Painting Outside of the Lines: How Race Assignment Can Be Rethought Through Art
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Race and Membership in American History: the Eugenics Movement
Race and Membership in American History: The Eugenics Movement Facing History and Ourselves National Foundation, Inc. Brookline, Massachusetts Eugenicstextfinal.qxp 11/6/2006 10:05 AM Page 2 For permission to reproduce the following photographs, posters, and charts in this book, grateful acknowledgement is made to the following: Cover: “Mixed Types of Uncivilized Peoples” from Truman State University. (Image #1028 from Cold Spring Harbor Eugenics Archive, http://www.eugenics archive.org/eugenics/). Fitter Family Contest winners, Kansas State Fair, from American Philosophical Society (image #94 at http://www.amphilsoc.org/ library/guides/eugenics.htm). Ellis Island image from the Library of Congress. Petrus Camper’s illustration of “facial angles” from The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. Inside: p. 45: The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. 51: “Observations on the Size of the Brain in Various Races and Families of Man” by Samuel Morton. Proceedings of the Academy of Natural Sciences, vol. 4, 1849. 74: The American Philosophical Society. 77: Heredity in Relation to Eugenics, Charles Davenport. New York: Henry Holt &Co., 1911. 99: Special Collections and Preservation Division, Chicago Public Library. 116: The Missouri Historical Society. 119: The Daughters of Edward Darley Boit, 1882; John Singer Sargent, American (1856-1925). Oil on canvas; 87 3/8 x 87 5/8 in. (221.9 x 222.6 cm.). Gift of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and Florence D. Boit in memory of their father, Edward Darley Boit, 19.124. -
Can Money Whiten? Exploring Race Practice in Colonial Venezuela and Its Implications for Contemporary Race Discourse
Michigan Journal of Race and Law Volume 3 1998 Can Money Whiten? Exploring Race Practice in Colonial Venezuela and Its Implications for Contemporary Race Discourse Estelle T. Lau State University of New York at Buffalo Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Comparative and Foreign Law Commons, Law and Race Commons, Law and Society Commons, and the Legal History Commons Recommended Citation Estelle T. Lau, Can Money Whiten? Exploring Race Practice in Colonial Venezuela and Its Implications for Contemporary Race Discourse, 3 MICH. J. RACE & L. 417 (1998). Available at: https://repository.law.umich.edu/mjrl/vol3/iss2/4 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. CAN MONEY WHITEN? EXPLORING RACE PRACTICE IN COLONIAL VENEZUELA AND ITS IMPLICATIONS FOR CONTEMPORARY RACE DISCOURSE Estelle T. Lau* The Gracias al Sacar, a fascinating and seemingly inconceivable practice in eighteenth century colonial Venezuela, allowed certain individuals of mixed Black and White ancestry to purchase "Whiteness" from their King. The author exposes the irony of this system, developed in a society obsessed with "natural" ordering that labeled individuals according to their precise racial ancestry. While recognizing that the Gracias al Sacar provided opportunities for advancement and an avenue for material and social struggle, the author argues that it also justified the persistence of racial hierarchy. -
Historical Origins of the One-Drop Racial Rule in the United States
Historical Origins of the One-Drop Racial Rule in the United States Winthrop D. Jordan1 Edited by Paul Spickard2 Editor’s Note Winthrop Jordan was one of the most honored US historians of the second half of the twentieth century. His subjects were race, gender, sex, slavery, and religion, and he wrote almost exclusively about the early centuries of American history. One of his first published articles, “American Chiaroscuro: The Status and Definition of Mulattoes in the British Colonies” (1962), may be considered an intellectual forerunner of multiracial studies, as it described the high degree of social and sexual mixing that occurred in the early centuries between Africans and Europeans in what later became the United States, and hinted at the subtle racial positionings of mixed people in those years.3 Jordan’s first book, White over Black: American Attitudes Toward the Negro, 1550–1812, was published in 1968 at the height of the Civil Rights Movement era. The product of years of painstaking archival research, attentive to the nuances of the thousands of documents that are its sources, and written in sparkling prose, White over Black showed as no previous book had done the subtle psycho-social origins of the American racial caste system.4 It won the National Book Award, the Ralph Waldo Emerson Prize, the Bancroft Prize, the Parkman Prize, and other honors. It has never been out of print since, and it remains a staple of the graduate school curriculum for American historians and scholars of ethnic studies. In 2005, the eminent public intellectual Gerald Early, at the request of the African American magazine American Legacy, listed what he believed to be the ten most influential books on African American history. -
The Zacuto Complex: on Reading the Jews in South Africa
Richard Mendelsohn, Milton Shain. The Jews in South Africa: An Illustrated History. Johannesburg: Jonathan Ball, 2008. x + 234 pp. $31.95, cloth, ISBN 978-1-86842-281-4. Reviewed by Jonathan Judaken Published on H-Judaic (August, 2009) Commissioned by Jason Kalman (Hebrew Union College - Jewish Institute of Religion) While the frst Jews to officially settle in South hand, Europeans colonized him in the name of Africa did so in the early nineteenth century, the the same basic ideas that justified European ex‐ history of their antecedents is much longer. They pansion and exploitation, notions that we can include Abraham ben Samuel Zacuto, distin‐ name in one word: racism. The "Zacuto complex," guished astronomer and astrologist at the Univer‐ as I want to call it, has played out through most of sity of Salamanca prior to the expulsion of the the history of Jews in South Africa, as this won‐ Jews from Spain in 1492. His astrological tables derful book demonstrates. were published in Hebrew, and then translated The Jews in South Africa, by two of the lead‐ into Latin, and then into Spanish. They were used ing living historians of South Africa’s Jewish past, by Christopher Columbus, and more importantly is the frst general history of South African Jewry by Vasco da Gama, for whom he also selected the in over ffty years. It is written in lively prose, scientific instruments and joined on his voyage to sumptuously illustrated, and includes rare photo‐ Africa.Zacuto, thereby, “was probably the frst Jew graphs as well as documents culled from the ar‐ to land on South African soil when, in mid-No‐ chives, which are inserted into offset “boxes” that vember 1497, the Da Gama party went ashore at help illuminate the forces at work in South St Helena Bay on the Cape west coast” (p. -
Racial Migration and the One-Drop Rule, 1600–1860
SHARFSTEIN_4FMT 2/22/2007 10:11:09 AM Article Crossing the Color Line: Racial Migration and the One-Drop Rule, 1600–1860 Daniel J. Sharfstein† “It ain’t no lie, it’s a natural fact, / You could have been colored without being so black . .” —Sung by deck hands, Auburn, Alabama, 1915–161 “They are our enemies; we marry them.” —African Proverb2 INTRODUCTION: THE BRIDE WORE BLACK In 1819 a Scotsman named James Flint crossed the Atlan- tic Ocean, made his way from New York to Pittsburgh, sailed down the Ohio, and settled for eighteen months in Jefferson- ville, Indiana, just opposite Louisville, Kentucky. His letters † Samuel I. Golieb Fellow in Legal History, New York University School of Law. J.D. 2000, Yale Law School. Special thanks to R.B. Bernstein, Steven Biel, Paulette Caldwell, Kristin Collins, Daniel Coquillette, Christine Desan, Charles Donahue, Mary Dudziak, Crystal Feimster, Harold Forsythe, Henry Louis Gates, Jr., Glenda Gilmore, Robert W. Gordon, Jonathan Hanson, Paul Heinegg, Helen Hershkoff, Carissa Hessick, Morton Horwitz, Daniel Hulse- bosch, Jane Kamensky, J. Andrew Kent, Harold Hongju Koh, Matthew Lind- say, Kenneth Mack, Ann Mikkelsen, William E. Nelson, Kunal Parker, Nicho- las Parrillo, Joseph Pearce, Jr., Seth Rockman, Carol Rose, Peter Schuck, David Seipp, Jed Shugerman, Werner Sollors, Simon Stern, Diana Williams, and Michael Willrich. The Legal History Colloquium at New York University School of Law and the Harvard Legal History Colloquium provided invaluable feedback. This Article would not have been possible without the hard work of Ashley Ewald, Sara Youn, and the staff of the Minnesota Law Review, as well as the generous support of the Raoul Berger-Mark DeWolfe Howe Fellowship at Harvard Law School and the National Endowment for the Humanities. -
Jeanmichel Basquiat: an Analysis of Nine Paintings
JeanMichel Basquiat: An Analysis of Nine Paintings By Michael Dragovic This paper was written for History 397: History, Memory, Representation. The course was taught by Professor Akiko Takenaka in Winter 2009. Jean‐Michel Basquiat’s incendiary career and rise to fame during the 1980s was unprecedented in the world of art. Even more exceptional, he is the only black painter to have achieved such mystic celebrity status. The former graffiti sprayer whose art is inextricable from the backdrop of New York City streets penetrated the global art scene with unparalleled quickness. His work arrested the attention of big‐ shot art dealers such as Bruno Bischofberger, Mary Boone, and Anina Nosei, while captivating a vast audience ranging from vagabonds to high society. His paintings are often compared to primitive tribal drawings and to kindergarten scribbles, but these comparisons are meant to underscore the works’ raw innocence and tone of authenticity akin to the primitivism of Henri Matisse, Pablo Picasso, Cy Twombly or, perhaps, even that of the infant mind. Be that as it may, there is nothing juvenile about the communicative power of Basquiat’s work. His paintings depict the physical and the abstract to express themes as varied as drug abuse, bigotry, jazz, capitalism, and mortality. What seem to be the most pervasive throughout his paintings are themes of racial and socioeconomic inequality and the degradation of life that accompanies this. After examining several key paintings from Basquiat’s brief but illustrious career, the emphasis on specific visual and textual imagery within and among these paintings coalesces as a marked—and often scathing— social commentary. -
Jim Crow Racism and the Mexican Americans of San Antonio, Texas
ORAL HISTORY AS A MEANS OF MORAL REPAIR: JIM CROW RACISM AND THE MEXICAN AMERICANS OF SAN ANTONIO, TEXAS by Rebecca Dominguez-Karimi A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2018 Copyright by Rebecca Dominguez-Karimi, 2017 ii ORAL HISTORY AS A MEANS OF MORAL REPAIR: JIM CROW RACISM AND THE MEXICAN AMERICANS OF SAN ANTONIO, TEXAS by Rebecca Dominguez-Karimi This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Sandra Norman, Comparative Studies Program, and has been approved by the members of her supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. SUPERVISORY COMMnTEE: ~~o..... .:i N1~"" Sandra Norman, Ph.D. ~~Susan Love Brown, Ph. 'S:"..,;ae~.~~o~ JosephinBeoku-Betts, Ph.D. Directo , mparative St ilies Pro? MiC11aeliOfSWclD.~-# Dean, Dorothy F. Schmidt College of Arts andn:ers . 5"", "Zo/g "~~2.~~ ' iii ACKNOWLEDGMENTS The author offers her sincerest thanks and gratitude to members of her committee (past and present-Dr. Robin Fiore, Dr. Marta Cruz-Janzen, Dr. Sandra Norman, Dr. Susan Love Brown, and Dr. Josephine Beoku-Betts) for their guidance, input, and support in bringing this manuscript to fruition. She wishes to especially thank her dissertation advisor, Dr. Sandra Norman, for her patience, advice, and inspiration during the composition of this manuscript. -
An Analysis of Internalized Racism in Art Created by Black Artists; Implications for Psychological Intervention
Pepperdine University Pepperdine Digital Commons Theses and Dissertations 2021 An analysis of internalized racism in art created by Black artists; implications for psychological intervention Mirjam Hatton Follow this and additional works at: https://digitalcommons.pepperdine.edu/etd Part of the Psychology Commons Pepperdine University Graduate School of Education and Psychology AN ANALYSIS OF INTERNALIZED RACISM IN ART CREATED BY BLACK ARTISTS; IMPLICATIONS FOR PSYCHOLOGICAL INTERVENTION A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Psychology by Mirjam Hatton April, 2021 Shelly P. Harrell, Ph.D. – Dissertation Chairperson This clinical dissertation, written by Mirjam Hatton under the guidance of a Faculty Committee and approved by its members, has been submitted to and accepted by the Graduate Faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PSYCHOLOGY Doctoral Committee: Shelly P. Harrell, Ph.D., Chairperson Thema Bryant-Davis, Ph.D. Jennifer Brown, Psy.D. TABLE OF CONTENTS Page LIST OF TABLES ......................................................................................................................... vi LIST OF FIGURES ..................................................................................................................... vii ACKNOWLEDGEMENTS ......................................................................................................... viii VITA ............................................................................................................................................. -
Free People of Color and Blood Purity in Colonial Spanish American Legislation
SLAVE BUT NOT CITIZEN: FREE PEOPLE OF COLOR AND BLOOD PURITY IN COLONIAL SPANISH AMERICAN LEGISLATION ESCLAVO PERO NO CIUDADANO: LIBRES DE COLOR Y PUREZA DE SANGRE EN LA LEGISLACION COLONIAL EN LA AMERICA HISPANA ALINE HELG Université de Genève Resumen En 1946 el sociólogo Frank Tannenbaum ofreció una imagen positiva de la esclavitud en América Latina. Desde entonces, sus consideraciones respecto a la esclavitud han sido replanteadas. Sin embargo, se ha prestado poca atención a su afirmación de que una vez emancipados, los antiguos esclavos se convirtieron en ciudadanos. En este artículo analizamos la posición de la gente libre de color en la legislación colonial en la América hispana que les discriminaba y les impedía la posibilidad de ocupar un cargo en las instituciones civiles, militares y eclesiásticas mediante el requisito legal de la pureza de sangre. Este tipo de exclusiones raciales fueron suprimidas en los inicios del proceso de independencia de la América hispana continental pero se mantuvieron vigentes en Cuba y en Puerto Rico hasta la década de 1880. Palabras clave: Esclavitud, pureza de sangre, ciudadanía, América Latina. Abstract In 1946, sociologist Frank Tannenbaum offered a positive image of Latin America’s sla- ve. Since then, his views on slavery have been revised, but little attention has been paid to his claim that once freed, former slaves became citizens. This article focuses on the position of free people of color in colonial Spanish American law, which discriminated against them and barred them from civil, military and church positions through the legal requirement of blood purity. Such racial exclusions were lifted at the onset of continental Spanish America’s independence process, but were in force in Cuba and Puerto Rico until the 1880s. -
Unsuspecting
UNSUSPECTING DAVID SCHRAUB* INTRODUCTION ............................................................................................... 362 I. SUSPECT STASIS .................................................................................. 366 A. The Indicia of Suspectness ........................................................... 367 B. The Indicia’s Impermanence ....................................................... 372 1. The Carolene Factors ............................................................ 372 2. The Rodriguez Factors ........................................................... 376 3. Immutability and Irrelevancy ................................................ 378 a. Immutability .................................................................... 378 b. Irrelevancy ...................................................................... 381 II. TRANSIENT IN THEORY, CONCRETE IN FACT: WHY HAVEN’T CLASSES BEEN UNSUSPECTED? ........................................................... 383 A. Lack of Opportunity ..................................................................... 384 B. Lack of Incentive .......................................................................... 389 C. Lack of Clarity ............................................................................. 393 III. AGAINST PERPETUAL SUSPECT CLASSES ............................................ 396 A. Democratic Tensions ................................................................... 396 B. Suspect Classification as Zero-Sum ........................................... -
The Night Watchman
3/16/2021 The History and the Literature: The Night Watchman Diane and Stan Henderson OLLI at the University of Cincinnati March 16, 2021 For a PDF of these slides, please email [email protected] 3/16/2021 The History OVERVIEW • A Grim Reckoning • The Land Was Already Occupied • Land and Purity of the Blood • Early America: Treaties and Conflict • The American Origin Story • Jackson: The Indians Must Go • War or Policy: It’s All the Same • Termination: The Final Solution • A New Reckoning 3/16/2021 • “Our nation was born in genocide.… We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this Martin Luther King, Jr. shameful episode.” Settler Colonialism • Increasingly, historians are seeing the growth of the US as a kind of colonialism, specifically, settler colonialism • The hordes of settlers who moved west from the Atlantic—whether immigrants or people seeking better circumstances—were—colonizing, making the land their own • Indigenous peoples already there were not a part of the colonists’ plans: they were “others” who needed to move or be moved or worse 3/16/2021 Quick Test • Envision the map of the US at the time of independence • Most likely you thought of an approximation of the US as it looks today • A Rorschach of unconscious “manifest destiny” • Implication that America was terra nullius, a land without people and -
26103470.Pdf
92 DL6b Broderick, Francis L $>5,00 *EBo Du Bois, Megro leader lii a time of crisis. Stanford, Calif 0, Stanford University Press, 1959* 259p* MOV 10 1!75 WEF ,HJ1 STACKS 92 D816b Broderick, Francis L. W.E.B. Du Bois, Negro leader in a time of 1959. Photograph by Carl Van Vechten William Edward Burghardt DuBois W. 8. ft NEGRO LEADER IN A TIME OF CRISIS by Francis . Roderick STANFORD UNIVERSITY PRESS Stanford, California 1939 STANFORD UNIVERSITY PRESS STANFORD, CALIFORNIA 1959 by the Board of Trustees of the Leland Stanford Junior University All rights reserved Printed in the United States of America Library of Congress Catalog Card Number: 59-7422 PUBLISHED WITH THE ASSISTANCE OF THE FORD FOUNDATION To Mother and Dad W^TPORT OCT 29 1959 ACKNOWLEDGMENTS A study of the public career of a complex figure like William Edward Burghardt DuBois, who has put so much on the record and who has been a controversial figure for over half a century, of invites controversy at almost every chapter. It is not the job the historian to avoid controversy. It is his job to reconstruct the his past as accurately as his limitations permit, even when judg I done. ments contradict existing judgments. This is what have My intention has been neither to exalt nor to demean Dr. DuBois; it has been to understand him in the context of his time. My work has put me in debt to many people. At the head of the list is Dr. DuBois himself. Not only did he ease my way into sources of information, such as the Harvard archives, which other wise would have been unavailable; he also gave me unlimited access to his own voluminous papers.