Full Programme of Abstracts and Biographies
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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd
Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Julian Dashper 1960 Born in Auckland, New Zealand 1980 First solo exhibition at 100m2, an artist-run space in Auckland City 1981 Completes B.F.A. 1991 Awarded inaugural Q.E.II Arts Council Visual Arts Programme Fellowship 1992 Exhibits work concurrently in two solo public gallery exhibitions in New Zealand 1994 First solo public gallery exhibition in Australia 1995 Artist in residence at the Ludwig Forum für Internationale Kunst, Aachen, Germany 2001 Senior Fulbright Fellowship 2001 Artist in residence at the Chinati Foundation, Marfa, Texas 2001 Artist in residence at the University of Nebraska, Lincoln 2003 Artist in residence at Artspace, Sydney 2005 25-year retrospective exhibition opens in Sioux City, Iowa, U.S.A. 2008 Visiting scholar, University of Sydney 2009 Dies in Auckland, New Zealand Solo Exhibitions 1980 100m2, Motorway Schools, Auckland, New Zealand 1981 100m2, Huntly Huntly Whangarei, Auckland, New Zealand 1984 Durham House, Dashper at Durham Lane, Auckland, New Zealand 1985 New Vision Gallery, Auckland, New Zealand Real Pictures Gallery, Auckland, New Zealand 1986 Peter McLeavey Gallery, Wellington, New Zealand New Vision Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent Paintings, Christchurch, New Zealand 1987 Peter McLeavey Gallery, Wellington, New Zealand Room 11 Gallery, Auckland, New Zealand Centre Gallery, Julian Dashper. A Survey, Hamilton, New Zealand George Fraser Gallery, Painting, Auckland, New Zealand Brooke/Gifford Gallery, Works on Paper 1985-1987, Christchurch, New Zealand 1988 Peter McLeavey Gallery, Thirteen recent paintings, Wellington, New Zealand The North Gallery, Small Paintings 1980-1988, Whangarei, New Zealand 1989 Sue Crockford Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent paintings, Christchurch, New Zealand Peter McLeavey Gallery, Wellington, New Zealand Artspace, Building. -
Venice's Giardini Della Biennale and the Geopolitics of Architecture
FOLKLORIC MODERNISM: VENICE’S GIARDINI DELLA BIENNALE AND THE GEOPOLITICS OF ARCHITECTURE Joel Robinson This paper considers the national pavilions of the Venice Biennale, the largest and longest running exposition of contemporary art. It begins with an investigation of the post-fascist landscape of Venice’s Giardini della Biennale, whose built environment continued to evolve in the decades after 1945 with the construction of several new pavilions. With a view to exploring the architectural infrastructure of an event that has always billed itself as ‘international’, the paper asks how the mapping of national pavilions in this context might have changed to reflect the supposedly post-colonial and democratic aspirations of the West after the Second World War. Homing in on the nations that gained representation here in the 1950s and 60s, it looks at three of the more interesting architectural additions to the gardens: the pavilions for Israel, Canada and Brazil. These raise questions about how national pavilions are mobilised ideologically, and form/provide the basis for a broader exploration of the geopolitical superstructure of the Biennale as an institution. Keywords: pavilion, Venice Biennale, modernism, nationalism, geopolitics, postcolonialist. Joel Robinson, The Open University Joel Robinson is a Research Affiliate in the Department of Art History at the Open University and an Associate Lecturer for the Open University in the East of England. His main interests are modern and contemporary art, architecture and landscape studies. He is the author of Life in Ruins: Architectural Culture and the Question of Death in the Twentieth Century (2007), which stemmed from his doctoral work in art history at the University of Essex, and he is co-editor of a new anthology in art history titled Art and Visual Culture: A Reader (2012). -
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
Survey of Post-War Built Heritage in Victoria: Stage One
Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
ATTA News January 2015
ATTA News January 2015 https://www.business.unsw.edu.au/about/schools/taxation-business-law/australasian-tax- teachers-association/newsletters Editor: Colin Fong, Faculty of Law, University of New South Wales, Sydney [email protected] ATTA website https://www.business.unsw.edu.au/about/schools/taxation-business- law/australasian-tax-teachers-association Contents 1 Presidential column 1 2 ATTA Conference 2015 1 3 ATTA Annual General Meeting agenda 3 4 Notice of Meeting: Annual General Meeting 4 5 TTPI Australian Visiting Fellow Awards program 4 6 Arrivals, departures and honours 4 7 United Kingdom developments 4 8 IBFD Frans Vanistendael Award for International Tax Law 8 9 Master of Laws in international tax law scholarship 8 10 Call for papers 9 11 Tax, accounting, economics and law related meetings 13 12 ATTA members in the media 15 13 Recent publications 15 14 Quotable quotes 16 1 Presidential column Welcome back to everyone after the Christmas break. I hope that you are all rested in preparation for the new academic year. The new year starts with a bang for ATTA as we head to Adelaide for the annual conference next week. The programme details are now available (see details later in this newsletter) and, as usual, it looks like being an interesting start to the year. We will also be bringing the proposed constitutional amendments to the AGM for a vote of the membership, so please review the details that have been published in the ATTA news so that we can finalise the amendments next week. If you are unable to attend and would like your views to be taken into account, proxy forms have been circulated. -
Post-Fair Report
POST-FAIR REPORT 24 - 28 FEBRUARY 2021 THE CLOUD / AKL WATERFRONT / AOTEAROA NEW ZEALAND 2021 Auckland Art Fair. Photo by Luke Foley-Martin 1 IT WAS A PRIVILEGE TO HOLD A LIVE HIGHLIGHTS OF THE FAIR INCLUDED: FAIR IN 2021. THE 2021 AUCKLAND ART − four galleries from Australia, and one each from Beijing and FAIR WAS DELIVERED AGAINST A STATUS Rarotonga joined 32 of the best galleries from across Aotearoa at the 2021 Art Fair, despite the closure of international borders QUO OF UNCERTAINTY, AS COVID-19 SWEPT THROUGH THE WORLD. ALMOST − $10 million worth of art sales by the galleries, continuing the upwards trajectory of sales at the Fair since 2016 EVERY OTHER INTERNATIONAL ART FAIR GLOBALLY IN THE LAST 11 MONTHS HAD − the launch of a new outdoor sculpture space at the harbour BEEN CANCELLED, INCLUDING THE 2020 end of The Cloud AUCKLAND ART FAIR. − the continuation of Projects with ‘Present Tense’ curated by Micheal Do, commissioning six new works by early-career artists The first-ever summer edition of Auckland Art Fair, opened at The for exhibition at the Fair and also at Tiffany & Co. in Britomart Cloud on Wednesday 24 February 2021 and was scheduled to run and Yu Mei in Newmarket until Sunday 28 February, but closed one day early due to a change in COVID alert levels. Collectors, gallerists, artists, art enthusiasts, − an inaugural museum partnership with the Govett-Brewster Art media and other partners came to celebrate and showcase the Gallery / Len Lye Centre enabling the presentation of Len Lye’s outstanding contemporary art of Aotearoa Pacific Rim region. -
Sunday 24 March, 2013 at 2Pm Museum of Contemporary Art Sydney, Australia Tional in Fi Le Only - Over Art Fi Le
Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia tional in fi le only - over art fi le 5 Bonhams The Laverty Collection 6 7 Bonhams The Laverty Collection 1 2 Bonhams Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia Bonhams Viewing Specialist Enquiries Viewing & Sale 76 Paddington Street London Mark Fraser, Chairman Day Enquiries Paddington NSW 2021 Bonhams +61 (0) 430 098 802 mob +61 (0) 2 8412 2222 +61 (0) 2 8412 2222 101 New Bond Street [email protected] +61 (0) 2 9475 4110 fax +61 (0) 2 9475 4110 fax Thursday 14 February 9am to 4.30pm [email protected] Friday 15 February 9am to 4.30pm Greer Adams, Specialist in Press Enquiries www.bonhams.com/sydney Monday 18 February 9am to 4.30pm Charge, Aboriginal Art Gabriella Coslovich Tuesday 19 February 9am to 4.30pm +61 (0) 414 873 597 mob +61 (0) 425 838 283 Sale Number 21162 [email protected] New York Online bidding will be available Catalogue cost $45 Bonhams Francesca Cavazzini, Specialist for the auction. For futher 580 Madison Avenue in Charge, Aboriginal Art information please visit: Postage Saturday 2 March 12pm to 5pm +61 (0) 416 022 822 mob www.bonhams.com Australia: $16 Sunday 3 March 12pm to 5pm [email protected] New Zealand: $43 Monday 4 March 10am to 5pm All bidders should make Asia/Middle East/USA: $53 Tuesday 5 March 10am to 5pm Tim Klingender, themselves aware of the Rest of World: $78 Wednesday 6 March 10am to 5pm Senior Consultant important information on the +61 (0) 413 202 434 mob following pages relating Illustrations Melbourne [email protected] to bidding, payment, collection fortyfive downstairs Front cover: Lot 21 (detail) and storage of any purchases. -
Life Stories of Robert Semple
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. From Coal Pit to Leather Pit: Life Stories of Robert Semple A thesis presented in partial fulfilment of the requirements for the degree of a PhD in History at Massey University Carina Hickey 2010 ii Abstract In the Dictionary of New Zealand Biography Len Richardson described Robert Semple as one of the most colourful leaders of the New Zealand labour movement in the first half of the twentieth century. Semple was a national figure in his time and, although historians had outlined some aspects of his public career, there has been no full-length biography written on him. In New Zealand history his characterisation is dominated by two public personas. Firstly, he is remembered as the radical organiser for the New Zealand Federation of Labour (colloquially known as the Red Feds), during 1910-1913. Semple’s second image is as the flamboyant Minister of Public Works in the first New Zealand Labour government from 1935-49. This thesis is not organised in a chronological structure as may be expected of a biography but is centred on a series of themes which have appeared most prominently and which reflect the patterns most prevalent in Semple’s life. The themes were based on activities which were of perceived value to Semple. Thus, the thematic selection was a complex interaction between an author’s role shaping and forming Semple’s life and perceived real patterns visible in the sources. -
Museum of Modern Art Annual Report 2019 Heide Museum of Modern Art Heide Museum of Modern Art
HEIDE MUSEUM OF MODERN ART ANNUAL REPORT 2019 HEIDE MUSEUM OF MODERN ART HEIDE MUSEUM OF HEIDE MUSEUM OF MODERN ART ANNUAL REPORT 2019 REPORT ANNUAL ANNUAL REPORT 2019 Heide Museum of Modern Art acknowledges the Wurundjeri people of the Kulin Nation on whose land Heide is located. We pay respect to their Elders past, present and emerging, and recognise the rich traditions and continuing creative cultures of all Aboriginal and Torres Strait Islander peoples of Australia. — art — architecture — landscape Terminus: Jess Johnson and Simon Ward Location Heide Museum of Modern Art 7 Templestowe Road Bulleen Victoria 3105 Australia Contacts T 03 9850 1500 [email protected] heide.com.au Editor Lesley Harding Photography Throughout by Christian Capurro Page 16 by John Gollings Pages 20–21 by Earl Carter Pages 38–39 by Sean Fennessy Pages 44–45 courtesy of Gorman Pages 68–69 by Kevin Pearson Pages 72–73 visualisation by KALEIDO Design Garry Emery and Jane Mooney Printing Gunn & Taylor Australia Disclaimer All information in this report is correct at the time of printing. All images copyright the artist unless otherwise stated. Contents 5 Message from the Chairman 10 2019 at a glance 12 About Heide 17 Planning for the future 18 Our program 24 Exhibition lenders 28 Our collection 40 Extending the experience 48 Financials 50 Fundraising 54 Thank you 60 Communications 66 Our people 70 Our environment I feel like this museum belongs to us … nestled in Bulleen it connects us with artists and their lives in a very immediate way.” Maggie Iovannella, Heide visitor 4 Message from the Chairman In 2019 the Heide staff and board undertook a review of the museum’s operations and imagined what its future might look like.