DOCSLIB.ORG

Fiddle Vocal Harmony – for All Singers Reeds Flute & Whistle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fiddle Vocal Harmony – for All Singers Reeds Flute & Whistle 2018 Celtic College Timetable *All classes take place at Goderich Public School, 125 Blake S West, unless otherwise noted. All classes subject to change without notice. See last page for Guide to Celtic College. Fiddle Period 1 (9:00 – 10:20) Period 2 (10:40 – 12:00) Period 3 (1:30 – 2:50) Period 4 (3:10 – 4:30) Áine McGeeney (IRE) Beg Irish Fiddle Irish Ensemble with Goitse Int Irish Fiddle Tunes Tom Fitzgerald (ON) Beg Ontario Fiddle Tunes Adv Ontario Fiddle Technique Ontario Fiddle Jam Kerry Fitzgerald (ON) Int Ontario Fiddle Style Ontario Fiddle Jam Laura Risk (USA) Gaspé Music and Style Adv Quebec Fiddle Int Quebec Fiddle Glenn Patterson (QC) Gaspé Music and Style Int Gaspé Style Fiddle Kevin Burke (IRE) Int Intro to Irish Style Adv Irish Fiddle Int/Adv Irish Fiddle Style Kristan Harvey (SCO) Int Scottish Fiddle Scottish Fiddle Band Adv Scottish Fiddle Style Catriona Price (SCO) Scottish Fiddle Band Beg Scottish Fiddle Tunes Cameron Wilson (BC) Adv Fiddle Multiple Styles* Intro to Fiddle for Violinists* Beg Fiddle & Violin Technique* Ensemble, Repertoire, and Skills – For Any Instruments. Intermediate Level and Up. The Fitzgeralds (ON) Ontario Fiddle Jam Laura Risk & Glenn Gaspé Music and Style Patterson (USA/QC) Fara (SCO) Scottish Fiddle Band Goitse (IRE) Irish Ensemble with Goitse The Hut People (UK) Music for Fun and Joy I! With Music for Fun and Joy II! The Hut People With The Hut People Joanna Hyde (USA) Tunes to Join the Session Sharon Johnston (ON) Chords to Join the Session Claude Méthé & Dana Quebec Kitchen Party Playing Tunes for Dancers Whittle (QC) Vocal Harmony – For All Singers Andy Hillhouse (BC) Vocal Harmony Vocal Harmony Vocal Harmony Reeds Tadhg O Meachair (IRE) Irish Ensemble with Goitse Beg Piano Accordion Int/Adv Irish Piano Accordion Flute & Whistle June McCormack (IRE) Int/Adv Irish Flute Beg/Int Irish Flute Int Irish Tunes for Flute/Whistle Abby Smallwood Tin Whistle for Absolute Beginners Harp Michael Rooney (IRE) Adv Irish Harp Technique Int Irish Harp Style Int/Adv Harp Tunes and Technique Alys Howe (NS) Harp for Advanced Beginners Int/Adv Tune Tunes and more Harp Ensemble Tunes Sharon Johnston (ON) Harp for Absolute Beginners Bodhran Colm Phelan (IRE) Int/Adv Irish Bodhran Style Irish Ensemble with Goitse Bodhran for Absolute Beginners Piano Julie Fitzgerald (ON) Beg Ontario Style Piano Ontario Fiddle Jam Accomp. Jennifer Austin (SCO) Beg Piano Accompaniment Scottish Fiddle Band Int/Adv Scottish Style Accomp. Guitar Conal O’Kane (IRE) Irish Ensemble with Goitse Intro to Drop D Tuning Int/Adv Driving Accompaniment Dave Curley (IRE) Beg/Int Guitar Skills Fretted Strings Dave Curley (IRE) Beg/Int Mandolin Tunes Int/Adv Irish Mandolin Alan Reid (IRE) Int/Adv Tenor Banjo Irish Ensemble with Goitse Beg/Int Irish Tenor Banjo Technique Glenn Patterson (QC) Gaspé Music and Style Beg/Int Old-Time Clawhammer Banjo David Rankine (ON) Mountain Dulcimer & Song Song Jeana Leslie (SCO) Traditional Scottish Ballads Scottish Fiddle Band Contemporary Scots Song Joanna Hyde (USA) Folk Singing for Beginners Trad Irish and English Songs Claude Méthé (QC) Quebec Songs Quebec Kitchen Party Playing Tunes for Dancers Dance Julie Fitzgerald (ON) Int Ottawa Valley Step Ontario Fiddle Jam Kyle Waymouth (ON) Kids Camp Ontario Fiddle Jam Méllisandre Tremblay- Step Dance for Absolute Int Quebec Step Dance Sets and Squares Bourassa (QC) Beginners Craft Art Jason Bellchamber Silversmithing (9:00-2:50) – at Elizabeth’s Art Gallery Siobhan Lynch Intro to Stained Glass (9 – Stained Glass Panel and Fabrication (1:30-4:30) - at Elizabeth’s 10.30) – at Elizabeth’s Art Gallery Art Gallery Linda Laforge Celtic Creature Creation Acrylic Painting Roslyn Cook The Art of Hand Embroidery (9:00-12:00) Sevrn Crocker Chainmail 101 (1:30-4:30) David Rankine Celtic Design Sacred Geometry Sound Steve Meacher, Lydia Fry, Sound Systems and Mixing (1.00 – 5.00 daily at the Livery Travis Teed Theatre, 35 South St) A Guide to the Celtic College - All classes take place at Goderich Public School, 125 Blake St West, Goderich ON N7A 1Z1 unless otherwise marked. - Students will take four classes per day (full time) or two classes per day (part time), and will follow the same schedule every day. - Class changes are allowed on Monday or Tuesday, but must be checked with the Front Desk to ensure there is room in a desired class. - There is a lunch break for all classes between 12 noon and 1.30 pm, and 20 minute breaks between each class. - Class names in light font like this indicate ensemble or other classes that this particular teacher is leading, listed in the Ensemble section. This is for reference purposes only, in case you might want to be in an ensemble class with a specific teacher. - Skill level indications: o Absolute Beginners: No previous experience at all required! Not available for every instrument category. o Beginning: Minimal experience. Know the basics of your instrument. o Intermediate: A few years’ experience. Good knowledge of your instrument, with some comfort learning by ear. o Intermediate/Advanced: For Int level and those slightly above. o Advanced: Very comfortable on your instrument, ready to play full-speed and looking for a challenge. o If no skill level is listed, all levels of skill are welcome. Notes for 2018 - * classes taught by Cameron Wilson will begin Tuesday August 7. Please select an alternate class for Monday August 6 for your schedule. .
Load more

Recommended publications
  • Télécharger Gratuitement La Version PDF De La Dernière
    Sommaire Carte des régions administratives du Québec ...........................2 Le projet ADAPI .......................................................................3 Le Prix Mnémo 2011 : Mémoire du Conseil québécois du patri- moine vivant (CQPV) : « Le patrimoine immatériel dans la légis- lation québécoise» ...................................................................4 Le Prix Mnémo 2011 : le double CD « John J. Kimmel, Un héri- tage fabuleux » .........................................................................5 Le Bulletin Mnémo ...................................................................6 Abonnez-vous en devenant membre du Centre Mnémo ! ........6 Les articles publiés dans le Bulletin Mnémo dans les deux dernières années (2011-2012) .........................................7 Le Calendrier Mnémo sur Internet ............................................8 Annuaire ..................................................................................9 Le Guide Mnémo en ligne ......................................................59 Recherchez dans le Guide Mnémo en ligne ...........................59 Index des noms par région .....................................................59 Liste de nos annonceurs .........................................................64 Tous droits de reproduction, de traduction et d’adaptation réservés © Mnémo 2012 ISBN 2-9805282-8-5 Dépot légal-Bibliothèque nationale du Québec, 2012 Dépot légal-Bibliothèque nationale du Canada, 2012 2 Carte des régions administratives du Québec Guide Mnémo
    [Show full text]
  • May Letter 2010
    Valley of the Moon Scottish Fiddling School – 2010 VITAL INFORMATION!!!!! Greetings, All – Please read this important information about this yearʼs camp. Check our web site for information about our instructors - www.valleyofthemoon.org. This letter, the schedule, and directions for getting to Camp Campbell are also posted on the web site. Where: YMCA Camp Campbell, 16275 Highway 9, Boulder Creek, CA 95006. (See attached map) When: Registration starting at 4:00 pm, Friday, August 27, Departure by 11 am, Saturday, September 4 (See preliminary schedule, attached and on web site) Emergency phone number: Camp office during business hours on weekdays only – 831-338-2128 No drop-ins: Please donʼt ask friends or family to visit you at camp during the week. Camp Shuttle: If you are flying into the Bay Area and are using the camp shuttle, be sure Larry Espinosa has your flight information. (Detailed information about the shuttle, a reservation form, and information about public transportation alternatives are posted on the web site.) Things to bring: In addition to clothing, personal articles and musical instrument, youʼll need a sleeping bag, pillow, soap and towel, a mug and/or cup for beverages, flashlight, jacket or sweater for cool nights and mornings, bathing suit, comfortable shoes for walking and dancing, a device for making recordings in class, extra strings, batteries, tapes, etc. Youʼll be sorry if you donʼt bring extra money to buy music and CDs at the camp store (VISA and Master Card credit cards also accepted, but a personal check or cash is preferred). If you have small items youʼd like to donate for sale at the store to raise money for the Scholarship Fund, bring those as well.
    [Show full text]
  • SCOTTISH COUNTRY DANCING and MUSIC Began in Boston in 1947
    Qelebrate J^ifty Tears of dancing with the Boston Brancli of the Royal Scottish Country Dance Society 1. Auld Reekie Hornpijje 8 X 32 Reel 4:37 2. Anna's Wedding Cake 3 X 32 Strathspey 3:07 3. Flights of Fancy 8x32 Jig 4:40 4. The Maine Medley 8 X 32 Medley 6:34 5. Hal Robinson's Rant 5 x 40 Reel 3:45 6. The Monmouth Ramble 4 X 32 Strathspey 4:14 7. Stoner House 4x32 Jig 2:22 8. Highland Schottischc 2.08 9. Burns Night 8x32 Jig 4:38 10. The Earl of Northampton 8 X 32 Strathspey 8:28 11. The 25th Reel 4x32 Reel 2:26 12. The Latvian Lass 8 X 32 Medley 6:11 13. Northern Harmony 8x32 Jig 4:43 14. Fill the Fetters 4 X 32 Strathspey 4:11 15. The Sprig of Ivy 8 X 32 Reel 4:42 16. Waltz 4:38 Total Playing Time: 72:20 Performed by Boston Hospitality, Carfiiffle Ceilidh Band, Fiddlers Tlircc, Highland Wliisky, \joc»\, Pipes Awa', Sprig of Ivy, Tile Strathspey & Reel Society of New Hampshire, Tullochgorum, Tlie White Cockade. Ensembles led by Earl Caddis, Anne Hooper, Beth Murray, Tom Pixton, Duncan Smith, Susan Worland. COTTISH COUNTRY DANCING AND MUSIC began in Boston in 1947 1. AULD REEKIE HORNPIPE 8x32 Reel by Marianne Taylor Swith Edinburgh-born Jeannie Robertson Buchanan Carmichael as teacher and Auld Reekie ty Barbara McOwen © }992 mentor. In April 1950, Boston was granted the first overseas Branch status by the New High Level Hornpipe by James Hill (ca 1815-1858) Royal Scottish Country Dance Society.
    [Show full text]
  • Some Perspectives on Scottish Fiddling Some Perspectives on Scottish Fiddling
    SSoommee PPeerrssppeeccttiivveess oonn SSccoottttiisshh FFiiddddlliinngg Scottish Fiddle Club of Colorado Table of Contents Introduction .......................................................................................................................................... 3 About the Volume and Development of Scottish Fiddle and Folk Music ........................................... 3 Some General Observations ................................................................................................................. 4 Regional Styles .................................................................................................................................... 5 The Shetland Islands Style ................................................................................................................... 5 Some of the players who exemplify this style include ................................................................ 5 The North East Region Styles .............................................................................................................. 5 Some of the players who exemplify this style include ................................................................ 5 More About the Fiddling Traditions of North East Scotland .......................................................... 6 Banchory ...................................................................................................................................... 6 Fochabers ....................................................................................................................................
    [Show full text]
  • Society for American Music Forty-Third Annual Conference
    Society for American Music Forty-Third Annual Conference Hosted by McGill University Marriott Chateau Champlain 22–26 March 2017 Montréal, Québec, Canada Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests.
    [Show full text]
  • Sharon Lawrence Has Played Professionally with a Number of Symphony Orchestras: Virginia Symphony, Roanoke Symphony, Opera Roanoke, and Richmond Symphony
    Ali di Primavera The Rutherford Chamber Consort Spring 2014 http://www.rutherfordchamberconsort.com Program Triple Concerto in a minor, BWV 1044 J.S. Bach Christopher Tavernier, klavier Pamela Caldemeyer, flute Sharon Lawrence, violin Quintet for Harp, Flute, Violin, Viola, and Cello Jean Cras Sharon Lawrence, violin Kara Poorbaugh, viola Kathy Foster, cello Hannah Blalock, harp Pamela Caldemeyer, flute Souvenir de Florence, op. 70 P. I. Tchaikovsky Sharon Lawrence, violin I Carlos Tarzona, violin II Simon Ertz, viola I Kara Poorbaugh, viola II Kathy Foster, cello I Matt Lavin, cello II The Rutherford Chamber Consort Sextet Bios Sharon Lawrence Sharon Lawrence has played professionally with a number of symphony orchestras: Virginia Symphony, Roanoke Symphony, Opera Roanoke, and Richmond Symphony. Currently she is playing with Greenville Symphony, Spartanburg Philharmonic, Hendersonville Symphony, Brevard Philharmonic, Asheville Symphony, and Charlotte Philharmonic. For twelve years, she taught at Liberty University in Lynchburg, Virginia, teaching applied strings, music education classes and directing the university orchestra. Presently, she is on staff at Gardner-Webb University. She has also directed the Southside Strings Community Orchestra hosted by Hampden-Sydney College. Mrs. Lawrence holds BM and MM degrees in violin performance from the Peabody Conservatory of Music at Johns Hopkins University. Mrs. Lawrence is founder and artistic director of the Rutherford Chamber Consort, an ensemble of classically trained professional musicians, which perform great chamber music for the citizens of Rutherford and surrounding counties. Mrs. Lawrence also directs Sinfonietta Evensong ~ a community-performing ensemble, comprised of mostly the students of Mrs. Lawrence and local area musicians. In addition to classical playing, Mrs.
    [Show full text]
  • CELTIC COLLEGE COURSE DESCRIPTIONS FIDDLE Fiddle
    CELTIC COLLEGE COURSE DESCRIPTIONS 2018 FIDDLE Fiddle classes are generally broken into skill level and regional repertoire. The material in each class will differ depending on the tradition of a particular teacher and the skill level of the class. Skill levels are described as: Beginning Fiddle Beginning fiddle classes are designed for those with some fiddle experience: students should know how to hold the fiddle and the bow and be able to play a few tunes at a moderate pace. Learn a few standard tunes in the style of the teacher while focusing on tone, pitch, and overall playing confidence. Int Fiddle Intermediate fiddle classes focus on the repertoire and technique of the music from a specific geographic region or style (ie. Ireland, Quebec, PEI) or a particular skill (ie. Ornamentation) For fiddlers of intermediate level: with a few years’ experience, a good knowledge of the fiddle, able to play at a moderate speed, and some comfort learning by ear. Int/Adv Fiddle Open to both intermediate level and advanced level players! Focussed on the style, tunes, and technique of a certain region. For those at a less advanced level, don’t be discouraged! Enjoy the challenge, and focus on learning by ear. Adv Fiddle Classes Advanced fiddle classes are designed in the same way as Intermediate classes, but are geared for those of a more advanced skill level: very comfortable on your instrument, able to play full-speed and learn quickly by ear. Fiddle Singing Ever wanted to try singing while accompanying yourself on fiddle! Scotland’s Catriona Price can show you the ins and outs of “fiddle singing”! For advanced beginning level and up.
    [Show full text]
  • Aonghas Grant of the West Highlands by Peter Anick
    A Grand Tour of Scottish Fiddling, Part 1: Aonghas Grant of the West Highlands By Peter Anick Last summer my wife, Connie, and I made a “grand tour” of Scotland, a nearly thousand mile road trip that took us weaving through the Scottish Highlands, far west to the windswept Isle of Lewis, north to the megalith-strewn Orkney islands, and back south to the rollicking Edinburgh Fringe Festival. Our plan was to trace family roots on the Isle of Skye, explore Scotland’s vast prehistoric landscape, and, of course, sample the region’s fine fiddling. I am hap- py to say that –– in spite of a few mishaps and one of Scot- land’s wettest summers in recent memory –– we were am- ply rewarded on all counts. In this series, we’ll introduce you to some of the fiddlers we met along the way. Our first musical destination was the home of Aonghas Grant, the renowned left-handed fiddler living in the west- ern Highlands in the shadow of Britain’s highest peak. Aonghas would soon be celebrating his eightieth birthday and had recently released a first volume of his extensive Photo: Peter Anick repertoire in Mel Bay’s The Glengarry Collection. Having not quite mastered the art of driving on the left side of the road, our car struck a curb just as we pulled into Fort William and we arrived at the Grants’ Bed and Breakfast as de- seen a sheet of music between any of them. My uncle was born flated as our front tire. Hearing of our predicament, the soon-to-be about 1875 and my father was born in 1880.
    [Show full text]
  • Concert of Scottish Music and Dance Alasdair Fraser and Natalie Hass with Campbell Webster, Highland Dance Boston & the Demonstration Team of the Boston Branch
    appreciatiOns button design Dirk Tiede button assembly Bob Littlehale & Betty Allen ride & hospitality coordinators John Crabtree & Karen Sollins tour guides Laura & Meyer Billmers parking coordinators Dave Arnold & Ward Whitlock bookstore manager Dawn Little webmasters Laura & Meyer Billmers dance binders Betty Allen dance diagrams Chris & Sue Ronald and Charles Liu sound managers Christopher Jacoby and Julie Vallimont Session 1 bookstore assistant Mike Little welcome party hosts Ellie & Mel Briscoe and Kent & Marian Smith first night party hosts Linda McJannet & Chris Gallagher first-timer party hosts Alex Brick & Emily Peterson sangria social host Laurie Somario tea party host Ilene Goldstein ceilidh MCs Debbie Jarvis & Karen Cotting ceilidh refreshments Sara & Ed Pokrass teacup auctioneers Patrick Athy & Timothy Higdon Pinewoods Reel teacher Elizabeth Holtan ball decorations Hannah McArdle grand march devisor Kat Dutton Session 2 bookstore assistant Donna Griffith welcome party hosts Lance Ramshaw & Gail Wine and Lyle Ramshaw & Jewel Murphy first night party hosts Ken Launie & Sara Schechner first-timer party hosts Polly & Dale Birdsall root beer float & games night hosts Kendra Eshelman & Jeremy Thorpe live auctioneer Justin Giacoletti silent auctioneer Connie Kent auction accountants Dan and Lara Friedman-Shedlov auction refreshments Lucinda Brandt & Julie MacRae ceilidh MCs Jeff Graham & Bree Humphries ceilidh refreshments Amy Cummings-Leight & Ned Leight Pinewoods Reel teacher Melissa Shaner candlelight dinner decor Cathy Fahey liqueur party hosts Guy Quesnel & Melissa Shaner ball decorations The Scannell Family grand march devisor Howard Lasnik * a listing of session staff appears at the end of this gazette * greeting frOm the chairs For Scottish Pinewoods 2017, we invite you to explore the infinite possibilities of the universe.
    [Show full text]
  • FERINTOSH – LONG PROGRAM (2008) – Page 1 of 3
    FERINTOSH – LONG PROGRAM (2008) – page 1 of 3 Ferintosh Laura Risk (violin) — Abby Newton (cello) — Kim Robertson (celtic harp) With guest dancer Sabra MacGillivray The Forest Set The Forest of Ga­ick (strathspey) William Marshall (1748­1833) Sud an Gleann ‘Sam Bi Na Feidh [The Forest Where the Deer Resort] (strathspey) probably Simon Fraser (1773­1852) Calum Figheadair [The Kilchattan Wedding] (reel) probably Simon Fraser William Marshall was employed by the Duke of Gordon as butler, house steward, and factor (estate manager). He was a man of many interests, including architecture, law, astronomy, clock making, falconry, dancing, and athletics. A skilled violinist with over two hundred and fifty compositions to his credit, he became recognized as one of Scotland’s major composers of fiddle music. The Forest of Ga­ick is in Marshall’s third collection (1822). Captain Simon Fraser was another talented amateur musician of that era. Fraser wrote in the notes to his collection that The Forest Where the Deer Resort and The Kilchattan Wedding were “sung with inimitable humour by Alexander Fraser, Esq. Of Culduthel and the editor’s grandfather.” Captain Simon Fraser of the Highlands Airidh nam Badan [The Glen of Copsewood] (air) probably Simon Fraser Braighe Bhanbh [The Highlands of Banffshire] (strathspey) probably Simon Fraser A’Chridhealachd [The Merry Making] (reel) probably Simon Fraser Captain Simon Fraser lived in Inverness­shire, near Loch Ness. He was said to “make the fiddle speak Gaelic” beautifully. The tunes in this first medley are all taken from Fraser's 1815 collection The Airs and Melodies Peculiar to the Highlands of Scotland and The Isles.
    [Show full text]
  • K a R a N C a S E Y WHAT DOES IT FEEL LIKE to DANCE with CHILDSPLAY?
    WITH SPECIAL GUEST KARAN CASEY FIDDLERS, FIDDLES AND FIDDLEMAKER MUSICIANS FIDDLES BASS Sam Amidon Ralph Gordon Bonnie Bewick FLUTE Hanneke Cassel Shannon Heaton Amanda Cavanaugh PENNY WHISTLES Shannon Heaton Bob Childs Mark Roberts Graham Dezarn Sheila Falls GUITAR Keith Murphy Ellen Gawler BANJO Steve Hickman Mark Roberts Laurel Martin BOUZOUKI Katie McNally Mark Roberts Naomi Morse BODHRAN/SNARE Lissa Schneckenburger Mark Roberts VIOLA HARP Naomi Morse Kathleen Guilday CELLOS PIANO Elsie Gawler Keith Murphy EXECUTIVE PRODUCER BOB CHILDS McKinley James VOCALS PRODUCER PETE SUTHERLAND Karan Casey 1 CUCKANANDY-CHRIS CHILDS TRADITIONAL / HANNEKE CASSEL, ARRANGED: HANNEKE CASSEL & KARAN CASEY Cuckanandy is a dandling song from Cúil Aodha in West Cork. Collected by Jean Ritchie from the singer Bess Cronin, it’s also said by Seán O Cróinin to have been sung by a pooka or ghost known as Caillichin na Glaoití (calling of the women) that haunted the hills around Cúil Aodha. In addition to doing the arrangement for the song, Hanneke also wrote this fine fiddle tune for Bob’s son Chris. ~ Karan 2 NOODLE VENDOR-SWEETEST BLOOMS-AVERY'S MAZURKA SHANNON HEATON / TRADITIONAL / SHANNON HEATON, ARRANGED: SHANNON HEATON I wrote “Noodle Vendor” for my adopted Thai dad: Khun Paw sold his large retail store and opened a very small noodle cart. He’s never been happier. “Sweetest Blooms” is a reimagined version of the beautiful and comforting traditional song Duang Dawk Mai, which I learned from the great Jiraporn Lekpong. And I wrote the last tune for my friend Avery, as she expanded her range on the cello. ~ Shannon 3 BUDDY'S STRATHSPEY-THE WOODEN WHALE-THE FARMER'S DAUGHTER HANNEKE CASSEL / ALASDAIR FRASIER / TRADITIONAL Buddy’s Strathspey was written for the great Cape Breton fiddle player, Buddy MacMaster.
    [Show full text]