Language Handbook Additional Practice in Grammar, Usage, and Mechanics GRADE 10
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Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
238 Linear Feet Creator Annie Smith Peck
BROOKLYN COLLEGE LIBRARY ARCHIVES & SPECIAL COLLECTIONS 2900 BEDFORD AVENUE BROOKLYN NEW YORK 11210 718.951.5346 http://library.brooklyn.cuny.edu THE ANNIE SMITH PECK COLLECTION Accession #89-002 Dates Bulk dates: 1873-1935 Extent 16.5 cubic feet; 238 linear feet Creator Annie Smith Peck (1850-1935) Access / Use The Collection is open for research. Copyright is retained by Brooklyn College. Files can be accessed at the Brooklyn College Library Archives & Special Collection, 2900 Bedford Ave., Brooklyn, New York, Main floor (Room 130). 1 Languages English, German, Greek and Latin Finding aid Guide presently available in-house and on-line. Acquisition/Appraisal This collection was donated to Brooklyn College Archives by the late Prof. Shaista Rahman, Professor Emeritus of English, Brooklyn College. In 2016, additional correspondence was donated by Hannah Kimberley. Description Control: Guide adheres to that prescribed by Describing Archives: A Content Standard. Preferred Citation Item, folder title, box number, The Annie Smith Peck Collection, Brooklyn College Archives & Special Collections, Brooklyn College Library Subject Heading Peck, Annie S., 1850-1935. South America -- Economic conditions -- 1918-1961. South America -- Description and travel. Mountaineering. Peru -- Description and travel. Bolivia -- Description and travel. Huascaran Mountain (Peru). Related Materials New York Times newspaper 1908-1934 2 Biographical Note Annie Smith Peck (1850-1935), scholar and mountaineer, was born in Providence, R. I., October 19, 1850, the youngest of five children of George Batchelder Peck and Ann Power Smith Peck. Mr. Peck (father) was a graduate of Brown University and a member of the Providence City Council with a successful law practice. He also owned a wood and coal yard. -
Changing Faces Your State Hero in the U.S
Social Studies and the Young Learner 23 (4), pp. 4–9 ©2011 National Council for the Social Studies Changing Faces Your State Hero in the U.S. Capitol Dennis Denenberg here’s an exciting change occurring in the U.S. Capitol proposal — to replace one of Kansas’ statues! WHAT? How in our nation’s capital of Washington, D.C. — and YOU could anyone suggest removing a “hero” — where would the Tand YOUR STUDENTS can become involved in the old statue go? And why would anyone even bring up such an story. But before I can tell you how to play a role, I need to absurd proposal? It’s actually amusing how the idea surfaced. provide the plot! The Representative noticed that the toes of the Will Rogers statue from Oklahoma were all shiny. The statue of this beloved Pride in the Union 1930s humorist and cowboy was made of bronze, and people The story begins in 1864, while our nation was still experienc- rubbed his foot for good luck as they walked past it. But no ing the agony of the Civil War. Congressman Justin Morill one stopped to look at either of Kansas’ statues because, quite of Vermont sponsored a bill inviting every state to send two frankly, nobody knew who they were! So, what to do? Would statues of noteworthy individuals from that state for permanent Congress allow a state to take such a bold step? The citizens display in the expanded U.S. Capitol. A new wing of the House from Kansas decided not to wait; they forged ahead in the hope featuring a larger House Chamber was also constructed from Congress would accommodate their request. -
NATIVE AMERICAN LITERATURE a Brief Introduction and Anthology
NATIVE AMERICAN LITERATURE A Brief Introduction and Anthology Gerald Vizenor University of California Berkeley The HarperCollins Literary Mosaic Series Ishmael Reed General Editor University of California Berkeley HARPERCOLUNSCOLLEGEPUBLISHERS Contents Foreword by Ishmael Reed Introduction AUTOBIOGRAPHY William Apess (1798-?) A Son of the Forest Preface 20 Chapter I 20 Chapter II 24 Chapter III 28 Luther Standing Bear (1868-1939) My People the Sioux Preface 33 First Days at Carlisle 33 John Rogers (1890-?) Return to White Earth 46 N Scott Momaday (b 1934) The Way to Rainy Mountain [Introduction] 60 The Names 65 Gerald VTzenor(b 1934) Measuring My Blood 69 Maria Campbell (b 1940) The Little People 76 Louis Owens (b 1948) Motion of Fire and Form 83 Wendy Rose (b 1948) Neon Scars 95 FICTION John Joseph Mathews (1894-1979) The Birth of Challenge 106 iv Native American Literature D Arcy McNickle (1904-1977) A Different World Elizabeth Cook Lynn (b 1930) A Good Chance N Scott Momaday (b 1934) The Rise of the Song Gerald Vizenor (b 1934) Hearthnes Paula Gunn Allen (b 1939) Someday Soon James Welch (b 1940) The Earthboy Place Thomas King (b 1943) Maydean Joe Leslie Marmon Silko (b 1948) Call That Story Back Louis Owens (b 1948) The Last Stand Betty Louise Bell (b 1949) In the Hour of the Wolf Le Anne Howe (b 1951) Moccasins Don t Have High Heels Evelina Zuni Lucero (b 1953) Deer Dance Louise Erdnch (b 1954) Lipsha Mornssey Kimberly Blaeser (b 1955) A Matter of Proportion Gordon Henry Jr (b 1955) Arthur Boozhoo on the Nature of Magic POETRY Mary -
5Th International Conference on the Short Story in English
5TH INTERNATIONAL CONFERENCE ON THE SHORT STORY IN ENGLISH The Global Short Story New Or eans, June 27-30, 1998 Fifth International Conference on the Short Story in English "THE GLOBAL SHORT STORY" New Orleans, June 27-30, 1998 Hotellnter-Continental- All Sessions Saturday, June 27 8:30 a.m. REGISTRATION [THIRD F LOOR LOBBY] 9:00 a.m. WELCOMING REMARKS [LA SALL E BALLROOM B/C] Mary Roh rberge r, Executive Director Ma urice A Lee, Director Please note that, throughout the conference, books on related subjects or by attending authors will be on sale in the ACADI AN ROOM 9:30 a.m. PANEL A: WRITERS' AND CRITICS' ROUND TABLE: ECHOES FROM A DISTANT BATTLEFIELD SHORT FICTION FROM VIETNAMESE NATIONALS AND VIETNAMESE AMERICANS [PELI CAN ROOM 1] Randy Fertel, moderator, Tulane University Mary McCay, Loyola University Wayne Karlin, short fiction writer An dy Lam, short fiction writer and commentator on Asian Affairs for NPR Eric Scroeder, University of California at Davis PANEL B: WRITERS' ROUND TABLE: THE TICKING CLOCK-COMMITTING AND SOLVING MURDER IN UNDER 15 PAGES [PELICAN ROOM 2] Robert Skinner, fiction writer, moderator, Xavier University Bill Cri der, fiction writer O' Neil DeNoux, fiction writer Skye Moody, fiction writer PANEL C: WRITERS' ROUND TABLE: ROMANCE FICTION [FULTON R OOM] Rexanne Becnel, moderator, fiction writer Karen Young, fiction writer Kathleen Nance, fiction writer Anne Logan , fiction wn"ter PANEL D: WRITERS' ROUND TABLE: GENDER IDENTITY AND THE SHORT STORY [POYDRAS ROOM] Ellen Douglas, fiction writer, moderator Anthony Bukowski, fiction writer Natalie Petesch, fiction writer Mary Robison , fiction writer ~ --r:; t\1 W~ Ieh 11 :00 a.m. -
U.S. Capitol Visitor Guide
United States Capitol VISITOR GUide Welcome to the United States Capitol our visit to the GUIDED TOURS OF THE U.S. CAPITOL historic U.S. Guided tours of the U.S. Capitol begin at the Orientation Theaters on Capitol begins the lower level of the Capitol Visitor Center. “Out of Many, One,” Yas you enter the Capitol a 13-minute film, illustrates how this country established a new form of Visitor Center. With government; highlights the vital role that Congress plays in the its soaring spaces and daily lives of Americans; and introduces you to the building that houses skylight views of the the U.S. Congress. Capitol Dome, the Capitol Visitor Center Tours are free and are offered throughout the day between welcomes you on a 8:40 a.m. – 3:20 p.m., Monday – Saturday. Tour passes are required. journey of discovery. Advance Passes: Tours may The U.S. Capitol be booked in advance online at is home to the U.S. www.visitthecapitol.gov, through Congress and its two the offices of your senators or legislative bodies, representative, or through the the U.S. House of The Apotheosis of George Washington Office of Visitor Services by Representatives calling 202.226.8000. and the U.S. Senate. Through films, exhibits, and tours, you will learn about how Congress works, how this magnificent building was built, Same-Day Passes: A limited and how citizens can participate in this extraordinary experiment called number of passes are available representative democracy. each day at the Information Desks in Emancipation Hall on the lower The U.S. -
Important Women in United States History (Through the 20Th Century) (A Very Abbreviated List)
Important Women in United States History (through the 20th century) (a very abbreviated list) 1500s & 1600s Brought settlers seeking religious freedom to Gravesend at New Lady Deborah Moody Religious freedom, leadership 1586-1659 Amsterdam (later New York). She was a respected and important community leader. Banished from Boston by Puritans in 1637, due to her views on grace. In Religious freedom of expression 1591-1643 Anne Marbury Hutchinson New York, natives killed her and all but one of her children. She saved the life of Capt. John Smith at the hands of her father, Chief Native and English amity 1595-1617 Pocahontas Powhatan. Later married the famous John Rolfe. Met royalty in England. Thought to be North America's first feminist, Brent became one of the Margaret Brent Human rights; women's suffrage 1600-1669 largest landowners in Maryland. Aided in settling land dispute; raised armed volunteer group. One of America's first poets; Bradstreet's poetry was noted for its Anne Bradstreet Poetry 1612-1672 important historic content until mid-1800s publication of Contemplations , a book of religious poems. Wife of prominent Salem, Massachusetts, citizen, Parsons was acquitted Mary Bliss Parsons Illeged witchcraft 1628-1712 of witchcraft charges in the most documented and unusual witch hunt trial in colonial history. After her capture during King Philip's War, Rowlandson wrote famous Mary Rowlandson Colonial literature 1637-1710 firsthand accounting of 17th-century Indian life and its Colonial/Indian conflicts. 1700s A Georgia woman of mixed race, she and her husband started a fur trade Trading, interpreting 1700-1765 Mary Musgrove with the Creeks. -
Crouch, Casting the Republic in White
ISSN: 2471-6839 Cite this article: Christian Ayne Crouch, “Casting the Republic in White,” in Art and Politics in the US Capitol, special section, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021) doi.org/10.24926/24716839.11763. Casting the Republic in White Christian Ayne Crouch, Associate Professor, Historical Studies Program, Bard College You are looking at freedom here, as cast by the United States (fig. 1). Beneath a plaster cast of Thomas Crawford’s Statue of Freedom, the allegorical female figure who adorns the US Capitol dome, troops gather in the United States Capitol Visitor Center to protect Congress. This photograph appeared a week after the harrowing attempted coup at the Capitol, and, as versions of it circulated coast-to-coast, the image of the Statue of Freedom surrounded by National Guardsmen and women offered stability and calm to a divided nation. It was the antithesis of the images of seditionists and rioters invading, looting, and screaming that dominated the news media in the days following the insurrection. The Statue of Freedom is protected by and protecting these troops, standing vigilant over the brave, personifying the pledge of allegiance to a republic, one and indivisible, now in crisis. Consider her gladiatorial calm and the fact that she stands at rest, but armed and alert. We see the symbiosis between this goddess of the republic and the troops brought into her temple to aid in her defense. Fig. 1. “Impeachment of Donald Trump,” January 13, 2021. Photograph courtesy Kent Nishimura/Los Angeles Times via Getty Images Now look again. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Guide to State Statues in the National Statuary Hall Collection
U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN CVC 19-107 Edition V Senator Mazie Hirono of Hawaii addresses a group of high school students gathered in front of the statue of King Kamehameha in the Capitol Visitor Center. TOM FONTANA U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN STATE PAGE STATE PAGE Alabama . 3 Montana . .28 Alaska . 4 Nebraska . .29 Arizona . .5 Nevada . 30 Arkansas . 6 New Hampshire . .31 California . .7 New Jersey . 32 Colorado . 8 New Mexico . 33 Connecticut . 9 New York . .34 Delaware . .10 North Carolina . 35 Florida . .11 North Dakota . .36 Georgia . 12 Ohio . 37 Hawaii . .13 Oklahoma . 38 Idaho . 14 Oregon . 39 Illinois . .15 Pennsylvania . 40 Indiana . 16 Rhode Island . 41 Iowa . .17 South Carolina . 42 Kansas . .18 South Dakota . .43 Kentucky . .19 Tennessee . 44 Louisiana . .20 Texas . 45 Maine . .21 Utah . 46 Maryland . .22 Vermont . .47 Massachusetts . .23 Virginia . 48 Michigan . .24 Washington . .49 Minnesota . 25 West Virginia . 50 Mississippi . 26 Wisconsin . 51 Missouri . .27 Wyoming . .52 Statue photography by Architect of the Capitol The Guide to State Statues in the National Statuary Hall Collection is available as a free mobile app via the iTunes app store or Google play. 2 GUIDE TO STATE STATUES IN THE NATIONAL STATUARY HALL COLLECTION U.S. CAPITOL VISITOR CENTER AlabaMa he National Statuary Hall Collection in the United States Capitol is comprised of statues donated by individual states to honor persons notable in their history. The entire collection now consists of 100 statues contributed by 50 states. -
THOLOS Spring 2018
VOLUME VOLUME 8 SPRING 2018 FEATURE: EVOLUTION OF WOMEN IN ART AT THE U.S. CAPITOL COOL TOOLS: BUMP CAPS PROFILE IN HISTORY: JOB W. ANGUS FEATURE: An in-depth look at the evolution of women in 6 art at the U.S. Capitol. In This Issue 15 1 ARCHITECT’S NOTEBOOK BEHIND THE SCENES: Learn more about how our 2 PROFILE IN HISTORY employees care for the historic Job W. Angus floors in the Senate. 6 FEATURE The Evolution of Women in Art at the U.S. Capitol 15 BEHIND THE SCENES Restoration and Care of Historic Marble Floors BY THE NUMBERS: 17 BY THE NUMBERS A look at the Capitol Visitor Center’s busiest season. Capitol Visitor Center 20 COOL TOOLS Making Heads Safer, 17 One Bump Cap at a Time COOL TOOLS: Read how this cool cap is keeping Capitol Building employees safer. COVER: A detailed view of the U.S. Capitol’s Statue of Freedom. 20 Photo illustration by Michael Dunn Photo by James Rosenthal ARCHITECT’S NOTEBOOK Finding Comfort In Balance t is human nature to try to find order and balance in and is topped off with intricate details of the entablature our surroundings. One of the ways I do this in my with its projecting cornice. own life is to be as organized as possible. My desk Architectural balance is also often achieved through Iis proof of this as it is always arranged neatly with symmetry. In the Main Reading Room, the art, decoration nothing out of place. This gives me a sense of ease so I and sculpture reinforce a sense of order by the strong can focus on other tasks at hand. -
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell a Dissertati
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved April 2011 by the Graduate Supervisory Committee: Tamara Underiner, Chair Bryan Brayboy Stephani Woodson ARIZONA STATE UNIVERSITY May 2011 ABSTRACT In this dissertation, I focus on a subset of Native American theatre, one that concentrates on peoples of mixed heritages and the place(s) between worlds that they inhabit. As it is an emergent field of research, one goal of this project is to illuminate its range and depth through an examination of three specific points of focus – plays by Elvira and Hortencia Colorado (Chichimec Otomí/México/US), who create theatre together; Diane Glancy (Cherokee/US); and Marie Clements (Métis/Canada). These plays explore some of the possibilities of (hi)story, culture, and language within the theatrical realm across Turtle Island (North America). I believe the playwrights' positionalities in the liminal space between Native and non-Native realms afford these playwrights a unique ability to facilitate cross-cultural dialogues through recentering Native stories and methodologies. I examine the theatrical works of this select group of mixed heritage playwrights, while focusing on how they open up dialogue(s) between cultures, the larger cultural discourses with which they engage, and their innovations in creating these dialogues. While each playwright features specific mixed heritage characters in certain plays, the focus is generally on the subject matter – themes central to current Native and mixed heritage daily realities. I concentrate on where they engage in cross-cultural discourses and innovations; while there are some common themes across the dissertation, the specific points of analysis are exclusive to each chapter.