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Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Alberto Burri: the Art of the Matter
Alberto Burri: The Art of the Matter Judith Rozner A thesis submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy Volume I – Text Volume II - Illustration March 2015 School of Culture and Communication. The University of Melbourne. Produced on archival quality paper i VOLUME I ii For Avraham and Malka Ur iii iv ABSTRACT "Alberto Burri, an Italian artist of the immediate post WWII period, introduced common, everyday materials into his art. In so doing material became both the subject of his work as well as the object out of which the work was made. This thesis argues that the primary purpose of Burri's work throughout his career was to provoke a tactile, sensuous response in the viewer, a response which can best be understood through the lens of phenomenology." v vi DECLARATION This is to certify that: I. The thesis comprises only my original work. II. Due acknowledgment has been made in the text to all other material used. III. The thesis is less than 100.000 words in length exclusive of tables, maps, bibliography and appendices. Judith Rozner vii viii Preface In 1999, following an introduction by a mutual friend, I was invited by Minsa Craig- Burri, the widow of the artist Alberto Burri, to help her compile a biography of her life with her husband.1 I stayed and worked on the manuscript at their home at 59, Blvd. Eduard VII, in Beaulieu-sur-Mar, in the South of France for about six weeks. I had not seen the artist’s work before my arrival, and on my first encounter with it I just shrugged my shoulders and raised my eyebrows at the high prices it commanded in the market. -
Università Degli Studi Di Cagliari
Università degli Studi di Cagliari DOTTORATO DI RICERCA Studi Filologici e Letterari Ciclo XXVI SUL PARAGONE DELLE ARTI NELLA RIVISTA «CIVILTÀ DELLE MACCHINE» LA DIREZIONE DI LEONARDO SINISGALLI (1953-1958) Settore scientifico disciplinare di afferenza L-FIL-LET/11 - LETTERATURA ITALIANA CONTEMPORANEA Presentata da: Dott.ssa Simona Campus Coordinatore Dottorato Prof.ssa Cristina Lavinio Tutor Prof.ssa Giovanna Caltagirone Esame finale anno accademico 2012 – 2013 Università degli Studi di Cagliari La presente tesi è stata prodotta durante la frequenza del corso di Dottorato in “tudi filologii e letteai dellUiesità degli “tudi di Cagliai, a.a. /, /, / ‒ XXVI ilo, o il supporto di una borsa di studio finanziata con le risorse del P.O.R. SARDEGNA F.S.E. 2007-2013 - Obiettivo competitività regionale e oupazioe, Asse IV Capitale uao, Liea di Attiità l.. Fiaziaeto di corsi di dottorato finalizzati alla formazione di capitale umano altamente speializzato, i patiolae pe i settoi dellICT, delle aoteologie e delle ioteologie, delleegia e dello siluppo sosteiile, dellagoalietae e dei ateiali tadizioali. Simona Campus gratefully acknowledges Sardinia Regional Government for the financial support of her PhD scholarship (P.O.R. Sardegna F.S.E. Operational Programme of the Autonomous Region of Sardinia, European Social Fund 2007- 2013 - Axis IV Human Resources, Objective l.3, Line of Activity l.3.1.). 1 Avvertenza Tutte le immagini inserite nella tesi sono state appositamente degradate o hanno comunque una bassa risoluzione, in ottemperanza alle norme di tutela del diitto dAutoe. La provenienza delle immagini viene sempre indicata. 2 INDICE INTRODUZIONE p. 5 CAPITOLO PRIMO: UN NUOVO PUNTO DI VISTA I.1 Roma, 1953 p. -
Journal of Italian Translation Journal of Journal of Italian Translation V Ol
Journal ofJournal Italian Translation Journal of Italian Translation V ol. XII No. 1 Spring 2017 Editor Luigi Bonaffini ISSN 1559-8470 Volume XII Number 1 Spring 2017 JIT 12-1 Cover.indd 1 7/8/2017 4:07:13 PM Journal of Italian Translation Book JIT22.indb 1 7/28/2017 1:08:51 PM Journal of Italian Translation is an international Editor journal devoted to the translation of literary works Luigi Bonaffini from and into Italian-English-Italian dialects. All translations are published with the original text. It also publishes essays and reviews dealing with Associate Editors Gaetano Cipolla Italian translation. It is published twice a year. Michael Palma Submissions should be in electronic form. Joseph Perricone Translations must be accompanied by the original texts, a brief profile of the translator, and a brief profile of the author. Original texts and transla- Assistant Editor tions should be on separate files. All submissions Paul D’Agostino and inquiries should be addressed to l.bonaffini@ att.net Book reviews should be sent to Joseph Per- Editorial Board Adria Bernardi ricone, [email protected]. Geoffrey Brock Franco Buffoni Website: www.jitonline.org Barbara Carle Peter Carravetta Subscription rates: John Du Val U.S. and Canada. Individuals $30.00 a year, $50 Luigi Fontanella for 2 years. Anna Maria Farabbi Institutions $35.00 a year. Rina Ferrarelli Single copies $18.00. Irene Marchegiani For all mailing abroad please add $15 per is- Francesco Marroni sue. Payments in U.S. dollars. Make checks payable Sebastiano to Journal of Italian Translation, Dept. of Modern Martelli Languages and Literatures, 2900 Bedford Ave. -
A Conversation Between Giuseppe Iannaccone and Alberto Salvadori Alberto Salvadori
to Tommaso and Leonardo Volume I Italy 1920-1945 A New Figurative Art and Narrative of the Self Design Concept Particular thanks to Photographic Credits Studio Mousse Giuseppe Iannaccone Alessandro Barca, Romina © 2017. De Agostini Picture Note to the reader Bettega, Viviana Birolli, Arianna Library/Scala, Firenze: p. 129 Editorial Coordination Catalogue Editors Borroni, Italo Carli, Stefano © 2017. Scala. Foto Art Resource/ Emma Cavazzini Alberto Salvadori Carluccio, Claudio Centimeri, Scala, Firenze/John Bigelow Rischa Paterlini The first volume on the Collezione Giuseppe Iannaccone covers the works Copy Editor Giulia Centonze, Paolo Colonna, Taylor: p. 133 Anna Albano Texts by Caterina Corni, Marcello © 2017. Foto Scala, Firenze: produced in the period 1920–45, personally chosen by the collector and Giuseppe Iannaccone Francone, Paolo Frassetto, pp. 160 left, 178 left, 182 right, Layout Alberto Salvadori Elisabetta Galasso, Alessandro 194 left, 258 top, 294 left purchased up to the date of 30 November 2016. The reconstruction of Giorgia Dalla Pietà Rischa Paterlini Guerrini, Giovanni Lettini, © 2017. Foto Scala, Firenze/ every detail was made possible by the extensive, scholarly records kept Iconographic Research Fabio Benzi Martino Mascherpa, Matteo Fondo Edifici di Culto - Ministero Paola Lamanna Giorgina Bertolino Mattei, Riccardo Mavelli, dell’Interno: p. 306 ever since the first purchase in 1992. The collection was built up spe- Paola Bonani Oblò Architetti, Claudia Santrolli, © 2017. Foto Scala, Firenze/ First published in Italy in 2017 by Fabrizio D’Amico Beppe Sarno, Maura Sarno, Luciano Romano - su concessione cifically as a homogeneous group of works essentially representing the Skira editore S.p.A. Flavio Fergonzi Violante Spinelli, the Studio del Ministero dei Beni e delle course of artistic developments from 1920 to 1945 outside the canons of Palazzo Casati Stampa Lorella Giudici Legale avvocato Giuseppe Attività Culturali e del Turismo: via Torino 61 Mattia Patti Iannaccone e Associati, p. -
Giorgio Caproni. Bibliografia Delle Opere E Della Critica (1933-2020)
a cura di Michela Baldini Giorgio Caproni. Bibliografia delle opere e della critica (1933-2020) con la collaborazione di Chiara Favati Giorgio Caproni – a cura di Michela Baldini FIRENZE PRESSUNIVERSITY MODERNA/COMPARATA ISSN 2704-5641 (PRINT) - ISSN 2704-565X (ONLINE) – 36 – MODERNA/COMPARATA Editor-in-Chief Anna Dolfi, University of Florence, Italy Scientific Board Marco Ariani, Roma Tre University, Italy Enza Biagini, University of Florence, Italy William Marx, Collège de France, France Giuditta Rosowsky, Vincennes-Saint-Denis Paris 8 University, France Evanghelia Stead, University of Versailles Saint-Quentin-en-Yvelines, France Nicola Turi, University of Florence, Italy Gianni Venturi, University of Florence, Italy Giorgio Caproni. Bibliografia delle opere e della critica (1933-2020) a cura di Michela Baldini con la collaborazione di Chiara Favati FIRENZE UNIVERSITY PRESS 2021 Giorgio Caproni. Bibliografia delle opere e della critica (1933-2020) / a cura di Michela Baldini; con la collaborazione di Chiara Favati. - Firenze : Firenze University Press, 2021 (Moderna/Comparata ; 36) https://www.fupress.com/isbn/9788855182416 ISSN 2704-5641 (print) ISSN 2704-565X (online) ISBN 978-88-5518-241-6 (PDF) ISBN 978-88-5518-242-3 (XML) DOI 10.36253/978-88-5518-241-6 Graphic design: Alberto Pizarro Fernández, Lettera Meccanica SRLs FUP Best Practice in Scholarly Publishing (DOI https://doi.org/10.36253/fup_best_practice) All publications are submitted to an external refereeing process under the responsibility of the FUP Editorial Board and the Scientific Boards of the series. The works published are evaluated and approved by the Editorial Board of the publishing house, and must be compliant with the Peer review policy, the Open Access, Copyright and Licensing policy and the Publication Ethics and Complaint policy. -
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The Responsibilities of the Architect: Mass Production and Modernism in the Work of Marco Zanuso 1936-1972 Shantel Blakely Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Shantel Blakely All rights reserved ABSTRACT The Responsibilities of the Architect: Mass Production and Modernism in the Work of Marco Zanuso 1936-1972 Shantel Blakely The topic of this dissertation is the significance of industrial design in the work of architect Marco Zanuso (1916-2001), who lived and practiced in Milan, Italy. As a leading architect, as well as a pioneer in industrial design in the early postwar period, Zanuso was a key protagonist in the relationship of postwar Italian architecture culture to industrialization and capitalism. He is therefore an indicative figure with respect to the broader shift from Modernism to Postmodernism in architecture. Whereas previous studies of Zanuso have addressed either his architecture or his industrial design, this study traces the mutual influence of these practices in Zanuso's early work. The four chapters examine a selection of his projects to reconstruct their relationships to concurrent discourses in Italian art, architecture, and industry. In addition, the chapters show how these projects can be understood as conceptual and practical benchmarks along the way to the eventual realization of a continuum of design from small to large scale, and especially an architecture in which the serial nature of mass production would be explicit. The first chapter, whose topic is Zanuso's relationship to Italian modern architecture between the two World Wars, relates his embrace of mass-production around 1946, in essays on prefabricated architecture, to his student work in the 1930s and to his first projects during Reconstruction, emphasizing the influence of the Gruppo 7, Giuseppe Pagano, and Ernesto Nathan Rogers.