KHS June 2020 Newsletter
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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Melbourne and Metropolitan Board of Works Acts 1890 and 1893
VICTORIA. ANNO SEXAGESIMO PEIMO VICTOKLE BEGINS ####*####*#**#*######****^ No. 1491. An Act to amend the Melbourne and Metropolitan Board of Works Acts 1890 and 1893. [2Ath August, 1897.] T)E it enacted by the Queen's Most Excellent Majesty by and with -*-* the advice and consent of the Legislative Council and the Legislative Assembly of Victoria in this present Parliament assembled ana by the authority of the same as follows (that is to say):— 1. (1) This Act may be cited as the Melbourne and Metropolitan short title ana con« Board of Works Act 1897, and shall be read as one with the Melbourne struction- and Metropolitan Board of Works Act 1890 (hereinafter called the N*08-1197'1351i Principal Act) and with the Melbourne and Metropolitan Board of Works Act 1893; and this Act and the said Acts may be cited together as the Melbourne and Metropolitan Board of Works Acts. (2) Sections three four five six and seven of this Act shall be deemed to be a portion of Part III* of the Principal Act. 2. The Act mentioned in the First Schedule to this Act to the Repeal. extent mentioned therein shall be and the same is hereby repealed. First schedule. Such repeal shall not be deemed to affect any notices given or things commenced or done by the Board pursuant to any of the repealed enactments before the commencement of this Act. 3. In DM 25 61 VICT.] Melbourne and Metropolitan Board of Works. [No. 1491. Interpretation. 3. In section seventy-six of the Principal Act for the definitions of the words " sewer" and u street" respectively there shall be substituted the following definitions, and such substitutions shall be deemed to take effect as from the commencement of the Principal Act:— " Sewer." "Sewer" shall mean and include any sewer or underground gutter or channel which is not a drain within the meaning of this Part of this Act and any drain or portion of a drain laid between a sewer and the boundary line of any allotment or curtilage. -
Art and Artists in Perth 1950-2000
ART AND ARTISTS IN PERTH 1950-2000 MARIA E. BROWN, M.A. This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Design Art History 2018 THESIS DECLARATION I, Maria Encarnacion Brown, certify that: This thesis has been substantially accomplished during enrolment in the degree. This thesis does not contain material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution. No part of this work will, in the future, be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. The work(s) are not in any way a violation or infringement of any copyright, trademark, patent, or other rights whatsoever of any person. The research involving human data reported in this thesis was assessed and approved by the University of Western Australia Human Research Ethics Committee. Approval # RA/4/1/7748. This thesis does not contain work that I have published, nor work under review for publication. Signature: Date: 14 May 2018 i ABSTRACT This thesis provides an account of the development of the visual arts in Perth from 1950 to 2000 by examining in detail the state of the local art scene at five key points in time, namely 1953, 1962, 1975, 1987 and 1997. -
Hawthorn Heritage Study
HAWTHORN HERITAGE STUDY APRIL 1993 The Hawthorn Heritage Study was one of the three Special Strategy Plan Projects started during 1991. The Heritage Study was prepared by a team led by Meredith Gould, Conservation Architect, with substantial input from the Townscape and Heritage Topic Group as part of the Hawthorn Strategy Plan process. Some sections of the study were completed in draft form as early as late 1991; other sections have only reached completion now. This Study is the first ever comprehensive assessment of Hawthorn's urban and landscape heritage. Every bUilding in Hawthorn has been assessed for its heritage value. Significant trees, parks, landscapes and roadways have also been evaluated and recorded. The heritage areas proposed in the Study were endorsed by Hawthorn Council for the purpose of public consultation on 10 December 1991. Comments were sought by means of a map and explanatory material in a Strategy Plan booklet letterboxed throughout Hawthorn in March 1991. On 25 August 1992, Council resolved that a proposed Planning Scheme Amendment be drafted to include: Heritage protection for areas Protection of individual buildings of stand alone and contributory signiticance outside heritage areas. Voluntary registration of other individual places outside heritage areas, for the purpose of heritage protection. A degree of heritage control substantially reduced compared to normal Urban Conservation Areas. Council on 20 April 1993 resolved to publish the completed study; to notify property owners of buildings recommended for inclusion on the Historic Buildings Register, the National Estate Register and the Significant Tree Register; and to refer for further officer investigation the recommendations on signiticant street trees, kerbs/gutterslfootpaths/roadways, laneways, drains and creeks, Yarra River/Gardiners Creek, parks/reserves, and the establishment of an internal monitoring system. -
Heritage Citation
NAME OF HERITAGE PLACE: Chesney Wolde Address: 57 Berkeley Street, Hawthorn Name: Chesney Wolde Survey Date: 25 August 2020 Place Type: Residential Architect: Not Known Grading: Significant Builder: Not Known Extent of Overlay: To title boundaries Construction Date: c1916 Historical Context The First Nations People, the Wurundjeri, have a connection to the land along the valleys of the Yarra River and Gardiners Creek.1 This connection extends back thousands of years, and continues today. The boundaries of Hawthorn are defined by Barkers Road and Burke Road to the north and east; and two watercourses, the Yarra River and its tributary, Gardiners Creek.2 Of 1 Gary Presland, First People. The Eastern Kulin of Melbourne, Port Phillip and Central Victoria, p 25. 2 The former City of Hawthorn 1 the watercourses, hills, valleys and plains within the Melbourne region, it is the Yarra River that is its defining feature, and one that serves as its artery. It was its abundant supply of freshwater that saw European settlement establish along the Yarra River in the nineteenth century. Today the metropolis still obtains much of its water from the Yarra and its tributaries in the nearby ranges. It was a short distance from the subject site, that in 1836-37 pastoralist John Gardiner (1798-1878) settled with his family, and Joseph Hawdon and John Hepburn. They drove cattle overland from Sydney to the property they established on Gardiners Creek,3 land now occupied by Scotch College. Improved transport links with the city, initially the completion of the railway from the city to Hawthorn in 1861, stimulated residential development. -
SCG Victorian Councils Post Amalgamation
Analysis of Victorian Councils Post Amalgamation September 2019 spence-consulting.com Spence Consulting 2 Analysis of Victorian Councils Post Amalgamation Analysis by Gavin Mahoney, September 2019 It’s been over 20 years since the historic Victorian Council amalgamations that saw the sacking of 1600 elected Councillors, the elimination of 210 Councils and the creation of 78 new Councils through an amalgamation process with each new entity being governed by State appointed Commissioners. The Borough of Queenscliffe went through the process unchanged and the Rural City of Benalla and the Shire of Mansfield after initially being amalgamated into the Shire of Delatite came into existence in 2002. A new City of Sunbury was proposed to be created from part of the City of Hume after the 2016 Council elections, but this was abandoned by the Victorian Government in October 2015. The amalgamation process and in particular the sacking of a democratically elected Council was referred to by some as revolutionary whilst regarded as a massacre by others. On the sacking of the Melbourne City Council, Cr Tim Costello, Mayor of St Kilda in 1993 said “ I personally think it’s a drastic and savage thing to sack a democratically elected Council. Before any such move is undertaken, there should be questions asked of what the real point of sacking them is”. Whilst Cr Liana Thompson Mayor of Port Melbourne at the time logically observed that “As an immutable principle, local government should be democratic like other forms of government and, therefore the State Government should not be able to dismiss any local Council without a ratepayers’ referendum. -
Amendment C333boro
AMENDMENT C333BORO System Note: The following ordinance will be modified in Clause:22 LOCAL PLANNING POLICIES, Sub-Clause:22.03 HERITAGE POLICY 22.03-7 Reference documents C333boro Assessment of Heritage Precincts in Kew (City of Boroondara, April 2013) Assessment of the Burwood Road Heritage Precinct, Hawthorn (City of Boroondara, August 2008, updated March 2012) Auburn Village Heritage Study (City of Boroondara, 2005) Balwyn Road Residential Precinct, Canterbury: Stage 2 Heritage Precinct Review (City of Boroondara, August 2006) Boroondara Heritage Property Database Boroondara Schedule of Gradings Map Camberwell Conservation Study (City of Camberwell, 1991) Camberwell Junction Heritage Review (City of Boroondara, 2008, updated 2013) Canterbury Hill Estate Precinct Citation (2014) City Of Boroondara Municipal-Wide Heritage Gap Study Volume 1: Canterbury (Context Pty Ltd, 25 May 2017) City Of Boroondara Municipal-Wide Heritage Gap Study Volume 2: Camberwell (Context Pty Ltd, 26 September 2017) City Of Boroondara Municipal-Wide Heritage Gap Study Volume 7: Glen Iris (Context Pty Ltd, 15 October 2020) City of Kew Urban Conservation Study (City of Kew, 1988) Creswick Estate Precinct Heritage Citation (2016) Fairmount Park Estate Precinct Heritage Citation (2016) Grange Avenue Residential Precinct Citation (August 2014) Hawthorn Heritage Precincts Study (City of Boroondara, April 2012) Hawthorn Heritage Study (City of Hawthorn, 1993) Heritage Policy - Statements of Significance (City of Boroondara, August 2016, or as amended and adopted by Council from time to time) Kew and Hawthorn Further Investigations - Assessment of Specific Sites (February 2014) Kew Junction Commercial Heritage Study (September 2013) National Trust of Australia (Victoria) Technical Bulletin 8.1 Fences & Gates (1988) Review of B-graded Buildings in Kew, Camberwell and Hawthorn (City of Boroondara, January 2007, updated June 2007 and November 2009) Volumes 1, 2 and 3. -
A Short History of Our Club
A Short History of our club. The Beginning In the early 1950’s, Australia was a vastly different place. Its population of a little over 12 million was almost exclusively of British descent. It had just emerged from almost six years of World War II during which hundreds of thousands of its men and women enlisted voluntarily for service in the armed forces. By 1949 Australia was emerging from wartime shortages and rationing. Oil exploration had not started. Mining was a very unsophisticated affair and the pick and shovel were the order of the day. Jet aircraft had not invaded the skies. High rise building was confined to St Patrick’s spire on Eastern Hill. We only just had our first Australian car. We had no freeways but the roads were not choked as few people had cars. Having children was normal; marrying beforehand was usual. Rotary had expanded from its beginnings in Chicago with clubs being formed in Canada, Ireland and England. Early in the second decade of the century we had a new organisation calling itself Rotary International. Two distinguished Canadians were appointed by RI in 1921 to undertake the task of establishing Rotary in Australia. Almost by accident, Melbourne was the site of that first club when Sydney passed up a prior opportunity. It is interesting to note that it took 16 years for Rotary to expand from Chicago to Melbourne (some 14,000km), it took another 32 years for it to expand a further 7km to Hawthorn. Between its formation in 1921 and the start of WWII, the Melbourne club ceded territory for only 3 other clubs to be formed, Essendon, Dandenong and Footscray. -
Kew Hebrew Congregation Heritage Citation
Kew Hebrew Congregation Prepared by: Context Address: 53 Walpole Street, Kew Name: Kew Hebrew Congregation Survey Date: 8 & 15 June 2020 Place Type: Community (religious) Architect: William Salway (1886 residence); Bridge Hayden & Associates (Bet Nachman Synagogue, Norman Smorgon House and School) Grading: Significant Builder: Clements Langford Pty Ltd Extent of Overlay: To title boundaries Construction Dates: c.1886 (residence); 1954 and 1957 (additions to Norman Smorgon House), 1959 (Classrooms), 1963-66 (Bet Nachman Synagogue and school building), 1970 (Cottage) Figure 1. View of Bet Nachman Synagogue building from the south-east corner of Walpole and Malmsbury streets. (Source: Context, June 2020) Figure 2. View of the two-storey school wing from Figure 3. Entrance to Norman Smorgon Malmsbury Street. (Source: Context, June 2020) House via Malmsbury Street. (Source: Context, June 2020) 1 Historical Context The first survey of the Kew area was by government surveyor Robert Hoddle, who divided the 1400 acres (570 hectares) of the Parish of Boroondara into 150 blocks of different sizes in 1837 (Morrissey 2008). Kew was divided into large allotments to encourage the establishment of small farms and market gardens to supply the growing settlement of Melbourne. These larger allotments meant that future subdivision proceeded in a piecemeal way (Sanderson 1988:4/2). Access to Kew from the central city was originally via a punt across the Yarra in the 1840s, then via a bridge to Hawthorn which opened in 1852, and by the privately owned Studley Park Bridge (nicknamed the Penny Bridge), which was opened in 1857. The construction of the Johnston Street Bridge in 1858 enabled direct access to Kew from Collingwood. -
70 Riversdale Road Hawthorn
DUPLEX Prepared by: Context Pty Ltd Address: 70 Riversdale Road, Hawthorn Name: Duplex Survey Date: 18 May 2016 Place Type: Residential Architect: Grading: Individually Significant Builder: John Marriage Extent of Overlay: To title boundaries Construction Date: 1928-29 Historical Context The duplex at 70 Riversdale Road, Hawthorn is associated with the following themes in the City of Boroondara Thematic Environmental History (BTEH) 2012: 3.0 Connecting Victorians: 3.5 Travelling by tram 6.0 Building towns, cities and the Garden State: 6.3 Shaping the suburbs, 6.3.3 Creating middle class suburbs in the early twentieth century; 6.7 Making homes for Victorians, 6.7.5 Developing higher density living The following historical context comprises edited extracts from the BTEH 2012. The term ‘study area’ refers to the City of Boroondara: Travelling by tram The opening of the new Victoria Street Bridge in 1884, and the establishment of a cable tram terminus (on the Collingwood side of the river) in late 1885, prompted the Melbourne Tramway & Omnibus Company to propose a horse-drawn tram route through Kew. Commencing in 1887, this route ran between the gates of the Boroondara Cemetery and the new bridge, where commuters could cross the river and board the cable tram to the city. In January 1890, the same company established a second horse- drawn tram route through the study area – this time, extending from the Hawthorn Bridge (where there was another cable tram terminus on the western bank) along Burwood Road, Power Street, and Riversdale Road to Auburn Road, Upper Hawthorn. As Gwen McWilliam notes, this new tram route was to have a significant impact on the development of Riversdale Road as a local retail centre. -
FOUNDATION ANNUAL REPORT 2009–10 2 National Gallery of Australia Contents
FOUNDATION FOUNDATION FOUNDATION ANNUAL REPORT REPORT ANNUAL ANNUAL REPORT 2009–10 2009–10 © National Gallery of Australia, 2010 All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information retrieval system, without permission in writing from the publisher. Produced by the National Gallery of Australia, Canberra Design by dna creative, Sydney Printed by Special T, Sydney National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au National Gallery of Australia Foundation Office Telephone (02) 6240 6454 The National Gallery of Australia is an Australian Government Agency FOUNDATION ANNUAL REPORT 2009–10 2 national gallery Of AUstraliA Contents Office Bearers 7 Objectives 7 Chairman’s Report 9 Contributors 18 Membership 31 financial statements 55 Bede Tungutalum Tiwi people born Australia 1952 Untitled 2009 synthetic polymer paint and natural earth pigments on cotton fabric 128.5 x 82 cm acquired with the Founding Donors 2010 Fund, 2010 fOUNDATiON ANNUAL REPORT 2009–10 3 4 national gallery Of AUstraliA William Barak Wurundjeri people Australia 1824–1903 Corroboree 1895 charcoal and natural earth pigments over pencil on linen image 60 x 76.4 cm support 60 x 76.4 cm acquired with the Founding Donors 2010 Fund, 2009 This is one of the largest and most impressive drawings produced by William Barak as a way of passing on his knowledge of traditional culture. in the top half of the composition, six Aboriginal men with traditional body painting perform a dance. The lower half of the drawing shows a group of people in elaborately decorated possum-skin cloaks sitting and clapping.