5Th International Conference on the Short Story in English
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NATIVE AMERICAN LITERATURE a Brief Introduction and Anthology
NATIVE AMERICAN LITERATURE A Brief Introduction and Anthology Gerald Vizenor University of California Berkeley The HarperCollins Literary Mosaic Series Ishmael Reed General Editor University of California Berkeley HARPERCOLUNSCOLLEGEPUBLISHERS Contents Foreword by Ishmael Reed Introduction AUTOBIOGRAPHY William Apess (1798-?) A Son of the Forest Preface 20 Chapter I 20 Chapter II 24 Chapter III 28 Luther Standing Bear (1868-1939) My People the Sioux Preface 33 First Days at Carlisle 33 John Rogers (1890-?) Return to White Earth 46 N Scott Momaday (b 1934) The Way to Rainy Mountain [Introduction] 60 The Names 65 Gerald VTzenor(b 1934) Measuring My Blood 69 Maria Campbell (b 1940) The Little People 76 Louis Owens (b 1948) Motion of Fire and Form 83 Wendy Rose (b 1948) Neon Scars 95 FICTION John Joseph Mathews (1894-1979) The Birth of Challenge 106 iv Native American Literature D Arcy McNickle (1904-1977) A Different World Elizabeth Cook Lynn (b 1930) A Good Chance N Scott Momaday (b 1934) The Rise of the Song Gerald Vizenor (b 1934) Hearthnes Paula Gunn Allen (b 1939) Someday Soon James Welch (b 1940) The Earthboy Place Thomas King (b 1943) Maydean Joe Leslie Marmon Silko (b 1948) Call That Story Back Louis Owens (b 1948) The Last Stand Betty Louise Bell (b 1949) In the Hour of the Wolf Le Anne Howe (b 1951) Moccasins Don t Have High Heels Evelina Zuni Lucero (b 1953) Deer Dance Louise Erdnch (b 1954) Lipsha Mornssey Kimberly Blaeser (b 1955) A Matter of Proportion Gordon Henry Jr (b 1955) Arthur Boozhoo on the Nature of Magic POETRY Mary -
The Zork Chronicles
THE ZORK CHRONICLES Delve into the challenge and adventure of the world of ZORK with the fantastic imagination of GEORGE ALEC EFFINGER "We (science fiction writers) stand in awe of a writer so young, so strong, so good…." Harlan Ellison "Wry, inventive, nearly hallucinatory…" Publishers Weekly "Great entertainment…" Fantasy Review Other Avon Books in the INFOCOMTM Series ENCHANTER® by Robin W. Bailey PLANETFALL® by Arthur Byron Cover WISHBRINGER® by Craig Shaw Gardner STATIONFALLTM by Arthur Byron Cover Avon Books are available at special quantity discounts for bulk purchases for sales promotions, premiums, fund raising or educational use. Special books, or book excerpts, can also be created to fit specific needs. For details write or telephone the office of the Director of Special Markets, Avon Books, Dept. FP, 105 Madison Avenue, New York, New York 10016, 212-481-5653. George Alec Effinger THE ZORK® CHRONICLES A Byron Preiss Book AN INFOCOMTM BOOK AVON BOOKS NEW YORK Zork: The novel is an original publication of Avon Books. This work has never before appeared in book form. This work is a novel. Any similarity to actual persons or events is purely coincidental. Special thanks to Marc Blank, Dave Lebling, Richard Curtis, Rob Sears, John Douglas, David Keller, and Alice Alfonsi. AVON BOOKS A division of The Hearst Corporation 105 Madison Avenue New York, New York 10016 Copyright © 1990 by Byron Preiss Visual Publications, Inc. Cover painting copyright © 1990 by Byron Preiss Visual Publications, Inc. Published by arrangement with Byron Preiss Visual Publications, Inc. ZORK software copyright © 1980 by Infocom, Inc. ZORK and the INFOCOM logo are trademarks of Infocom, Inc. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Language Handbook Additional Practice in Grammar, Usage, and Mechanics GRADE 10
HOLT McDOUGAL LITERATURE Language Handbook Additional Practice in Grammar, Usage, and Mechanics GRADE 10 000i_TX_L10LH.indd0i_TX_L10LH.indd i 66/3/09/3/09 111:13:111:13:11 PMPM TX_L10LH_FM 6/1/09 6:22 PM Page ii Cover Hand © QJU/Shutterstock; white board Chris Cigliano/Houghton Mifflin Harcourt. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner unless such copying is expressly permitted by federal copyright law. Permission is hereby granted to individuals using the corresponding student's textbook or kit as the major vehicle for regular classroom instruction to photocopy copying masters from this publication in classroom quantities for instructional use and not for resale. Requests for information on other matters regarding duplication of this work should be addressed to Houghton Mifflin Harcourt Publishing Company,Attn: Contracts, Copyrights, and Licensing, 9400 South Park Center Loop, Orlando, Florida 32819. Printed in the U.S.A. ISBN-13 978-0-547-28542-9 ISBN-10 0-547-28542-6 1 2 3 4 5 6 7 8 9 10 0803 18 17 16 15 14 13 12 11 10 09 If you have received these materials as examination copies free of charge, Houghton Mifflin Harcourt Publishing Company retains title to the materials and they may not be resold. Resale of examination copies is strictly prohibited. Possession of this publication in print format does not entitle users to convert this publication, or any portion of it, into electronic format. -
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell a Dissertati
Confronting Convention: Discourse and Innovation in Contemporary Native American Women's Theatre by Tiffany Noell A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved April 2011 by the Graduate Supervisory Committee: Tamara Underiner, Chair Bryan Brayboy Stephani Woodson ARIZONA STATE UNIVERSITY May 2011 ABSTRACT In this dissertation, I focus on a subset of Native American theatre, one that concentrates on peoples of mixed heritages and the place(s) between worlds that they inhabit. As it is an emergent field of research, one goal of this project is to illuminate its range and depth through an examination of three specific points of focus – plays by Elvira and Hortencia Colorado (Chichimec Otomí/México/US), who create theatre together; Diane Glancy (Cherokee/US); and Marie Clements (Métis/Canada). These plays explore some of the possibilities of (hi)story, culture, and language within the theatrical realm across Turtle Island (North America). I believe the playwrights' positionalities in the liminal space between Native and non-Native realms afford these playwrights a unique ability to facilitate cross-cultural dialogues through recentering Native stories and methodologies. I examine the theatrical works of this select group of mixed heritage playwrights, while focusing on how they open up dialogue(s) between cultures, the larger cultural discourses with which they engage, and their innovations in creating these dialogues. While each playwright features specific mixed heritage characters in certain plays, the focus is generally on the subject matter – themes central to current Native and mixed heritage daily realities. I concentrate on where they engage in cross-cultural discourses and innovations; while there are some common themes across the dissertation, the specific points of analysis are exclusive to each chapter. -
He Uses of Humor in Native American and Chicano/A Cultures: an Alternative Study Of
The Uses of Humor in Native American and Chicano/a Cultures: An Alternative Study of Their Literature, Cinema, and Video Games Autora: Tamara Barreiro Neira Tese de doutoramento/ Tesis doctoral/ Doctoral Thesis UDC 2018 Directora e titora: Carolina Núñez Puente Programa de doutoramento en Estudos Ingleses Avanzados: Lingüística, Literatura e Cultura Table of contents Resumo .......................................................................................................................................... 4 Resumen ........................................................................................................................................ 5 Abstract ......................................................................................................................................... 6 Sinopsis ......................................................................................................................................... 7 Introduction ................................................................................................................................. 21 1. Humor and ethnic groups: nonviolent resistance ................................................................ 29 1.1. Exiles in their own land: Chicanos/as and Native Americans ..................................... 29 1.2. Humor: a weapon of mass creation ............................................................................. 37 1.3. Inter-Ethnic Studies: combining forces ...................................................................... -
Program Book, As Appropriate
ConGregate 4 / DeepSouthCon 55 July 14-16, 2017 ANSWER THE CALL TO VENGEANCE The Manticore Ascendant Series Continues Travis Long has risen from humble begin- nings to become one of the Royal Manti- coran Navy’s most valuable assets. Twice he’s saved the RMN, but now he faces his greatest challenge yet, one that will test his mettle as an officer and as a man of honor. Vengeance is calling—and Travis Uriah Long is willing and able to answer! The newest installment in the Manticore Ascendant series from New York Times best-selling authors David Weber and Timothy Zahn and Honorverse expert Thomas Pope. Explore the Honorverse Coming through the Manticore March Ascendant series! 2018 Praise for the Manticore Ascendant series: “The plotting is as solid as ever, with smaller scenes building to an explosive, action-packed crescendo . .” —Publishers Weekly “Like Robert A. Heinlein and Orson Scott Card, Weber and Zahn are telling a story about a teenage char- acter but writing for readers of all ages.” —Booklist “[T]his astronautical adventure is filled with . intrigue and political drama.” —Publishers Weekly Find sample chapters for all Baen Books at www.baen.com. For more information, sign up for our newsletters at: http://www.baen.com/newsletter_signup. Table of Contents Statement on Inclusion ............................................ 1 From the Con Chair ........................................................ 1 Convention Staff ......................................................... 2 Harassment Policy ................................................ -
Contemporary Native American Literature Tuesdays 5:00-7:45PM Bates 203 Prof
Susan Power left to right: Louis Owens, Hershman John, Susan Power, Debbie Reese, Philip Red Eagle, Sherman Alexie, L eAnne Howe, Diane Glancy, Leslie Marmon Silko, N. Scott Momaday, Craig Womack. English 631-501 (crn 31963) Graduate Seminar Spring 2009 Contemporary Native American Literature Tuesdays 5:00-7:45PM Bates 203 Prof. Vanessa Holford Diana E-mail: [email protected] Office: Bates 015 Office Hours: MWF 1:35-2:35 & by appt. Office Phone: 572-5687 Course Description: In this discussion-based and student-centered seminar emphasizing contemporary fiction, as well as poetry, autobiography, drama, and film, we will read texts by a range of Native American authors from diverse tribes and geographical regions in the U.S. We will consider texts in specific cultural contexts, and we will explore pedagogical and theoretical debates about approaches to Native American literature in the classroom and the canon. My goal is to approach the class as a conversation among a community of learners, in which we can try out a variety of approaches to critical reading. To that end, each of you will contribute to facilitating class discussion. The semester will conclude with capstone presentations of your individual research findings. Required Texts (available at campus bookstore): Sherman Alexie (Spokane/Coeur d'Alene) Absolutely True Diary of a Part-Time Indian (09); Flight (07) Diane Glancy (Cherokee) Pushing the Bear (1998) LeAnne Howe (Chocktaw) Miko Kings: An Indian Baseball Story (2007) Hershman John (Navajo) I Swallow Turquoise for Courage (2007) Owens, Louis (Choctaw-Cherokee) Nightland (1996) Susan Power (Sioux) The Grass Dancer (1994) Red Eagle, Philip H. -
Positionality and Normative Geographies in Native American Women’S Writings
Citation: Rehman, F. u., Mustafa, A. u., & Mahjabeen. (2020). Positionality and Normative Geographies in Native American Women’s Writings. Global Regional Review, V(III), 317-323. https://doi.org/10.31703/grr.2020(V-III).33 URL: http://dx.doi.org/10.31703/grr.2020(V-III).33 DOI: 10.31703/grr.2020(V-III).33 Positionality and Normative Geographies in Native American Women’s Writings Fasih ur Rehman * Atta-ul-Mustafa † Mahjabeen ‡ Vol. V, No. III (Summer2020) | Pages: 317‒323 p- ISSN: 2616-955X | e-ISSN: 2663-7030 | ISSN-L: 2616-955X The present study aims to revisit Louise Erdrich’s Tracks, Polingaysi Qoyawayma’s No Turning Back, and Diane Glancy’s The Reason for Crows to understand the portrayal of normative geographies in these works. The study considers Tim Cresswell’s theoretical formulations of normative geography to explore the constitution and Native American women’s positionality within these normative geographic structures. The study maintains that Native American normative Abstract geographies are structured to maintain Native American patriarchal socio-cultural supremacy. The study also asserts that Native American woman is located at the margin of these biased normative geographic structures. Key Words: Marginalization, Native American Fiction, Native American Patriarchy, Native American Woman, Normative Geography Introduction The notion of spatiality constitutes the centre of Native American female fiction writers. Along with the overarching spatiality of Native Americans in general, female fiction writers also talk about issues related to the Native American woman’s location and position in Native American spaces and places. Issues related to the Native American female spatial situatedness, role, and experience received extraordinary attention in the works of Louise Erdrich, Linda Hogan, Polingaysi Qoyawayma, Leslie Marmon Silko, Paula Gunn Allen, Diane Glancy, LeAnne Howe, Marry Brave Bird, Lee Maracle, Heid E Erdrich, etc. -
Cyberpunk Mark Bould
14 Cyberpunk Mark Bould Reflections on “Cyberpunk” The word “Cyberpunk” was coined by Bruce Bethke for the title of a story published in Amazing in 1983, but it came to prominence when Gardner Dozois appropriated it in his 1984 Washington Post article “SF in the Eighties” to describe fiction by William Gibson, Bruce Sterling, Lewis Shiner, Pat Cadigan, and Greg Bear. The self- identified core Cyberpunk group consisted of Gibson, Sterling, Shiner, John Shirley, and Rudy Rucker. They were also dubbed the Movement, the “mirrorshades group” and the “outlaw technologists”; their fiction was sometimes called radical hard SF. As “Cyberpunk” circulated more widely following the success of Gibson’s debut novel Neuromancer (1984), it accreted fresh meanings and applications. To paraphrase Gibson’s famous dictum about human relationships with technology, the street (and the culture industries) found its own uses for “Cyberpunk.” It became an ever-expand- ing term for any slightly edgy artistic or cultural practice concerned with computers and/or the relationships between technology and the body, a synonym for “computer hacker,” the name of a role-playing game and even the title of a Billy Idol album. Although usually considered to refer to a movement, subgenre or an idiom, “Cyber- punk” was also an undeniably commercial label, attracting a lot of attention from readers, writers, journalists, critics, and marketing people. It spawned numerous derivative terms, including “cowpunk,” which described a revitalized western fiction (and had already been applied to the music of the Meat Puppets, whose name Gibson borrowed to describe prostitutes with neural blocks); “elfpunk,” which described post- Tolkien fantasy with attitude; and “ciderpunk,” a variety of pub rock from England’s West Country. -
Representations of Christianity in Contemporary Native American Literature by Women Rachel Luckenbill Duquesne University
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 8-6-2016 Conflict and Reconciliation: Representations of Christianity in Contemporary Native American Literature by Women Rachel Luckenbill Duquesne University Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Luckenbill, R. (2016). Conflict and Reconciliation: Representations of Christianity in Contemporary Native American Literature by Women (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1823 This One-year Embargo is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. CONFLICT AND RECONCILIATION: REPRESENTATIONS OF CHRISTIANITY IN CONTEMPORARY NATIVE AMERICAN LITERATURE BY WOMEN A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Rachel Luckenbill August 2016 Copyright by Rachel Luckenbill 2016 CONFLICT AND RECONCILIATION: REPRESENTATIONS OF CHRISTIANITY IN CONTEMPORARY NATIVE AMERICAN LITERATURE BY WOMEN By Rachel Luckenbill Approved May 2, 2016 ________________________________ ________________________________ Dr. Linda Kinnahan Dr. Kathy Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ Dr. Cari -
The Search for Identity
Unit 16 THE SEARCH FOR IDENTITY American Prose Writers 1970–Present Authors and Works women’s rights movement, and the queer rights movement reflected in literature? Featured in the Video: I How has the American family changed with the Maxine Hong Kingston, The Woman Warrior: advent of the women’s liberation movement? How Memoirs of a Girlhood Among Ghosts (novel) might authors both mourn the passing of tradi- Sandra Cisneros, The House on Mango Street tional ways and celebrate new developments in (novel), Woman Hollering Creek (short stories) society? Leslie Feinberg, Stone Butch Blues (novel) I How do the writers in this unit use and/or adapt strategies or stylistic devices of various oral tradi- Discussed in This Unit: tions, including the Native American and Mexican Toni Morrison, “Recitatif” (short story) American oral storytelling traditions? Thomas Pynchon, “Entropy” (short story) I What does it mean to be a “radical” writer? Toni Cade Bambara, “Medley” (short story) I How do writers incorporate specific historical Maxine Hong Kingston, from Tripmaster Monkey: events, such as wars or scientific advances, into His Fake Book (excerpt from novel) their texts? Diane Glancy, “Jack Wilson or Wovoka and Christ I How have authors used techniques of collage in My Lord,” “Polar Breath” (short stories) their writings, and how do these techniques echo Alice Walker, “Everyday Use” (short story) other artistic movements? David Mamet, Glengarry Glen Ross (play) I How do postmodern narratives adapt earlier Judith Ortiz Cofer, “The Witch’s Husband”