A Short Survey of Czech Literature
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Jaroslav Tůma Tomáš Jamník Gustav Mahler and Prague
czech music quarterly 1 | 2 0 0 7 Jaroslav Tůma Tomáš Jamník Gustav Mahler and Prague Dear Readers, As you have certainly already noticed, Czech Music Quarterly has been graphically reworked for 2007. We thought that the existing design needed freshening up, and I hope the new appearance of the magazine will give you the same pleasure that it has given us. The smaller format and more attractive paper should make for more comfortable reading. This issue of the magazine also comes with a free CD, containing pieces by six contemporary Czech composers, which means that Czech Music Quarterly is now a magazine not just to be read but to be “listened to” as well. The Chamber Music compilation is the fi rst in a series. You can read more about the whole project in the preface to the CD itself and so I here I shall just draw you attention to the article by Miroslav Pudlák, which is related to the CD and highlights some aspects of the contemporary Czech scene in composing. I would also like to remind you that you can order older numbers of Czech Music Quarterly – if we have any of the ones you want, we shall be glad to post them to you. You can fi nd a list of the contents of all preceding numbers at www.czech-music.net, and there is plenty of choice! And please feel free to contact us any time if you have a question or a comment – just write to the e-mail address [email protected]. -
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Weil, Abigail. 2019. Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
Introduction
2008 ACTA UNIVERSITATIS CAROLINAE – PAG.117–126 STUDIA TERRITORIALIA XII JAZZ IN CZECH CULTURE AFTER WORLD WAR ONE: CLASH OF WESTERN MODERNITY WITH CENTRAL EUROPEAN TRADITIONALISM MILOŠ CALDA Abstract The paper deals with the reception of American culture in the interwar years, the time when the Czech cultural elites tried to abandon the traditional Central European patterns and reoriented themselves to embrace those of Western Europe and North America. The reorientation was accompanied by the discovery of exotic new genres like film and jazz. Perhaps surprisingly, the Western culture was enthusiastically received by the Left. The two prominent representatives of this direction were the left-leaning intellectual Emil František Burian and the Liberated Theatre (Osvobozené divadlo) with such individualities as the composer Jaroslav Ježek and its two main protagonists, playwrights and actors Jiří Voskovec and Jan Werich. The paper focuses on the first Czech book on jazz music, E. F. Burian’s Jazz (1928), in which the author, apart from many misjudgements, constructed a novel model of culture hitherto unknown in Central Europe, the model that combined sports, social patterns, lifestyle, modernity, and left-wing politics. The difficulties with finding out what jazz really was are also treated as well as the factor of “technological reproducibility” (W. Benjamin). Lastly, the contribution of Vladimír Polívka, the leading informant of the Czech society about musical life in the United States in the interwar period, is assessed. Keywords: jazz, American popular music, cultural reception, modernity, cultural Left, E. F. Burian, Jaroslav Ježek, Vladimír Polívka, age of technological reproducibility Introduction The paper examines the influx of American popular culture into Czechoslovakia in the aftermath of World War One. -
Czech Literature Guide
CZECH CZECH LITERATURE LITERATURE GUIDE GUIDE GUIDE LITERATURE CZECH CZECH LITERATURE GUIDE Supported by the Ministry of Culture of the Czech Republic © Institut umění – Divadelní ústav (Arts and Theatre Institute) First edition ISBN 978-80-7008-272-0 All rights of the publication reserved CONTENT ABOUT THE CZECH REPUBLIC 12 A CONCISE HISTORY OF CZECH LITERATURE 13 LITERATURE 1900–45 13 LITERATURE AFTER 1945 13 CONTEMPORARY CZECH LITERATURE 1995–2010 20 PROSE 20 POETRY 26 ESSAY 31 LITERATURE FOR CHILDREN AND YOUNG PEOPLE 37 THE BOOK MARKET 41 THE TEACHING OF WRITING IN THE CZECH REPUBLIC 48 CONTEMPORARY LITERARY LIFE 51 ORGANIZATIONS AND INSTITUTIONS 51 LITERARY AND BOOK AWARDS 56 FESTIVALS AND FAIRS 58 EDUCATION 59 LEGISLATION AND LITERARY AGENCIES 62 LIBRARIES AND ARCHIVES 63 GRANTS AND SCHOLARSHIPS 65 LITERARY CAFÉS AND TEA-ROOMS 68 ANTIQUARIAN BOOKSHOPS 71 MEDIA 77 LITERARY PERIODICALS 77 CZECH LITERATURE ON THE WEB 82 LITERARY PROGRAMMES ON TV 83 LITERARY PROGRAMMES ON RADIO 83 CZECH LITERATURE ABROAD 87 VARIOUS LINKS 87 OVERVIEW OF FOREIGN CZECH STUDIES SCHOLARS, TRANSLATORS AND FRIENDS OF CZECH CULTURE 87 DEAR READERS WITH AN INTEREST IN CZECH LITERATURE Allow us to draw your attention to our Czech Literature Guide. It presents a panorama of the contemporary life of Czech literature with a short historical overview. It has been produced for everyone who has an interest in understanding Czech literary culture and its milieu, from the specialist and scholarly to the active and practical. 11 ABOUT THE CZECH REPUBLIC CZECH LITERATURE GUIDE 12 ABOUT THE CZECH REPUBLIC The Czech Republic (CR) is a landlocked country The GDP per capita in CZK in 2010 was 361,986 with a territory of 78,865 m2 lying in the centre (exchange rate EUR 1 = CZK 24.5) and the infl ation of Europe. -
Czech the News Summer/2005
CZECH the NewsNews Newsletter of the Embassy of the Czech Republic of the Czech Republic Summer 2005 In this issue: Havel Promoted Human Rights While in the US ormer Czech President Vaclav Havel and his wife Havel Promoted Human Rights Dagmar stayed two months While in the US...........................1 F in the United States on a stipend, EU Constitution Put on Hold.........1 granted to Havel by the Library of Congress in Washington, Message from the D.C. Even though the primary Ambassador................................2 purpose of his visit was to study Czech Senator Schwarzenberg and work on his new book, Expelled from Cuba.....................2 he attended a number of events, informal dinners with U.S. Czech Republic Has a New Government................................2 officials, met with dissidents and gave an impressive speech Vaclav Havel Speaks at on human rights at the Library Vaclav Havel receives a standing ovation at the Library of Congress Library of Congress......................3 of Congress. former U.S. President Bill State Madeleine Albright News Brief...................................3 During his visit, the former Clinton, and President Victor were joined by students at Czech President met, among Yushchenko of the Ukraine. On Georgetown University for an Czech Republic Has New Envoys others, with the President of the another occasion, Vaclav Havel afternoon session of political, at the World Bank and IMF..........4 United States, George W. Bush, and former U.S. Secretary of (Continued on page 3) Czech Ice Hockey Team -
The First World War in the Czech and Slovak Cinema
University of New Orleans ScholarWorks@UNO Habsburg's Last War: The Filmic Memory (1918 to the Present) University of New Orleans Press 6-2018 The First World War in the Czech and Slovak Cinema Václav Šmidrkal Charles University, Prague Follow this and additional works at: https://scholarworks.uno.edu/hlw Part of the European History Commons, and the Film and Media Studies Commons Recommended Citation Šmidrkal, Václav. “The First World War in the Czech and Slovak Cinema.” In Habsburg’s Last War: The Filmic Memory (1918 to the Present), edited by Hannes Leidinger, 69-92. New Orleans: University of New Orleans Press, 2018. This Chapter is brought to you for free and open access by the University of New Orleans Press at ScholarWorks@UNO. It has been accepted for inclusion in Habsburg's Last War: The Filmic Memory (1918 to the Present) by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. THE FIRST WORLD WAR IN THE CZECH AND SLOVAK CINEMA1 Václav Šmidrkal Introduction In a speech broadcast from the Vítkov National Memorial in Prague on October 28, 2014, the ninety-sixth anniversary of Czechoslovakia’s declaration of independence, Colonel Jaroslav Vodička, Chairman of the Czech Union of Freedom Fighters (Český svaz bojovníků za svobodu), urged the Czech government to fund a new feature film about the Czechoslovak Legionnaires. He said, “we lack a film in our cinema that would show the audience the heroic campaign of the Legionnaires and their fundamental influence on the recognition of Czechoslovakia. It is one of the brightest points in our modern history, deserving of a high-quality film adaptation. -
News CZECH the News
CZECH the NewsNews Newsletter of the Embassy of the Czech Republic Vol. 3, 2007 Holocaust Rescuers Recognized in Congress n July 31, 2007, the Cold War era. Contents: Office of Congressman The Forum OTom Lantos conducted included a 20- Message from the Ambassador..... 2 an open forum in the U.S. minute screening Congress to honor Nicholas of the documentary Visa Waiver Program Modernizing............................... 2 Winton and Raoul Wallenberg, “The Power of two men who saved the lives Good” which Bush Unveils Victims of of thousands of European Jews chronicles the Communism Memorial................ 3 before and during World War story of Nicholas Embassy Adopts Animals.............. 3 II. Mrs. Annette Lantos, wife Winton saving the of Congressman Tom Lantos, 669 Czechoslovak Czech Republic Ranks High in herself a Holocaust survivor children and Photo courtesy of JoAnn Cooper World Democracies...................... 3 Deputy Chief of Mission Jaroslav Kurfurst and Czech saved by Wallenberg, moderated highlights the lives Honorary Consul General Peter A. Rafaeli Wilson Monument Returning to the event. some of them went speak at the forum. Prague Train Station..................... 3 Sir Nicholas Winton was a on to live. It also accomplishments achieved Prague and Chicago Celebrate 29-year-old English stockbroker featured a 7-minute clip from the through Winton’s personal Czech Culture............................. 4 when he saved the lives of television show “60 Minutes” philosophy that anything can be Say It in Czech—Czech Festival 669 Jewish and non-Jewish about Wallenberg’s rescue accomplished as long as it is not in Nebraska................................ 4 Czechoslovak children during efforts that included Mrs. -
ENGLISH-LANGUAGE THEATRES in POST-COMMUNIST PRAGUE By
TITLE PAGE PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRES IN POST-COMMUNIST PRAGUE by Gwendolyn Alaine Orel AB English, AB Classics, Stanford University, 1987 AM English, Stanford University, 1987 Submitted to the Graduate Faculty of Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 COMMITTEE PAGE UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Copyright © by Gwendo lyn Alaine Orel Gwendolyn2005 Alaine Orel It was defended on December 1, 2005 and approved by Nancy Condee, Associate Professor, Slavic Languages and Literatures Attilio Favorini, Professor, Theatre Arts Kathleen George, Professor, Theatre Arts Kiki Gounaridou, Associate Professor, Theatre Studies, Smith College J. Thomas Rimer, Professor Emeritus, Theatre Arts, Department of East Asian Languages and Literatures Dissertation Advisor: Attilio Favorini, Professor, Theatre Arts ii ABSTRACT PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRE IN POST-COMMUNIST PRAGUE Gwendolyn Alaine Orel, PhD University of Pittsburgh, 2005 The presence of English-language theatres (ELTs) in Prague in the nineties coincided with the ongoing transition to a market economy in the Czech Republic, as the English language itself became increasingly the international language of business and culture. Under Communism, Czech theatre had been highly political through veiled protests against the system of power. After 1989, Czech theatre began moving into spheres of commodification and tourism. How the ELTs in Prague negotiated their place in a shifting society reveals a performance of identity. The ELTs tracked the turning points in Czech post-revolutionary history of the 1990s. The history of the ELTs has been constructed through personal and telephone interviews and emails, as well as reviews, articles, manuscripts and production videotapes. -
Czech Music Guide
CZECH MUSIC GUIDE CZECH MUSIC GUIDE Supported by Ministry of Culture Czech Republic © 2011 Arts and Theatre Institute Second modified edition First printing ISBN 978-80-7008-269-0 No: 625 All rights reserved CONTENT ABOUT THE CZECH REPUBLIC 12 A SHORT HISTORY OF MUSIC 13 THE MIDDLE AGES (CA 850–1440) 13 THE RENAISSANCE 13 THE BAROQUE 13 CLASSICISM 14 ROMANTICISM/NATIONAL MUSIC 14 THE PERIOD 1890–1945 16 CZECH MUSIC AFTER 1945 19 THE SIXTIES/AVANT-GARDE, NEW MUSIC 22 THE SEVENTIES AND EIGHTIES 25 CONTEMPORARY MUSICAL LIFE 29 CURRENT CULTURE POLICY 37 MUSIC INSTITUTIONS 38 THE MUSIC EDUCATION SYSTEM 50 ARCHIVES, LIBRARIES, SCIENCE AND RESEARCH CENTRES 51 JOURNALS AND INFORMATION CENTRES 52 REGIONAL PANORAMA OF CZECH MUSIC CULTURE 53 LINKS (SELECTION) 66 EDITORIAL NOTE The Czech Music Guide presents an actual panorama of contemporary Czech music life with a short overview of history. It has been produced for everyone who is interested - from the specialist and scholarly to the active and practical - to understand Czech music culture and its milieu. 12 ABOUT CZECH REPUBLIC CZECH MUSIC GUIDE 13 ABOUT THE CZECH REPUBLIC The Czech Republic is a landlocked country with The cultural sector is administered by the Minis- a territory of 78 865 m2 lying in the centre of try of Culture, and non-profi t organisations play Europe. The country has borders with Poland, an important role. Since 1989 the latter have Germany, Austria and Slovakia, and is currently taken the form of civil associations, non-profi t divided into 14 regions. Since 2004 the CR has companies, endowment funds, and church legal been a member of the EU. -
La República Checoslovaca 1936 - «España En Nosotros» / Czechoslovakia 1936 - Spain Inside Us
La República Checoslovaca 1936 - «España en nosotros» / Czechoslovakia 1936 - Spain inside us JARMILA DOUBRAVOvá Western Czech University, Prague Abstract La guerra civil en Espaňa inspiró el eco en la cultura y sociedad checoslovaca de esa época. Especialmente los intelectuales de orientación de izquierda reaccionaron a lo que ocurría en España. El izquierdismo mismo tuvo carácter que más tarde aclaró Raymond Aron. Eso fue la vanguardia a la que perteneció por ejemplo el Teatro liberado de Voskovec y Werich, el teatro de E.F.Burian y también numerosos particulares de varias especialidades artísticas y grupos artísticos ( por ejemplo los surrealistas, los miembros del grupo „Devětsil“ y otros.) Mencionemos algunos ejemplos: „Španělskou zemi mám tak rád“- Tengo amor por España de Jiří Voskovec y Jan Werich con la música de Jaroslav Ježek, La Marcha española del compositor y artista teatral E.F.Burian al texto de František Halas, „Španělsko v nás“ - España en nosotros, canción compuesta por Jaroslav Doubrava al texto de Josef Hora, la caricatura de Adolf Hoffmeister creada para la miscelánea sobre el Teatro liberado en el aňo 1937, etc. La guerra civil en España fue el evento. Sus combatientes checos, voluntarios, tuvieron el signo de esta participación en los aňos cincuenta (prisión). En la época de la „dicha“ Primavera de Praga de 1968 ellos que sobrevivieron llegaron a ser representantes del nuevo corriente político (por ejemplo el general Josef Pavel). La participación en la guerra civil de España pasó a ser símbolo de la lucha por la democratización del país. Proceedings of the 10th World Congress of the International Association for Semiotic Studies (IASS/AIS) Universidade da Coruña (España / Spain), 2012. -
The Czech Interwar Avant-Garde
czech music | history Petr Haas THE CZECH INTERWAR AVANT-GARDE The Mánes building in the 1930s 34 THE CZECH INTERWAR AVANT-GARDE AS A REVOLUTION OF RETURN, CIVILISM, THE MICROTONAL SYSTEM AND THE ATONAL STYLE The Czech interwar avant-garde represents one of the most striking and distinctive periods in Czech music. It is familiar to the international professional and semi-professional public largely thanks to the microtonal system developed by the composer and theorist Alois Hába. Its leading representative Bohuslav Martinů is among the most internationally renowned of Czech composers and his music is frequently performed both at home and abroad. In Czech-speaking milieux the term “avant-garde” fi rst appeared in the mid-19th century, i.e. at the period when the originally military expression came into political usage where it was used fi rst in France and later in other areas of Europe to denote a primarily leftwing political grouping and later also artists in the forefront (“advance guard”) of progress. In the most famous Czech modern lexicon, Otto’s Encyclopaedic Dictionary, the entry “avantgarda” dates to the 1930 edition, in which its author speaks of the artistic avant-garde as progressive art and states that “the avant-garde in literature, theatre and cinematography is an expression denoting an energetic, pioneering movement in a particular fi eld of the arts […] and so people write of avant-garde literature, painting, theatre and fi lm.” In Czech-speaking society, the term “avantgarda” related to artistic activity appears fi rst at the end of the year 1920 with the formation of the socially and 35 The Devětsil Almanac cover by Karel Teige “avant-garde music” since the beginning of the 1930s. -
Angerman Dissertation
“The Idea of Eternal Return”: Palimpsests and National Narratives in Czechoslovak New Wave Literary Adaptations Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Ellen Julia Angerman, M.A. Graduate Program in Slavic and East European Languages and Literatures The Ohio State University 2010 Dissertation Committee: Yana Hashamova, Advisor Helena Goscilo Jessie Labov Andrew Spencer Copyright by Elizabeth Ellen Julia Angerman 2010 Abstract The Czechoslovak New Wave (1963-1968) has often been referred to as a film “miracle” because of the high volume of very high-quality films produced in such a short amount of time, and – one suspects – also because of its country of origin. Although contemporary critics in the West were taken by surprise by this “sudden” prominence of these films, Czechoslovakia’s film industry in the 1960s was not particularly surprising or even miraculous: it was, instead, the logical evolution of a robust and long-standing tradition of socially engaged public art. The films of the Czechoslovak New Wave emerged from a perfect alignment of circumstances. The State funded all aspects of production, but had relaxed its political control. When freed of both commercial and ideological constraints, filmmakers in Czechoslovakia created the films that they had always wanted to make: sensitive and often experimental pieces that challenged viewers to revisit their values and their ways of thinking about the world. In fact, the films of the New Wave – especially the considerable number of literary adaptations – can ultimately be viewed as palimpsests: layers upon layers of inter-/sub-/con-text, artistic media, cultural values, and social commentary.