Fletcher Benton
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
California High-Speed Rail San Francisco to San Jose Project
Section 3.12 Socioeconomics and Communities California High Speed Rail Authority 3.12 Socioeconomics and Communities 3.12.1 Introduction This section describes the regulatory setting and the Overview of Socioeconomic and affected environment for socioeconomics and Community Impacts communities; and the potential construction and operation impacts on communities, residents, ▪ Project construction would temporarily businesses, community facilities, and the local disrupt communities along the alignment, with the greatest effects associated with economy. The analysis addresses impacts of the San constructing the Brisbane Light Maintenance Francisco to San Jose Project Section (Project Facility, expanding the Millbrae Station, and Section, or project) on community cohesion, children’s the passing track and viaduct construction health and safety, the impacts of displacement and (under Alternative B). Project construction relocation, and economic impacts. The socioeconomic could permanently affect social relationships data used in the analysis are derived from various and perceptions of quality of life by sources, including the U.S. Census Bureau, California displacing residents, businesses, and Department of Finance, and the various county and community and public facilities. city agencies. ▪ No disproportionate impacts on children’s The San Francisco to San Jose Project Section health and safety would occur due to project Community Impact Assessment (San Francisco to San construction or operation. Jose Community Impact Assessment) (California -
Kathy Aoki Associate Professor of Studio Art Chair, Department of Art and Art History Santa Clara University, CA [email protected]
Kathy Aoki Associate Professor of Studio Art Chair, Department of Art and Art History Santa Clara University, CA [email protected] Education MFA ‘94, Printmaking. Washington University, School of Art, St. Louis, USA Recent Awards and Honors 2015 Prix-de-Print, juror Stephen Goddard, Art in Print, Nov-Dec 2015 issue. 2014 Turner Solo-Exhibition Award, juror Anne Collins Goodyear, Turner Print Museum, Chico, CA. 2013 Artist Residency, Frans Masereel Centrum, Kasterlee, Belgium Artist Residency, Fundaçion Valparaiso, Mojácar, Spain Palo Alto Art Center, Commission to create art installation with community involvement. (2012-2013) 2011-12 San Jose Museum of Art, Commission to make “Political Paper Dolls,” an interactive site-specific installation for the group exhibition “Renegade Humor.” 2008 Silicon Valley Arts Council Artist Grant. 2-d category. 2007 Artist’s Residency, Cité Internationale des Arts, Paris, France Strategic Planning Grant for pop-up book, Center for Cultural Innovation, CA. 2006 Djerassi Artist Residency, Woodside, CA 2004 Market Street Kiosk Poster Series, Public Art Award, SF Arts Commission Juror’s Award First Place, Paula Kirkeby juror, Pacific Prints 2004, Palo Alto, CA 2003 Artist Residency, Headlands Center for the Arts, Sausalito, CA 2002 Trillium Fund, artist grant to work at Trillium Fine Art Press, Brisbane, CA 2001 Artist Residency. MacDowell Colony, Peterborough, NH Selected Permanent Collections: 2010 New York Metropolitan Museum of Art 2009 de Saisset Museum, Santa Clara University, Santa Clara, CA. 2002 Harvard University Art Museums, Yale University Library 2000 Spencer Art Museum, University of Kansas 2001 Mills College Special Collections (Oakland, CA) and New York Public Library 1997, ‘99 Fine Arts Museums of San Francisco, Achenbach Collection 1998 San Francisco Museum of Modern Art, Special Artist Book Collection 1995 Graphic Chemical and Ink, print purchase award, Villa Park, IL 1994 1998 Olin Rare Books, Washington University in St. -
Lynn Hershman Leeson B
! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC LYNN HERSHMAN LEESON B. 1941 Lives and works in San Francisco, California EDUCATION B.S. Case Western Reserve University M.A. San Francisco State University SELECT SOLO EXHIBITIONS 2017 Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California, February 10 - May 21 (forthcoming) 2016 Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia, October 20 - December 11 Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia, October 18 - December 10 Trans Genesis: Evaporations and Mutations, Vilma Gold, London, England, October 4 - 29 Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio, March 10 - August 8 Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany, February 27 - June 5 2015 Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany, June 14 - November 15 Lynn Hershman Leeson: Origin of the Species (Part 2), Modern Art Oxford, Oxford, United Kingdom, May 29 - August 9 Lynn Hershman Leeson: Origin of the Species, Bridget Donahue, New York, New York, February 19 - April 5 2014 Lynn Hershman Leeson: Civic Radar, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, December 13 - April 6 2013 Present Tense, Gallery Paule Anglim, San Francisco, California Agent Ruby Files, San Francisco Museum of Modern Art, San Francisco, California 2012 Me as Roberta, Museum of Contemporary Art, Krakow, Poland, February 17–April 29 Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Bremen, Germany, June 2 - August 19 W.A.R. Documentary screening, Reina Sofia, Madrid, Spain, March 12 W.A.R. -
H a I N E S G a L L E
H A I N E S G A L L E R Y DAVID SIMPSON b. 1928 Lives and works in Berkeley, CA EDUCATION 1956, BFA, California School of Fine Arts 1958, MA, San Francisco State College SELECTED SOLO EXHIBITIONS 2018 Illumination, Charlotte Jackson Fine Art, Santa Fe, NM The War Room, Haines Gallery, San Francisco, CA Spotlight: David Simpson, solo presentation by Haines Gallery at Frieze New York, NY 2017 David Simpson: Heaven and Hell, Charlotte Jackson Fine Art, Santa Fe, NM David Simpson: Fifty Years of Painting, Modernism, San Francisco, CA 2016 Then and Now, Charlotte Jackson Fine Art, Santa Fe, CA Now & Then: The Work of David Simpson, Haines Gallery, San Francisco, CA David Simpson: True to Light, Geukens & De Vil, Knokke, Belgium David Simpson: Works from the 1980s, Studio La Citta, Verona, Italy 2015 David Simpson, Geukins & De Vil, Antwerp, Belgium 2013 David Simpson, Art Museum of University of Wyoming, Laramie, WY 2012 David Simpson, Gallery Sonja Roesch, Houston, TX David Simpson: Paintings, Modernism, San Francisco, CA 2011 Nonsense Poems, Haines Gallery, San Francisco, CA 2010 Interference Blues, Charlotte Jackson Fine Art, Santa Fe, NM 2009 Paintings & Works on Paper, Modernism, San Francisco, CA 2008 David Simpson, Studio La Citta, Verona, Italy 2007 David Simpson, Studio La Citta, Verona, Italy Light Wells, Charlotte Jackson Fine Art, Santa Fe, NM Light Wells, Haines Gallery, San Francisco, CA Interference Paintings, Gallery Sonja Roesch, Houston, TX 2006 Extreme Interference, Charlotte Jackson Fine Art, Santa Fe, NM 2005 Iridescent -
Ethnic Communities of Santa Clara Valley 1848-1920
Smith-Layton Archive Ethnic Communities of Santa Clara Valley Charlene Duval, Executive Secretary [email protected] Leilani Marshall, Archivist 1848-1920 [email protected] Phone: 408-808-2064 by Ralph Pearce Sponsored by Linda L. Lester Your donations help us purchase historic photos. Thank you! © copyright 2018 Sourisseau Academy http://www.sourisseauacademy.org/ 1 Images on file at the Smith-Layton Archive, Sourisseau Academy for State and Local History February 2018 [18] The French. Thousands of French immigrants arrived in California during the Gold Rush, and many eventually settled in Santa Clara Valley. Names like Sainsevain, Lefranc, Masson and Mirassou are now synonymous with wine. Louis Pellier introduced the prune to the Valley, which became the nation’s leading producer of prunes. San Jose streets bear the names of Antoine Delmas and Edward and John Auzerais. The photograph on the left shows early French immigrant Pedro Sainsevain and his sons Carlos and Paul Sainsevain along with Carlos’ wife Lydia Higuera. Don Pedro reservoir is named for Pedro Sainsevain. The de Saisset family is pictured on the right. Pedro de Saisset was an early French resident and served as the honorary Vice-Consul for the French government. The De Saisset Museum memorializes Pedro’s son, artist Ernest de Saisset, shown in the photo waving his hat. The Alcantara Building/Metropole Hotel on South Market Street, built by the de Saisset heirs, is a San Jose Landmark. 2 Images on file at the Smith-Layton Archive, Sourisseau Academy for State and Local History February 2018 [19] Sourisseau Family. Felix Sourisseau was also an early French settler in San Jose. -
HHI Front Matter
A PUBLIC TRUST AT RISK: The Heritage Health Index Report on the State of America’s Collections HHIHeritage Health Index a partnership between Heritage Preservation and the Institute of Museum and Library Services ©2005 Heritage Preservation, Inc. Heritage Preservation 1012 14th St. Suite 1200 Washington, DC 20005 202-233-0800 fax 202-233-0807 www.heritagepreservation.org [email protected] Heritage Preservation receives funding from the National Park Service, Department of the Interior. However, the content and opinions included in this publication do not necessarily reflect the views or policies of the Department of the Interior. Table of Contents Introduction and Acknowledgements . i Executive Summary . 1 1. Heritage Health Index Development . 3 2. Methodology . 11 3. Characteristics of Collecting Institutions in the United States. 23 4. Condition of Collections. 27 5. Collections Environment . 51 6. Collections Storage . 57 7. Emergency Plannning and Security . 61 8. Preservation Staffing and Activitives . 67 9. Preservation Expenditures and Funding . 73 10. Intellectual Control and Assessment . 79 Appendices: A. Institutional Advisory Committee Members . A1 B. Working Group Members . B1 C. Heritage Preservation Board Members. C1 D. Sources Consulted in Identifying the Heritage Health Index Study Population. D1 E. Heritage Health Index Participants. E1 F. Heritage Health Index Survey Instrument, Instructions, and Frequently Asked Questions . F1 G. Selected Bibliography of Sources Consulted in Planning the Heritage Health Index. G1 H. N Values for Data Shown in Report Figures . H1 The Heritage Health Index Report i Introduction and Acknowledgements At this time a year ago, staff members of thou- Mary Chute, Schroeder Cherry, Mary Estelle sands of museums, libraries, and archives nation- Kenelly, Joyce Ray, Mamie Bittner, Eileen wide were breathing a sigh of relief as they fin- Maxwell, Christine Henry, and Elizabeth Lyons. -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
Kara Maria (Born: Binghamton, New York, 1968) Tel/Fax: 415-452-3089 • E-Mail: [email protected] • Website
SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] Kara Maria (born: Binghamton, New York, 1968) tel/fax: 415-452-3089 • e-mail: [email protected] • website: www.karamaria.com Education 1998 MFA, Art Practice, University of California, Berkeley 1993 BA with honors, Art Practice, University of California, Berkeley Selected Solo and Two Person (*) Exhibitions 2012 • Kirk Hopper Fine Art, Amerwarpornica *, Dallas, TX 2011 • Virtuata, Cloud Nine, Milpitas, CA 2009 • b. sakata garo, Inviting the Storm, Sacramento, CA 2008 • Catharine Clark Gallery, Dystopia, San Francisco, CA 2007 • Nathan Larramendy Gallery, Paradise Lost, Ojai, CA 2006 • Arts Visalia, Zigzag, Visalia, CA 2005 • Smith Andersen Editions, Airborne, Palo Alto, CA 2004 • Miller/Block Gallery, Almost Paradise, Boston, MA 2002 • Catharine Clark Gallery, Fools Rush In, San Francisco, CA 2001 • Ampersand International Arts, Fabricator, San Francisco, CA • Babilonia 1808, Emerging Bay Area Artist Exhibition, Berkeley, CA • Catharine Clark Gallery, Plastic Picnic, San Francisco, CA 2000 • a.o.v., Plastic Dreams, San Francisco, CA 1999 • Cité Internationale des Arts, Doggie Doo Hop Scotch *, Paris, France 1998 • Patricia Sweetow Gallery, Introductions, San Francisco, CA Selected Group Exhibitions 2012 • Pratt Manhattan Gallery, Party Headquarters, New York, NY • Smith Andersen Editions, Gender Specific, Take it or Leave it, Palo Alto, CA • National Steinbeck Center, Banned & Recovered, Salinas, CA • SFMOMA Artists Gallery, Sin and -
Toward a Bay Area Science Learning Collaboratory
Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By Ted M. Kahn, Ph.D. President and CEO DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with Saul Rockman Executive Director ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 ROCKMAN et cetera 49 Geary Street, #530 San Francisco CA 94108 Phone: 415/544-0788 http://www.rockman-etc.org Fax: 415/544-0789 Acknowledgements Acknowledgements The research leading to this report was a result of some initial exploratory work done at the request of Dr. Ida Oberman, former Education Program Associate with the William and Flora Hewlett Foundation (and now at Partners in School Innovation) and Dr. Marshall M. Smith, Education Program Director of the Hewlett Foundation in July- August 2001. The research summarized in this report was supported by Hewlett Foundation grant #2001-7331 to ROCKMAN et cetera, in collaboration with DesignWorlds for Learning, Inc. We would like to express our deep appreciation to Ida Oberman and to Mike Smith and Sally Tracy of the Hewlett Foundation for their interest and generous support of this work in support of education and lifelong learning. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
STEPHANIE SYJUCO B. 1974 Manila, Phillipines Lives and Works in San Francisco, CA Education 2005 Stanford University, M.F.A. 19
STEPHANIE SYJUCO b. 1974 Manila, Phillipines Lives and works in San Francisco, CA Education 2005 Stanford University, M.F.A. 1995 San Francisco Art Institute, B.F.A. Selected Solo Exhibitions 2020 (Forthcoming) Stephanie Syjuco: Citizens, Hartell Gallery, Cornell University, Ithaca, NY (Forthcoming) Stephanie Syjuco: The Visible Invisible, Blaffer Art Museum, TX 2019 Stephanie Syjuco: Rogue States, The Contemporary Art Museum St. Louis, St. Louis, MO Stephanie Syjuco: Recent Work, University of Kentucky Art Museum, Lexington, KY Spectral City, RLWindow, RYAN LEE, New York, NY 2018 "I AM AN...,", Cantor Art Center, Stanford University, Stanford, CA 2017 CITIZENS, RYAN LEE, New York, NY Red Banner, RLWindow, RYAN LEE, New York, NY 2016 Neutral Calibration Studies (Ornament + Crime), Catharine Clark Gallery, San Francisco, CA Ornament + Crime (Redux), RLProject, RYAN LEE, New York, NY 2014 Market Forces, Temple Contemporary, Philadelphia, PA American Rubble (Lancaster Avenue), Haverford College, Ardmore, PA FREE TEXTS, Ulrich Museum of Art at Wichita State University, KS Modern Ruins (Popular Cannibals), Recology Artist in Residence Program, San Francisco, CA FREE TEXTS, Galerie Joseph Tang, Paris, FR 2013 RAIDERS, Ryan Lee Gallery, project space, New York, NY 2012 Montalvo Historical Fabrications and Souvenirs, project commission in collaboration with Michael Arcega as Las Marianas, Montalvo Art Center, Saratoga, CA RAIDERS Redux, Catharine Clark Gallery Project Space, New York, NY 2011 Currents Series: Stephanie Syjuco: Pattern Migration, -
Santa Clara University Santa Clara, California
Santa Clara University Santa Clara, California Draft Historic Resources Technical Report October 23, 2015 TABLE OF CONTENTS I. Purpose and Project Description II. Methodology III. Summary of Findings IV. Historic Context V. Regulatory Framework VI. Evaluation VII. Impacts and Mitigations VIII. References I. PURPOSE AND PROJECT DESCRIPTION David J. Powers & Associates has requested Carey & Co.’s assistance in evaluating three proposed projects at Santa Clara University which could affect buildings that are older than, or almost, 50 years of age. This report provides David J. Powers & Associates and the City Santa Clara with a description of the buildings within the vicinity of the project sites and those adjacent to the project sites, as well as evaluating each structure for potential historic resource status. Impacts and mitigation measures pertaining to the proposed projects potential effects on any historic resources are identified. Description of the Proposed Project Project 2 – Science, Technology, Engineering, and Mathematics (STEM) Center The STEM Center would be comprised of three buildings to be constructed in three phases. Phase 1 will be located in the current location of Buildings 402 (Bannan Engineering Labs) and 403 (Murphy Hall). The existing buildings, both constructed in 1960, total 38,496 square feet. The new building on this site will be two attached structures totaling 157,900 square feet with a maximum height of four stories. Phase 2 will be located in the current location of Building 202 (Heafey Law Library). The existing building was originally constructed in 1962 and has had a number of additions over the Santa Clara University October 23, 2015 Historic Resource Resources Technical Report years.