gouvernementale dans le domaine pour de nombreuses années. Le Conseil québécois du patrimoine vivant (CQPV) en a saisi l’importance et a fait appel à de nombreuses ressources du milieu du patri- moine immatériel pour produire un texte clair, convainquant et d’une excellente présentation. Sa réception a d’ailleurs été des meilleures à la commission parlementaire qui eut lieu au prin- temps dernier. Le mémoire, conçu et rédigé par le directeur du CQPV M. Antoine Gauthier, à la suite de La remise du Prix Mnémo 2011, avec (de gauche à droite) : Pierre Chartrand, directeur du Centre Mnémo, différents exercices de consultation, a su faire Normand Legault, président du CQPV, et Élizabeth ressortir des lacunes importantes du projet de Gagnon, membre du jury du Prix Mnémo, et animatrice à loi. Le texte souligne entre autres que le pou- Radio-Canada. E Prix Mnémo vise à récompenser et moyens possibles (articles, communiqués, Lmettre en valeur une production jugée tract promotionnel, envois, etc.). Depuis exceptionnelle dans le domaine de la 2004, le Prix Mnémo est accompagné de documentation ou de la recherche rela- La Bourse Paré 1 (valeur de 500$). tive à la danse, la musique, la chanson et le conte traditionnels québécois. Il pourra Le jury du Prix Mnémo : Le jury du Prix s’agir aussi bien d’un CD constitué d’archi- Mnémo est actuellement composé de : ves sonores, d’une étude universitaire en • M. Robert Bouthillier (ethnologue, col- ethnomusicologie, que d’une publication lecteur et chanteur) • Mme Élizabeth de vulgarisation en danse traditionnelle. Le Gagnon (animatrice à la Chaîne culturelle Centre Mnémo vise ainsi à encourager et de Radio-Canada) • M. Normand Legault récompenser les efforts de recherche et de (danseur, professeur, chercheur et collec- diffusion dans le domaine. En plus d’une teur en danse traditionnelle). plaque commémorative, le Prix consiste à PS : Le jury fut modifié pour le Prix Mnémo 2011 : plus faire connaître l’ouvrage primé par tous les de détails sur notre site. 1. Joseph Paré [1910-1986] et Marie-Anna Paré [1919-1999] se sont intéressés toute leur vie à la diffusion des arts populaires en Montérégie. 4 Guide Mnémo 2012-2013 Le Prix Mnémo 2010 : le double CD « John J. Kimmel, Un héritage fabuleux » Repris sur microsillon puis sur disque compact, son œuvre remarquable a transcendé les époques inspirant de grands noms de l’accordéon tels que Joe Deranne et Philippe Bruneau. Marches, gigues, clogs, valses, polkas ou reels, John J. Kimmel laisse derrière lui un héritage fa- buleux. Fruit d’une recher- che minutieuse tant sur l’œuvre musicale de John J. Kimmel que sur son style inégalé et son influence sur tout le milieu de la mu- sique traditionnelle, cette production offre à l’audi- teur une occasion unique d’aller à la rencontre de ce grand musicien. Cet album double, accompagné de notes biographiques, trace un portrait fidèle et riche de découvertes inédites Le Prix Mnémo 2010 fut décerné le samedi 4 sur l’œuvre et les réalisa- décembre 2010 à Raynald Ouellet, Denis Pépin tions de ce grand musicien. et Christian Maes pour le remarquable album L’appréciation du Jury du Prix Mnémo double CDs John J. Kimmel, Un héritage fabu- leux. Le répertoire est en effet fabuleux, diversifié, Maître de l’accordéon diatonique, John J. Kim- servi par des musiciens à la fois talentueux — mel a marqué son époque et son génie créateur parlant d’eux, on pourrait employer le mot influence encore aujourd’hui les musiciens des « virtuoses »—, généreux, et absolument res- nouvelles générations. Doué d’un talent naturel pectueux de l’œuvre et de l’esthétique des- et d’un doigté à la fois agile et puissant, il révèle quelles ils se sont mis au service. Chapeau, et à un large public un répertoire varié où se cô- bien bas !! toient marches militaires, thèmes de Vaudeville de l’époque de même que des pièces de musique traditionnelle irlandaise qu’il enrichit par son talent exceptionnel. Véritable légende de la musique traditionnelle, sa musique a captivé les foules tant sur scène que par ses enregistrements. Pion- nier de l’enregistrement sur disque, sa première production réalisée en 1903 nous ramène aux tout premiers enregistrements sonores. Mais qu’il s’agisse de cylindres ou de 78 tours, tous ses disques connaissent une for- midable popularité et plusieurs attei- gnent des chiffres records de vente, rendant ainsi ses œuvres accessibles
Load more

Recommended publications
  • May Letter 2010
    Valley of the Moon Scottish Fiddling School – 2010 VITAL INFORMATION!!!!! Greetings, All – Please read this important information about this yearʼs camp. Check our web site for information about our instructors - www.valleyofthemoon.org. This letter, the schedule, and directions for getting to Camp Campbell are also posted on the web site. Where: YMCA Camp Campbell, 16275 Highway 9, Boulder Creek, CA 95006. (See attached map) When: Registration starting at 4:00 pm, Friday, August 27, Departure by 11 am, Saturday, September 4 (See preliminary schedule, attached and on web site) Emergency phone number: Camp office during business hours on weekdays only – 831-338-2128 No drop-ins: Please donʼt ask friends or family to visit you at camp during the week. Camp Shuttle: If you are flying into the Bay Area and are using the camp shuttle, be sure Larry Espinosa has your flight information. (Detailed information about the shuttle, a reservation form, and information about public transportation alternatives are posted on the web site.) Things to bring: In addition to clothing, personal articles and musical instrument, youʼll need a sleeping bag, pillow, soap and towel, a mug and/or cup for beverages, flashlight, jacket or sweater for cool nights and mornings, bathing suit, comfortable shoes for walking and dancing, a device for making recordings in class, extra strings, batteries, tapes, etc. Youʼll be sorry if you donʼt bring extra money to buy music and CDs at the camp store (VISA and Master Card credit cards also accepted, but a personal check or cash is preferred). If you have small items youʼd like to donate for sale at the store to raise money for the Scholarship Fund, bring those as well.
    [Show full text]
  • SCOTTISH COUNTRY DANCING and MUSIC Began in Boston in 1947
    Qelebrate J^ifty Tears of dancing with the Boston Brancli of the Royal Scottish Country Dance Society 1. Auld Reekie Hornpijje 8 X 32 Reel 4:37 2. Anna's Wedding Cake 3 X 32 Strathspey 3:07 3. Flights of Fancy 8x32 Jig 4:40 4. The Maine Medley 8 X 32 Medley 6:34 5. Hal Robinson's Rant 5 x 40 Reel 3:45 6. The Monmouth Ramble 4 X 32 Strathspey 4:14 7. Stoner House 4x32 Jig 2:22 8. Highland Schottischc 2.08 9. Burns Night 8x32 Jig 4:38 10. The Earl of Northampton 8 X 32 Strathspey 8:28 11. The 25th Reel 4x32 Reel 2:26 12. The Latvian Lass 8 X 32 Medley 6:11 13. Northern Harmony 8x32 Jig 4:43 14. Fill the Fetters 4 X 32 Strathspey 4:11 15. The Sprig of Ivy 8 X 32 Reel 4:42 16. Waltz 4:38 Total Playing Time: 72:20 Performed by Boston Hospitality, Carfiiffle Ceilidh Band, Fiddlers Tlircc, Highland Wliisky, \joc»\, Pipes Awa', Sprig of Ivy, Tile Strathspey & Reel Society of New Hampshire, Tullochgorum, Tlie White Cockade. Ensembles led by Earl Caddis, Anne Hooper, Beth Murray, Tom Pixton, Duncan Smith, Susan Worland. COTTISH COUNTRY DANCING AND MUSIC began in Boston in 1947 1. AULD REEKIE HORNPIPE 8x32 Reel by Marianne Taylor Swith Edinburgh-born Jeannie Robertson Buchanan Carmichael as teacher and Auld Reekie ty Barbara McOwen © }992 mentor. In April 1950, Boston was granted the first overseas Branch status by the New High Level Hornpipe by James Hill (ca 1815-1858) Royal Scottish Country Dance Society.
    [Show full text]
  • Fiddle Vocal Harmony – for All Singers Reeds Flute & Whistle
    2018 Celtic College Timetable *All classes take place at Goderich Public School, 125 Blake S West, unless otherwise noted. All classes subject to change without notice. See last page for Guide to Celtic College. Fiddle Period 1 (9:00 – 10:20) Period 2 (10:40 – 12:00) Period 3 (1:30 – 2:50) Period 4 (3:10 – 4:30) Áine McGeeney (IRE) Beg Irish Fiddle Irish Ensemble with Goitse Int Irish Fiddle Tunes Tom Fitzgerald (ON) Beg Ontario Fiddle Tunes Adv Ontario Fiddle Technique Ontario Fiddle Jam Kerry Fitzgerald (ON) Int Ontario Fiddle Style Ontario Fiddle Jam Laura Risk (USA) Gaspé Music and Style Adv Quebec Fiddle Int Quebec Fiddle Glenn Patterson (QC) Gaspé Music and Style Int Gaspé Style Fiddle Kevin Burke (IRE) Int Intro to Irish Style Adv Irish Fiddle Int/Adv Irish Fiddle Style Kristan Harvey (SCO) Int Scottish Fiddle Scottish Fiddle Band Adv Scottish Fiddle Style Catriona Price (SCO) Scottish Fiddle Band Beg Scottish Fiddle Tunes Cameron Wilson (BC) Adv Fiddle Multiple Styles* Intro to Fiddle for Violinists* Beg Fiddle & Violin Technique* Ensemble, Repertoire, and Skills – For Any Instruments. Intermediate Level and Up. The Fitzgeralds (ON) Ontario Fiddle Jam Laura Risk & Glenn Gaspé Music and Style Patterson (USA/QC) Fara (SCO) Scottish Fiddle Band Goitse (IRE) Irish Ensemble with Goitse The Hut People (UK) Music for Fun and Joy I! With Music for Fun and Joy II! The Hut People With The Hut People Joanna Hyde (USA) Tunes to Join the Session Sharon Johnston (ON) Chords to Join the Session Claude Méthé & Dana Quebec Kitchen Party Playing
    [Show full text]
  • Some Perspectives on Scottish Fiddling Some Perspectives on Scottish Fiddling
    SSoommee PPeerrssppeeccttiivveess oonn SSccoottttiisshh FFiiddddlliinngg Scottish Fiddle Club of Colorado Table of Contents Introduction .......................................................................................................................................... 3 About the Volume and Development of Scottish Fiddle and Folk Music ........................................... 3 Some General Observations ................................................................................................................. 4 Regional Styles .................................................................................................................................... 5 The Shetland Islands Style ................................................................................................................... 5 Some of the players who exemplify this style include ................................................................ 5 The North East Region Styles .............................................................................................................. 5 Some of the players who exemplify this style include ................................................................ 5 More About the Fiddling Traditions of North East Scotland .......................................................... 6 Banchory ...................................................................................................................................... 6 Fochabers ....................................................................................................................................
    [Show full text]
  • Society for American Music Forty-Third Annual Conference
    Society for American Music Forty-Third Annual Conference Hosted by McGill University Marriott Chateau Champlain 22–26 March 2017 Montréal, Québec, Canada Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests.
    [Show full text]
  • Sharon Lawrence Has Played Professionally with a Number of Symphony Orchestras: Virginia Symphony, Roanoke Symphony, Opera Roanoke, and Richmond Symphony
    Ali di Primavera The Rutherford Chamber Consort Spring 2014 http://www.rutherfordchamberconsort.com Program Triple Concerto in a minor, BWV 1044 J.S. Bach Christopher Tavernier, klavier Pamela Caldemeyer, flute Sharon Lawrence, violin Quintet for Harp, Flute, Violin, Viola, and Cello Jean Cras Sharon Lawrence, violin Kara Poorbaugh, viola Kathy Foster, cello Hannah Blalock, harp Pamela Caldemeyer, flute Souvenir de Florence, op. 70 P. I. Tchaikovsky Sharon Lawrence, violin I Carlos Tarzona, violin II Simon Ertz, viola I Kara Poorbaugh, viola II Kathy Foster, cello I Matt Lavin, cello II The Rutherford Chamber Consort Sextet Bios Sharon Lawrence Sharon Lawrence has played professionally with a number of symphony orchestras: Virginia Symphony, Roanoke Symphony, Opera Roanoke, and Richmond Symphony. Currently she is playing with Greenville Symphony, Spartanburg Philharmonic, Hendersonville Symphony, Brevard Philharmonic, Asheville Symphony, and Charlotte Philharmonic. For twelve years, she taught at Liberty University in Lynchburg, Virginia, teaching applied strings, music education classes and directing the university orchestra. Presently, she is on staff at Gardner-Webb University. She has also directed the Southside Strings Community Orchestra hosted by Hampden-Sydney College. Mrs. Lawrence holds BM and MM degrees in violin performance from the Peabody Conservatory of Music at Johns Hopkins University. Mrs. Lawrence is founder and artistic director of the Rutherford Chamber Consort, an ensemble of classically trained professional musicians, which perform great chamber music for the citizens of Rutherford and surrounding counties. Mrs. Lawrence also directs Sinfonietta Evensong ~ a community-performing ensemble, comprised of mostly the students of Mrs. Lawrence and local area musicians. In addition to classical playing, Mrs.
    [Show full text]
  • CELTIC COLLEGE COURSE DESCRIPTIONS FIDDLE Fiddle
    CELTIC COLLEGE COURSE DESCRIPTIONS 2018 FIDDLE Fiddle classes are generally broken into skill level and regional repertoire. The material in each class will differ depending on the tradition of a particular teacher and the skill level of the class. Skill levels are described as: Beginning Fiddle Beginning fiddle classes are designed for those with some fiddle experience: students should know how to hold the fiddle and the bow and be able to play a few tunes at a moderate pace. Learn a few standard tunes in the style of the teacher while focusing on tone, pitch, and overall playing confidence. Int Fiddle Intermediate fiddle classes focus on the repertoire and technique of the music from a specific geographic region or style (ie. Ireland, Quebec, PEI) or a particular skill (ie. Ornamentation) For fiddlers of intermediate level: with a few years’ experience, a good knowledge of the fiddle, able to play at a moderate speed, and some comfort learning by ear. Int/Adv Fiddle Open to both intermediate level and advanced level players! Focussed on the style, tunes, and technique of a certain region. For those at a less advanced level, don’t be discouraged! Enjoy the challenge, and focus on learning by ear. Adv Fiddle Classes Advanced fiddle classes are designed in the same way as Intermediate classes, but are geared for those of a more advanced skill level: very comfortable on your instrument, able to play full-speed and learn quickly by ear. Fiddle Singing Ever wanted to try singing while accompanying yourself on fiddle! Scotland’s Catriona Price can show you the ins and outs of “fiddle singing”! For advanced beginning level and up.
    [Show full text]
  • Aonghas Grant of the West Highlands by Peter Anick
    A Grand Tour of Scottish Fiddling, Part 1: Aonghas Grant of the West Highlands By Peter Anick Last summer my wife, Connie, and I made a “grand tour” of Scotland, a nearly thousand mile road trip that took us weaving through the Scottish Highlands, far west to the windswept Isle of Lewis, north to the megalith-strewn Orkney islands, and back south to the rollicking Edinburgh Fringe Festival. Our plan was to trace family roots on the Isle of Skye, explore Scotland’s vast prehistoric landscape, and, of course, sample the region’s fine fiddling. I am hap- py to say that –– in spite of a few mishaps and one of Scot- land’s wettest summers in recent memory –– we were am- ply rewarded on all counts. In this series, we’ll introduce you to some of the fiddlers we met along the way. Our first musical destination was the home of Aonghas Grant, the renowned left-handed fiddler living in the west- ern Highlands in the shadow of Britain’s highest peak. Aonghas would soon be celebrating his eightieth birthday and had recently released a first volume of his extensive Photo: Peter Anick repertoire in Mel Bay’s The Glengarry Collection. Having not quite mastered the art of driving on the left side of the road, our car struck a curb just as we pulled into Fort William and we arrived at the Grants’ Bed and Breakfast as de- seen a sheet of music between any of them. My uncle was born flated as our front tire. Hearing of our predicament, the soon-to-be about 1875 and my father was born in 1880.
    [Show full text]
  • Concert of Scottish Music and Dance Alasdair Fraser and Natalie Hass with Campbell Webster, Highland Dance Boston & the Demonstration Team of the Boston Branch
    appreciatiOns button design Dirk Tiede button assembly Bob Littlehale & Betty Allen ride & hospitality coordinators John Crabtree & Karen Sollins tour guides Laura & Meyer Billmers parking coordinators Dave Arnold & Ward Whitlock bookstore manager Dawn Little webmasters Laura & Meyer Billmers dance binders Betty Allen dance diagrams Chris & Sue Ronald and Charles Liu sound managers Christopher Jacoby and Julie Vallimont Session 1 bookstore assistant Mike Little welcome party hosts Ellie & Mel Briscoe and Kent & Marian Smith first night party hosts Linda McJannet & Chris Gallagher first-timer party hosts Alex Brick & Emily Peterson sangria social host Laurie Somario tea party host Ilene Goldstein ceilidh MCs Debbie Jarvis & Karen Cotting ceilidh refreshments Sara & Ed Pokrass teacup auctioneers Patrick Athy & Timothy Higdon Pinewoods Reel teacher Elizabeth Holtan ball decorations Hannah McArdle grand march devisor Kat Dutton Session 2 bookstore assistant Donna Griffith welcome party hosts Lance Ramshaw & Gail Wine and Lyle Ramshaw & Jewel Murphy first night party hosts Ken Launie & Sara Schechner first-timer party hosts Polly & Dale Birdsall root beer float & games night hosts Kendra Eshelman & Jeremy Thorpe live auctioneer Justin Giacoletti silent auctioneer Connie Kent auction accountants Dan and Lara Friedman-Shedlov auction refreshments Lucinda Brandt & Julie MacRae ceilidh MCs Jeff Graham & Bree Humphries ceilidh refreshments Amy Cummings-Leight & Ned Leight Pinewoods Reel teacher Melissa Shaner candlelight dinner decor Cathy Fahey liqueur party hosts Guy Quesnel & Melissa Shaner ball decorations The Scannell Family grand march devisor Howard Lasnik * a listing of session staff appears at the end of this gazette * greeting frOm the chairs For Scottish Pinewoods 2017, we invite you to explore the infinite possibilities of the universe.
    [Show full text]
  • FERINTOSH – LONG PROGRAM (2008) – Page 1 of 3
    FERINTOSH – LONG PROGRAM (2008) – page 1 of 3 Ferintosh Laura Risk (violin) — Abby Newton (cello) — Kim Robertson (celtic harp) With guest dancer Sabra MacGillivray The Forest Set The Forest of Ga­ick (strathspey) William Marshall (1748­1833) Sud an Gleann ‘Sam Bi Na Feidh [The Forest Where the Deer Resort] (strathspey) probably Simon Fraser (1773­1852) Calum Figheadair [The Kilchattan Wedding] (reel) probably Simon Fraser William Marshall was employed by the Duke of Gordon as butler, house steward, and factor (estate manager). He was a man of many interests, including architecture, law, astronomy, clock making, falconry, dancing, and athletics. A skilled violinist with over two hundred and fifty compositions to his credit, he became recognized as one of Scotland’s major composers of fiddle music. The Forest of Ga­ick is in Marshall’s third collection (1822). Captain Simon Fraser was another talented amateur musician of that era. Fraser wrote in the notes to his collection that The Forest Where the Deer Resort and The Kilchattan Wedding were “sung with inimitable humour by Alexander Fraser, Esq. Of Culduthel and the editor’s grandfather.” Captain Simon Fraser of the Highlands Airidh nam Badan [The Glen of Copsewood] (air) probably Simon Fraser Braighe Bhanbh [The Highlands of Banffshire] (strathspey) probably Simon Fraser A’Chridhealachd [The Merry Making] (reel) probably Simon Fraser Captain Simon Fraser lived in Inverness­shire, near Loch Ness. He was said to “make the fiddle speak Gaelic” beautifully. The tunes in this first medley are all taken from Fraser's 1815 collection The Airs and Melodies Peculiar to the Highlands of Scotland and The Isles.
    [Show full text]
  • K a R a N C a S E Y WHAT DOES IT FEEL LIKE to DANCE with CHILDSPLAY?
    WITH SPECIAL GUEST KARAN CASEY FIDDLERS, FIDDLES AND FIDDLEMAKER MUSICIANS FIDDLES BASS Sam Amidon Ralph Gordon Bonnie Bewick FLUTE Hanneke Cassel Shannon Heaton Amanda Cavanaugh PENNY WHISTLES Shannon Heaton Bob Childs Mark Roberts Graham Dezarn Sheila Falls GUITAR Keith Murphy Ellen Gawler BANJO Steve Hickman Mark Roberts Laurel Martin BOUZOUKI Katie McNally Mark Roberts Naomi Morse BODHRAN/SNARE Lissa Schneckenburger Mark Roberts VIOLA HARP Naomi Morse Kathleen Guilday CELLOS PIANO Elsie Gawler Keith Murphy EXECUTIVE PRODUCER BOB CHILDS McKinley James VOCALS PRODUCER PETE SUTHERLAND Karan Casey 1 CUCKANANDY-CHRIS CHILDS TRADITIONAL / HANNEKE CASSEL, ARRANGED: HANNEKE CASSEL & KARAN CASEY Cuckanandy is a dandling song from Cúil Aodha in West Cork. Collected by Jean Ritchie from the singer Bess Cronin, it’s also said by Seán O Cróinin to have been sung by a pooka or ghost known as Caillichin na Glaoití (calling of the women) that haunted the hills around Cúil Aodha. In addition to doing the arrangement for the song, Hanneke also wrote this fine fiddle tune for Bob’s son Chris. ~ Karan 2 NOODLE VENDOR-SWEETEST BLOOMS-AVERY'S MAZURKA SHANNON HEATON / TRADITIONAL / SHANNON HEATON, ARRANGED: SHANNON HEATON I wrote “Noodle Vendor” for my adopted Thai dad: Khun Paw sold his large retail store and opened a very small noodle cart. He’s never been happier. “Sweetest Blooms” is a reimagined version of the beautiful and comforting traditional song Duang Dawk Mai, which I learned from the great Jiraporn Lekpong. And I wrote the last tune for my friend Avery, as she expanded her range on the cello. ~ Shannon 3 BUDDY'S STRATHSPEY-THE WOODEN WHALE-THE FARMER'S DAUGHTER HANNEKE CASSEL / ALASDAIR FRASIER / TRADITIONAL Buddy’s Strathspey was written for the great Cape Breton fiddle player, Buddy MacMaster.
    [Show full text]