Equilibrium: a Paul Kos Survey
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Austin Conkey, M.D. Conkey, Austin G. of Collection Collection of Lars Tellman Lars of Collection Zizi Va Va Zizi installations site-specific 4½ x 21¾ x 5½ in. in. 5½ x 21¾ x 4½ 14 x 10 in. 10 x 14 including the recently restored restored recently the including Incense cedar Incense Two panels: 22 x 14 in. and and in. 14 x 22 panels: Two Rosa’s permanent collection, collection, permanent Rosa’s 1982 1982 Matter), Over Coat paper Coat accessible by guided tour of di di of tour guided by accessible Container for an Icicle (or Mind Mind (or Icicle an for Container Tax document, ink on Chrome Chrome on ink document, Tax spanning several decades are are decades several spanning Collection of Jonathan Leavitt Jonathan of Collection 1968–69 Additional works by Paul Kos Kos Paul by works Additional 12 x 10 in. 10 x 12 12½ x 19 in. each in. 19 x 12½ Loan, on Sculpture Estate Real Gelatin silver print silver Gelatin Two gelatin silver prints silver gelatin Two More by Kos by More @dirosaart #PaulKos @dirosaart 1971 printed 2016 printed Forest, Petrified with Interview 1974, 1974, Light, Pilot / Butte Pilot For details, please visit dirosaart.org. visit please details, For 8½ x 11 in. 11 x 8½ occur. Curators in conversation with guest speaker Constance M. Lewallen M. Constance speaker guest with conversation in Curators Transfer type, tape, tar on paper on tar tape, type, Transfer publication; some changes may may changes some publication; June 25, 2016, 4–6 PM 4–6 2016, 25, June 1974 Ore, Checklist is as of the date of of date the of as is Checklist Paris, unless otherwise noted. noted. otherwise unless Paris, Curators’ walkthrough and pétanque tournament with Paul Kos Paul with tournament pétanque and walkthrough Curators’ sound, 5:21 min. 5:21 sound, Philippe and Nathalie Vallois, Vallois, Nathalie and Philippe May 21, 2016, 4–7 PM 4–7 2016, 21, May Single-channel video, color, color, video, Single-channel Francisco; and Galerie Georges- Galerie and Francisco; 1974/2004 Fire, Makes Ice artist; Anglim Gilbert Gallery, San San Gallery, Gilbert Anglim artist; Public Programs Public All works appear courtesy the the courtesy appear works All variable Dimensions 16 x 20 in. 20 x 16 Printing: Solstice Press, Oakland Press, Solstice Printing: shells Inkjet print Inkjet Editing: Lindsey Westbrook Lindsey Editing: sound; wood target; shotgun shotgun target; wood sound; 2006 Go, I Where Design: Jon Sueda / Stripe SF Stripe / Sueda Jon Design: channel video, black and white, white, and black video, channel di Rosa Collection, Napa Collection, Rosa di I Can’t Get It Right No Matter Matter No Right It Get Can’t I transferred to video; single- video; to transferred 10 x 8 in. each in. 8 x 10 is provided by the di Rosa Collectors Circle and our members. our and Circle Collectors Rosa di the by provided is Two Super 8 films, color, silent, silent, color, films, 8 Super Two Chromogenic prints Chromogenic This exhibition is supported by the Fresh Art Fund. Additional support support Additional Fund. Art Fresh the by supported is exhibition This 1970 1970 rEVOLUTION, 1968/69 Wife, Lot’s 30 x 22 in. 22 x 30 Acknowledgments George Bolling George Watercolor and ink ink and Watercolor di Rosa Collection, Napa Collection, Rosa di Color and infrared photography: photography: infrared and Color 1974 1974 Maker, 20 x 8 in. overall in. 8 x 20 di Rosa Collection, Napa Collection, Rosa di The Drawing for a Tool: Ice Lens Lens Ice Tool: a for Drawing The text, mounted on board on mounted text, x 64¼ in. 64¼ x ⁄ 18 Two gelatin silver prints, typed typed prints, silver gelatin Two works in San Francisco and Soda Springs, California. Springs, Soda and Francisco San in works 8 7 mounted on board on mounted Overall dimensions variable dimensions Overall 1968/69 Wife, Lot’s and Galerie Georges-Philippe and Nathalie Vallois, Paris. He lives and and lives He Paris. Vallois, Nathalie and Georges-Philippe Galerie and 10½ x 153 x 29 in. 29 x 153 x 10½ Nine chromogenic prints and text text and prints chromogenic Nine Sheets: 48 x 48 in. each in. 48 x 48 Sheets: Angeles. Kos is represented by Anglim Gilbert Gallery, San Francisco, Francisco, San Gallery, Gilbert Anglim by represented is Kos Angeles. Red fir fir Red 1970 rEVOLUTION, 7:54 min. 7:54 9½ x 7½ in. 7½ x 9½ art commissions are located in San Francisco, Sacramento, and Los Los and Sacramento, Francisco, San in located are commissions art 1998 Monet), (After Brushstrokes video, black and white, sound, sound, white, and black video, Gelatin silver print silver Gelatin New York; among many others. His solo and collaborative public public collaborative and solo His others. many among York; New 96 x 96 in. 96 x 96 Two steel sheets, single-channel single-channel sheets, steel Two 1968 Stripes, Salt Museum of Modern Art; and the Solomon R. Guggenheim Museum, Museum, Guggenheim R. Solomon the and Art; Modern of Museum di Rosa Collection, Napa Collection, Rosa di Mud and sulfur and Mud 1974 Any, Aren’t / Tinny Are County Museum of Art, Newport Beach, California; the San Francisco Francisco San the California; Beach, Newport Art, of Museum County 57 x 40 in. 40 x 57 1969/2016 1969/2016 Feet, Square 64 Into Modern Art, New York; Neuer Berliner Kunstverein, Berlin; the Orange Orange the Berlin; Kunstverein, Berliner Neuer York; New Art, Modern Broom, coat hanger, bells hanger, coat Broom, Condensation of Yellowstone Park Park Yellowstone of Condensation x 20½ in. in. 20½ x ⁄ 13 the Museum of Contemporary Art, Los Angeles; the Museum of of Museum the Angeles; Los Art, Contemporary of Museum the 8 3 1992 III, Equilibre Gelatin silver print print silver Gelatin San Francisco; the Guangdong Times Museum, Guangzhou, China; China; Guangzhou, Museum, Times Guangdong the Francisco; San 1974 Flats, Alkali group exhibitions at the CCA Wattis Institute for Contemporary Arts, Arts, Contemporary for Institute Wattis CCA the at exhibitions group Museum of Contemporary Art, San Diego. He has been featured in in featured been has He Diego. San Art, Contemporary of Museum in. ⁄ 9 x ⁄ Arts Center, Cincinnati; Grey Art Gallery, New York University; and the the and University; York New Gallery, Art Grey Cincinnati; Center, Arts 7 8 8 3 3 Museum and Pacific Film Archive, which traveled to the Contemporary Contemporary the to traveled which Archive, Film Pacific and Museum Gelatin silver print silver Gelatin (2003), organized by the Berkeley Art Art Berkeley the by organized (2003), Retrospective A Kos, Paul 1971 Trap, Shadow Everything Matters: Matters: Everything including exhibitions, solo numerous of subject New Genres department) at SFAI (1978–2008). Kos has been the the been has Kos (1978–2008). SFAI at department) Genres New color, silent, 1 min. 1 silent, color, Santa Clara (1969–77) and performance and video (now part of the the of part (now video and performance and (1969–77) Clara Santa Super 8 film transferred to video, video, to transferred film 8 Super Participant: Marlene Kos Marlene Participant: influential educator, Kos taught conceptual art at the University of of University the at art conceptual taught Kos educator, influential 1971 Tusk, Boar’s Roping 8 x 10 in. each in. 10 x 8 received a BFA (1965) and an MFA (1967), both in painting. A highly highly A painting. in both (1967), MFA an and (1965) BFA a received Nine gelatin silver prints silver gelatin Nine Bay Area to attend the San Francisco Art Institute (SFAI), where he he where (SFAI), Institute Art Francisco San the attend to Area Bay white, sound, 12:22 min. 12:22 sound, white, 1968 Colorado, Georgetown University in Washington, DC, before relocating to the the to relocating before DC, Washington, in University Georgetown Single-channel video, black and and black video, Single-channel Border Crossing: Wyoming/ Crossing: Border Born in 1942 in Rock Springs, Wyoming, Paul Kos studied at at studied Kos Paul Wyoming, Springs, Rock in 1942 in Born 1971 Pendulum, and Pit Works in the Exhibition the in Works About the Artist the About Equilibre I, Container foranIcicle(orMindOverMatter), Roping Boar’s Tusk Boar’sRoping Tusk Lot’s Wife, Wife, Lot’s 1982–86 Ark, Noah’s Equilibrium: A Paul Kos Survey 1969 1990 1997, and “I seek to raise ordinary elements to extraordinary.