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Jacobus Palaeologus in Constantinople, 1554-5 and 1573
Jacobus Palaeologus in Constantinople, 1554-5 and 1573 Martin Rothkegel Th eologische Hochschule Elstal 1. Jacobus Palaeologus: Admirer of Islam and Radical Antitrinitarian The religious reform debates that disunited Western Christia- nity in the 16th century left a lasting imprint on Western civilization. Besides the traditional Roman Catholic Church, Protestantism with its various factions emerged as an alternative form of Western Ch- ristianity. The religious debates unleashed by the sixteenth-century Reformers demonstrably fuelled, in one way or another, many of the subsequent developments of the early modern West including the rise of capitalism, the Dutch and English early Enlightenment, and the pursuit of civil emancipation in seventeenth-century England and eighteenth-century North America. Religious diversity turned out to be an enriching resource for Western societies that enlarged the pool of possible solutions in situations when new challenges demanded new ways of thinking and acting. Special credit for contributing to the genesis of modernity goes to the Antitrinitarian thinkers of the 16th century who radically challenged one of the central dogmatic traditions of the Christian 977 OSMANLI ó STANBULU IV religion, the doctrine of Trinity. Although they were relatively small in number and formed larger communities only in Poland and Transylvania, the Antitrinitarians, stigmatized and persecuted by the Protestants as much as by the Roman Catholics, anticipated key concepts of the Enlightenment and of modern political thou- ght. The seminal implications of 16-17th century Antitrinitarian thought may explain the somehow disproportional attention that Antitrinitarianism, and especially its Socinian variety, has received from historians.1 While the celebrated Italian Fausto Sozzini (1539-1604) and his disciples often have been claimed as direct ancestors of moder- nity, this obviously is not the case with Jacobus Palaeologus. -
The Hagia Sophia in Its Urban Context: an Interpretation of the Transformations of an Architectural Monument with Its Changing Physical and Cultural Environment
THE HAGIA SOPHIA IN ITS URBAN CONTEXT: AN INTERPRETATION OF THE TRANSFORMATIONS OF AN ARCHITECTURAL MONUMENT WITH ITS CHANGING PHYSICAL AND CULTURAL ENVIRONMENT A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Nazlı TARAZ August 2014 İZMİR We approve the thesis of Nazlı TARAZ Examining Committee Members: ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Department of Architecture, İzmir Institute of Technology _____________________________ Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM Department of Architecture, İzmir Institute of Technology ___________________________ Dr. Çiğdem ALAS 25 August 2014 ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Supervisor, Department of Architecture, İzmir Institute of Technology ____ ___________________________ ______________________________ Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Assist.Prof.Dr.Zeynep AKTÜRE for her guidance, patience and sharing her knowledge during the entire study. This thesis could not be completed without her valuable and unique support. I would like to express my sincere thanks to my committee members Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM, Dr. Çiğdem ALAS, Assoc. Prof. Dr. Erdem ERTEN and Assist. Prof. Dr. Zoltan SOMHEGYI for their invaluable comments and recommendations. I owe thanks to my sisters Yelin DEMİR, Merve KILIÇ, Nil Nadire GELİŞKAN and Banu Işıl IŞIK for not leaving me alone and encouraging me all the time. And I also thank to Seçkin YILDIRIMDEMİR who has unabled to sleep for days to help and motivate me in the hardest times of this study. -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years. -
Destination: Turkey
Destinations / JOURNEY 066-071 Dest.JOURNEY.0517.indd 66 4/10/17 12:22 PM At the crossroads of the world, the layers of history offer an almost impossible list of things to do and see. BY MELANIE HAIKEN 066-071 Dest.JOURNEY.0517.indd 67 4/10/17 12:22 PM Destinations / JOURNEY ’M BLINKING IN the bright sunlight of Taksim ISTANBUL Square, squinting down at a small piece of note- I had a head start here, as Linnea, studying abroad at world- book paper covered with my daughter Linnea’s renowned Boğaziçi University, had already been in Turkey cramped but tidy writing. On one side, an almost for a jam-packed six weeks and had charted a distraction- ridiculously long list of things she says I absolutely free course for me to follow. And thanks to her adventurous Imust do during my time in Istanbul, divided carefully (read: risk-taking) tendencies, I found myself following her into neighborhoods and itineraries. And on the other suggestions to visit places most other tourists miss. side of the paper, step-by-step instructions for catching Take the colorful streets, mosques and cafes of Fener, the funicular and M1 tram that will take me down to the Balat and Fatih, some of Istanbul’s most traditional city’s oldest — and ridiculously picturesque — neigh- Islamic neighborhoods, where chador-clad women borhood, Sultanahmet. On today’s list alone: the Blue throng the markets and men play chess and gossip in the Mosque (officially Sultan Ahmed), multiple museums, cafe-lined squares. Instead of beelining to Chora Church Topkapi Palace with its grand gardens, and the Basilica to see its splendid Byzantine mosaics and frescoes depict- Cistern, the eerie sixth-century underground water ing the life of Christ, I took a ferry to Balat and zigzagged system of Constantinople. -
Performative Reading in the Late Byzantine Theatron
Edinburgh Research Explorer Performative reading in the late Byzantine theatron Citation for published version: Gaul, N 2018, Performative reading in the late Byzantine theatron. in I Toth & T Shawcross (eds), Reading in the Byzantine Empire and Beyond. Cambridge University Press, Cambridge, pp. 215–234. https://doi.org/10.1017/9781108289993.011 Digital Object Identifier (DOI): 10.1017/9781108289993.011 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Reading in the Byzantine Empire and Beyond Publisher Rights Statement: This material has been published in Reading in the Byzantine Empire and Beyond edited by Teresa Shawcross, and Ida Toth https://doi.org/10.1017/9781108289993.011. This version is free to view and download for private research and study only. Not for re-distribution or re-use. © Cambridge University Press. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Performative Reading in the Late Byzantine Theatron Niels Gaul The Byzantines regularly either referred to or implicitly conceptionalised the physical and social space in which rhetoric was read or performed as a theatron. -
A Legal and Historical Study of Latin Catholic Church Properties in Istanbul from the Ottoman Conquest of 1453 Until 1740
AIX-MARSEILLE UNIVERSITE ******** THESIS To obtain the grade of DOCTOR OF AIX-MARSEILLE UNIVERSITY Doctoral College N° 355: Espaces, Cultures, Sociétés Presented and defended publically by Vanessa R. DE OBALDÍA 18 December 2018 TITLE A Legal and Historical Study of Latin Catholic Church Properties in Istanbul from the Ottoman Conquest of 1453 until 1740 Thesis supervisor: Randi DEGUILHEM Jury AKARLI Engin, emeritus professor, İstanbul Şehir University BORROMEO Elisabetta, Ingénieur d’Études, CNRS, Collège de France, Paris DEGUILHEM Randi, Directrice de Recherche, CNRS, TELEMMe-MMSH, Aix- Marseille University, Aix-en-Provence GHOBRIAL John-Paul, associate professor, University of Oxford GRADEVA Rossitsa, professor, American University of Bulgaria, rapporteure SERMET Laurent, professor, Institut d’Études Politiques, Aix-en-Provence TOLAN John, professor, University of Nantes, rapporteur To my mother for all her support and loving care. CONTENTS ACKNOWLEDGEMENTS i ABSTRACT ii INTRODUCTION iv PART I: The legal status of Roman Catholics and their Religious Orders in Ottoman Istanbul 1. Introduction 1 2. Galata and Pera 1 a. Galata 1 b. Pera 5 3. The demographic composition of Roman Catholics in Galata & Pera 8 4. The legal status of Roman Catholics in Constantinople/Istanbul 15 a. Pre-conquest - Catholics as a semi-autonomous colony 15 b. Post-conquest - Catholics as zimmīs 16 5. The legal status of Latin Catholic religious orders 20 a. According to Ottoman law 20 b. Compared to the status of Orthodox and Armenian churches and Jews 25 in the capital 6. The representatives of Latin Catholic churches and ecclesiastical properties 35 a. La Magnifica Comunità di Pera 35 b. La Sacra Congregatio de Propaganda Fide 40 c. -
The Date and the Function of the Northern Annex of Vefa Kilise Camii at Istanbul
THE DATE AND THE FUNCTION OF THE NORTHERN ANNEX OF VEFA KILISE CAMII AT ISTANBUL ABSTRACT La moschea di Vefa Kilise di Istanbul è un edificio di epoca bizantina, principalmente composto da un nu- cleo, il naos, di epoca comnena e da una serie di strutture - un campanile, un esonartece e un perduto parekklesion - aggiunte in epoca paleologa. Tra le due fasi è possibile collocare la costruzione dell’annesso nord, la cui originaria funzione non è stata ancora chiarita. Il presente articolo, tramite il confronto con so- luzioni simili, di epoca sia comnena sia paleologa, costantinopolitane o strettamente collegate agli sviluppi architettonici della capitale, prova a ipotizzare una o più destinazioni di uso per l’annesso in questione e rispettivamente quelle di cappella funeraria, sacristia-biblioteca e unità abitativa. The monument today known as Molla Gürani Camii, or Vefa Kilise, was the core of a monastery in Byzantine Constantinople, whose Christian dedication has not convincingly identified. Doubts concern also its northern annex, whose original purpose has not been clarified yet1. For the sake of clarity and in order to contextualise the annex in question, I will briefly explain the historical phases which have characterised the evolution of the whole complex of Vefa Kilise. The first phase of the building, even though a manipulation of a previous building cannot be ex- cluded, is Komnenian and mainly concerns the naos of the church. The plan, the masonry tech- nique and the stylistic and architectural elements of the Komnenian phase of Vefa Kilise Camii are comparable to the Constantinopolitan churches of the Pantokrator (1118-1136), the Pantepoptes (ca. -
Constantinople As Center and Crossroad
Constantinople as Center and Crossroad Edited by Olof Heilo and Ingela Nilsson SWEDISH RESEARCH INSTITUTE IN ISTANBUL TRANSACTIONS, VOL. 23 Table of Contents Acknowledgments ......................................................................... 7 OLOF HEILO & INGELA NILSSON WITH RAGNAR HEDLUND Constantinople as Crossroad: Some introductory remarks ........................................................... 9 RAGNAR HEDLUND Byzantion, Zeuxippos, and Constantinople: The emergence of an imperial city .............................................. 20 GRIGORI SIMEONOV Crossing the Straits in the Search for a Cure: Travelling to Constantinople in the Miracles of its healer saints .......................................................... 34 FEDIR ANDROSHCHUK When and How Were Byzantine Miliaresia Brought to Scandinavia? Constantinople and the dissemination of silver coinage outside the empire ............................................. 55 ANNALINDEN WELLER Mediating the Eastern Frontier: Classical models of warfare in the work of Nikephoros Ouranos ............................................ 89 CLAUDIA RAPP A Medieval Cosmopolis: Constantinople and its foreigners .............................................. 100 MABI ANGAR Disturbed Orders: Architectural representations in Saint Mary Peribleptos as seen by Ruy González de Clavijo ........................................... 116 ISABEL KIMMELFIELD Argyropolis: A diachronic approach to the study of Constantinople’s suburbs ................................... 142 6 TABLE OF CONTENTS MILOŠ -
FAITH TOURS Table of Contents Facebook.Com/Homerictours
CHRISTIAN FAITH TOURS http://faith.homerictours.com Table of Contents facebook.com/HomericTours Christian Based Tours Footsteps of Jesus .................................................................................... 4 Biblical Sites of Turkey and Greece ...................................................18-19 Paul’s First Missionary Journey ................................................................ 5 Turkey: In the Footsteps of Apostle Paul................................................ 20 Cyprus: Steps of Apostle Paul .................................................................. 6 Turkey: Seven Churches ........................................................................ 21 Greece: In the Footsteps of Apostle Paul plus 4 Day Cruise ..................... 7 Christian Egypt ..................................................................................... 22 Greece & The Holyland: Steps of Apostle Paul .....................................8-9 Ethiopia: The Old and New Testament .................................................. 23 Turkey & Greece: Classical and Ft Steps of Apostle Paul ..................10-11 Christianity in China ............................................................................. 24 Cruise: Seven Day Pilgrimage Voyage of Greece & Turkey ..................... 12 Women of the Bible ............................................................................... 25 Malta & Italy: Steps of Apostle Paul ...................................................... 13 India: Footsteps of St. Thomas -
Greek Painters for the Dominicans Or Trecento at the Bosphorus? Once Again About the Style and Iconography of the Wall Paintings in the Former Dominican Church of St
arts Article Greek Painters for the Dominicans or Trecento at the Bosphorus? Once again about the Style and Iconography of the Wall Paintings in the Former Dominican Church of St. Paul in Pera Rafał Quirini-Popławski Department of History of Art, Jagiellonian University, ul. Grodzka 53, 31-001 Kraków, Poland; [email protected] Received: 20 August 2019; Accepted: 27 September 2019; Published: 11 October 2019 Abstract: The recently discovered wall paintings of the Dominican church of St. Paul are perhaps the most fascinating part of the artistic heritage of Pera, the former Genoese colony at the Bosphorus. According to the researchers analyzing the fragments discovered in 1999–2007, they follow Byzantine iconographic tradition and were executed by Greek painters representing Paleologan style close to the decoration of the Chora church. After extensive discoveries in 2012 it was made possible to describe many more fragments of fresco and mosaic decoration and to make a preliminary identification of its iconography, which appeared to be very varied in character. Many features are typical of Latin art, not known in Byzantine tradition, some even have a clearly polemical, anti-Greek character. The analysis of its iconography, on a broad background of the Byzantine paintings in Latin churches, does not answer the question if it existed and what could be the goal of creating such paintings. There is a high probability that we are dealing with choice dictated by aesthetic and pragmatic factors, like the availability of the appropriate workshop. So, the newly discovered frescoes do not fundamentally alter the earlier conclusions that we are dealing with the work of a Greek workshop, perhaps primarily operating in Pera, which had to adapt to the requirements of Latin clients. -
Ariel J. Fein [email protected] ∙ 22 Belmont Drive, Livingston, NJ
Ariel J. Fein [email protected] 22 Belmont Drive, Livingston, NJ 07039 EDUCATION 2021 Ph.D., Yale University, History of Art Department Dissertation: “Emiral Patronage: George of Antioch, the Martorana, and the Arab-Christians of Norman Sicily” (Committee: Robert Nelson, (advisor), Kishwar Rizvi, Vasileios Marinis, Jacqueline Jung) 2017 M. Phil., Yale University, History of Art Department Primary fields of examination: Byzantine monumental painting and architecture, 1000-1300 (Robert Nelson); Islamic architecture in the Eastern Mediterranean, 650-1260 (Kishwar Rizvi); Minor field: Romanesque architecture and sculpture (Jacqueline Jung); Outside field: Baroque Rome: Monumental Painting and Architecture, 1600-1800 (Nicola Suthor) 2017 M.A., Yale University, History of Art Department Qualifying paper: “A Game of Thrones in the Post-Byzantine World: the 1577 Restoration of the Pammakaristos Church” (readers: Jacqueline Jung, Millette Gaifman) 2013 M.A. (with Distinction), Courtauld Institute of Art, London, UK M.A. Dissertation: A Metalwork Basin in the Late-Mamluk Style: Evidence of Jewish and Muslim Cross-Cultural Exchange 2011 B.A., Barnard College, New York, NY, Art History B.A., Magna cum laude, Jewish Theological Seminary (List College), New York, NY, Medieval Jewish Studies GRANTS & FELLOWSHIPS Spring 2021 Fields of the Future Research Fellow, Bard Graduate Center 2019-2020 Jane and Morgan Whitney Fellow, The Metropolitan Museum of Art, Islamic Art Department 2019 Dissertation Research Grant, Italian Art Society 2018-2019 Dissertation Grant, Mary Jaharis Center for Byzantine Art and Culture 2018-2019 Alumnae Association Fellowship for Graduate Study, Barnard College 2017-2018 Student Travel Grant, International Center for Medieval Art 2017-2018 Dissertation Grant, The MacMillan Center, Yale University 2016-2017 Pre-Dissertation Grant, The MacMillan Center, Yale University Summer 2015 Samuel H. -
An Unpublished Poem on Porphyry
DOI 10.1515/bz-2018-0021 BZ 2018; 111(3): 777–792 Maria Tomadaki An unpublished poem on Porphyry Abstract: This paper offers an editio princeps,anEnglish translation and acom- mentary of an interesting epigram on Porphyry,the commentator of Aristotle. The epigram was transcribed in Vat.Reg. 166 by IoannesMalaxos (16th c.) and is ascribed to Petros Servilos, apoet unknown from other sources. The paper dis- cusses the poem’smanuscript context,aswell as its authorship, genre, content and function. Further,itattempts to shed light on the poem’srelation to Por- phyry’sphilosophyand his reception in Byzantine poetry. Adresse: Dr.Maria Tomadaki,Ghent University, Department of LiteraryStudies, Blandijnberg 2, 9000 Ghent, Belgium;[email protected] 1. Introduction Despite writing an anti-Christian work,¹ Porphyry waspopularinByzantium mainlybecause of his Eisagoge,which became the standard handbook for the teachingofAristotle’slogic and philosophyingeneral.² Awitness of Porphyry’s reception is an unpublished encomiastic epigram that is transmitted in the paper-octavo codex Vat. Reg. 166,f.14v–15r as part of asmall poetic collection transcribed by Ioannes Malaxos(16th c.). In the present studyIprovide an editio princeps of the epigram accompanied by an English translation, acommentary, as well as information about its manuscript context and its function. This paper waswritten within the framework of the project Database of Byzantine Book Epi- grams(DBBE) funded by the Special Research Fund of Ghent University.Ithas been much im- proved during my research stay at the Academia BelgicainRome,whereIhad the opportunity to consult Vat. Reg. in situ. Iwould like to express my sincerethankstothe director of the DBBE, Prof.Kristoffel Demoen forhis supportand his useful comments, to the Academia Belgica of Rome forthe one-month scholarship in May ,aswell as to the two anonymous reviewers fortheir valuable remarks.