Applications of VR

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Applications of VR Copyright 2018 © Virtual Reality at Berkeley Functions of VR: Gaming/Entertainment Simulation/Training 360 Content Telepresence Visualization Gaming and Entertainment 3 Gaming Fitness Theme Parks What makes gaming in VR different? ● Immersion ● 3D Sound ● Room-Scale ● Interactive (like the Wii but better) Arguably the biggest driver in the VR industry currently Fitness VR Roller Coasters Simulation and Training 8 Medical Industrial Aerospace Others Medical: Surgical Training Medical: Exposure Therapy Conquering Fears: - Arachnophobia - Acrophobia Treating PTSD - Learning how to handle “triggers” in a safe and controlled environment Medical: Phantom Limb Pain Phantom Limb Pain - Sensations that an individual experiences relating to a limb or an organ that is not physically part of the body. In VR, patients play games using a virtual limb, which helps them gain some control and learn, for example, how to relax that painfully clenched fist. Industrial: Driving Simulator By incorporating VR into motion/driving simulators, users will no longer be limited to the view in front of them (front screens). Rather, VR will enable users to see all of the virtual environment. Industrial: Virtual CAD Uses: ● Visualizing/prototyping models before fabrication. ● Collaboration Industrial: Volkswagen ● Vehicle Assembly ● Onboarding Aerospace: NASA NASA has been using VR at the Johnson Space Center in Houston, Texas to train astronauts for spacewalks since 1992. Others: 360 Content 360 Photos 360 Cameras Quite a few 360 cameras on the market. - Ricoh Theta (~$330) - Samsung Gear 360 (~$180) 360 Video - A video where you can see all around you. - Captured using a 360 camera. Nokia OZO Price: Too much ($45K-60K) 360 Animations - Animation where you can see all around you. Telepresence Business Medical Social Judicial Business: Virtual Meetings - Greater potential for collaboration. - Saves money in transportation from a company perspective. Medical - Telepresence and collaboration with doctors. - Berkeley professor, Ruzena Bajcsy, was working on something similar. Social: Judicial - Visualizing crime scenes from various witness points of views. Visualization Medical Education Computer Science Fashion Real Estate Industrial Medical Medical Education: AR Textbooks Education: Mission ISS Simulator to see what it’s like to be inside the International Space Station (Emmy-nominated) Computer Science: Neural Net Visualization Fashion: Virtual Dressing Room Avametric has received $10.5 million to try to build its virtual dressing room. Berkeley Professor James O’Brien is on the team. Real Estate: Virtual Housing Tours Berkeley professor Avideh Zakhor has a start-up called “Indoor Reality”. It has created sensors the size of backpacks to map and model the indoor. Industrial: HARD HATS w/ HOLOLENS??? Gaming/Ente ● Gaming rtainment ● Fitness ● Theme Parks Simulation/Tr ● Medical aining ● Industrial ● Aerospace ● Others 360 Content ● 360 Photos, Film, and Videos Telepresence ● Business ● Medical ● Social ● Judicial Visualization ● Medical ● Education ● Computer Science ● Fashion ● Real Estate ● Industrial.

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Audio for Virtual and Augmented Reality
2016 AES CONFERENCE AUDIO FOR VIRTUAL AND AUGMENTED REALITY FRIDAY, SEPT 30 THRU SATURDAY, OCT 1 LOS ANGELES CONVENTION CENTER CONFERENCE PROGRAM PLATINUM SPONSORS GOLD SPONSORS SPONSORS MESSAGE FROM THE CONFERENCE CO-CHAIRS Welcome to the first AES International Conference on Audio for Virtual and Augmented Reality! We are really proud to present this amazing technical program, which is the result of many months of extremely hard teamwork. We aimed for the best content we could possibly provide, and here you have it. We are extremely thankful to our great presenters, authors, keynote speakers and sponsors. Together, we made this possible and we sincerely hope you will take away a lot of useful information. Also, I´d like to extend our special thanks to our delegates, coming from all over the world to ANDRES MAYO attend this truly unique event, and to our really hard working team of volunteers, which ultimately made it possible to Conference Co-chair pack this awesome quality and quantity of knowledge in 2 full days crammed with papers, workshops, tutorials and even a technical showcase. Welcome to the show! I would like to extend a warm welcome to all of our delegates, authors, presenters and sponsors. This conference has been a dream of Andres’ and mine since May of 2015. The world of VR / AR has grown so quickly, so fast that we knew we had to bring a conference dedicated specifically to this topic to the audio community. We could not have done this without the hard work and dedication of an incredible conference committee.
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TV in VR Changho Choi, Peter Langner, Praveen Reddy, Satender Saroha, Sunil Srinivasan, Naveen Suryavamsh
TV in VR Changho Choi, Peter Langner, Praveen Reddy, Satender Saroha, Sunil Srinivasan, Naveen Suryavamsh Introduction The evolution of storytelling has gone through various phases. Earliest known methods were through plain text. Plays and theatres were used to bring some of these stories to life but for the most part, artists relied on their audience to imagine the fictional worlds they were describing. Illustrations were a nice addition to help visualize an artist's perception. With the advent of cinema in the early 1900’s starting with silent films to the current summer blockbusters with their CGI, 3D and surround sound – viewers are transported into these imaginary worlds – to experience these worlds just as the creators of this content envisioned it. Virtual reality, with its ability to provide an immersive medium with a sense of presence and depth is the next frontier of storytelling. Seminal events in history Moon landing in 1969 When Neil Armstrong and Buzz Aldrin took the first steps on the moon it captured the imagination of the world. The culmination of a grand vision and the accompanying technological breakthroughs brought about an event that transfixed generations to come. As it happened in the 1969, the enabling technology for experiencing this event was the trusted radio or through grainy broadcasts of television anchors describing the events as they were described to them! Super Bowl 49 As the Seattle Seahawks stood a yard away from winning the Super Bowl in 2015, 115 million people watched on NBC in the United States alone. In front of their big screen TVs and every possible option explained to them by the commentators, the casual and the rabid football fan alike watched as the Seahawks lost due to a confluence of events.
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People & Planet Report 2016
People & Planet Report 2016 1.0 About this report We would like to thank you for reading the Nokia People & Planet Report 2016. The report presents and discusses the key ethical, environmental, and socio- economic issues most material to our business and stakeholders during the 2016 fiscal year. Sustainability 2016 About Approach Improve Protect Integrity Respect Together Data Assurance Nokia People & Planet Report 2016 2 7.01.0 ImprovingAbout people’sthis report lives with technology The scope of this report The scope of this report is Nokia Group, including Nokia’s Networks business. However, the numeric Further information Nokia's Networks business groups, Nokia data regarding our facilities energy use, waste, and Technologies, and Group Common and Other water include the whole Nokia Group. The chapters We have published annual corporate responsibility Your feedback Functions, in 2016. ‘Improving people’s lives with technology’ and reports since 1999 and the reports are available in We welcome your ‘Making change happen together’ include references digital format on our website from as far back as views and questions For an explanation of how we chose what to include to activities that took place in early 2017 but this is 2003 at nokia.com/sustainability on our activities and in this year’s report, please refer to the section indicated in the text separately. our performance. If Materiality: Identifying our key priorities. We also discuss sustainability and corporate you would like to share Reporting frameworks and responsibility topics in our official annual reports, your opinions, please At the end of 2015, our shareholders voted including the annual report on Form 20-F that contact us at overwhelmingly to approve the Alcatel-Lucent assurance is filed with the U.S.
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Live Delivery of Neurosurgical Operating Theater Experience in Virtual Reality
Live delivery of neurosurgical operating theater experience in virtual reality Marja Salmimaa (SID Senior Member) Abstract — A system for assisting in microneurosurgical training and for delivering interactive mixed Jyrki Kimmel (SID Senior Member) reality surgical experience live was developed and experimented in hospital premises. An interactive Tero Jokela experience from the neurosurgical operating theater was presented together with associated medical Peter Eskolin content on virtual reality eyewear of remote users. Details of the stereoscopic 360-degree capture, surgery imaging equipment, signal delivery, and display systems are presented, and the presence Toni Järvenpää (SID Member) Petri Piippo experience and the visual quality questionnaire results are discussed. The users reported positive scores Kiti Müller on the questionnaire on topics related to the user experience achieved in the trial. Jarno Satopää Keywords — Virtual reality, 360-degree camera, stereoscopic VR, neurosurgery. DOI # 10.1002/jsid.636 1 Introduction cases delivering a sufﬁcient quality, VR experience is important yet challenging. In general, perceptual dimensions Virtual reality (VR) imaging systems have been developed in affecting the quality of experience can be categorized into the last few years with great professional and consumer primary dimensions such as picture quality, depth quality, interest.1 These capture devices have either two or a few and visual comfort, and into additional ones, which include, more camera modules, providing only a monoscopic view, or for example, naturalness and sense of presence.5 for instance eight or more cameras to image the surrounding VR systems as such introduce various features potentially environment in stereoscopic, three-dimensional (3-D) affecting the visual experience and the perceived quality of fashion.
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(Virtual) Reality the OZO Allows the Director and Crew to View Their Shots, Adjust Exposure and View Stitch – for Video Europe Mark Locations, All Live
Virtual reality/360º Virtual reality/360º One early lesson I learned was the difference between 360 video and VR. Frankly, I was a bit disappointed to discover that, from a VR purist’s point of view, what I’d been shooting was not actually VR. It was merely 360 video. VR, you see, has Stitch lines are like fault lines in the Earth’s crust, liable to be as good as its name – virtual reality. And reality, as we all to erupt at a moment’s notice with a double image, or a know, is 3D. Hence, true VR cameras capture video in stereo, ghost, or a horrible jutting chin where someone’s face The with multiple left and right lenses capturing the landscape twice, just as our eyes do, to be recombined in the headset has been imperfectly duplicated in two lenses. later to create a sense of depth. Without this vital element of immersion, it might still be a fascinating wrap-a-round these up, the computer is able to stitch two separate images essential experience, but it isn’t VR. together, slowly building up a 360-degree panorama. The Nevertheless, whether it’s VR or 360 video, the stitching annoying thing is that the control points which work for one process is the same and there are some universal truths frame may not work for the next. From moment to moment, the that will probably remain valid for a few more years. One relationship between objects changes – people walk past, trees stitch hard truth is that any algorithm that automatically stitches sway in the wind, inquisitive little kids approach the camera and images together will not give perfect results every time.
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Technological Change 2013-2016 Change Technological Publication of the Committee for the Future 2/2016
technological change 2013-2016 publication of the committee for the future 2/2016 technological change 2013-2016 Preliminary investigation of the development of radical technologies after the 2013 review 2/2016 isbn 978-951-53-3616-3 (paperback) • isbn 978-951-53-3617-0 (pdf) issn 2342-6594 (printed) • issn 2342-6608 (web) TECHNOLOGICAL CHANGE 2013–2016 Preliminary investigation: Development of radical technologies after the review in 2013 (100 Opportunities For Finland And The World, Publication Of The Committee For The Future 11/2014) Risto Linturi publication of the committee for the future 2/2016 Cover: freeimageslive.com Back cover: Part of the Artwork Tulevaisuus, Väinö Aaltonen (1932), photo Vesa Lindqvist. Committee for the Future FI-00102 Parliament of Finland www.parliament.fi Helsinki 2016 ISBN 978-951-53-3616-3 (paperback) ISBN 978-951-53-3617-0 (PDF) ISSN 2342-6594 (printed) ISSN 2342-6608 (web) Contents Foreword ......................................................................................................................... 5 1 Introduction, summary of observations and recommendations ................................ 8 1.1 A Hundred New Opportunities for Finland: Radical Technological Solutions ...... 8 1.2 Crowdsourcing after the publication of TuVRad9/2013 and acknowledgements ..................................................................................................... 9 1.3 Objectives of the preliminary investigation ...................................................... 11 1.4 The fastest-progressing baskets in the TuvRad9/2013 Top 25 category .......... 12 1.5 The fastest-progressing baskets in the TuVRad9/2016 Top 26–100 category . 13 1.6 New baskets and fields of technology that are proposed for monitoring ........ 14 1.7 Structural improvements to the report ............................................................ 15 1.8 Regional and international application of the four-level model ....................... 16 1.9 Interactive updating of the report with the help of database .........................
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Virtual & Augmented Reality
EXCERPTED FROM THE ORIGINAL: See inside cover for details. FINANCIAL BACKING GLOBAL INTEREST SHIPPING OUT SELLING OUT INTEREST IN THE PAST READY TO BUILD A WAVE OF CONTENT ON THE WAY RETAIL VALUE HOME REDESIGN, REIMAGINED EASIER TO IMAGINE YOURSELF AT HOME Video • Jaunt The Ecosystem • NextVR Virtual Reality / Augmented Reality • VRSE • Oculus Story Studio • GoPro • IG Port Processors Games • TI Applications • Sony • Qualcomm • Ubisoft 3D Audio • STMicro Graphics • CCP Games • Nvidia • TI • Realtek • Oculus Story Studio • AMD • Wolfson • Himax • Tammeka Games • Qualcomm • Realtek • MediaTek • Pixel Titans • Intel • Capcom Augmented Reality Virtual Reality Engineering • Microsoft HoloLens • Facebook Oculus Head–mounted devices • Autodesk • Google Glass • Samsung Gear VR • Dassault Systèmes • Magic Leap • Google Cardboard • IrisVR • Atheer • HTC Vive • Visidraft • Osterhout Design • Sony PSVR • MakeVR Memory Group • Vuzix iWear (DRAM/SSD) • VR Union Claire • Micron Healthcare • Samsung • Psious • SK Hynix • zSpace • Toshiba • Conquer Mobile • 3D Systems Social • Altspace VR • High Fidelity • Podrift Commerce • Sixense {shopping} • Matterport {real estate} Display • Samsung • JDI Cameras • Himax • 360Heros • Crystal • GoPro Odyssey 3D Lenses • Nokia OZO • Wearality • Jaunt NEO • Zeiss • Matterport Pro 3D Components • Canon • Nikon Haptics • Largan • Alps Position/ Room Tracker • AAC • Hon Hai • Nidec • Pegatron • Flex • Jabil • HTC Motion Sensors • Leap Motion • InvenSense • TI • STMicro • Honeywell The Ecosystem Virtual Reality / Augmented
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Virtual Reality Een Realiteit Voor Uw Portefeuille? of Kijkt U Liever Door Een Roze Bril Naar Uw Rendement?
Virtual Reality Een realiteit voor uw portefeuille? Of kijkt u liever door een roze bril naar uw rendement? Tom Simonts Marktenspecialist Bolero Hype Cycle van Gartner Het “make or break”-punt werd overschreden Bedrijf Datum Evenement Qualcomm Jan-12 Startkapitaal op voor de mobiele AR-start-up Blippar Google Apr-12 Augmented reality-bril, Google Glass, voorgesteld aan het publiek Sony Mar-14 Project Morpheus wordt geboren en later omgedoopt tot PlayStation VR HP Mar-14 Lanceert Aurasma 3.0, een AR-platform dat het verwierf via Autonomy Facebook Mar-14 Overname Oculus, een VR-start-up, voor 2 miljard USD Samsung Sep-14 presenteert eigen VR-bril, Samsung Gear VR, in samenwerking met Oculus Google Oct-14 Investeert 542 miljoen USD in start-up Magic Leap Intel Apr-15 Investeert in Series A-financiering voor de VR-start-up WorldViz Apple May-15 neemt Metaio over, een AR-softwareproducent Disney Sep-15 FJaunt, een VR-content start-up, voor 65 miljoen dollar Microsoft Oct-15 neemt Havok over, een 3D Physics-engine voor videospelletjes Comcast Nov-15 Financieringsronde NextVR voor 30,5 miljoen USD, voor live evenementen Apple Nov-15 Overname Faceshift, een bedrijf in gezichtsherkenning en animatie Fox Jan-16 Minderheidsbelang in producent van VR/AR-brillen Osterhout Design Group Marktverwachtingen Verwachte groei van omzet uit hardware en software Disruptiepotentieel Software sector . Geschatte omzet : 35 miljard dollar . Inkomsten uit VR/AR-software . 60% zal worden gegenereerd door de consument . 40% door bedrijven en de openbare sector . Videospelletjes zal de eerste markt zijn waar VR/AR zich zal ontwikkelen .
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IMMERSIVE MEDIA a STATE of the INDUSTRY May 2017
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Realidad-Virtual-2016-V1.Pdf
Juan Barambones Realidad Virtual 2016 Intro. Hace un año publiqué por primera vez es- mos, con posicionamiento incluido y sin te libro-guía con el ﬁn de integrar en un úni- cables. La eliminación de los cables, una co documento un resumen de todo lo el reducción de peso, y sobre todo un precio ecosistema que se va generando alrede- ajustado, será un paso importante para la dor de la Realidad Virtual. Durante la prepa- adopción masiva de esta de esta tecnolo- ración de la segunda edición, he visto có- gía. mo en este último año, el interés por esta tecnología ha ido creciendo de forma expo- Las cámaras 360 también han experimen- nencial, y seguramente lo siga haciendo tado un gran auge, después de que mu- en el futuro. chas empresas pequeñas hayan sacado con esfuerzo sus productos, otras más Los grandes actores de la Realidad Virtual grandes como Samsung, o LG han hecho han movido ﬁcha, y con los tres dispositi- lo propio en un mercado que cada vez se vos más importantes ya en el mercado, es ha vuelto más competitivo. cuestión de tiempo que la Realidad Virtual se haga un hueco en nuestras casas. Se Sin duda son momentos apasionantes, úni- puede decir que 2016 es el año 0, a partir cos, los que estamos viviendo en el nuevo de aquí será cuestión de tiempo que se ex- renacer de la Realidad Virtual. Aproveché- tienda. moslo para crear experiencias y aplicacio- nes que cambien el mundo, podemos ser Los proyectos recientemente presentados mejores personas con la Realidad Virtual.
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Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology
Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology Maxwell Foxman Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Maxwell Foxman All rights reserved ABSTRACT Playing with Virtual Reality: Early Adopters of Commercial Immersive Technology Maxwell Foxman This dissertation examines early adopters of mass-marketed Virtual Reality (VR), as well as other immersive technologies, and the playful processes by which they incorporate the devices into their lives within New York City. Starting in 2016, relatively inexpensive head-mounted displays (HMDs) were manufactured and distributed by leaders in the game and information technology industries. However, even before these releases, developers and content creators were testing the devices through “development kits.” These de facto early adopters, who are distinctly commercially-oriented, acted as a launching point for the dissertation to scrutinize how, why and in what ways digital technologies spread to the wider public. Taking a multimethod approach that combines semi-structured interviews, two years of participant observation, media discourse analysis and autoethnography, the dissertation details a moment in the diffusion of an innovation and how publicity, social forces and industry influence adoption. This includes studying the media ecosystem which promotes and sustains VR, the role of New York City in framing opportunities and barriers for new users, and a description of meetups as important communities where devotees congregate. With Game Studies as a backdrop for analysis, the dissertation posits that the blurry relationship between labor and play held by most enthusiasts sustains the process of VR adoption.
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OZO Setup Guide and Requirements
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