Boston Symphony Orchestra Concert Programs, Season 101, 1981

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 101, 1981 BOSTON SOYMPHONY OWRCHESTRA n b J- sv^h°ony^ Hundredth1UNDREDTH BirthdayOIRTHDAY OEASONSi LORCHESTRAj SBJIOZAWA 1881 -OCTOBER 22 -1981 V.S.O.P., ./0* -.h**** ^S.QP COGNAC -^or** &**t> ' "* 1 BOTTLim hv * «•*.* 1 T" ^fagl FI NE CHAMPAGNE COGN^ THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE FROM THE TWO "PREMIERS CRUS" OF THE COGNAC REGION /£> ^'BOSTON "^^^N? OBs'i mphon> (_) [O^K,ORCHESTRAJ^P ~~j*-j Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D. Hill Joseph M. Hobbs Director of Director of Director of Promotion Business Affairs Development Judith Gordon Joyce M. Snyder Theodore A. Vlahos Assistant Director Development Controller of Promotion Coordinator Marc Solomon Katherine Whitty Arlene Germain Production Coordinator of Financial Analyst Coordinator Boston Council Elizabeth James E. Whitaker Dunton Richard Ortner Hall Manager, Director of Sales Adminstrator Symphony Hall Berkshire Music Center Charles Rawson James F. Kiley Anita R. Kurland Manager of Box Office Operations Manager, Administrator of Tanglewood Youth Activities Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director of Editorial Printing Production Publications Coordinator Coordinator Programs copyright ©1981 Boston Symphony Orchestra, Inc. Cover photo by Peter Schaaf 1 Board of Overseers of the Boston Symphony Orchestra, Inc. Mrs. Norman L. Cahners Chairman William J. Poorvu Mrs. William H. Ryan Vice-chairman Secretary Charles F. Adams Jordan L. Golding Paul M. Montrone John Q. Adams Haskell R. Gordon Mrs. Hanae Mori Mrs. Frank G. Allen Graham Gund Mrs. Stephen VC. Morris David B. Arnold, Jr. Christian G. Halby E. James Morton Hazen H. Ayer Mrs. R. Douglas Hall III Stephen Paine, Sr. Bruce A. Beal Francis W Hatch, Jr. John A. Perkins Mrs. Richard Bennink Mrs. Richard D. Hill David R. Pokross David W. Bernstein Ms. Susan M. Hilles Mrs. Curtis Prout Mrs. Edward J. Bertozzi, Jr. Mrs. Amory Houghton, Jr. Mrs. Eleanor Radin Peter A. Brooke Richard S. Jackson, Jr. Peter C. Read William M. Bulger Mrs. Bela T Kalman Mrs. Peter van S. Rice Curtis Buttenheim Mrs. Louis I. Kane David Rockefeller, Jr. Julian Cohen Mrs. S. Charles Kasdon Mrs. George R. Rowland Mrs. Nat King Cole Mrs. F. Corning Kenly Jr. Francis P Sears Johns H. Congdon Mrs. Gordon F. Kingsley Gene Shalit William M. Crozier, Jr. Mrs. Carl Koch Donald B. Sinclair Mrs. Lewis S. Dabney Robert K. Kraft Richard A. Smith Mrs. Michael H. Davis Harvey C. Krentzman Ralph Z. Sorenson William S. Edgerly Mrs. E. Anthony Kutten Peter J. Sprague Mrs. Alexander Ellis, Jr. Benjamin H. Lacy Ray Stata Frank L. Farwell Mrs. Henry A. Laughlin Mrs. Edward S. Stimpson Kenneth G. Fisher Mrs. James F. Lawrence Mrs. Arthur I. Strang Mrs. John H. Fitzpatrick Mrs. Charles P. Lyman Mrs. Richard H. Thompson Peter H.B. Frelinghuysen C. Charles Marran Mark Tishler, Jr. Paul Fromm Mrs. August R. Meyer Ms. Luise Vosgerchian Mrs. Thomas J. Galligan, Jr. Edward H. Michaelsen Robert A. Wells Mrs. Thomas Gardiner J. William Middendorf II Mrs. Donald Wilson Avram J. Goldberg John J. Wilson THE SYMBOL OF GOOD BANKING. Union Warren Savings Bank Main Office: 133 Federal Street, Boston, MA 02110 ''But ifyou turn your back on the market entire ly, will the Dow ever break a thousand again?" For good advice on personal trust and investment matters, call our Trust Division at (617) 742-4000. Or write New England Merchants National Bank, 28 State Street, Boston, Massachusetts 02109. Bank of New England. Join morningpro musica's host Robert J. Lurtsema as he surveys the Boston Symphony Orchestra's 100th Birthday season through a series of infor- mal conversations with featured soloists, conduc- tors, and composers. morningpro musica is WVPS (107.9 fm) now heard coast to coast Burlington, VT on stations of the Public WMEH(90.9fm) Radio Cooperative Bangor, ME including, in the New York/New England area: WMEA(90.1fm) Portland, ME WGBH(89.7fm) Boston, MA WMEM (106.1 fm) Presque Isle, ME WFCR(88.5fm) Amherst, MA WPBH(90.5fm) Hartford, New Haven, WAMC(90.3fm) Waterbury, CT Albany, NY WEVO(89.1fm) WNYC(93.9fm) Concord, NH New York, NY WVPR(89.5fm) Windsor, VT BSO Share the BSO With the Kids!! The second program of the 1981-82 Boston Symphony Youth Concerts season, Harry Ellis Dickson, Artistic Director, will feature the strings of the Boston Symphony Orchestra in Mozart's Eine kleine Nachtmusik, Arthur Foote's Suite for strings, and Saint-Saens musical trip to the zoo, Carnival of the Animals. The BSO Youth Concerts have a new look this season, with guest narrators, special lighting and production effects, and an innovative approach that makes concertgoing as educational as it is enjoyable. Although weekday concerts are sold out, a limited number of Saturday-morning tickets are available this year due to school budget cuts which have affected group sales. Share the BSO with the kids on either Saturday morning, 6 February at 1 1, or Saturday morning, 27 February at 1 1 . Call the Symphony Hall Youth Activities Office at 267-0656 for complete ticket information. BSO on WGBH Interviews by Robert }. Lurtsema with BSO personalities and guest artists continue this season on WGBH-FM-89.7's Morning Pro Musica. Coming up on Monday mornings at 1L conductors Claudio Abbado (8 February), Kurt Masur (15 February), and Klaus Tennstedt (8 March); and, on Friday morning, 12 March at 11, pianist Misha Dichter. "Presidents at Pops" A very special night at Pops, in fact a first for the BSO, is being planned by a committee of business leaders, BSO Trustees, and Overseers. Designed to solidify and broaden the relationship between the BSO and the business community, it will make possible corporate support of the BSO and, at the same time, the establishment of new business contacts, the honoring of employees and spouses, or the conclusion of a company business meeting with a pleasant evening. The "Presidents at Pops" Concert will be held on 15 June 1982 with an outstanding program and buffet supper. Tickets will be sold as a "package" to include two adjoining Pops floor tables of five seats each and ten balcony seats. In addition, there will be a Presidents Dinner, an elegant and fun evening at Symphony Hall, on 10 May 1982 for 100 Presidents of supporting companies who will be guests of the BSO. Cost of the "all-inclusive package" is $3,000 for both events, and an early sell-out is expected. A specially designed program book is also planned, to contain advertisements to the business and professional community. "Presidents at Pops" will be a gala highlight of the 1982 season. For details and information, please contact Chet Krentzman, BSO Overseer and "Presidents at Pops" General Chairman,- or Frank Pemberton, in the Development Office at Symphony Hall, (617) 266-1492. Baldwin Piano & Organ Company pays tribute to the Boston Symphony Orchestra on its first century of achievement. We look forward to continuing our association at this, the start of the Boston's second century of excellence. Friends' Weekend at Tanglewood The Friends' annual weekend bus trip to Tanglewood is set this year for 23-25 July 1982. In addition, there will be a single one-day trip on Sunday 11 July. Detailed information will be available in early spring; if interested, please call the Friends' Office at 266-1348. BSO Members in Recital BSO flutist Paul Fried will appear in recital with pianist Christopher O' Riley at the Longy School of Music in Cambridge on Sunday 28 February at 3 p.m. The program will include music of Martinu, J.S. Bach, Faure, Varese, and Schubert. General admission is $5, student admission $4. Art Exhibits in the Cabot-Cahners Room Once again this season, monthly art exhibitions will be shown in the Cabot-Cahners Room, representing a variety of Boston-area schools, museums, non-profit artists' organi- zations, and commercial galleries. Artwork from the PuckerSafrai Gallery was on display during the month of November. The following organizations will be represented during the next several months: 30 November—4 January Bela Kalman Photo Gallery 4 January— 1 February Helen Schlien Gallery 1 February— 1 March Kezar Gallery 1 March—22 March Experimental Etching Studio 22 March— 12 April Boston Architectural Center With Thanks We wish to give special thanks to the National Endowment for the Arts and the Massachusetts Council on the Arts and Humanities for their continued support of the Boston Symphony Orchestra. Now on Display Original Poster Art Cabot'Cdhners Room 1890-1940 KEZAR GALLERY By Appointment 617-729-1938 • Box 289 Winchester, Ma. 01890 Seiji Ozawa In the fall of 1973, Seiji Ozawa became the thirteenth music director of the Boston Sym- phony Orchestra since the orchestra's founding in 1881.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • August 2007.Qxd
    DANVILLE, VERMONT GOOD FOR THE WHOLE MONTH $1.50 AUGUST 2007 Volume 19, Number 4 These Apples Are Not All Alike PAGE EIGHTEEN Do You Know What It Means to Miss New Orleans PAGE TWENTY SIX Vanna’s Best Bread & Butter Pickles Ever PAGE THIRTY Four Vintage Films Are a Must for Your DVD Collection CHARLES FLETCHER — TEXAS Photo By: North Star Monthly Todd Parlo has taken the challenge of developing a nursery in Walden with as much diversity among apple varieties as possible. He cur- RANGER rently has 200 cultivars, those are agriculturally produced varieties, which he has on display in alphabetical order at his nursery. A stay-at- FROM home-dad Parlo and his young son, Leo, tend the nursery and often may be seen at the Farmers’ Markets in Danville, Hardwick and Stowe. VERMONT TERRY HOFFER eties that there are.” Parlo is fascinated by breeding new varieties but understands that HARRIET F. FISHER odd Parlo grew up in the Finger Lakes Region of New York, an that science may well take place under the guise of genetic engineer- area with rich soil and where agriculture reigns as queen. Apple ing. He tells the story of Peter Gideon who planted hundreds of thou- It was May 1848. Charles B. Torchards in the Finger Lakes are famous, and institutions like sands of seeds in Minnesota and carefully tended them through a long Fletcher was a long way from his Cornell at the foot of Lake Cayuga have staked a claim to world process of selection. It was Gideon who isolated and named the vari- native town of Lyndon.
    [Show full text]
  • Xamsecly942339z3 CD BRIL 94233 Ç|Xamsecly923987z3 CD
    Catalogo 2015 Durata: 72:56 Durata: 46:30 Confezione: Jewel Box 1 CD BRIL 94304 Confezione: Jewel Box 1 CD BRIL 9294 Economico Economico Distribuzione Italiana 13/03/2012 Distribuzione Italiana 27/11/2012 Genere: Classica Orchestrale Genere: Classica da camera Ç|xAMSECLy943046z Ç|xAMTDGPy929424z KARL FRIEDRICH ABEL GIOVANNI ALBINI Musica per flauto e archi (integrale) Musica ciclica Corale n.4, Una teoria della prossimità, Corali n.27 e n.41, Estatica, Quartetto GEORGIA BROWNE fl per archi n.5, Quartetto per archi n.6 'Solo per grado congiunto'; Quartetto per Nordic Affect archi n.7 'Corale' Durata: 66:45 FABIO MUREDDU vc Confezione: Jewel Box 1 CD BRIL 94354 Economico Davide Alogna, violino; Giorgio Mirto, chitarra; Duo Bonfanti; Quartetto Indaco; Distribuzione Italiana 23/08/2012 Le Cameriste Ambrosiane, Dario Garegnani Genere: Classica Balletto Durata: 36:52 Confezione: Jewel Box 1 CD BRIL 95072 Economico Ç|xAMSECLy943541z Distribuzione Italiana 09/10/2014 ADOLPHE ADAM Genere: Musica Sacra Giselle (estratti) Ç|xAMSECLy950723z GIOVANNI ALBINI Registrazioni: Londra, 21-23 novembre 1994 Musica Sacra NEVILLE MARRINER Dir. Academy of St. Martin in the Fields Durata: 222:21 Pange lingua per coro (2014); Missa Prima per coro (2012); Testamento Confezione: Jewel Box 3 CD BRIL 94233 Economico Spirituale per quartetto di fiati (2013); Preghiera per trio di flauti dolci (2014) Distribuzione Italiana 01/01/2005 INGRID PUSTIJANAC Dir. Genere: Classica Orchestrale Coro della Facoltà di Musicologia di Cremona, 15.19 ensemble; Il Giardino delle Muse Ç|xAMSECLy942339z Durata: 165:23 Confezione: Jewel Box 3 CD BRIL 92791 JEHAN ALAIN Economico Integrale delle opere per organo Distribuzione Italiana 01/01/2005 Genere: Classica da camera Ç|xAMSECLy927916z JEAN-BAPTISTE ROBIN org TOMASO GIOVANNI ALBINONI Jehan Alain, organo; Choeur et Orchestre de la Synagogue rue Integrale dei Concerti per oboe Notre-Dame-de-Nazareth Durata: 219:56 Confezione: Jewel Box 3 CD BRIL 92398 Economico Registrazioni: 2005 Distribuzione Italiana 01/01/2005 NICOL MATT Dir.
    [Show full text]
  • VERMONT PUBLIC RADIO FINANCIAL STATEMENTS Years Ended September 30, 2018 and 2017 VERMONT PUBLIC RADIO FINANCIAL STATEMENTS Years Ended September 30, 2018 and 2017
    VERMONT PUBLIC RADIO FINANCIAL STATEMENTS Years ended September 30, 2018 and 2017 VERMONT PUBLIC RADIO FINANCIAL STATEMENTS Years ended September 30, 2018 and 2017 TABLE OF CONTENTS Page Independent Auditor's Report 1 Financial Statements Statements of Financial Position 2 Statement of Activities 3 Statement of Functional Expenses 4 Statements of Cash Flows 5 Notes to Financial Statements 6 INDEPENDENT AUDITOR'S REPORT To the Board of Directors of Vermont Public Radio We have audited the accompanying financial statements of Vermont Public Radio (a nonprofit organization), which comprise the statement of financial position as of September 30, 2018, and the related statements of activities, functional expenses and cash flows for the year then ended, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these financial statements based on our audit. We conducted our audit in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements.
    [Show full text]
  • Nikolai Tcherepnin UNDER the CANOPY of MY LIFE Artistic, Creative, Musical Pedagogy, Public and Private
    Nikolai Tcherepnin UNDER THE CANOPY OF MY LIFE Artistic, creative, musical pedagogy, public and private Translated by John Ranck But1 you are getting old, pick Flowers, growing on the graves And with them renew your heart. Nekrasov2 And ethereally brightening-within-me Beloved shadows arose in the Argentine mist Balmont3 The Tcherepnins are from the vicinity of Izborsk, an ancient Russian town in the Pskov province. If I remember correctly, my aged aunts lived on an estate there which had been passed down to them by their fathers and grandfathers. Our lineage is not of the old aristocracy, and judging by excerpts from the book of Records of the Nobility of the Pskov province, the first mention of the family appears only in the early 19th century. I was born on May 3, 1873 in St. Petersburg. My father, a doctor, was lively and very gifted. His large practice drew from all social strata and included literary luminaries with whom he collaborated as medical consultant for the gazette, “The Voice” that was published by Kraevsky.4 Some of the leading writers and poets of the day were among its editors. It was my father’s sorrowful duty to serve as Dostoevsky’s doctor during the writer’s last illness. Social activities also played a large role in my father’s life. He was an active participant in various medical societies and frequently served as chairman. He also counted among his patients several leading musical and theatrical figures. My father was introduced to the “Mussorgsky cult” at the hospitable “Tuesdays” that were hosted by his colleague, Dr.
    [Show full text]
  • Pdf 139.3 Kb
    Dresdner Philharmonie The Dresden Philharmonic can look back on 150 years of history as the orchestra of Saxony’s capital Dresden. When the so-called “Gewerbehaussaal” opened on 29 November 1870, the citizens of the city were given the opportunity to organise major orchestra concerts. Philharmonic concerts were held regularly starting in 1885; the orchestra adopted its present name in 1923. In its first decades, composers such as Brahms, Tchaikovsky, Dvořák and Strauss conducted the Dresdner Philharmonie with their own works. The first desks were presided over by outstanding concertmasters such as Stefan Frenkel, Simon Goldberg and the cellists Stefan Auber and Enrico Mainardi. From 1934, Carl Schuricht and Paul van Kempen led the orchestra; van Kempen in particular guided the Dresden Philharmonic to top achievements. All of Bruckner’s symphonies were first performed in their original versions, which earned the orchestra the reputation of a “Bruckner orchestra” and brought renowned guest conductors such as Hermann Abendroth, Eduard van Beinum, Fritz Busch, Eugen Jochum, Joseph Keilbert, Erich Kleiber, Hans Knappertsbusch and Franz Konwitschny to the rostrum. After 1945 and into the 1990s, Heinz Bongartz, Horst Förster, Kurt Masur (from 1994 also honorary conductor), Günther Herbig, Herbert Kegel, Jörg-Peter Weigle and Michel Plasson were the principal conductors. In recent years, conductors such as Marek Janowski, Rafael Frühbeck de Burgos and Michael Sanderling have shaped the orchestra. As of season 2019/2020, Marek Janowski has returned to the Dresden Philharmonic as principal conductor and artistic director. Its home is the highly modern concert hall inaugurated in April 2017 in the Kulturpalast building in the heart of the historic old town.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726582 Chiang Wen-Yeh: The style of his selected piano works and a study of music modernization in Japan and China Kuo, Tzong-Kai, D.M.A. The Ohio State University, 1987 Copyright ©1987 by Kuo, Tzong-Kai. All rights reserved. UMI 300 N. ZeebRd. Ann Arbor, MI 48106 CHIANG WEN-YEH: THE STYLE OF HIS SELECTED PIANO WORKS AND A STUDY OF MUSIC MODERNIZATION IN JAPAN AND CHINA DMA.
    [Show full text]
  • Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music
    Teacher Notes on Russian Music and Composers x Prokofiev gave up his popularity and wrote music to please Stalin. He wrote music to please the government. x Stravinsky is known as the great inventor of Russian music. x The 19th century was a time of great musical achievement in Russia. This was the time period in which “The Five” became known. They were: Rimsky-Korsakov (most influential, 1844-1908) Borodin Mussorgsky Cui Balakirev x Tchaikovsky (1840-’93) was not know as one of “The Five”. x Near the end of the Stalinist Period Prokofiev and Shostakovich produced music so peasants could listen to it as they worked. x During the 17th century, Russian music consisted of sacred vocal music or folk type songs. x Peter the Great liked military music (such as the drums). He liked trumpet music, church bells and simple Polish music. He did not like French or Italian music. Nor did Peter the Great like opera. Notes Compiled by Carol Mohrlock 90 Igor Fyodorovich Stravinsky (1882-1971) I gor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, Russia, he died on April 6, 1971, in New York City H e was Russian-born composer particularly renowned for such ballet scores as The Firebird (performed 1910), Petrushka (1911), The Rite of Spring (1913), and Orpheus (1947). The Russian period S travinsky's father, Fyodor Ignatyevich Stravinsky, was a bass singer of great distinction, who had made a successful operatic career for himself, first at Kiev and later in St. Petersburg. Igor was the third of a family of four boys.
    [Show full text]
  • Baccarat Hotel & Residences New York
    Hospitality Awards Submission Best Innovation In Concept Prepared by HL Group Table of Contents • Summary • Presentation Document • Representative Information • Hotel Photography Summary Baccarat has long been a symbol of elegance in the lives & homes of kings, queens, sultans, tsars, moguls and rock stars. Intimately entwined with the fine art of living, its translation from luxury product to sumptuous hotel, from glittering objet to gracious lifestyle, is a natural evolution of the brand’s unique culture of craft and impeccable provenance. Baccarat Hotel & Residences New York is industry titan Barry Sternlicht’s stunning return to the hospitality space. Opened on March 18, 2015, Baccarat Hotel & Residences New York was an instant classic, offering French glamour and design through the lens of New York City. As the first hotel and global flagship for Baccarat Hotels & Resorts, Baccarat Hotel & Residences New York is a thoughtful and elegant homage to the 250 year-old heritage Baccarat crystal brand. The property boasts 114 elegantly appointed guest rooms and suites, two opulent lobby salons, a 60-foot barrel-vaulted bar, the first Spa de La Mer in the world and a new modern French restaurant, Chevalier, overseen by Michelin-starred Executive Chef Shea Gallante. Legendary New York restaurateur Charles Masson curated the style and service for Chevalier during launch. Paris-based interior design firm Gilles & Boissier led the creation of the hotel’s interiors, which combine Baccarat’s French classic aesthetics with a fanciful modern sensibility. Celebrated decorator Stephen Sills created the elegant setting for the street-level Chevalier restaurant and Skidmore, Owings & Merrill served as architects for the 50-story tower.
    [Show full text]
  • The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
    The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.
    [Show full text]
  • 3Rd Annoucement.Indd
    INTERNATIONAL COMMISSION ON GLASS ICG 2007 XXIst International Congress on Glass STRASBOURG July 1-6, 2007 Palais des Congrès Strasbourg France « rdAnnouncement www.icg2007.org and preliminary program 3 1/24 ICG 2007 PRELIMINARY LIST OF SPONSORS THE INTERNATIONAL COMMISSION ON GLASS « The International Commission on Glass (ICG) was founded in 1933 with the purpose of promoting international collaboration and facilitating the exchange of information within the glass community. Nowadays, it gathers reknown universities, scientific establishements, glass industries as well as suppliers. The ICG leads technical committees upon different aspects of glass science and technology. One of the ICG’s projects is organising the triennial International Congress on Glass. The event was last held in France in 1971. Hervé Arribart Jean-Pierre Houdaer ICG President Congress Chairman ICG 2/24 3/24 ICG 2007 2007 THE CONGRESS THE COMMITTEES « « INTERNATIONAL CONFERENCE CHAIRMAN The up-coming International Congress on ADVISORY BOARD Jean-Pierre Houdaer Glass 2007 will take place in Strasbourg from M. Aegerter (Inst. für Neue Materialen, Germany) (Glass Expert, Formerly Directeur Général, 1st to 6th July 2007. R. Akçakaya (Şişecam, Turkey) Institut du Verre, France) R. Almeida (IST Lisbonne, Portugal) This triennial event, organized under the M.H. Chopinet (Saint-Gobain, France) SCIENTIFIC COMMITTEE auspices of the International Commission on M. Delaney (Owens-Illinois, USA) Glass (ICG) will bring together key players in N. Greaves (Univ. of Wales, United Kingdom) R. Vacher (CNRS, France), Chairman glass science, technology and production: R. Hand (Sheffield Univ., United Kingdom) H. Arribart (Saint-Gobain, France) glass manufacturers, providers, researchers, K. Hirao (Kyoto Univ., Japan) K.
    [Show full text]
  • Opemmundi E Ljbope
    OpemMundi E lJBOPE A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET ----- ------- -- �--- --· ------ -- - -----·-----·--·-------- of ooo oo oo 0000000000 ��-ONTENTt-4.oo o_Q';)o o oq ooo oo 0000001 g�!. ·----- ---·--····-············· ······-----· __ :__ --- ------ - - - . : g 0 I 0 o I : o / o I : o o I : o 0g I /ffJ ;1 r'i\J : og o INDEX f .i trr rtn "� o _ _, ;.;,·� Jt\J T 0 '-"' 1.•'- l",, 0 , ...4 �� ..1' ., . 0 ft iii 0 0 0 0 JO 0 I 0 0 0 0o To Euroflash 0o 0 0 0 0 0 0 ,0 0 , g from No 468 to No 492 inclusive g .,0 0 !o o 1 o o 0 0 0 0 0 o July 4, 1968 - December 19 , 1963 °o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 · t;tlllOFLA.SH: llusiness 11enetration U('ross Europe o 01 0 0 :o g January 1969 Index No 11 · l g 0 :o 0 ,o 0 :o O :o 0 :o 0 :o 01 : 0 0 0 ooo -----------------------------------------------------o o oo o oo o oo oo oo o o_o oo o oo_o o o o o== oo--=:�� o o------o o o=:o -------------- oo o o oo oo �=� o-----o o o o Opera Mundi ElfR OPE A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET PUBLISHED ON BEHALF OF OPERA MUNDI BY EUROPEAN INTELLIGENCE LIMITED EUROPA HOUSE ROYAL TUNBRIDGE WELLS KENT TEL 25202/4 TELEX 95114 OPERA MUNDI EUROPE 100 Avenue Raymond Poincar� - PARIS 16e TEL: KLE 54-12 34-21 - CCP PARIS 3235-50 EDITOR & PUBLISHER .
    [Show full text]