Diario De Ana Frank
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eduardo Fierro S.V.C. US - 1.786.301.3986 [email protected]
Eduardo Fierro S.V.C. US - 1.786.301.3986 [email protected] www.eduardofierro.com http://www.imdb.com/name/nm1803783/ https://vimeo.com/edufierro Cinematographer Features: • Crimen/Pimp Bullies - 2011 (Antena Latina Films) Director Alfonso Rodriguez • Al Fin y Al Cabo - 2008 RD (Antena Latina Films) Director Alfonso Rodriguez • Play Ball - 2008 RD (Antena Latina Films) Director Alfonso Rodriguez • Yuniol - 2007 RD (Antena Latina Films) Director Alfonso Rodriguez – pre-nominated to Golden Globe and Goya Awards • Un Macho de Mujer 2006 RD (White Soul Trading) Director Alfonso Rodriguez • Sex & Guilt 2005 USA (Crying Wind Films) Director Robert Tuscani Commercials: • Golf Channel Promo Kids 2016 (Four Course Films) Director Alex Sivers • Jingle Bells-WWE 2016 (Cannonball) Director Andrews Jenkins • Atrevete - Snapchat/Toyota/ 2016(D’Avant Garde) Director Pascui Rivas • We got you - Fair Winds Bank - 2016 (SkyStorm) Director Alex Sivers - Bronce Telly award • Freedom - Fair Winds Bank - 2016 (SkyStorm) Director Alex Sivers - Bronce Telly award • Bath and Body Work - Table top - WIBAGENCY Director Eduardo Fierro • The Pitch -SmackDown-USA Network- 2015(SpangTv) Director Andrew Jenkins • The Move -SmackDown-USA Network- 2015(SpangTv)Director Andrew Jenkins • Mind Blown - Pizza Hut - 2015(Board of Directors) Director Carlos Chacin • Tough Enough WWE- USA Network- 2015(Black Spot) Director Andrew Jenkins • Texas Trocas -Discovery Latin- 2015(Heaven Films) Director Jesus Rodriguez • Carnitas -Taco Bell- 2015(Board of Directors) Director Carlos -
The Dramatization of the Diary of Anne Frank and Its Influence on American Cultural Perceptions
GOOD AT HEART: THE DRAMATIZATION OF THE DIARY OF ANNE FRANK AND ITS INFLUENCE ON AMERICAN CULTURAL PERCEPTIONS A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Whitney Lewis Stalnaker May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Whitney Lewis Stalnaker B.S., Glenville State College, 2011 M.A., Kent State University, 2016 Approved by Dr. Richard Steigmann-Gall , Advisor Dr. Kenneth Bindas , Chair, Department of History Dr. James Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... iii PREFACE ........................................................................................................................................v ACKNOWLEDGMENTS ............................................................................................................. ix INTRODUCTION ...........................................................................................................................1 Historiography ...............................................................................................................5 Methodology ..................................................................................................................9 Why This Play? ............................................................................................................12 CHAPTERS -
Non-Fiction Films
Non-Fiction Films Night and Fog Filmed in 1955, this emotional documentary combines black and white film footage and still images from the Nazi archives, with color footage of post-World War II Auschwitz. French with English subtitles, 32 min. Anne Frank Remembered This Academy Award winning documentary follows the life of Anne Frank through the back room of 263 Prinsengracht (where the Frank family lived in hiding), to the Westbrook and Auschwitz concentration camps. The film features interviews with Miep Gies, the woman who helped hide the Frank family, Hanneli Goslar and Jaqueline van Maarsen, two of Anne Frank’s friends as well as archival interviews with Otto Frank. The film also features the only known film footage of Anne Frank. 122 min. There Once Was a Town In 1941, 3,500 Jews were brutally murdered in the small town of Eishyshok, Poland. Fifty-six years later, a bus load of survivors return to Eishyshok "to awaken old memories and confront long-silenced ghosts." 90 min. Into the Arms of Strangers: Stories of the Kindertransport In the late 1930’s, just before the outbreak of WWII, England agreed to accept 10,000 Jewish children seeking safe haven from Nazi cruelty, a rescue effort referred to as the Kindertransport. Into the Arms of Strangers is an Academy Award winning documentary about this lesser-known story of the Holocaust. 122 min. The Lost Children of Berlin The Lost Children of Berlin chronicles the 1994 reunion of the classmates from the last Jewish school to be shutdown by the Nazi Gestapo in 1941. -
Readers' Companion to the Diary of Anne Frank
www.annefrank.com READERS’ COMPANION TO THE DIARY OF ANNE FRANK © The Anne Frank Center USA Introduction Wednesday, April 5, 1944 ...I Finally realized that I must do my schoolwork to keep from being ignorant, to get on in life, to become a journalist, because that’s what I want! I know I can write... it remains to be seen whether I really have talent...I need to have something besides a husband and children to devote myself to!...I want to be useful or bring enjoyment to all people, even those I’ve never met. I want to go on living even after my death! And that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express all that’s inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that’s a big question, will I ever be able to write something great, will I ever become a journalist or a writer? Anne Frank The Legacy of Anne Frank Anne Frank’s story succeeds because it is a personal story that enables individuals to understand one of the watershed events of our time, and because it communicates what can happen when hate and intolerance prevail. The essence of Anne Frank’s message has become a universal symbol of tolerance, strength, and hope in the face of adversity — a symbol transcending all cultures and ages and conveying the idea that discrimination and intolerance are wrong and dangerous. -
Entraron a La Casa
Libros de Investigación Entraron a la casa Beatriz Natalia Morales Fernández Julián Alfonso Gómez Sánchez Universidad del Cauca Vicerrectoría de Cultura y Bienestar Vicerrectoría de Investigaciones Entraron a la casa Entraron a la casa Beatriz Natalia Morales Fernández Julián Alfonso Gómez Sánchez Editorial Universidad del Cauca 2014 Morales Fernández, Beatriz Natalia Entraron a la casa / Beatriz Natalia Morales Fernández, Julián Alfonso Gómez Sánchez -- Popayán, Colombia: Editorial Universidad del Cauca, 2014. Bibliografía: p.163-164, Índice analítico p.165 166 p. 1. CONFLICTOS SOCIALES – COLOMBIA. 2.VIOLENCIA -- COLOMBIA. 3. RELATOS PERSONALES- HISTORIA – SILVIA CAUCA (COLOMBIA). 4. SOLUCIÓN DE CONFLICTOS – COLOMBIA. 5. PROCESOS DE PAZ – COLOMBIA. 6. VIOLACIÓN DE LOS DERECHOS HUMANOS – CRÓNICAS PERIODÍSTICAS. I. TÍTULO II. MORALES FERNÁNDEZ, BEATRIZ NATALIA. III. GOMEZ SANCHEZ, JULIAN ALFONSO. IV. UNIVERSIDAD DEL CAUCA 303.69 - scdd 23 ISBN 978-958-732-135-7 Hecho el depósito legal que marca el Decreto 460 de 1995 Catalogación en la fuente – Universidad del Cauca. Biblioteca © Universidad del Cauca, 2014 © Beatriz Natalia Morales Fernández, Julián Alfonso Gómez Sánchez Primera edición Editorial Universidad del Cauca, abril de 2014 Diseño de la Serie Editorial Universidad del Cauca Diagramación: Gonzalo Eduardo Ibarra Valencia Diseño de carátula: Maritza Martínez A. Editor General de Publicaciones: Luis Guillermo Jaramillo E. Editorial Universidad del Cauca Casa Mosquera Calle 3 No. 5-14 Popayán, Colombia Teléfonos: (2) 8209900 Ext 1134 - 1135 [email protected] Impreso en Samava Ediciones. Popayán, Cauca, Colombia. Copy Left: los contenidos de este libro pueden ser reproducidos en todo o en parte, siempre y cuando se cite la fuente y se haga con fines académicos y no comerciales Contenido Agradecimientos ............................................................................... -
Wikipedia Reader-2I5pv34
WIKIPEDIA READER ANNE FRANK #13 SELECTED BY YENESIS MORENO https://en.wikipedia.org/wiki/nne_Frank 4/24/16 Born- Annelies[1] or Anneliese[2] Marie Frank 12 June 1929 Frankfurt, Weimar Republic Died- February or March 1945 (aged 15) Bergen-Belsen concentration camp, Lower Saxony, Nazi Germany Language- Dutch Nationality- German until 1941 Stateless from 1941 Notable works- The Diary of a Young Girl (1947) From Wikipedia, the free encycloped For other uses, see Anne Frank (disambiguation). Anne Frank pictured in 1940 Annelies Marie Frank (German pronunciation: [ʔanəliːs maˈʁiː ˈʔanə ˈfʁaŋk]; Dutch pronuncia- Anne tion: [ʔɑnəˈlis maːˈri ˈʔɑnə ˈfrɑŋk]; 12 June 1929 – February or March 1945[3]) was a German-born diarist and writer. She is one of the most dis- Frank cussed Jewish victims of the Holocaust. Her dia- ry, The Diary of a Young Girl, which documents her life in hiding during the German occupation of the Netherlands in World War II, is one of the world’s most widely known books and has been 2 the basis for several plays and films. WIKIPEDIA READER ANNE FRANK #13 SELECTED BY YENESIS MORENO https://en.wikipedia.org/wiki/nne_Frank 4/24/16 Born in the city of Frankfurt, Germany, she Otto Frank, the only survivor of the family, lived most of her life in or near Amsterdam, returned to Amsterdam after the war to find the Netherlands. Born a German national, that Anne’s diary had been saved by one of Frank lost her citizenship in 1941 and thus the helpers, Miep Gies, and his efforts led became stateless. -
JOURNAL the Association of Jewish Refugees
VOLUME 19 NO.9 SEPTEMBER 2019 JOURNAL The Association of Jewish Refugees Quality not Quantity HAPPY SEPTEMBER Holocaust education has never been better funded than it is today. Welcome to our September issue, which contains some useful news and And yet ignorance and intolerance appear to be on the rise. Perhaps advice regarding reparation funding as well as a ‘new look’ list of all AJR our expectations of education are unrealistic? events coming up. We are grateful to the many AJR members who have contributed to this issue. Their articles and letters are very much appreciated and help to make our magazine an interesting and varied read that, we hope, will appeal to our broad membership. Wishing you a Shana Tovah and all the very best for the coming year. Funding news ............................................... 3 Don’t Speak German .................................... 4 Anne on the Square ..................................... 5 Letters to the Editor ...................................... 6 Looking For .................................................. 7 Art Notes...................................................... 8 Who was the tiger who came to tea? .......... 9 The best place in France ........................10-11 German Jews in Hollywood, Part 3 .......12-13 Reviews ...................................................... 14 What if...? .................................................. 15 Around the AJR .....................................16-17 The United States Holocaust Memorial Museum utilises digital technology to teach Obituaries -
A Performer's Guide to Oskar Morawetz' from the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 A performer's guide to Oskar Morawetz' From the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Rhodes, Jami, "A performer's guide to Oskar Morawetz' From the Diary of Anne Frank" (2009). LSU Doctoral Dissertations. 3516. https://digitalcommons.lsu.edu/gradschool_dissertations/3516 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A PERFORMER‟S GUIDE TO OSKAR MORAWETZ‟ FROM THE DIARY OF ANNE FRANK A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts by Jami Rhodes B.M., East Carolina University, 2001 M.M., University of South Carolina, 2003 August 2009 ACKNOWLEDGEMENTS I must first acknowledge the aid of Claudia Morawetz, whose own extensive research into her father‟s life and work, coupled with her constant willingness to assist me throughout this process has been invaluable. I owe a special debt of gratitude to my major professor, Dr. Lori Bade who has not only served as the chair of my doctoral committee throughout this process but has guided me vocally throughout my time at Louisiana State University. -
Martha Pabón Nombre Real
MARTHA PABÓN NOMBRE REAL: MARTHA ELENA ARISTIZABAL PABÓN NOMBRE ARTISTICO: MARTHA PABÓN FECHA DE NACIMIENTO: 5 DE AGOSTO LUGAR DE NACIMIENTO; BARRANQUILLA- COLOMBIA NACIONALIDAD: VENZOLANA/COLOMBIANA/AMERICANA ESTATURA:1.65 M IDIOMAS: ESPANOL/INGLES EXPERIENCIA LABORAL TELEVISION El Regalo Mas Grande.Milagros de Navidad (TV Miniserie) Telemundo. Miami 2017 Silvana Sin Lana (Telenovela)Personaje: Laura de Montenegro. Telemundo. Miami. 2016 Quién es Quién (Telenovela)Personaje:Gwen Telemundo. 2015 Pasión Prohibida (Telenovela) Persinaje: Nuria Arredondo.Telemundo 2013 La Casa de al Lado (Telenovela)Personaje: Mabel Mora. Telemundo. Miami. 2011 Grachi (Serie Infantil) Nickelodeon Latinoamérica / Miami 2011 Alma Indomable (Telenovela)Personaje Rosangélica Antoñez Venevision Internacional Miami 2009 El Padrino de Mi Hija (Unitario Decisiones) Telemundo.2007 La Viuda de Blanco Personaje: Ofelia (Telenovela) Telemundo. Miami 2006-07 Mi Gorda Bella (Telenovela) RCTV 2003 A todo Corazón (Serie Juvenil) Laura Visconti & Venevisión 1997/1998 La Inolvidable (Telenovela) RCTV 1995 Volver a Vivir (Telenovela) RCTV 1995-96 Amores de Fin de Siglo (Telenovela) RCTV 1994-95 Pozos Sin Fondo (Telefilm) RCTV 1994 Dulce Ilusión (Telenovela) Personaje:Marquesita RCTV 1993 Sin Censura (Telefilm) RCTV. 1993 Leonor (Teleserie Comedia) RCTV .1992 Por Estas Calles (Telenovela) RCTV 1992 Via Crucis en el Barrio (Telefilm) RCTV 1991 La Pandilla de los Siete (Serie Infantil) RCTV. 1991/1992 Adorable Mónica (Telenovela) Venevisión 1991. Emperatriz (Telenovela) Marte Tv – Venevisión 1990 María María (Telenovela) Marte Tv- Venevisión 1989-1990 Niña Bonita (Telenovela) Venevisión 1988-89 Amor de Abril (Telenovela) Venevisión 1988 La Dama de Rosa (Telenovela) RCTV 1986-87 Rebeca (Telenovela) RCTV. 1985 Sara (Teleserie Comedia) Venevision 1984 El Piano Viejo (Telefilm) Venezolana de Televisión 1984 La Inimaginable Imaginación (Serie Infantil) Personaje La Gata Carlota RCTV 1982 Desde El Jardin (Serie Educativa ) Personaje: Cristalina. -
El Espacio Narrativo En Tres Novelas De Evelio José Rosero
UNIVERSIDAD EAFIT Escuela de Ciencias y Humanidades Maestría en Estudios Humanísticos EL ESPACIO NARRATIVO EN TRES NOVELAS DE EVELIO JOSÉ ROSERO Preparado por: Javier Andrés Gómez Gómez Director de tesis: Jesús Hernando Motato Camelo Profesor de literatura Universidad Industrial de Santander Medellín, Colombia 2013 TABLA DE CONTENIDO INTRODUCCIÓN 3 OBJETIVOS 7 MARCO CONCEPTUAL 8 ESTADO DEL ARTE 16 CAPÍTULO I LOS PERSONAJES Y SU RELACIÓN CON LOS ESPACIOS 22 CAPÍTULO II CONFIGURACIÓN DEL ESPACIO NARRATIVO 43 CAPÍTULO III EL ESPACIO NARRATIVO: UNA MIRADA DESDE LO ERÓTICO Y LA VIOLENCIA 65 CAPÍTULO IV A MANERA DE CONCLUSIÓNES 78 BIBLIOGRAFÍA 84 2 INTRODUCCIÓN Evelio José Rosero Diago tiene una carrera de escritor que se ha extendido por más de 20 años, siendo un prolífico autor que ha incursionado en todos los géneros de la literatura, incluyendo libros para niños como son: Cuento para matar a un perro (y otros cuentos) (1989), Pelea en el parque (1991) El aprendiz de mago y otros cuentos de miedo (1992), y Las esquinas más largas (1998). A lo anterior, se le suman 13 novelas publicadas entre 1984 y 2012. En siguiente orden: Mateo solo, su primera novela; Juliana los mira (1986), El incendiado (1988), Papá es santo y sabio (1989), Señor que no conoce la luna (1992), Cuchilla (2000), Plutón (2000), Los almuerzos (2001), Juega al amor (2002), El hombre que quería escribir una carta (2002), En el lejero (2003), Los escapados (2006), Los ejércitos (2007), y La carroza de Bolívar (2012) En 2007 publica la que hasta ahora se ha convertido en su obra más exitosa, Los ejércitos que le ha valido entre otros el Premio Tusquets de Novela, y el Foreign Fiction Prize otorgado en reconocimiento a la mejor obra traducida al inglés. -
Ibero4american Television Fiction Observatory Obitel 2013 Social
IBERO-AMERICAN TELEVISION FICTION OBSERVATORY OBITEL 2013 SOCIAL MEMORY AND TELEVISION FICTION IN IBERO-AMERICAN COUNTRIES IBERO-AMERICAN TELEVISION FICTION OBSERVATORY OBITEL 2013 SOCIAL MEMORY AND TELEVISION FICTION IN IBERO-AMERICAN COUNTRIES Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez General Coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala, Borys Bustamante, Giuliana Cassano, James A. Dettleff, Cata- rina Duff Burnay, Isabel Ferin Cunha, Valerio Fuenzalida, Francisco Hernández, César Herrera, Pablo Julio Pohlhammer, Mónica Kirch- heimer, Charo Lacalle, Juan Piñón, Guillermo Orozco Gómez, Rosario Sánchez Vilela e Maria Immacolata Vassallo de Lopes National Coordinators © Globo Comunicação e Participações S.A., 2013 Capa: Letícia Lampert Projeto gráfico e editoração: Niura Fernanda Souza Produção, assessoria editorial e jurídica: Bettina Maciel e Niura Fernanda Souza Revisão: Felícia Xavier Volkweis Revisão gráfica: Miriam Gress Editor: Luis Gomes Librarian: Denise Mari de Andrade Souza CRB 10/960 M533 Social memory and television fiction in ibero-american coutries: 2013 Obitel yearbook / coordinators Maria Immacolata Vassalo de Lopes and Guillermo Orozco Gómez. — Porto Alegre: Sulina, 2013. 513 p.; il. ISBN: 978-85-205-0700-X 1. Television – Programs. 2. Fiction – Television. 3. Programs Television – Ibero-American. 4. Media. I. Lopes, Maria Immacolata Vassalo de. II. Gómez, Guillermo Orozco. CDU: 654.19 659.3 CDD: 301.161 791.445 Direitos desta edição adquiridos por Globo Comunicação e Participações S.A. Editora Meridional Ltda. Av. Osvaldo Aranha, 440 cj. 101 – Bom Fim Cep: 90035-190 – Porto Alegre/RS Fone: (0xx51) 3311.4082 Fax: (0xx51) 2364.4194 www.editorasulina.com.br e-mail: [email protected] Agosto/2013 This work is a result of a partnership between Globo Univer- sidade and Ibero-American Television Fiction Observatory (OBI- TEL). -
Anne Frank: a Living Voice
Conducted by Jeanette MacCallum Presents Anne Frank: A Living Voice Music by Linda Tutas Haugen Text from The Diary of Anne Frank With Special Guest Speaker Sonja DuBois Westminster Presbyterian Church Nashville, TN Sunday, January 27, 2013 4 PM Please silence all cell phones and pagers for the duration of the program. “Preserving the Legacy” Sonja DuBois Brief time for meditation **** Anne Frank: A Living Voice Linda Tutas Haugen (Please hold your applause until the conclusion of the entire work) I. It is the Silence II. My Nerves III. Hanneli IV. Sunshine and Cloudless Sky V. My Work VI. Peter VII. Ideals and Hopes **** I Thank You God Gwyneth Walker **** Program Notes Anne Frank: A Living Voice was commissioned by the San Francisco Girls Chorus (SFGC) in celebration of its Silver Anniversary. The text is based upon excerpts from The Diary of Anne Frank, taken from the 1952 and 1991 English translations of the book. The full musical work was premiered in 2004 by the San Francisco Girls Chorus. Anne Frank was between the ages of 13 and 15 when she wrote her Diary, while living in a secret upstairs annex over a warehouse in Amsterdam with her family, the Van Pels family and Fritz Pfeffer. Despite the fears and frustrations she experienced in over two years of hiding from the Nazis, Anne learned how to survive, even to find beauty in small things and to hold on to her ideals. Composer Linda Tutas Haugen writes: “My goals for this composition are to honor the life of Anne Frank and to gain a deeper understanding of what she, her family, and friends experienced during the Holocaust.” The text excerpts are chronologically arranged, and span more than two years.