Female Morbidity and Mortality in Sub-Saharan Africa
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VIRAL ART Exhibition Guide
VIRAL ART Exhibition Guide VIRAL ART is an exhibition focusing on this last year and the universal pandemic (COVID-19) which has affected many different aspects of life, one of which is evident in the artistic world. COVID-19 has forced many artists to open up to new avenues of expression in many different disciplines; visual art, music, performing arts, photography, fashion, and literature. Some of the main goals for our exhibition are to bring light to how the pandemic has affected all corners of life, especially in regard to artistic capability/expression, and further, illustrate how certain artists captured the essence and experience of COVID-19. Introduction by Taylor Weaver I wanted to start by saying how grateful I am to have been able to lead this exhibition project with the help of Mirea Suarez. I am so proud of each and every one of the girls and hope you can see how hard they have all worked to make this possible. So welcome to our exhibition which we have titled Viral Art! I would like to note that some of the pieces, such as music are slightly more interactive, for example one of the music pieces is a live DJ set and is an hour and a half in total in the event you are interested in watching more – we will only briefly show certain pieces We would like to preface this exhibition by giving a small dedication to those whose lives have been affected by COVID-19. We thought it would be most appropriate to say a few words to front line workers such as those in the healthcare industry who have dedicated their lives to fighting this virus, essential workers such as those in the food (and or) agriculture industry who prepared meals for those in need during these stressful times, Research Methods Fall 2020 Taylor Weaver, Mirea Suarez, Cristina Ponce de Leon, Sophie Schaesberg, Sydney Levno, Annamaria Borvice, Marta Belogolova VIRAL ART Exhibition Guide volunteers, and of course, to all who lost their lives to COVID-19 or people who have lost family members. -
Funding Formula Review and Recommendation: Final Report
Funding Formula Review and Recommendation: Final Report For more information, please contact: Tara Shabazz Alicia Stonebreaker Executive Director Program Coordinator California Partnership to California Partnership to End Domestic Violence End Domestic Violence Tel: (916) 444-7163 Tel: (916) 444-7163 [email protected] [email protected] 1 TABLE OF CONTENTS Executive Summary ............................................................................................. 3 I. Background ....................................................................................................... 4 II. Funding Workgroup Process ............................................................................ 5 III. Funding Workgroup Discussion....................................................................... 6 IV. Funding Working Agreements and Guiding Principles .................................... 7 V. Funding Scenarios ........................................................................................... 8 VI. Approval Process ............................................................................................ 9 VII. Public Comment ............................................................................................. 9 VIII. Final Recommendations ............................................................................. 11 IX. Domestic Violence Funding Formula Work Group Evaluation ...................................................................................... 12 Appendix A: Current Cal EMA Funding Processes and Levels -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. I.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus caijse a blurred image. You will find a good image of die page in the adjacent frame. 3. When a map, drawing or chart, etif., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet ang to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below tf e first row and continuing on until complete. 4. The majority of users indicate that thetextual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Challenges of Change Faith, Gender, and Development
BERKLEY CENTER for RELIGION, PEACE & WORLD AFFAIRS GEORGETOWN UNIVERSITY 2008 | Challenges of Change Faith, Gender, and Development A project of the Berkley Center for Religion, Peace, and World Affairs and the Edmund A. Walsh School BERKLEY CENTER REPORTS of Foreign Service at Georgetown University Supported by the Henry R. Luce Initiative on Religion and International Affairs The Edmund A. Walsh School of Foreign Service Founded in 1919 to educate students and prepare them for leadership roles in international affairs, the School of Foreign Service conducts an undergraduate program for over 1,300 students and graduate programs at the Master’s level for more than 700 students. Under the leadership of its Dean, Robert L. Gallucci, the School houses more than a dozen regional and functional programs that offer courses, conduct research, host events, and contribute to the intellectual development of the field of international affairs. In 2007,Foreign Policy magazine ranked the School’s graduate programs first in the nation. The Berkley Center The Berkley Center for Religion, Peace, and World Affairs, created within the Office of the President in March 2006, is part of a university-wide effort to build knowledge about religion’s role in world affairs and promote interreligious 2008 understanding in the service of peace. Through research, teaching, and outreach activities, the Center explores the | intersection of religion with four global challenges: diplomacy and transnational relations, democracy and human rights, global development, and interreligious dialogue. Thomas Banchoff, Associate Professor in the Department of Government and the School of Foreign Service, is the Center’s first director. -
2012 Report to Congress on the Effectiveness of VAWA Grant
2012 Biennial Report to Congress on the Effectiveness of Grant Programs Under the Violence Against Women Act Contents Contents ........................................................................................................................ i List of Tables ................................................................................................................. v List of Figures ................................................................................................................ ix Introduction .................................................................................................................. 1 VAWA Grant Programs ................................................................................................. 5 Grant Programs Included in This Report .................................................................. 9 VAWA Measuring Effectiveness Initiative .............................................................. 13 Effectiveness of VAWA Grant Programs .................................................................... 15 Coordinated Community Response ........................................................................ 18 System Advocacy .................................................................................................... 23 Training ................................................................................................................... 24 Technical Assistance ............................................................................................... 30 -
Ablade Glover Available Work ‘
Ablade Glover Available work ‘ ‘Named as one of the fathers of modern African art by Bonhams London.’ Ablade Glover Available work People “One of the few philosophical areas I sometimes venture into- The people, our people! Who are the people? The faceless masses? The people without power? I have noticed from an early age when the struggle for African independence com- menced, to this day, everybody, uses the “people” or rather “Power of the people”, and then dumps them, powerless there- after. I am intrigued by the innocence, the naivety, the plight of the people without the power. The power lies in the people in electing the elected official. But often is the case, once the official gets elected, the people become powerless.’ – Ablade Glover. People - G63/17 Oil on canvas 102 x 102 cm (40 x 40 inches) $13, 000 Market ‘Busyness Studies. The dynamism of the market possibly points to the fact that the place is purely a females domain. The movement , unending changing scenarios and the colour, simply fascinating. It is also the place for both the good and the bad. The ‘Kalabule’, the intrigues, seem to colour the atmosphere, and you cannot enter the market and emerge without a “stain” it seems. Yes I try to paint the movement, capture the dynamism, and indeed the colour of the market business with its grey areas, and unending study of busyness’.’ – Ablade Glover. Market Panorama - B31/16 Oil on canvas 122 x 151 cm (49 x 60 inches) $19, 000 Forest Forest scapes are a study of the transient nature of the environment, that like the changing scenes of a marketplace, dis- play a fluid motion of light to dark amongst the foliage, and in doing so excite one’s imagination and brings an artist like Ablade Glover to paint. -
Stamping History: Stories of Social Change in Ghana's Adinkra Cloth
Stamping History: Stories of Social Change in Ghana’s Adinkra Cloth by Allison Joan Martino A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2018 Doctoral Committee: Professor Raymond A. Silverman, Chair Professor Kelly M. Askew Assistant Professor Nachiket Chanchani Professor Emeritus Elisha P. Renne Allison Joan Martino [email protected] ORCID iD: 0000-0002-1252-1378 © Allison Joan Martino 2018 DEDICATION To my parents. ii ACKNOWLEDGEMENTS In the summer of 2013, I was studying photography and contemporary art in Accra, Ghana’s capital. A conversation during that trip with Professor Kwesi Yankah changed the course of my research. He suggested a potential research project on adinkra. With adinkra everywhere in Ghana today, research possibilities seemed endless. Adinkra appealed to me from my interest in studying Akan visual and verbal arts, a research area nurtured during an ethnopoetics course that Professor Yankah taught as a visiting scholar at Michigan in 2011. That conversation led to this project. Soon after that meeting with Professor Yankah, I took an exploratory research trip to Kumasi. Professor Gilbert Amegatcher, who has a wealth of knowledge about Akan arts and culture, traveled with me. He paved the way for this dissertation, making key introductions to adinkra cloth makers who I continued to work with during subsequent visits, especially the Boadum and Boakye families. My sincerest thanks are due to Professors Yankah and Amegatcher for generating that initial spark and continuing to support my work. Words cannot express my gratitude to the extended members of the Boakye and Boadum families – especially Kusi Boadum, Gabriel Boakye, David Boamah, and Paul Nyaamah – in addition to all of the other cloth makers I met. -
2016 NCVRW Resource Guide: Section 2, Developing Your
Serving Victims Building Trust Restoring Hope SECTION 2 | DEVELOPING YOUR CAMPAIGN: PARTNERSHIPS & STRATEGIES National Crime Victims’ Rights Week (NCVRW) is an will be held, and the contact information for primary annual observance to bring communities together and organizers. Use this calendar to plan your events and educate the public about victims’ rights, protections, and identify partners for your outreach campaigns. services. This year’s theme—Serving Victims. Building Trust. Restoring Hope.—speaks to the idea that, when victims OVC Events Calendar receive culturally sensitive and appropriate support and services in the immediate aftermath of a crime, it establishes The Office for Victims of Crime, Office of Justice Programs, trust in their community and the criminal justice response. U.S. Department of Justice, publishes a National Calendar This trust, in turn, begins to restore their hope for healing of Victim Assistance-Related Events (http://ovc.ncjrs.gov/ and recovery. ovccalendar). This continually updated calendar offers extensive listings of national, state, and local victim-related This section, “Developing Your Campaign: Partnerships and events. Browse the calendar to see what communities across Strategies,” is designed to assist in sharing this message the country are doing, and list your own NCVRW meetings, of hope and encouragement with victims. The resources ceremonies, and forums, as well as other victim-related provided will help as you plan your community networking events throughout the year. and outreach for National Crime Victims’ Rights Week and throughout the year. Ideas for special events, presentation tips, sample quotations, or proclamations—are all materials Notable Quotables to help you draw on the skills and passion of your local A key NCVRW goal is to inspire and motivate your community to take a stand for crime victims. -
Gender Norms 32
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Ana Maria Munoz Boudet, Patti Petesch, and Carolyn Turk with Angelica Thumala withAngelica Turk andCarolyn Petesch, Boudet, Patti Munoz Ana Maria with Women and Men in20 andMen Countries with Women about Gender Equality Conversations andAgency Norms On EDITION CONFERENCE Supported by © 2012 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of its knowledge, this work may be reproduced, in whole or in part, for non-commercial purposes as long as full attribution to this work is given. Any queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2422; e-mail: pubrights@ worldbank.org. CONTENTS FOREWORD 5 ACKNOWLEDGMENTS 6 ABOUT THE AUTHORS 9 ABSTRACT 11 INTRODUCTION: THE NORMS OF POWER AND THE POWER OF NORMS 12 1. The study approach 14 2. Methodology of the study 16 3. Discussing and researching gender equality: A brief introduction to the primary study concepts 19 a. Power, empowerment, and agency 20 b. -
Brochure DOTA SCCA 2 09 2020
AKUTIA: BLINDFOLDING THE SUN AND THE POETICS OF PEACE A RETROSPECTIVE OF AGYEMAN OSSEI (DOTA) Message from the Artistic Director of SCCA Tamale Savannah Centre for Contemporary Art (SCCA Tamale) is an artist-run project space that provides a platform for lively explo- ration of modern and contemporary art. The initiative for this came from Ibrahim Mahama, the world-renowned Ghanaian art- ist, who is inspired by the transformative potential of art to affect society. Located in different sites in the city of Tamale in the Northern Region of Ghana, SCCA Tamale, with its offshoot Red Clay, car- ries forward that mission by making the institution an open and active place that promotes access to artistic, scientific, cultural education and experiences through its varied programmings. The institution thinks and acts both locally and internation- ally. Taking a cue from the cross-generational interactions stim- ulated by blaxTARLINES KUMASI, of which it is affiliated, the institution has dedicated a decade to show a retrospective of precursors to the New School; moments that would allow peo- ple of all ages and social backgrounds to meet and exchange experiences, starting with its maiden exhibition: In pursuit of Something ‘Beautiful’, perhaps… (A Retrospective), honouring the Ghanaian Modernist artist Galle Winston Kofi Dawson, curated by Bernard Akoi-Jackson in 2019 at the SCCA Tamale gallery. This initiative is also about contextualising and docu- menting practices which might not be in the spotlight yet are significant. This year, SCCA Tamale, together with Red Clay, will show Akutia: Blindfolding the Sun and The Poetics of Peace (A Retrospective of Agyeman Ossei ‘Dota’). -
M. Shulman, the American Pipe Dream, Dissertation
The American Pipe Dream: Drug Addiction on Stage, 1890-1940 A dissertation submitted by MAX SHULMAN In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Drama Tufts University May 2016 Copyright © 2016, Max Shulman Adviser: Dr. Laurence Senelick ABSTRACT This dissertation examines the representation of drug addiction and drug use in U.S. theatre from the 1890s to the start of the Second World War. In this, it engages with the decades in which the nation first formulated its conceptions of addiction. It is in the 1890s that addicts first appear on stage and assume a significant place in the national imaginary. Over the next fifty years, the theatre becomes an integral part of a cultural process that shapes the characterization, treatment, and legislative paradigms regarding addiction. In many cases, these paradigms that appear during the Progressive Era, Jazz Age, and Depression persist today. This study examines this history by looking at a variety of performance formats, including melodrama, vaudeville, and Jazz club acts. Ranging from the “elite” theatres of Broadway to the “lowbrow” variety stages, this research establishes connections between representational practice and an array of sources. These include the medical, legal, and literary histories related to drug use in the period. Up till now, these are the histories that scholars have recorded, but they have yet to take into account the importance of performance as it both formed and reflected other elements of culture related to drug use. It was the stage that helped push through reforms on part of the Prohibition Era activists; it was also the stage that disseminated the rapidly changing medical etiologies of addiction to the general populace. -
Women in Islamic Societies: a Selected Review of Social Scientific Literature
WOMEN IN ISLAMIC SOCIETIES: A SELECTED REVIEW OF SOCIAL SCIENTIFIC LITERATURE A Report Prepared by the Federal Research Division, Library of Congress under an Interagency Agreement with the Office of the Director of National Intelligence/National Intelligence Council (ODNI/ADDNIA/NIC) and Central Intelligence Agency/Directorate of Science & Technology November 2005 Author: Priscilla Offenhauer Project Manager: Alice Buchalter Federal Research Division Library of Congress Washington, D.C. 20540−4840 Tel: 202−707−3900 Fax:202 −707 − 3920 E-Mail: [email protected] Homepage: http://www.loc.gov/rr/frd p 57 Years of Service to the Federal Government p 1948 – 2005 Library of Congress – Federal Research Division Women in Islamic Societies PREFACE Half a billion Muslim women inhabit some 45 Muslim-majority countries, and another 30 or more countries have significant Muslim minorities, including, increasingly, countries in the developed West. This study provides a literature review of recent empirical social science scholarship that addresses the actualities of women’s lives in Muslim societies across multiple geographic regions. The study seeks simultaneously to orient the reader in the available social scientific literature on the major dimensions of women’s lives and to present analyses of empirical findings that emerge from these bodies of literature. Because the scholarly literature on Muslim women has grown voluminous in the past two decades, this study is necessarily selective in its coverage. It highlights major works and representative studies in each of several subject areas and alerts the reader to additional significant research in lengthy footnotes. In order to handle a literature that has grown voluminous in the past two decades, the study includes an “Introduction” and a section on “The Scholarship on Women in Islamic Societies” that offer general observations⎯bird’s eye views⎯of the literature as a whole.