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Pregnant Women in the Nineteenth-Century British Novel
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU English Faculty Publications English Spring 2000 Near Confinement: Pregnant Women in the Nineteenth-Century British Novel Cynthia N. Malone College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/english_pubs Part of the Literature in English, British Isles Commons Recommended Citation Cynthia Northcutt Malone. "Near Confinement: Pregnant Women in the Nineteenth-Century British Novel." Dickens Studies Annual 29 (Spring 2000) This Article is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. Near Confinement: Pregnant Women in the Nineteenth-Century British Novel Cynthia Northcutt Malone While eighteenth-century British novels are peppered with women ''big with child"-Moll Flanders, Molly Seagrim, Mrs. Pickle-nineteenth century novels typically veil their pregnant characters. Even in nine teenth-century advice books by medical men, circumlocution and euphe mism obscure discussions of pregnancy. This essay explores the changing cultural significance of the female body from the mid-eigh teenth century to the early Victorian period, giving particular attention to the grotesque figure of Mrs. Gamp in Martin Chuzzlewit. Through ostentatious circumlocution and through the hilariously grotesque dou bleness of Mrs. Gamp, Dickens both observes and ridicules the Victo rian middle-class decorum enveloping pregnancy in silence. And now one of the new fashions of our very elegant society is to go in perfectly light-coloured dresses-quite tight -witl1out a particle of shawl or scarf .. -
From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema
This is a repository copy of From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/85099/ Version: Accepted Version Book Section: Sternberg, C (2016) From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema. In: Abrams, N and Lassner, P, (eds.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Cultural Expressions of World War II: Interwar Preludes, Responses, Memory . Northwestern University Press , Evanston, Illinois , pp. 181-204. ISBN 978-0-8101-3282-5 Copyright © 2016 by Northwestern University Press. Published 2016. All rights reserved. This is an author produced version of a book chapter published in Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Uploaded with permission from the publisher. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner. -
9-12Th Grade List by ZPD Book Level 2017-18~3
9-12th Grade List by ZPD Book Level 2017-18~3 ZPD Points Author's Name Title Location 3.2 5 Friend, Natasha Lush 3.5 7 Colasanti, Susan Something Like Fate 3.5 6 Hamilton, Virginia Plain City 3.8 3 Harry Mazer A Boy at War: A Novel of Pearl Harbor 4 4 Barnes, Derrick We Could be Brothers 4.0 5 Bradley, Kimberly For Freedom: Story of a French Spy 4.0 8 Dekker, Ted Lost Bks of History Series#5: Lunatic 4 3 Kern, Peggy The Test, Bluford High Series 4.0 5 McDaniel, Lurlene Until Angels Close my Eyes 4.0 5 McDaniel, Lurlene Heart to Heart 4.0 4 Peck, Robert Newton A Part of the Sky (sequel to Pigs ) 4.1 5 Avi A Place Called Ugly 4.1 14 Dekker, Ted Thr3e 4.1 3 Kern, Peggy Bluford High Series: No Way Out 4.1 4 Mazer, Lerangis Somebody Tell Me Who I Am 4.1 4 McDaniel, Lurlene Hit and Run 4.1 7 Rinaldi, Ann Taking Liberty: The Story of Oney Judge 4.1 12 Riordan, Rick The Battle of the Labyrinth Bk 4 4.1 9 Van Draanen, Wendelin The Running Dream 4.1 9 Voigt, Cynthia Tell Me if the Lovers are Losers 4.2 6 Cannon, A.E. The Shadow Brothers 4.2 13 Condie, Ally Crossed Bk 2 4.2 8 Cooner, Donna Skinny 4.2 10 Deuker, Carl High Heat 4.2 8 Deuker, Carl Heart of a Champion 4.2 4 Folan, Karyn Bluford High Series: Breaking Point 4.2 12 Honeyman, Kay Interference 4.2 3 Langan, Paul Bluford High Series: Search for Safety 4.2 3 Langan, Paul Bluford High Series: The Fallen 4.2 10 Riordan, Rick The Titan’s Curse Bk 3 4.2 10 Smith, Roland Above Bk 2 4.2 5 Yeatts, Tabatha Albert Einstein: The Miracle Mind 530.092 YEA 4.2 6 Lo'pez, Diana Choke 4.3 5 Albom, Mitch For -
The Infidel.Mmsw
"THE INFIDEL" by Robert Carl Johnson Robert Carl Johnson 7510 E. Gem Shores Rd. Hayden Lake, ID 83835 (208) 772-9838 Cell (208) 818-6727 [email protected] FADE IN: INT. HEART MONITOR - DAY SUPER: "JANUARY 2ND. PRESENT DAY." A heartbeat's electrical line moves up and down across the screen - line movement goes erratic - goes flatline - steady SHRILL alarm sends an alert. FEMALE (V.O.) Code blue. Room 626. Code blue. Room 626. EXT. PARK - NIGHT (FLASHBACK) SUPER: "SEPTEMBER 11TH - 113 DAYS PRIOR." A speck of light flickers, grows brighter, reflects a child's tear-streaked cheeks. She and a group (all ages) share grief and pride and hold candles and small American Flags at a memorial. Multitudes of flowers and stuffed animals lay at a sign - "GOD BLESS AMERICA, OUR TROOPS AND TERRORISTS' VICTIMS." EXT. ANCIENT MIDDLE EAST CITY - DAY The sunrise reflects timeless beauty off spiral and domed ROOFS. A PRAYER CHANT's EERINESS seeps into AN ALLEY, shadowed and cobbled. Rats, ragged children, mangey cats and dogs scavenge trash-food. The CHANT NARROW STREET joins angry MURMURS as people scurry into a HUGE SQUARE, swallowed into a gathering horde as ANGRY SHOUTS and AUTOMATIC gun SHOTS rise to a frenzy and inflict the CHANT's merciless death. A woman of stature is unaffected by chaos. Her berka's fabric is of finest quality (no veil). Diamond dust glitters on manicured fingernails. 2. Her olive complexion is as smooth as melted Hagen Daz ice cream; radiant dark eyes as elusive as a frightened chameleon. But most striking are her lips; a slow twist stitches tight wetness of halves that men have died for since Adam and Eve. -
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J. -
“It Would Just Kill Me to Marry Mary Todd”: Courtship and Marriage
Chapter Six “It Would Just Kill Me to Marry Mary Todd”: Courtship and Marriage (1840-1842) In 1842, Lincoln married Mary Todd, a woman who was to make his domestic life “a burning, scorching hell,” as “terrible as death and as gloomy as the grave,” according to one who knew him well.1 COURTING MARY OWENS Lincoln’s courtship of Mary Todd is poorly documented, but indirect light on it is shed by his earlier, well-documented romance with Mary S. Owens. Born in Kentucky a few months before Lincoln, Mary Owens received a good education at the home of her wealthy father, a planter in Green County.2 She “was very different from Anne Rutledge.” Not only was she older, bigger, better-educated, and raised “in the most refined society,” she also “dressed much finer than any of the ladies who lived about New 1 William H. Herndon, quoted in Michael Burlingame, The Inner World of Abraham Lincoln (Urbana: University of Illinois Press, 1994), 268. 2 Nathaniel Owens, out “of his deep concern for the education of his children . maintained a private school in his pretentious plantation home, to which came instructors from Transylvania University, Ky., to give instruction to his children and those of his neighbors.” On his 5000-acre plantation he grew cotton and tobacco, which he farmed with the help of two dozen slaves. Notes on Nathaniel Owens, Fern Nance Pond Papers, Menard County Historical Museum, Petersburg, Illinois. According to William B. Allen, Owens “was a farmer of good education for the times, and of a high order of native intellect. -
Young Adult Series List Great and Terrible Beauty June 2012 (By Author) by Libba Bray 1
3. Sirensong Young Adult Series List Great and Terrible Beauty June 2012 (By Author) By Libba Bray 1. A Great and Terrible Beauty Chains 2. Rebel Angels By Laurie Anderson 3. The Sweet Far Thing 1. Chains: Seeds of America 2. Forge The Faerie Wars Chronicles By Herbie Brennan Darkest Powers 1. Faerie Wars By Kelly Armstrong 2. Purple Emperor 1. The Summoning 3. Ruler of the Realm 2. The Awakening 4. Faerie Lord 3. The Reckoning The Gideon Trilogy Otherworld Series By Linda Buckley-Archer By Kelley Armstrong 1. The Time Travelers 1. Bitten 2. The Time Thief 2. Stolen 3. The Time Quake 3. Dime Store Magic 4. Industrial Magic Princess Diaries 5. Haunted By Meg Cabot 6. Broken 1. Princess Diaries 7. No Humans Involved 2. Princess in the Spotlight 8. Personal Demon 3. Princess in Love 9. Living with the dead 4. Princess in Waiting 10. Frostbitten 41/2. Project Princess 11. Waking the Witch 5. Princess in Pink 6. Princess in Training The Looking Glass Wars 61/2. The Princess Present By Frank Bennor 7. Party Princess 1. The Looking Glass Wars 71/2. Sweet Sixteen Princess 2. Seeing Redd 73/4. Valentine Princess 3. Arch Enemy 8. Princess on the Brink 9. Princess Mia Grey Griffin 10. Forever Princess By Derek Benz 11. Princess Lessons 1. Revenge of the Shadow King 12. Holiday Princess 2. Rise of the Black Wolf 13. Perfect Princess 3. Fall of the Templar Morganville Vampire A Modern Faerie Tale By Rachel Caine By Holly Black 1. Glass Houses 1. -
Iterations of the Other in the Post-Colonial Novel
Dominican Scholar Master of Arts in Humanities | Master's Liberal Arts and Education | Graduate Theses Student Scholarship May 2021 Broken Mirrors: Iterations of the Other in the Post-Colonial Novel Kelly Bowers Dominican University of California https://doi.org/10.33015/dominican.edu/2021.HUM.02 Survey: Let us know how this paper benefits you. Recommended Citation Bowers, Kelly, "Broken Mirrors: Iterations of the Other in the Post-Colonial Novel" (2021). Master of Arts in Humanities | Master's Theses. 14. https://doi.org/10.33015/dominican.edu/2021.HUM.02 This Master's Thesis is brought to you for free and open access by the Liberal Arts and Education | Graduate Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Master of Arts in Humanities | Master's Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. This thesis, written under the direction of the candidate's thesis advisor and approved by the department chair, has been presented to and accepted by the Master of Arts in Humanities Program in partial fulfillment of the equirr ements for the degree of Master of Arts in Humanities. An electronic copy of of the original signature page is kept on file with the Archbishop Alemany Library. Kelly Bowers Candidate Judy Halebsky, PhD Program Chair Thomas Burke, MFA First Reader Amy Wong, PhD Second Reader This master's thesis is available at Dominican Scholar: https://scholar.dominican.edu/humanities- masters-theses/14 Broken Mirrors: Iterations of the Other in the Post-Colonial Novel By Kelly Bowers A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Master of Arts in Humanities Dominican University of California San Rafael, CA May 2021 ii Copyright © 2021 Kelly Bowers. -
The Swedish Knight and His Lunatic Son
The Swedish Knight and his Lunatic Son John H. Ballantyne THE story begins with George Seton, born in 1696, a grandson of Sir WaIter Seton of Abercorn, West Lothian, who had been created a baronet in 1663. George became a student at Ehrenburg, from whence he travelled to Dantzig, where he studied commerce. He went to Sweden in 1718, and settled in Stockholm, where he became a merchant and, though he commenced a poor man, soon acquired great wealth. Many anecdotes are told of his peculiarities. Though one of the merchant-princes of Stockholm, he continued to wear his snuff brown dress as he did in the days of his poverty. Once he walked to the quay to inspect one of his ships after a stormy voyage. When the vessel was made fast a sailor jumped ashore, rushed up to Seton, and put some money into his hand. 'Why do you give it to me?' asked the merchant. 'Because,' answered the sailor, 'I promised, when in sore distress on the broad seas, to give my little all to the first poor man 1 should meet on landing, if God would save me.' Seton kept the money, but asked the sailor to accompany him home, and subsequently made him a ship's captain. Another time George Seton was sitting solitary in his counting office when a young man entered, who, after some lively conversation, suddenly put a pistol to his breast, saying: 'Lend me 20,000 thaler at once, or taste this.' When the old merchant had fetched the money and given it to him, the latter put down the pistol and ran away. -
Better Angel
BETTER ANGEL By Richard Meeker New York, NY : Greenberg, 1933 Production Note – This copy was reproduced from an imperfect original by a double-key process. Pagination does not match that of the original. Historical Note – Richard Meeker was the pseudonym of Forman Brown, 1901-1996. Better Angel 2 PART ONE Better Angel 3 I Kurt Gray was thirteen years old, but as he sat in the broad chair pulled close to the square front window, he seemed still a little boy. Partly it was the light; partly it was the way in which one thin leg was tucked under him, and his chin dug into his fist. Folded together over his book he seemed smaller than he was. It was early March. Patches of graying snow thatched the earth outside; and a gray sky, tarnished with gold from a sun gone down behind the grove of oaks opposite, gave to the light a pale, cold, honey-colored translucence that was thin and clear and yet liquid and winey. The room was in deep shadow, and the boy, his head bent almost to the pages of the book, strained his eyes over it with such a silent intentness that he seemed grown to the heavy chair and to the dim and aqueous atmosphere of the room. The faint sounds of rattling dishes and his mother's step in the kitchen could not break through into his consciousness. "Now Herakles," he read, "though his warriors were ready and urging him to be off on the long-awaited quest for the fleece, refused to set sail until Hylas was found. -
The Case of Muslims Tomasz Pelech
Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade : The Case of Muslims Tomasz Pelech To cite this version: Tomasz Pelech. Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade : The Case of Muslims. Archaeology and Prehistory. Université Clermont Auvergne; Uniwersytet Wroclawski, 2020. English. NNT : 2020CLFAL002. tel-03143783 HAL Id: tel-03143783 https://tel.archives-ouvertes.fr/tel-03143783 Submitted on 17 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIWERSYTET WROCŁAWSKI WYDZIAŁ NAUK HISTORYCZNYCH I PEDAGOGICZNYCH INSTYTUT HISTORYCZNY / UNIVERSITÉ CLERMONT–AUVERGNE ÉCOLE DOCTORALE DES LETTRES, SCIENCES HUMAINES ET SOCIALES (ED 370) CENTRE D’HISTOIRE «ESPACES ET CULTURES» PRACA DOKTORSKA/THÈSE DE DOCTORAT Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade: The Case of Muslims NAPISANA POD KIERUNKIEM/SOUS LA DIRECTION DES: Promotorzy/Directeurs: Prof. dr hab. Stanisław Rosik (Université de Wrocław) Prof. dr hab. Jean-Luc Fray (Université Clermont-Auvergne) Kopromotor/Cotuteur: Dr hab. Damien Carraz (Université Clermont-Auvergne) SKŁAD KOMISJI/MEMBRES DU JURY: Prof. dr hab.