LEGISLATIVE RESOLUTION Mourning the Death of Gil Noble, Distinguished Citizen and Devoted Member of His Community
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Erroll Garner, Master of the Keyboard 1981
Erroll Garner, Master of the Keyboard 1981 Dan Morgenstern Grammy Award for Best Album Notes 1981 Book of the Month Records BOMR 81-5403 Erroll Garner, An ApprecIatIon by Dan Morgenstern Erroll Garner was a phenomenon. He didn’t sing, dance or tell jokes. He never said a word when he performed. All he did was play the piano. Yet he captured the hearts and minds of millions of listeners all over the world, becoming the most popular solo jazz instrumentalist of his time—a feat even more remarkable because his was a time when jazz was dwarfed in popularity by the gigantic media event called rock ‘n’ roll. What was Garner’s secret? Above all, he was able to communicate his joy in making music with an immediacy that transcended all differences of age, nationality, race, education and musical background. Wherever and whenever he performed, in concert halls as a soloist or with symphony orchestras or in a wide variety of nightclubs, he reached out to each member of the audience, creating the illusion that he was playing just for that person. “I don’t know what I do or how I do it;” he once said, “but with me it’s the relaxation and the feeling. I relive my life at the piano. I just like to look at people and play and smile, and get them on my side.” Garner was a natural. He was born into a musical family—in Pittsburgh, on June 15, 1923— and by the age of three he was playing the piano. -
Report from Edinbur H • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview
Report From Edinbur h • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview World of Black Film Collectors Remembering Lorenzo Tucker- The Black. Gil Noble Plans Valentino Like It Is Archive Film Clips and News Early Black Independents Co-produced with the Black Film Institute of the University of the District of Columbia ••••••••••••••••••••••••••••••• Vol. 2, No. 4/Fa111986 'Peter Wang Breaks Cultural Barriers Black Film Review by Pat Aufderheide 10 SSt., NW An Interview with the director of A Great Wall p. 6 Washington, DC 20001 (202) 745-0455 Remembering lorenzo Tucker Editor and Publisher by Roy Campanella, II David Nicholson A personal reminiscence of one of the earliest stars of black film. ... p. 9 Consulting Editor Quick Takes From Edinburgh Tony Gittens by Clyde Taylor (Black Film Institute) Filmmakers debated an and aesthetics at the Edinburgh Festival p. 10 Associate EditorI Film Critic Anhur Johnson Film as a Force for Social Change Associate Editors by Charles Burnett Pat Aufderheide; Keith Boseman; Excerpts from a paper delivered at Edinburgh p. 12 Mark A. Reid; Saundra Sharp; A. Jacquie Taliaferro; Clyde Taylor Culture of Resistance Contributing Editors Excerpts from a paper p. 14 Bill Alexander; Carroll Parrott Special Section: Black Film History Blue; Roy Campanella, II; Darcy Collector's Dreams Demarco; Theresa furd; Karen by Saundra Sharp Jaehne; Phyllis Klotman; Paula Black film collectors seek to reclaim pieces of lost heritage p. 16 Matabane; Spencer Moon; An drew Szanton; Stan West. With a repon on effons to establish the Like It Is archive p. -
Market Segmentation and Selective Exposure in Online News
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Broken News: Market Segmentation and Selective Exposure in Online News Deidra Lee Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/564 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © 2013 Deidra J. Lee All Rights Reserved BROKEN NEWS: MARKET SEGMENTATION AND SELECTIVE EXPOSURE IN ONLINE NEWS A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at Virginia Commonwealth University By DEIDRA J. LEE B.A. Virginia State University M.A. Old Dominion University Marcus Messner, Ph.D. Assistant Professor of Journalism, VCU School of Mass Communications Ann Creighton-Zollar, Ph.D. VCU College of Humanities and Sciences, Emerita Richard Fine, Ph.D. Professor of English, VCU College of Humanities and Sciences Judy VanSlyke-Turk, Ph.D. VCU School of Mass Communications, Emerita Sara Wilson McKay, Ph.D. Art Education Chair, VCU School of the Arts Virginia Commonwealth University November 2013 ii Acknowledgements First and foremost, I thank God for supplying me with the spiritual strength to endure this entire doctoral process and for blessing me with a wonderful family. None of my accomplishments would be possible without Monroe, Eleanor, Vincent, Marie, David, Patricia and Daphne. -
The Stony Brook Thursday, October 25, 1979 Vol
The Stony Brook Thursday, October 25, 1979 Vol. I, No. 1 ESS - R~~-~---.--'·.--f--- -- -· -~----- · -·1~. 3 1 ___ The University Tightens Control By Eric Brand student selection committees on the hiring and Melissa Spielman and firing of Resident and Managerial There is a definite trend on the part of Assistants. the University to increase controls and "We do not want RAs or MAs who fit the information flow, to assure that student Administration's or the RHDs' idea of life "runs properly," said a top ad- suitability," read the resolution, "no ministrator, who requested anonymity. He matter what the cost to the efficiency of claimed that the University does not wish the RHD program...The building residents to direct every aspect of student life, but to are much more familiar with their needs have access to all activities on campus. than Residence Life." This trend is manifested in the in- Shannon was barred by Gershwin stitution of the RHD program, the new residents over dissatisfaction with her job stress on facilities use forms, the stepped- performance, but Kelly E residents had no up patrolling of dorms by Campus quarrels with Verdino. They voted to bar Security, the policy requiring licenses for her in protest of the Administration's all vending and pinball machines, and temporary dosing of coffeehouses in Kelly increased supervision of student Quad. "In view of the way the ad- businesses. ministration is treating the building," Carl Hanes, Vice President for Finance explained Kelly E RA Rich Bently, "and direct link with and Business, confirmed that the Marcus.I Dean of Undergraduate Studies, addresses the crowd. -
Jazz at Saint Peter's
window. The segments of looser improvisation that evergreen, maintaining its wistful feeling yet enriching come between these are hardly calming. Evans’ “Echo”, it with a judicious April-showers cascade of keyboard a tune he also plays much differently with his Zebulon runs. Bebop standard “Bernie’s Tune” has some Trio, is a series of manic blasts sewn together by the effervescent, melodramatically urgent piano, with ‘jazziest’ improvisations to be found herein. A hilarious plenty of thrusting, bobbing-and-weaving jabs, Garner moment is the opening to Pride’s “Pools”, jackbooted occasionally vocalizing along with his playing. bass and fluttering trumpet coasting above whimsical Disc Two has a heretofore-unissued and incredible glockenspiel before turning into a Deep Purple deep take on the Gershwin gem “S’Wonderful”, Garner cut. While Evans and Pride’s improvisational prowess is judiciously splaying rapid-fire single-note runs, ending well known in a variety of contexts, Dahl’s contributions with a dazzling, unexpected change in tempo, slowing Eponymous are the revelation here. His is such a forceful approach it then blazing to a fare-thee-well conclusion. “Laura” is Pulverize The Sound (Relative Pitch) by Andrey Henkin to the instrument that the higher-pitched trumpet and given a whimsical, Debussy-flavored reading, in the louder drums often genuflect before it. But whatever manner of an Impressionist artist delicately applying For those of a certain age and experience, Pulverize The facet is your focus, don’t forget the band-aids. paint to a canvas. Before sinking his proverbial teeth Sound (PTS) recalls the heady hardcore days of the mid into the classic melody of “Caravan”, Garner plays what ‘80s in its name and the stark white block lettering on a For more information, visit relativepitchrecords.com. -
Tamara Payne.Docx
ATEOTT 41 Transcript EPISODE 41 [INTRODUCTION] [00:00:03] TP: Basically, when people said the nation is on – they’re thinking more of Malcolm and not Elijah Muhammad. People in the nation are becoming jealous against Malcolm, especially people who are members of Elijah Muhammad's family. They're feeling that Malcolm may want to try and take over the nation and step into their hierarchy. That becomes problematic. Also, how much of this is also infiltrated by the FBI? We already have the document. They were surveilling them. We’re surveilling Elijah Muhammad, all of his households. They were following Malcolm during this time when he's organized in the Hartford mosque, they're following him. Whenever he held a meeting, they're walking up to people who go to the meetings and ask them what was the inside, underneath. This is all going on at the same time. It's creating this environment of paranoia and distrust. You don't know who to trust. Why are you still building up a nation? [00:01:05] LW: Hey, there. It's Light Watkins, your host of At the End of the Tunnel. This week, you're in for a very special treat. A few months ago, episode 21 to be precise, I ran a little experiment, where I brought onto the podcast a Yale professor and author, Dr. David Blight to talk to us about the life of Frederick Douglass, which was based on his Pulitzer Prize winning biography called Profit of Freedom. I've been eagerly anticipating the next opportunity to share the life story of historical figure as fascinating as Douglass. -
Black News Table of Contents
Black News Table of Contents Boxes 7 through 11 of the Civil Rights in Brooklyn Collection Call Number: BC 0023 Brooklyn Public Library – Brooklyn Collection Box 7: Location MR 1.5 Vol. 1 No. 1, October 1969 Willie Thompson “Black News “of Bedford Stuyvesant The Uhuru Academy Explanation Of the So-called Generation Enemies of the Black Communities Gap Radical Approach toward low-income housing Vol. 1 No. 4, November 15, 1969 The Black study circle Christmas Nigger “The Beast” ( a poem) Harlem’s demand for self-determination Make it, Buy it, or Take it Black Study Circle Black soul plays Understanding Enemies of the Black community All out race war in U.S. Marines…1970 The Black Ass Kickin' Brigade The Healer Forced out of their Home Modern Cities and Nigger incompetence “One Bloody Night” What’s on? No School! protest Bobby Seale From Sister to Sister Are policemen really pigs or worse? Vol. 1 No. 2, October 1969 Liberty House Ocean Hill Brownsville –Revisited-1969- Keep the grapevine buzzin Less Campbell Lindsay owes his body and soul Seminar for Black women Enemies of the Black Communities Black people spend $35 billion annually “The Death Dance” (a poem) Post Revolution thought ( a poem) Community control of the land “I Love America” (a poem) Vol. 1 No. 5 December 1, 1969 Another Black patriot doomed by the pig Rapping on Racists America is so beautiful in the Autumn The arrogance of Model Cities Ho Chi Minh – The man and his plan The soap-opera syndrome “The Needle”(a poem) His Master’s voice A Black father’s one man crusade against Vol. -
Tommy Irvine Jazz Collection SPC.2018.038
http://oac.cdlib.org/findaid/ark:/13030/c8g166g7 No online items Inventory of the Tommy Irvine Jazz Collection SPC.2018.038 Jade Delao California State University Dominguez Hills Archives and Special Collections 2018-12-05 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the Tommy Irvine SPC.2018.038 1 Jazz Collection SPC.2018.038 Language of Material: English Contributing Institution: California State University Dominguez Hills Archives and Special Collections Title: Tommy Irvine Jazz Collection creator: Cole, Nat King, 1919-1965 creator: Holiday, Billie, 1915-1959 creator: Eckstine, Billy creator: Garner, Erroll creator: Shearing, George creator: Vaughan, Sarah, 1924-1990 Identifier/Call Number: SPC.2018.038 Physical Description: 24 boxes Date (inclusive): 1908-1981, undated Date (bulk): 1940-1953 Language of Material: Collection material is in English. Abstract: This collection contains approximately 444 records held in 76 album sets with performances from musicians, many of which fall under the musical genre of jazz. Most of the records are 10" Shellac, 78 RPMs. Notable musicians featured in this collection include: George Shearing, Billy Eckstine, Nat King Cole, Erroll Garner, Billie Holiday, Sarah Vaughan, and others. Physical Description: Shellac, 10'', 78 RPM Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained.