Werkstatt, 14 (2019) 58-83 ISSN 2061-8999 Aufsatz Oral Performance and Pidgin Stylization in Chinua Achebe’s Things Fall Apart and No Longer at Ease Dorottya Mózes Institute of English and American Studies University of Debrecen Egyetem tér 1. H-4032 Debrecen
[email protected] Abstract Through qualitative analysis – informed by the theoretical frame and methodology of the third wave of sociolinguistics – this essay examines the use of oral culture as a sociolinguistic resource in Chinua Achebe’s Things Fall Apart and No Longer at Ease. I conceptualize colonial discourse as a form of linguistic violence and domination, which constructs the colonized as the Other; consequently, I focus on the effects of colonial discourse on the language use and identity construction of colonized characters. Next, I extend Nikolas Coupland’s model of ‘dialect stylistics’ to pidgin stylization and performance in No Longer at Ease. I show how, in stylized performance, speakers can lay claim to localities by amplifying and disrupting the relationship between social meanings and regionally- or socially-indexed linguistic forms and varieties. Keywords: Performance, stylization, identity, dialect stylistics, Chinua Achebe, Nigerian English, pidgin, sociolinguistics, postcolonial literature „Among the Ibo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten” (Achebe 1994: 7) Dorottya Mózes: 59 Oral Performance and Pidgin Stylization … Introduction Chinua Achebe’s father was a missionary teacher in colonial Nigeria, who arranged for his children to go to the local English school. The colonial educational apparatus recognized Achebe’s talent and awarded him with an academic scholarship to England where he studied English literature, history and religious philosophy.