Langeweile, Langeweile Und Noch Mehr Langeweile?

Total Page:16

File Type:pdf, Size:1020Kb

Langeweile, Langeweile Und Noch Mehr Langeweile? DATENBLATT – Sommer 2019 Schülerzeitung der Langeweile, Langeweile und noch mehr Langeweile? Ein Job für einen Saul! Better call Saul Better call Saul handelt von Jimmy McGill Laufe der Geschichte immer mehr an Be- einem sehr schlecht verdienenden Rechts- deutung und Turbulenzen. anwalt. Jimmy hat mehrere Pseudonyme Mir persönlich hat vor allem der Humor an wie z.B. Flipping Jimmy, der bekannteste der Serie gefallen. Immer wieder schafft es ist wohl Saul Goodman. Viele kennen ihn die Serie, mich zum Schmunzeln zu brin- aus der Serie Breaking Bad , überraschen- gen. Das liegt nicht nur an dem Skript son- der Weise ist dies auch kein Zufall: Bei Bet- dern auch an den Schauspielern: Bob ter call Saul handelt es sich nämlich um ein Odenkirk (Der Schauspieler von Jimmy) Prequel (= erzählt die Vorgeschichte) von bringt den Charakter Jimmy Mcgill mit Ges- Breaking Bad . Im Fokus stehen Saul tik und Mimik sehr gut rüber, so dass man Goodman und Mike Ehrmantraut. Die Serie eigentlich fast Sympathie empfinden muss. geht hauptsächlich in Richtung Comedy Für Breaking-Bad -Fans ist die Serie sehr und Drama. Comedy wird hier großge- interessant: Zwar wird nichts über den wei- schrieben. Die Serie beginnt zwar mit jeder teren Verlauf der Geschichte erzählt, bietet Staffel sehr deprimierend (hauptsächlich für aber stattdessen sehr viel Hintergrundwis- Breaking-Bad -Zuschauer), aber ehe man sen zu Breaking Bad . sich versieht, sieht man, aber ehe man sich versieht, redet Jimmy mit Pissoirs, um sich Oft höre ich "Im Fernsehen läuft einfach auf eine Gerichtsversammlung vorzuberei- nichts Vernünftiges" und genauso oft höre ten. Mike Ehrmantraut übernimmt in der ich "Mensch, Better call Saul ist sau gut!". Serie den ernsteren Teil und geht am meis- Ich denke, dass Better call Saul genau die- ten in Richtung Breaking Bad . sen Leuten gefallen würde, die zur ersten Fraktion gehören, aber die meisten kennen Die Serie hat aber viele eigene interessan- die Serie wohl einfach nicht. te Charaktere, die nicht mit Breaking Bad zu tun haben. Z.B. Chuck McGill, der Bru- Ich hoffe, dass ich mit diesem Artikel ein der von Jimmy, hat eine sehr kuriose paar Leute auf die Serie aufmerksam ma- Krankheit, nämlich Elektrosensibilität, die chen konnte. Einen Netflix Account hat ihn anfällig auf elektromagnetische Wellen heutzutage fast jeder, Ausreden zählen al- reagieren lässt. Deswegen läuft er meis- so nicht. tens in Alufolie rum und erdet sich. Vor al- Tim Geiter BGY18a lem Chuck ist eines der Highlights der Se- rie: Seine Beziehung zu Jimmy gewinnt im 22 .
Recommended publications
  • The Parthenon, October 23, 2019
    Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 10-23-2019 The Parthenon, October 23, 2019 Hanna Pennington [email protected] Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Pennington, Hanna, "The Parthenon, October 23, 2019" (2019). The Parthenon. 774. https://mds.marshall.edu/parthenon/774 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. WEDNESDAY, OCTOBER 23, 2019 | VOL. 123 NO. 8 | MARSHALL UNIVERSITY’S STUDENT NEWSPAPER | marshallparthenon.com | SINGLE COPY FREE Unity Walk kicks off homecoming festivities pg. 2 HANNA PENNINGTON | EXECUTIVE EDITOR In Their Shoes MOVC celebrates Football set to COLUMN: INTO students raises anniversary face WKU Greek Life attend Bridge Day awareness3 4 6 12 PAGE EDITED AND DESIGNED BY HANNA PENNINGTON | [email protected] 2 WEDNESDAY, OCTOBER 23, 2019 MARSHALLPARTHENON.COM Unity Walk kicks off homecoming, celebrates family By PHUONG ANH DO simple; we all come in one place, we meet, walk and talk THE PARTHENON with each other and celebrate together. But more impor- Campus Activities Board (CAB). Hundreds of students joined the eighth annual Unity tantly, we want to make sure that our students at the homecomingKylie Johnson, banner a Marshall competition; student first and place CAB went member, to the Walk to kick off the homecoming week activities Mon- university fully understand the importance of being a said thanks to the event, all its students now belong to day afternoon.
    [Show full text]
  • Contra Costa Lawyer Online
    Contra Costa Lawyer Online August 2016 The Contra Costa Lawyer is the official publication of the Contra Costa County Bar Association (CCCBA) published 12 times a year -- in six print and 12 online issues. 1 2 Contents Ray Donovan Review 4 NFL Police Reports 6 Broderick Roadhouse, Restaurant Review 9 Ethics and Better Call Saul 11 A Local Attorney’s Reflections on Last Month’s Tragedies 13 London Inns of Court Adventure in England 15 Summer Reading 17 President's Message 18 Accessing the Law from your Home or Office 19 All Sections Summer Mixer [photos] 21 The 20/10/5 Rule: The Key to Managing Your Firm and Your 23 Life Celebrity Apprentice Replaces Trump with the Governator 25 Coffee Talk: Summer Binge Watching - What are your favorites? 28 Uncorked! Fundraiser for the Food Bank 30 3 Ray Donovan Review Monday, August 01, 2016 We love Ray Donovan the same way we loved Tony Soprano. He gets the job done and at the end of the day, as bloody and philandering and as it may be, he returns home to be the rock of his family. Only instead of working for the mob, Ray Donovan works for attorneys. Ray (played by Liev Schreiber) does the dirty work beyond the sensibilities of two nebbish partners, Ezra Goodman (played by Elliott Gould) and Lee Drexler (played by Peter Jacobson) dispatch him as “fixer” while staying behind at their lavish office or by the pool. While Ray makes his living by excising a price for his fixing, the money is nothing close to that made off of his deeds by the partners while shrouding themselves in ignorance.
    [Show full text]
  • Adventures in Higher Education, Happiness, and Mindfulness
    University of Colorado Law School Colorado Law Scholarly Commons Articles Colorado Law Faculty Scholarship 2018 Adventures in Higher Education, Happiness, and Mindfulness Peter H. Huang University of Colorado Law School Follow this and additional works at: https://scholar.law.colorado.edu/articles Part of the Law and Economics Commons, Law and Psychology Commons, Legal Biography Commons, Legal Education Commons, and the Legal Profession Commons Citation Information Peter H. Huang, Adventures in Higher Education, Happiness, and Mindfulness, 7 BRIT. J. AM. LEGAL STUD. 425 (2018), available at https://scholar.law.colorado.edu/articles/1237. Copyright Statement Copyright protected. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required. This Article is brought to you for free and open access by the Colorado Law Faculty Scholarship at Colorado Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Colorado Law Scholarly Commons. For more information, please contact [email protected]. Br. J. Am. Leg. Studies 7(2) (2018), DOI: 10.2478/bjals-2018-0008 Adventures in Higher Education, Happiness, And Mindfulness Peter H. Huang* ABSTRACT Spis treści This Article recounts my unique adventures in higher education, including being a Princeton University freshman mathematics major at age 14, Harvard University applied mathematics graduate student at age 17, economics and finance faculty at multiple schools, first-year law student at the University of Chicago, second- and third-year law student at Stanford University, and law faculty at multiple schools.
    [Show full text]
  • Better Call Saul – S04E10 – Winner
    BETTER CALL SAUL "Winner" Episode #410 Written by Peter Gould & Thomas Schnauz Directed by Adam Bernstein EMMY FINAL 5/08/18 SONY PICTURES TELEVISION INC. All Rights Reserved © 2018 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BETTER CALL SAUL "Winner" 5/08/18 Cast List JIMMY CHUCK MIKE KIM HAMLIN GUS ERNIE Non-speaking: BURT BAR ASSOCIATION VOUCHER NICK BAR ASSOC LAWYERS-TO-BE (5) ANDRE BAR ASSOC FAMILY & FRIENDS LALO BAR ASSOC JUSTICES (5) DIEGO HHM ASSISTANTS & STAFF GUS'S TWO TRACKERS WAITRESS VICTOR MIKE'S GUY SOUND GUY CUSTOMER CAMERA GUY RECEPTION LAWYERS DRAMA GIRL SCHOLARSHIP BOARD MEMBERS (5) RICH SCHWEIKART SCHOLARSHIP CANDIDATES SIR FRANCIS PARENTS JULIE VACATIONERS WERNER COMMITTEE MEMBERS (3) MILO BAR ASSOCIATION CLERK WELL-DRESSED OLDER MAN Omitted: BAR ASSOCIATION LAWYER WOMAN (WITH KRISTY) VOUCHER VOUCHER #2 MALE MOURNER FEMALE MOURNER FRED OLDER ATTORNEY FEMALE ATTORNEY CORDOVA LYNTON NOLAN DUNCAN MARCIE FRANKLYN KRISTY FEMALE BOARD MEMBER FRONT DESK WORKER CHAIRMAN TYRUS ARTHUR SAM BETTER CALL SAUL "Winner" 5/08/18 Set List Interiors: BAR ASSOCIATION MULTI-PURPOSE ROOM KARAOKE BAR JIMMY'S ONE BEDROOM APARTMENT LIVING ROOM BEDROOM TRAILER WERNER'S BEDROOM TRAVEL WIRE OFFICE EMPLOYEE AREA UNIVERSITY LIBRARY HALL HHM CONFERENCE ROOM PARKING STRUCTURE ELEVATOR BANK KIM'S CONDO LIVING ROOM/KITCHEN BEDROOM POLLOS HERMANOS GUS'S OFFICE SUPERLAB CONSTRUCTION SITE STATE BAR BUILDING HALLWAY HEARING ROOM OUTSIDE HEARING ROOM SUV MIKE'S CAR LALO'S CAR Exteriors: CEMETERY ANONYMOUS WAREHOUSE FACTORY FARM TRAVEL WIRE OFFICE UNIVERSITY LIBRARY CONVENTION CENTER PARKING LOT ENTRANCE INTERSECTION HHM DULCE VEGA HOT SPRINGS HOTEL & SPA FRONT AREA REMOTE HIGHWAY ABANDONED SPEEDWAY DESERT STATE BAR BUILDING TEASER 1 INT.
    [Show full text]
  • The Culture of Mental Illness: Better Call Saul and American Psychiatry Kara Callahan
    SATURA VOL. 2 The Culture of Mental Illness: Better Call Saul and American Psychiatry Kara Callahan Psychiatry has not always been there. This popular view of mental a science which relies on cultural illness dictates how the character heritage. In fact, in many practices called Chuck develops throughout the across the world, psychiatry is seen as program, thus giving a valuable pers- medicinal and broken down into pective on the cultural influence on symptoms, labels, and treatments. psychiatric treatment in the US. For instance, the Diagnostic and Sta- Cultural aspects of mental tistical Manual of Mental Disorders, 5th illness are rooted in implications of edition (DSM-5), is a tool used by specific terminology that are used to medical professionals to define and describe mental illnesses and their classify mental disorders in order to symptoms. The terms used to describe improve diagnoses, treatment, and a mental medical condition—for research. Although including con- example, illness, sickness, or dis- tributions from an international co- ease—already imply discussions of mmunity, this tool is framed by a US- distinct features from the beginning American view on mental illness. It of treatment seeking. The choice of often neglects the patients’ emotions one term over another has different and experience with the disease and implications of meaning: (1) illness is may lead to an incomplete picture of the human experience of symptoms the patient’s illness with problematic and suffering in general, (2) sickness consequences regarding both the is the concern a medical practitioner diagnosis and treatment (Gray 1). would address to treat, and (3) disease There has been an increased effort on is a term denoting feeling unwell the part of many anthropologists and without any local or medical conno- psychiatrists alike to work toward a tations (Kleinman 3-6).
    [Show full text]
  • Revista En Genérico Numero 29
    Operador logísco farmacéuco NÚMERO 29 | ABRIL 2019.. editorial En Genérico, diez años cerca de ti Este año estamos de celebración: la revista EN GENÉRICO En estos diez años, EN GENÉRICO ha evolucionado cumple diez años. Ahí es nada. Celebramos una década de manteniendo su esencia: promover una cultura del información sobre el sector de los medicamentos genéricos. medicamento genérico que ponga en valor tanto su Una década compartiendo novedades, opiniones y análisis contribución a la salud de los ciudadanos como su impacto a través de tribunas, entrevistas, informes, reportajes a nivel sanitario, social y económico sin perder de vista la y crónicas, para hacer más cercano el mundo de los actualidad y apoyándose siempre en datos contrastados y medicamentos genéricos, pero también para dar visibilidad contextualizados, análisis críticos y opiniones fundadas. a temas de interés general relacionados con el mundo de la Representantes de distintos estamentos (autoridades salud y el ámbito sanitario. sanitarias, industria farmacéutica, sociedades científicas, asociaciones de pacientes, medios de comunicación Diez años, en definitiva, contribuyendo a un mayor y mejor especializados) y figuras relevantes del sector han conocimiento de los medicamentos genéricos y la industria prestigiado esta cabecera con sus artículos. farmacéutica que los desarrolla, fabrica y comercializa; y, por extensión, de nuestro sistema sanitario y de la política En este número, entre otros temas, se aborda el problema farmacéutica nacional e internacional. Diez años eliminando del suministro de fármacos, se invita —a través de una y desterrando mitos y leyendas infundadas. Diez años entrevista con el presidente de la AAJM, Roberto Sabrido— a acercando a los lectores las novedades del sector desde la la reflexión sobre el acceso justo a los medicamentos, se seriedad, la rigurosidad, la veracidad y la honestidad.
    [Show full text]
  • The Normative Dimension of the Underworld in the Television Series “Breaking Bad” and “Better Call Saul”
    Florida International University College of Law eCollections Faculty Publications Faculty Scholarship 2017 Outside but Within: The Normative Dimension of the Underworld in the Television Series “Breaking Bad” and “Better Call Saul” Manuel A. Gomez Florida International University College of Law Follow this and additional works at: https://ecollections.law.fiu.edu/faculty_publications Part of the Criminal Law Commons Recommended Citation Manuel A. Gomez, Outside but Within: The Normative Dimension of the Underworld in the television series “Breaking Bad” and “Better Call Saul”, JOxCSLS 2 Special Issue: Law and Popular Culture (2017). This Article is brought to you for free and open access by the Faculty Scholarship at eCollections. It has been accepted for inclusion in Faculty Publications by an authorized administrator of eCollections. For more information, please contact [email protected]. Journal of the Oxford Centre for Socio-Legal Studies | Issue 2, 2017 Outside but Within: The Normative Dimension of the Underworld in the television series “Breaking Bad” and “Better Call Saul”1 Manuel A. Gomez I. The portrayal of the legal system in popular media he fascination of popular media with the operation of the legal system is not new. For many years, novelists, playwrights, and screenwriters have produced an endless T catalogue of works focused on crime and punishment, trials, lawyers, judges, and other pieces of the intricate puzzle that comprises the legal system.2 The universe of such works is so vast that it has led to the development of many sub-genres, which have persevered throughout the evolution of the different artistic and intellectual forms of written, oral, and audiovisual expression.
    [Show full text]
  • Summer 2006 Gustavus Quarterly
    THE GustavusGustavus Adolphus College Summer 2006 QUARTERLY INSIDE I Being Green I Announcing the Johnson Center for Environmental Innovation I Two Gusties challenge diabetes G THE GUSTAVUS QUARTERLY Summer 2006 • Vol. LXII, No. 3 Managing Editor Steven L. Waldhauser ’70 [email protected] Alumni Editors Randall M. Stuckey ’83 [email protected] Barbara Larson Taylor ’93 [email protected] Design Sharon Stevenson [email protected] Contributing Writers Rebecka Arbin ’06, Barbara Fister, Teresa Harland ’94, Marlys Johnson ’58, Tim Kennedy ’82, Jonathan Kraatz, Donald Myers ’83, Kory Stark ’06 Contributing Photographers Anders Björling ’58, Teresa Harland ’94, Jonathan Kraatz, Maggie Steber, Sharon Stevenson, Stan Waldhauser ’71 The Gustavus Quarterly (USPS 227-580) is pub- lished four times annually, in February, May, August, and November, by Gustavus Adolphus College, St. Peter, Minn. Periodicals postage is paid at St. Peter, MN 56082, and additional mailing offices. It is mailed free of charge to alumni and friends of the College. Circulation is approximately 34,000. Postmaster: Send address changes to The Gustavus Quarterly Office of Alumni Relations Gustavus Adolphus College 800 W. College Ave. St. Peter, MN 56082-1498 Saint Peter, Minnesota 507/933-8000 I www.gustavus.edu Chair, Board of Trustees Russ Michaletz ’74 President of the College James L. Peterson ’64 Vice President for Institutional Advancement Brenda Moore Director of Alumni Relations Randall M. Stuckey ’83 Gustavus Adolphus College is accredited by the Higher Learning Commission and is a member of the North Central Association. A new view from Old Main. Photo by Anders Björling ’58 Contents 4 From the President 5 On the Hill 11 Calendar: What’s happening on campus 12 The greening of Gustavus Harnessing the wind, advances in printing and paper technology, and other ways the College is addressing its environmental duty 16 What are you reading this summer? Suggestions from the faculty.
    [Show full text]
  • Better Call Saul's Portrayal of Electrical Sensitivity
    Better Call Saul is the movie industry's first attempt at portraying electrical sensitivity Better Call Saul has the first fictional character with electrical hypersensitivity (EHS) on film and television. We review the three seasons where he appears, which is a mixture of facts and myths about the illness, but also some excellent filming and acting. Keywords: Better Call Saul, review, Chuck McGill, Michael McKean, Vince Gilligan, electrical sensitivity, electromagnetic hypersensitivity, fiction, television, Hollywood The first season of Better Call Saul aired in 2015. The main character is James "Jimmy" McGill who is a lawyer with a criminal background. He is a small-time operator in Albuquerque, New Mexico where he is struggling to make ends meet and stay on the ethical side of the law. One prospective client rejects hiring him by saying that he is "the kind of lawyer guilty people hire." Chuck McGill is Jimmy's older brother and everything Jimmy isn't. He is the senior partner in a large and successful law firm. He is highly respected, extremely smart and with a keen sense of what is proper behavior. Chuck is played by Michael McKean. 2 Better Call Saul As the series starts, Chuck has been sick for a year with extreme electrical hypersensitivity (EHS). He had to take a leave of absence from his law firm and isolate himself in his home where he has disconnected the electricity. He uses an ice chest as a refrigerator, a camping stove for cooking and Coleman (white gas/gasoline) camping lanterns for lighting. The story takes place in 2002.
    [Show full text]
  • Miere. Im Elektrischen Modus
    Berlinale 11–21 Feb 2016 Wettbewerb Competition Berlinale Special Premiere. Competition / Berlinale Special Wettbewerb 2016 Feb 66. Internationale Filmfestspiele Berlin 11-21 Emissionsfrei vorfahren – mit dem Audi Q7 e-tron im elektrischen Modus. #Berlinale Kraftstoff verbrauch Audi Q7 e-tron quattro in l/100 km: kombiniert 1,9–1,8; Stromverbrauch in kWh/100 km: kombiniert 19,0–18,1; CO₂-Emissionen in g/km: kombiniert 50–48, Effi zienzklasse: A+. Angaben zu den Kraftstoff verbräuchen und CO₂-Emissionen bei Spannbreiten in Abhängigkeit vom verwendeten Reifen-/Rädersatz. 20141117_LogobalkenA5HF_148x17_RZ.indd 1 17.11.14 14:02 148x198_Berlinale2016_Q7_BroschRetro_26161.indd 1 08.01.16 16:16 VORWORT Route 66 ENTDECKEN SIE DAS GEHEIMNIS Filme und Festivals sind immer auch Seismographen, FILMREIFER MOMENTE Spiegel und Diskurs der Realität. Künstler reflektieren audiovisuell die Welt. Und die ist in Bewegung, im Wortsinn. Was zwingt Millionen von Menschen, ihre Heimat zu verlassen? Wer nimmt sie auf? Und wie werden sie aufgenommen? Wir heißen die Gäste des Festivals aus aller Welt will­ kommen. Dieser Gruß hat bei dieser 66. Berlinale einen ganz anderen Klang. Das schöne deutsche Wort „Will­ kommenskultur“ wird oft in sein Gegenteil verkehrt. Traumatisierte, bedürftige, frierende Menschen, die alles verloren haben, werden nicht selten mit Ressen­ Festivaldirektor Dieter Kosslick timents, Hass und Vorurteilen empfangen. Deutschland 1951. Ein Land voller Flüchtlinge. Unter Ich bin 1948 geboren. Ich sehe die zu uns fliehenden dem Eindruck des Krieges und der größten Tragödie Menschen als Chance, auch als historische Chance, ein des vergangenen Jahrhunderts, des Holocaust, denen wenig besser zu begreifen, welches Leid den vielen Millionen zum Opfer gefallen sind und die weitere Flüchtlingen hierzulande im und nach dem Zweiten Millionen zur Flucht gezwungen haben, werden am Weltkrieg widerfahren ist, was sie damals zur Flucht 6.
    [Show full text]
  • Dreading the Future: Narrative Dread in BETTER CALL SAUL and Contemporary Television 2019
    Repositorium für die Medienwissenschaft David W R Brown Dreading the future: Narrative dread in BETTER CALL SAUL and contemporary television 2019 https://doi.org/10.25969/mediarep/4175 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Brown, David W R: Dreading the future: Narrative dread in BETTER CALL SAUL and contemporary television. In: NECSUS. European Journal of Media Studies, Jg. 8 (2019), Nr. 1, S. 231– 248. DOI: https://doi.org/10.25969/mediarep/4175. Erstmalig hier erschienen / Initial publication here: https://necsus-ejms.org/dreading-the-future-narrative-dread-in-better-call-saul-and-contemporary-television/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Dreading the future: Narrative dread in ‘Better Call Saul’ and contemporary television David W R Brown NECSUS 8 (1), Spring 2019: 231–248 URL https://necsus-ejms.org/dreading-the-future-narrative-dread- in-better-call-saul-and-contemporary-television/ Keywords: Better Call Saul, contemporary television, dread, Emo- tions, narrative
    [Show full text]
  • Better Call Saul's “Chicanery”
    Better Call Saul’s “Chicanery” – An Analysis in Light of the Law Society of Newfoundland and Labrador’s Code of Professional Conduct Introduction Chicanery, as defined by the Oxford English Dictionary, is “the use of complicated plans and clever talk in order to trick people.” It is also the title of the fifth episode of the third season of the American network AMC’s Better Call Saul, a prequel to the network’s hugely popular Breaking Bad, which follows criminal lawyer Jimmy McGill in the years leading up to the events of Breaking Bad as he slowly loses the bearings on his moral compass and is transformed into “criminal” lawyer Saul Goodman. For context, the series opens with Jimmy McGill struggling to find his way as a sole practitioner. Jimmy was once a conman but after being saved from a jail stint by his morally upstanding older brother, Chuck, Jimmy vowed to change his ways. Chuck was a successful lawyer, and a founding partner of the prestigious Albuquerque law firm Hamlin, Hamlin, McGill. At the beginning of the series, Chuck is suffering from an “allergy” to electricity, that he refuses to admit is psychosomatic in origin, and is living as a recluse. Jimmy originally took a job as a mailroom worker at his brother’s firm and attended law school online through the University of American Samoa. Upon applying for a job at his brother’s firm and being rejected, Jimmy decided to go his own way. Over the course of the series Jimmy realized that many of his misfortunes had been manufactured by Chuck, who was always jealous of Jimmy.
    [Show full text]