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La Mamelle and the Pic
1 Give Them the Picture: An Anthology 2 Give Them The PicTure An Anthology of La Mamelle and ART COM, 1975–1984 Liz Glass, Susannah Magers & Julian Myers, eds. Dedicated to Steven Leiber for instilling in us a passion for the archive. Contents 8 Give Them the Picture: 78 The Avant-Garde and the Open Work Images An Introduction of Art: Traditionalism and Performance Mark Levy 139 From the Pages of 11 The Mediated Performance La Mamelle and ART COM Susannah Magers 82 IMPROVIDEO: Interactive Broadcast Conceived as the New Direction of Subscription Television Interviews Anthology: 1975–1984 Gregory McKenna 188 From the White Space to the Airwaves: 17 La Mamelle: From the Pages: 87 Performing Post-Performancist An Interview with Nancy Frank Lifting Some Words: Some History Performance Part I Michele Fiedler David Highsmith Carl Loeffler 192 Organizational Memory: An Interview 19 Video Art and the Ultimate Cliché 92 Performing Post-Performancist with Darlene Tong Darryl Sapien Performance Part II The Curatorial Practice Class Carl Loeffler 21 Eleanor Antin: An interview by mail Mary Stofflet 96 Performing Post-Performancist 196 Contributor Biographies Performance Part III 25 Tom Marioni, Director of the Carl Loeffler 199 Index of Images Museum of Conceptual Art (MOCA), San Francisco, in Conversation 100 Performing Post-Performancist Carl Loeffler Performance or The Televisionist Performing Televisionism 33 Chronology Carl Loeffler Linda Montano 104 Talking Back to Television 35 An Identity Transfer with Joseph Beuys Anne Milne Clive Robertson -
Tom Marioni Papers, 1970-2017, in the Archives of American Art
A Finding Aid to the Tom Marioni Papers, 1970-2017, in the Archives of American Art Christopher DeMairo The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee. 2021 March 2 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Address and Appointment Books, circa 1970-2011.................................. 4 Series 2: Guest Books, 1991-2017......................................................................... -
Terry Fox Lita Albuquerque Stefan Simchowitz Math Bass CROWN POINT PRESS TOMMA ABTS FOUR NEW ETCHINGS SEPTEMBER 4-OCTOBER 27, 2015
Volume 2 | Issue 2 // Free Terry Fox Lita Albuquerque Stefan Simchowitz Math Bass CROWN POINT PRESS TOMMA ABTS FOUR NEW ETCHINGS SEPTEMBER 4-OCTOBER 27, 2015 Sam Lewitt is in one gallery, Frances Scholz & Mark von Schlegell are in the other gallery, & Andrea Fraser on mind.* CONCINNITAS A portfolio of ten aquatints by scientists and mathematicians. Published by Parasol Press and printed by Harlan & Weaver. On view in the Crown Point Press Gallery through October 27, 2015. Join us for a panel discussion October 8, 6-8 PM. Seating limited. Crown Point Press 20 Hawthorne San Francisco CA 94105 415-974-6273 crownpoint.com WWW.WATTIS.ORG 9.10/2015 – 11.21/2015 CALIFORNIA COLLEGE OF THE ARTS Represented by Rena Bransten Projects 1639 Market St. San Francisco, CA 94103 415.982.3292 www.renabranstengallery.com Tuesday-Friday 11am-5pm / Saturday 11am-4pm Alejandro Almanza Pereda Change the world or go home DIEGO RIVERA GALLERY | Through December 12 Everything but the kitchen sank WALTER AND McBEAN GALLERIES | Through October 3 Almanza is the 2015 recipient of The Harker Award for Interdisciplinary Studies, which supports artists-in-residence at San Francisco Art Institute. The Harker Award was established through a generous bequest by artist and SFAI faculty member Ann Chamberlain and is administered by the San Francisco Foundation. 800 Chestnut Street San Francisco, CA 94133 SFAI.EDU/ALEJANDROALMANZA Publisher & Editor in Chief SFAQ Features Andrew McClintock Managing Editor (Print and Online) Terry Fox Peter Cochrane In Conversation With Terri -
Oral History Interview with Tom Marioni, 2017 December 21-22
Oral history interview with Tom Marioni, 2017 December 21-22 Funding for this interview was provided by the Helen Frankenthaler Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Tom Marioni on December 21 and 22, 2017. The interview took place at the studio of Tom Marioni in San Francisco, CA, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. Tom Marioni and Mija Riedel have reviewed the transcript. Their emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel for the Smithsonian Archives of American Art with [Tom] Marioni at his studio on December 21, 2017. And this is card number one. So, I thought we'd just start with the early biographical material, get that out of the way. You were born in Cincinnati in '37? TOM MARIONI: Mm-hmm [affirmative]. MIJA RIEDEL: Which date? TOM MARIONI: May 21st. MIJA RIEDEL: May 21st. Okay. TOM MARIONI: Mm-hmm [affirmative]. MIJA RIEDEL: And it seems that a lot of the seeds of your work were planted really early on, that they have long roots in your childhood. I'm thinking of sound and music and— TOM MARIONI: Mm-hmm [affirmative]. MIJA RIEDEL: —Catholic ritual, Catholic objects. -
Kathan Brown Oral History Transcript
San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary KATHAN BROWN Founder, Crown Point Press Interviews conducted by Jess Rigelhaupt in 2007 Copyright © 2008 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kathan Brown, dated March 29, 2007. This manuscript is made available for research purposes. All copyrights and other intellectual property rights in the manuscript, including the right to publish, are reserved to the San Francisco Museum of Modern Art. -
Bay Area Conceptualism: Two Generations Bay Area Conceptualism
BAY AREA CONCEPTUALISM: TWO GENERATIONS BAY AREA CONCEPTUALISM: TWO GENERATIONS Curated by Nayland Blake HALLWALLS September 15 - November 10, 1989 Copyright @ 1992 Hallwalls, lnc. and respective contributors. Hallwalls Contemprary Arts Center is a non-Profitorganization with programs in the Visual Artsl Performance, Filml Videol Musicl Literaturel and Pub~ic-accessCable T.V.. All selections published with permission of their authors. All rights reserved. No portion of this book may be reproduced in any form without wriiten permission from the authorl Ha~hval~slInc./ except for review purposes. HALLWALLS Contemporary Arts Center 700 Main Streetl 4th Floor Buffalol NY 14202 (7161854-5828 ISBN 0-936739-01-0 This exhibition and the accompanying catalog were funded in part with public funds from the Museum Program of the National Endowment for the Artsl a federal agencyl and the Visual Arts Program of the New York State Council on the Arts. Additional support for the catalog was provided by the Andy Warhol Foundation for the Visual Arts. Design & typography: shwflaloflpress, 41 5 Norwood Ave./ Buffalol NY 14222 Introduction ESPITE THE NEAT formulation of this The Bay Area has been a curious exhibition's title! the history of cross between backwater and safe conceptual practice in the Bay harbor for the arts over the past two Area has been rich and nearly decades. The various schools of continuous for twenty years. ~evelo~in~abstract and figurative painting have out of out of !happenings1 and avant- ceased to dominate. In addition! garde ideas in literature! film and video! there has been a marked increase in Bay Area conceptualism assumed a form the number of alternative arts spaces that has been at once less rhetorical and and artists1 organizations. -
Vision San Francisco Art and Food #6
VISION SAN FRANCISCO ART AND FOOD #6 CROWN POINT PRESS 2019 1 VISION #6: ART AND FOOD. Since 1975, I have edited and Crown Point Press has published VISION, an occasional journal. This issue, ART AND FOOD, 2019, is the sixth in the series; the fifth is dated 1981. For VISION #1: California, 1975, twenty-three artists each contributed two pages. A partial list includes Eleanor Anton, Larry Bell, Chris Burden, Bruce Conner, Terry Fox, Howard Fried, Robert Irwin, Paul Kos, Linda Montano, Bruce Nauman, Ed Ruscha, Wayne Thiebaud, and William T. Wiley. All the participants lived at the time in the San Francisco Bay Area or in Los Angeles. VISION #2: Eastern Europe is dated 1976. It includes 21 artists from Yugoslavia, Hungary, Czechoslovakia and Poland; most of them were unknown in the U.S. at that time. A few names, recognizable now, are Marina Abramovic and Braco Dimitrijevic from Yugoslavia and Tadeusz Kantor from Poland. I believe this issue was the first published book in the West about the contemporary underground art movement in Eastern Europe. VISION #3: New York City, also was published in 1976. In it, 13 artists each designed several pages. Vito Acconci, Carl Andre, Chuck Close, Hans Haacke, Sol LeWitt, Claes Oldenburg, and Lawrence Weiner are some of the contributors. Walter De Maria’s contribution was an original artwork: seven pages of buff-colored paper with his name on the 7th page. VISION #4: Word of Mouth, is dated 1980. It is a boxed set of six phonograph records, produced as white vinyl discs rather than the usual black. -
REWIND a Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980
REWIND A Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 REWIND A Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 REWIND 1995 edition Editor: Chris Hill Contributing Editors: Kate Horsfield, Maria Troy Consulting Editor: Deirdre Boyle REWIND 2008 edition Editors: Abina Manning, Brigid Reagan Design: Hans Sundquist Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968–1980 1995 VHS edition Producer: Kate Horsfield Curator: Chris Hill Project Coordinator: Maria Troy Produced by the Video Data Bank in collaboration with Electronic Arts Intermix and Bay Area Video Coalition. Consultants to the project: Deirdre Boyle, Doug Hall, Ulysses Jenkins, Barbara London, Ken Marsh, Leann Mella, Martha Rosler, Steina Vasulka, Lori Zippay. On-Line Editor/BAVC: Heather Weaver Editing Facility: Bay Area Video Coalition Opening & Closing Sequences and On-Screen Titles: Cary Stauffacher, Media Process Group Preservation of Tapes: Bay Area Video Coalition Preservation Supervisor: Grace Lan, Daniel Huertas Special thanks: David Azarch, Sally Berger, Peer Bode, Pia Cseri-Briones, Tony Conrad, Margaret Cooper, Bob Devine, Julia Dzwonkoski, Ned Erwin, Sally Jo Fifer, Elliot Glass, DeeDee Halleck, Luke Hones, Kathy Rae Huffman, David Jensen, Phil Jones, Lillian Katz, Carole Ann Klonarides, Chip Lord, Nell Lundy, Margaret Mahoney, Marie Nesthus, Gerry O’Grady, Steve Seid, David Shulman, Debbie Silverfine, Mary Smith, Elisabeth Subrin, Parry Teasdale, Keiko -
Equilibrium: a Paul Kos Survey
apa N , osa R DI 2016 2, 16–October April apa N , osa R DI 2016 2, 16–October April seven television monitors. monitors. television seven Cathedral in France using twenty- using France in Cathedral 10 x 8½ in. 8½ x 10 707-226-5991 | dirosaart.org | 707-226-5991 stained glass window at Chartres Chartres at window glass stained Ink on Chrome Coat paper Coat Chrome on Ink the passage of light through a a through light of passage the 1969 Sculpture, 7¼ x 9¼ in. in. 9¼ x 7¼ Napa, CA 94559 CA Napa, (1982–86), a re-creation of of re-creation a (1982–86), Bleu di Rosa Collection, Napa Collection, Rosa di Aerial View of Kinetic Salt/Water Salt/Water Kinetic of View Aerial Gelatin silver print silver Gelatin Chartres Chartres masterpiece video 5200 Sonoma Highway Highway Sonoma 5200 19½ x 52 x 30½ in. 30½ x 52 x 19½ 1971 Trap, Light structure showcasing Kos’s Kos’s showcasing structure French francs French 10 x 8½ in. 8½ x 10 di Rosa di Sorrell), an underground underground an Sorrell), Wood, steel, pétanque balls, four four balls, pétanque steel, Wood, Ink on Chrome Coat paper Coat Chrome on Ink (1997, with Isabelle Isabelle with (1997, Chapel 1990 I, Equilibre 1969 Sculpture, Salt Aerial Tunnel/ and objects, related (1994), a pétanque court with with court pétanque a (1994), Collection of G. Austin Conkey, M.D. Conkey, Austin G. of Collection Collection of Lars Tellman Lars of Collection Zizi Va Va Zizi installations site-specific 4½ x 21¾ x 5½ in. -
To Download a Pdf of the Introduction and Essay
The publisher gratefully acknowledges the generous support of the Leo and Florence Helzel Endowment Fund in Northern California Art of the University of California Press Foundation. state of i ii 3-2 m i n d 4/28/11 3:01 PM iii iv v vi 3-6 4/28/11 3:01 PM Contents Directors’ Foreword 000 Lawrence Rinder and Dennis Szakacs Lenders to the Exhibition 000 Introduction 000 Constance M. Lewallen and Karen Moss A Larger Stage 000 state of Mind: new California Art circa 1970 Constance M. Lewallen Constance M. Lewallen and Karen Moss Beyond the White Cell: Experimentation/Education/Intervention in California circa 1970 000 Karen Moss With Additional essays by Julia Bryan-Wilson and Anne Rorimer To Move, to Dress, to Work, to Act: Playing Gender and Race in 1970s California Art 000 Julia Bryan-Wilson California Art circa 1970: New Mediums and Methodologies 000 Anne Rorimer Artist Biographies 000 List of Works in the Exhibition 000 Selected Bibliography 000 Curators’ Acknowledgments 000 Constance M. Lewallen and Karen Moss List of Contributors 000 University of California, Berkeley Art Museum and Pacific Film Archive Trustees 000 Orange County Museum of Art Trustees 000 Published With the AssistAnCe of the Getty foundAtion Index 000 univeRsity of CalifoRniA, BerkeLey ARt MuseuM And PacifiC film Archive OrAnGe County MuseuM of ARt univeRsity of CalifoRniA PRess BerkeLey Los AnGeLes London vii viii ix 7-9 4/28/11 3:01 PM do not delete: Lewallen and Moss IntroductIon Constance M. Lewallen and Karen Moss Most of the artists who came to California in the late 1960s sought many of the same things that have always drawn people to the state: its beauty, climate, and relative ease of living. -
David Ireland
Regional Oral History Office University of California The Bancroft Library Berkeley, California David Ireland INSIDE 500 CAPP STREET: AN ORAL HISTORY OF DAVID IRELAND’S HOUSE Interviews Conducted by Suzanne B. Riess in 2001 Copyright © 2003 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and David Ireland, dated January 15, 2002. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Awards in the Visual Arts 3
Awards IN THE Visual Arts 3 .. 4v 4^ 4^ 4v 4^ 4v 4^ 4^ 4v 4^ 4 4^ 4i 4i 4i 4^ 4i 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4i 4^ 4> 4i 4^ 4^ 4^ 4^ 4^ 4 4\ 4i 4i 4> 4i 4v 4i 4i 4i 4^ . 4^ 4i 4^ 4^ 4v 4^ 4v 4^ 4^ 4^ A 4v 4^ 4^ 4^ 4^ 4v 4^ 4^ 4^ 4^ 4^ 4v 4i 4i 4i 4i 4^ 4i 4^ 4^ 4^ i 4i 4i 4^ 4i 4^ 4^ 4i 4^ 4^ 4^ 4 4^ 4^ 4i 4i 4^ 4^ 4i 4^ 4^ 4^ ^\ 4^ 4i 4i 4i 4i 4i 4v 4^ 4v 4^ > . 4^ 4i 4^ 4^ 4i 4v 4i 4^ 4^ 4^ 4 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4i 4^ 4^ 4^ 4^ 4^ 4^ ^ 4i 4i 4i 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4 4v 4v 4^ 4^ 4^ 4^ 4i 4^ 4^ 4^ ,v 4i 4v 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ -2 4^ 4v 4^ 4^ 4^ 4^ 4i 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4v 4v 4^ 4^ 4^ 4i 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4» 4^ 4^ 4^ - 4^ 4v 4^ 4^ 4^ 4^ 4i 4^ 4^ 4^ 4 4^ 4^ 4^ 4^ 4v 4^ 4v 4^ 4^ 4^ ,^ 4^ 4^ 4^ 4^ 4^ 4v 4^ 4^ 4^ 4^ 2 4^ 4^ 4^ 4v 4^ 4^ 4^ 4^ 4^ 4^ 4 4i 4^ 4^ 4i 4^ 4i 4^ 4^ 4> 4^ .