A Christmas Carol Revision for AQA GCSE Literature
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A Christmas Carol by Charles Dickens
A Christmas Carol by Charles Dickens Stave V "The End of It" Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! “I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this. I say it on my knees, old Jacob, on my knees!” He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. “They are not torn down!” cried Scrooge, folding one of his bed- curtains in his arms, “they are not torn down, rings and all. They are here – I am here – the shadows of the things that would have been, may be dispelled. They will be! I know they will.” His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. “I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. -
Preventable Tragedies
Preventable Tragedies How to Reduce Mental Health-Related Deaths in Texas Jails The University of Texas School of Law Civil Rights Clinic This report does not represent the official position of The University of Texas School of Law or of The University of Texas. The views presented here reflect only the opinions of the individual authors and of the Civil Rights Clinic. Preventable Tragedies: How to Reduce Mental-Health Related Deaths in Texas Jails © The University of Texas School of Law Civil Rights Clinic November 2016 THE UNIVERSITY OF TEXAS AT AUSTIN SCHOOL OF LAW Civil Rights Clinic 727 East Dean Keeton Street Austin, Texas 78705 TABLE OF CONTENTS EXECUTIVE SUMMARY 1 AUTHORS, METHODOLOGY AND ACKNOWLEDGMENTS 4 INTRODUCTION 5 I. PREVENTABLE TRAGEDIES: STORIES FROM FAMILIES 10 Terry Borum: Swisher County Jail, Feb. 2013 11 Gregory Cheek: Nueces County Jail, Feb. 2011 13 Amy Lynn Cowling: Gregg County Jail, Dec. 2010 15 Lacy Dawn Cuccaro: Hansford County Jail, July 2012 17 Eric Dykes: Hays County Jail, Mar. 2011 19 Victoria Gray: Brazoria County Jail, Sep. 2014 21 Jesse C. Jacobs: Galveston County Jail, Mar. 2015 23 Robert Montano: Orange County Jail, Oct. 2011 25 Robert Rowan: Smith County Jail, Nov. 2014 27 Chad Snell: Denton County Jail, Mar. 2015 29 The Tip of the Iceberg 31 Increasing Transparency After a Jail Death 32 Ensuring Independent Investigations of Deaths in Custody 32 Advocating for Inmates Across Texas: The Texas Jail Project 33 Texas Sheriffs Support Mental Health Reforms 34 Advancing Wellness: Perspective from Mental Health Advocates 35 II. PATHWAYS TO REFORM: RECOMMENDATIONS FOR POLICIES AND PRACTICE 36 No. -
New Stage Theatre Presents a Christmas Arol a C GHOST STORY of CHRISTMAS by Charles Dickens Adapted by Michael Wilson Directed by Peppy Biddy
New Stage Theatre Presents A ChriStmas arol A C GHOST STORY OF CHRISTMAS by Charles Dickens adapted by Michael Wilson directed by Peppy Biddy musical director Carol Joy Sparkman choreographer Drew Stark EBENEZER SCROOGE December 3-22, 2019 Sponsored by Production Manager / Stage Manager Lighting Designer Scenic Designer Technical Director Josh Harris Bronwyn Teague Chris Rich Richard Lawrence Sound Design and Costume Designer Properties Designer Original Music Caleb Blackwell Marie Venters John Gromada acc_program_final.indd 1 12/2/19 2:09 PM A ChriStmas Carol By Charles Dickens Adapted by Michael Wilson Originally produced by the Alley Theatre, Houston, Texas, Gregory Boyd, Artistic Director; Paul R. Tetreault, Managing Director Sound Design and Original Music by John Gromada “A CHRISTMAS CAROL – A GHOST STORY OF CHRISTMAS is presented by special arrangement with Dramatists Play Service, Inc., New York.” The videotaping or other video or audio recording of this production is strictly prohibited. Theatrical Fog and Smoke are used in this production There will be one 15-minute intermission Please silence your cell phone THE SETTING London, 1843 acc_program_final.indd 2 12/2/19 2:09 PM THE CAST (in order of appearance) EBENEZER SCROOGE ........................................Turner Crumbley* MRS. DILBER/PARTY GUEST .......................................Jenn Harris BOB CRATCHIT ..............................................Christopher Sferra FRED/YOUNG SCROOGE .......................................... Sam Lovorn FIRST SOLICITOR/UNDERTAKER/PARTY GUEST ......................Drew Stark SECOND SOLICITOR/MR. FEZZIWIG ......................... Christan McLaurine DOLL VENDOR (MRS. PIDGEON)/SPIRIT OF CHRISTMAS PAST .....Mandy Kate Myers FRUIT VENDOR (BERT)/SPIRIT OF CHRISTMAS PRESENT . Joseph Frost CLOCK VENDOR (MR. MARVEL)/PARTY GUEST/ ..................Cameron Pitre SPIRIT OF CHRISTMAS FUTURE THE GHOST OF JACOB MARLEY/OLD JOE .........................Chris Roebuck MRS. -
2020 Audio Theatre Adaptation by Jason Spitzer
2020 audio theatre adaptation by Jason Spitzer CAST Blanche Tosh: Narrator Jamie Mann: Ebenezer Scrooge Kell Christie: Charity One, Ghost of Christmas Present, Worker Marc LeVells Holder: Charity Two, Mr. Fezziwig, Peter Cratchit, Topper Eric Shultz: Bob Cratchit, Ebby, Party Guest, Turkey Boy Kinon Keplinger: Fred, Ghost of Jacob Marley, Young Scrooge Lena Wallace Black: Mrs Dilber, Ghost of Christmas Past, Martha Cratchit, Party Guest Renee Davis-Brame: Fan, Mrs. Fezziwig, Mrs. Cratchit, Lucy Emily Chateau: Belle, Belinda, Millie, Mrs. Crowe, Belinda Cratchit Posie Steinmetz: Tiny Tim STAFF Jason Spitzer: Director Amy Salerno Hale: Assistant Director, Production Stage Manager Debbie Litch: Executive Producer Michael Compton: Production Manager Robert Arnold: Project Editor & Mixer Jack Yates, Sky Bradley: Foley Artists Jason Eschhofen: Musician Who's Who in the of Cast of A Christmas Carol, On the Air Blanche Tosh (Narrator) Blanche's first production of A Christmas Carol was the ShoWag- on version in 1992- the year she "graduated" from White Station High School after teaching Speech and Drama there for 30 years. She next had the pleasure of driving her granddaughter Lena three consecutive years from her school to participate in the show, so she, of course, stayed to watch every performance. She eventually had the fun of being cast in the show alongside Lena in 2015 and being directed by the delightful Jason Spitzer. She could not have been more pleased to be asked to be a part of the 43rd year of the show in the season that "her" theatre celebrates its 100th anniversary. As a 73 year veteran of the Memphis Little Theatre/Theatre Memphis, Blanche has always felt comfortable calling Theatre Memphis home. -
Encountering Christ in Charles Dickens' a Christmas Carol
DAILY DEVOTIONS FOR ADVENT Encountering Christ in Charles Dickens’ A Christmas Carol AUTHOR’S INTRODUCTION Charles Dickens’ A Christmas Carol has been a delightful part of the celebration of Christmas since it was first written in 1843. Dickens deeply, and penitently, understands that Scrooge is really a reflection of himself and so many of us in our sinful state; yet the transformation of this central character, and us, is the blessing we receive from the Child of Christmas. There are five sections, or staves, in this classic, and each of them is represented in part in the selections to follow: The first stave (Marley’s Ghost)—an introduction to Ebeneezer Scrooge and his life before his transformation: The first week of Advent to Tuesday after the Second Sunday of Advent. The next three staves (The Three Spirits of Christmas Past, Present, and Yet-to-Come)—Scrooge’s journey through repentance and renewal: Wednesday after the Second Sunday of Advent to Saturday after the Third Sunday of Advent. The final stave (The End)—Scrooge’s transformed-self that now embraces the joy of Christmas: The final week of Advent. I hope my own reflections for each of these days in Advent will help to lift up the Child who was not ashamed to take upon himself the poverty of our being and makes us all new—for our sake, and for the sake of the whole world! FIRST SUNDAY of ADVENT The grass withers, the flower fades, when the breath of the Lord blows upon it; surely the people are grass. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
A Christmas Carol.Pdf
A CHRISTMAS CAROL Today we are continuing in our series Christmas at the Movies. We are looking at popular Christmas movies and looking for biblical truth in them. The book A Christmas Carol was written by Charles Dickens and published in 1843. It tells the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley. He is then visited by the spirits of Christmas past, present and future. After their visits he wakes up on Christmas morning completely transformed into a kinder, gentler man. A Christmas Carol is one of the best known books in English literature. It has been adapted into more than 20 movies as well as countless theatre performances and television programs. In addition to all the live action movies there have been many animated ones. There was Mickey’s Christmas Carol with Scrooge McDuck. The Muppet Christmas Carol, Barbie’s Christmas Carol (2008), Bugs Bunny’s Christmas Carol, The Jetsons Christmas Carol, Alvin and the Chipmunks Christmas Carol, The Flintstones Christmas Carol and even Mr. Magoo’s Christmas Carol. The clip we saw this morning was from one of my favorite adaptations, the 1951 film Scrooge staring Alastair Sim. So what is it that makes this story so compelling? What can we learn from this story? Titus 3:3-7 At one time we too were foolish, disobedient, deceived and enslaved by all kinds of passions and pleasures. We lived in malice and envy, being hated and hating one another. 4 But when the kindness and love of God our Savior appeared, 5 he saved us, not because of righteous things we had done, but because of his mercy. -
Per Un Natale Fuori Dalle Righe: Il Bicchiere È Mezzo Vuoto O È Mezzo Pieno? ”
22 ° ANNO FIGURE SENZA TEMPO, OMBRE SENZA VOLTO CHE, GOCCIA A GOCCIA, CON I MATTONI DELLA SOLIDARIETÀ RICOSTRUISCONO LE FONDAMENTA ED I MURI PORTANTI DELLA LORO VITA IL MENSILE DELL’OSTELLO “DON LUIGI DI LIEGRO” DI VIA MARSALA e-mail: [email protected] COPIA GRATUITA NUMERO UNICO Dicembre 2020 “Per un Natale fuori dalle righe: il bicchiere è mezzo vuoto o è mezzo pieno? ” Questo Natale 2020 forse faremo esperienza di qualcosa di nuovo. Il Papa lo ha ripetuto più volte in questi mesi: di fronte alla realtà, innegabile, oggettiva, del presente “pandemico” si può reagire in due modi, diametralmente opposti: o lasciarsi annientare dalla disperazione, dal senso di incertezza e impotenza, lasciandoci forse vincere anche dal dolore per le perdite umane che ci hanno toccato da vicino oppure reagire con creatività e con gioia, mettendo a frutto i nostri “talenti”, le nostre capacità, le nostre ricchezze spirituali e materiali senza nasconderle per paura. Papa Francesco, nella recente Giornata Mondiale dei Poveri (15 novembre 2020), ha detto nell’omelia della Messa: «Si avvicina il tempo del Natale, il tempo delle feste. Quante volte, la domanda che si fa tanta gente è: “Cosa posso comprare? Cosa posso avere di più? Devo andare nei negozi a comprare”. Diciamo l’altra parola: “Cosa posso dare agli altri?”. Per essere come Gesù, che ha dato se stesso e nacque proprio in quel presepio». Probabilmente la situazione sanitaria non permetterà a tutti noi di passare il nostro tempo nel cercare di rincorrere i negozi aperti per acquistare i regali. Probabilmente questo tempo ci sta invitando a due movimenti interiori. -
The Characters of a Christmas Carol Page 10: Pre and Post Show Questions & Discussion Starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3
Theatre for Youth and Families A Christmas Carol Based on the story by Charles Dickens Adapted by David Bell Directed by Rosemary Newcott Study Guide, grades K-5 Created by the Counterpane Montessori Middle and High School Dramaturgy Team of Martha Spring and Katy Farr As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students program Under the guidance of Resident Teaching Artist Kim Baran Now in its 25th season, a magical holiday tradition for the whole family. On the Alliance Theatre stage November 21 through December 24, 2014 A Christmas Carol Study Guide 1 Happy Holidays from the Alliance Theatre! Welcome to the Alliance Theatre’s production of A Christmas Carol, written by Charles Dickens and adapted for stage by David H. Bell. This Study Guide has been created with the student audience in mind with the intent of providing a starting point as the audience prepares and then reflects together upon the Alliance Theatre for Youth and Families’ series production of A Christmas Carol. A note from the director, Rosemary Newcott, the Sally G. Tomlinson Artistic Director of Theatre for Youth and Families: “I think of this show as a gift to Atlanta . I always hope it reflects the look and spirit of our community. The message is one that never grows old – that one is still capable of change — no matter what your age or what you have experienced!” Table of Contents Page 3: Charles Dickens Page 4-5: Vocabulary **(see note below) Page 6: Cast of Characters; Synopsis of the story Page 7: Money of Victorian England Page 8: Design your Own Christmas Carol Ghost Costume! Page 9: Word Search: The Characters of A Christmas Carol Page 10: Pre and Post show questions & discussion starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Could Chekhovian Humanism Help Us Today?*
Journal of BUON 10: 145-148, 2005 © 2005 Zerbinis Medical Publications. Printed in Greece. MEDICINE AND THE COMMUNITY Could Chekhovian Humanism Help Us Today?* Rajko Igiƒ§ Department of Anesthesiology and Pain Management, John H. Stroger Jr. Hospital of Cook County, Chicago, USA In 1884 Anton Pavlovich Chekhov graduated Doctor-Writer from the Medical School and started working as a physician in a suburban Moscow hospital. Eight years As a young physician, Chekhov started a person- later he set up a general practice in Melikhovo, 70 km al battle with lung tuberculosis, which lasted for 20 south of Moscow, where he spent seven years as a years. On July 15, 1904, Koch’s bacillus ended his cou- country doctor and a writer. There, Chekhov saw rageous battle against the disease. At that time medi- hundreds of patients, made over 1,000 house calls, cine had only modest treatments for this infectious dis- fought against cholera and illiteracy, wrote many sto- ease, such as providing adequate nutrition and rest to ries and two plays: The Seagull and Uncle Vanya. increase the body’s defenses against the tubercle ba- He started his day at five in the morning at his office where he examined patients and performed minor surgical procedures. Chekhov was an idealist and hard- working doctor driven by his dedication to serve pa- tients in rural Russia where corruption and incompe- tence ruled at all levels. He did not charge his pa- tients although he ran a private practice. He frequently even bought for his patients needed medications and gave them useful non-medical advice and financial help.