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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Benny Golson (* 25
JAMU 20150408-2 – Benny Golson (* 25. 1. 1929) 6 Along Came Betty 581030 6:08 9 Blues March 581030 6:13 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Van Gelder Studio, Hackensack, New Jersey, October 30, 1958. LP Blue Note BST 84003 „Moanin’“ / CD Blue Note 7243 4 95324 2 7. 3 I Remember Clifford (1957) (138) 581122 5:36 10 Blues March 581122 5:46 1 Whisper Not (1956) (297) 581122 7:11 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Live at the Olympia, Paris, November 22 / December 17, 1958. LP Fontana 680 202 and EP Fontana 460 642 / CD Gitanes 832 659-2. 4 I Remember Clifford 600206 3:10 11 Blues March 600206 5:17 13 Killer Joe (1959) (628) 600206 4:58 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Curtis Fuller-tb; Benny Golson-ts; McCoy Tyner-p; Addison Farmer-b; Lex Humphries-dr. New York City, February 6, 9 and 10, 1960. LP Argo 664 „Meet the Jazztet“ / CD Mosaic MD7-225. 2 Whisper Not 620302 5:20 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. New York City, March 2, 1962. LP Mercury SR 60698 „Here and Now“ / CD Mosaic MD7-225. 7 Along Came Betty 620621 5:29 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. -
Wind Symphony Winter Concert
Andrews University Digital Commons @ Andrews University Concerts and Events 2020-2021 Concerts and Events Winter 2-20-2021 Stage & Screen: Wind Symphony Winter Concert Department of Music Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/events-2020-2021 Part of the Music Performance Commons Recommended Citation Music, Department of, "Stage & Screen: Wind Symphony Winter Concert" (2021). Concerts and Events 2020-2021. 4. https://digitalcommons.andrews.edu/events-2020-2021/4 This Book is brought to you for free and open access by the Concerts and Events at Digital Commons @ Andrews University. It has been accepted for inclusion in Concerts and Events 2020-2021 by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. PRESENTS WIND SYMPHONY WINTER CONCERT “Stage & Screen” Saturday, February 20, 2021 – 8:00 p.m. Howard Performing Arts Center Selections from Les Misérables (1980/1987) ........................ Claude-Michel Schönberg & Herbert Kretzmer Arr. Warren Barker “Someone to Watch Over Me” from Oh, Kay! (1926/1995) ......................... George Gershwin & Ira Gershwin Arr. Warren Barker Beta Siriwattanakamol, mezzo-soprano Selections from The Phantom of the Opera (1986/1988) ..............................................Andrew Lloyd Webber Arr. Warren Barker Selections from The Sound of Music (1959/1960) ........................ Richard Rodgers & Oscar Hammerstein II Arr. Robert Russell Bennett Intermission -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
UA Band Repetoire Summer 2019B
University of Arkansas Concert Band Repertoire 2000 - present Wind Symphony - W. Dale Warren, conductor CBDNA SW Conference, Norman, OK February 18, 2000 The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Concerto for Marimba and Wind Ensemble (1986/1997) - Ney Rosauro, arr. McCutchen Tribute to Foster (1914/2000) - Percy A. Grainger, arr. Ragsdale Danza Guerresca from Belkis, Regina Di Saba (1931/1990) - Ottorino Respighi, tran. Suzuki Wind Symphony - W. Dale Warren, Timothy Gunter, conductors March 6, 2000 Star Spangled Banner - Francis Scott Key, arr. Sloan The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Tribute to Foster (1914/2000) - Percy A. Grainger, arr. Ragsdale Concerto for Marimba and Wind Ensemble (1986/1997) - Ney Rosauro, arr. McCutchen Pastime, A Tribute to Baseball - Jack Stamp Danza Guerresca from Belkis, Regina Di Saba (1931/1990) - Ottorino Respighi, tran. Suzuki Stars and Stripes Forever - J. P. Sousa Concert Band - W. Dale Warren, Brett Lawson, Russell Pettitt, conductors March 7, 2000 Flourish for Glorious John - Ralph Vaughan Williams, arr. Boyd As Summer Was Just Beginning (Song For James Dean) - Larry D. Daehn Courtly Airs and Dances - Ron Nelson A Tribute to Grainger - Percy A. Grainger, arr. Ragsdale Variations on a Korean Folk Song - John Barnes Chance Symphonic Band - Timothy Gunter, conductor March 7, 2000 Raise of the Son - Rossano Galante Liebestod - Richard Wagner, arr. Bainum Handel in the Strand - Percy A. Grainger, arr. Goldman Do Not Go Gently Into That Good Night - Elliott Del Borgo Don Pedro - Johan Nijs Wind Symphony - W. Dale Warren, Timothy Gunter, conductors Carnegie Hall Performance April 9, 2000 University of Arkansas Alma Mater - Henry Tovey The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Chronicles - Joseph Turrin Lincolnshire Posy - Percy A. -
2012-2013 Philharmonia at Mizner-A Celebration of Americana
The Star-Spangled Banner John Stafford Smith orch. by Walter Damrosch Hoe Down from Rodeo Aaron Copland Essential Ellington: Duke Ellington & Billy Strayhorn Music of Ellington and Strayhorn arr. by Jeff Tyzik My Baby Just Cares For Me Music by Walter Donaldson Lyrics by Gus Kahn Fever Eddie Cooley and Otis Blackwell Nadege Bellande Robertson, mezzo-soprano and Lynn University Jazz Trio Superman March from Superman John Williams 01' Man River from Showboat Music by Jerome Kern Lyrics by Oscar Hammerstein II orch. by Robert Russell Bennett Oh, What a Beautiful Momin' Music by Richard Rodgers from Oklahoma! Lyrics by Oscar Hammerstein II orch. by Robert Russell Bennett Neil Nelson, bartione West Side Story Selection for Orchestra Leonard Bernste in arr. by Jack Mason Summertime from Porgy and Bess Geo rg e Ge rshwin Lyrics by DuBose Heyward Kristen DiNonno, soprano Peop le Will Say We're In Love Mu sic by Richard Rodgers from Oklahoma! Lyr ics by Oscar Hammerstein II arch . by Robert Russe ll Bennett Kristen DiNonno, sopran o and Brian Ricci, tenor Impossible Dream from Man of La Mancha Music by Mitch Leigh Lyr ics by Joe Da rion Brian Ricci, tenor Armed Forces Salute arr. by Bob Lowden A Tribute to America: arr. by Nelso n Navarrete America the Beautifu l, Music by Samue l Ward , Nelson Navarr ete Freedom and Progress & Irving Be rlin and God Bless America Lyrics by Kat harine Lee Bates & Irving Be rlin Kristen DiNonn o, soprano,· Nadege Be llande Robertson, mezzo -soprano,· Brian Riw~ tenor,· and Neil Nelson, baritone Kristen DiNonno Kr isten D. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
Benjamin Godard Sonates Pour Piano Et Violon Benjamin Godard (1849-1895)
Nicolas Dautricourt Dana Ciocarlie Benjamin Godard Sonates pour piano et violon Benjamin Godard (1849-1895) CD1 CD2 Sonate pour piano et violon no 3 Sonate pour piano et violon no 4 en sol mineur, op. 9 en la bémol majeur, op. 12 Piano & Violin Sonata No. 3 in G minor Piano & Violin Sonata No. 4 in A-flat major 1. Allegro moderato 8’41 1. Vivace ma non troppo 7’53 Enregistré à la Salle Byzantine du Palais de Béhague (Paris) du 2 au 4 septembre 2015. 2. Scherzo (non troppo vivace) 3’58 2. Allegro vivace ma non presto 4’10 Remerciements : Palazzetto Bru Zane, l’équipe de l’Ambassade de Roumanie en République Française 3. Andante 4’50 3. Andante 7’02 et Pierre Malbos. 4. Intermezzo 4. Allegro molto 6’47 Production exécutive et son : Little Tribeca (un poco moderato) 2’57 Direction artistique et ingénieur du son : Clément Rousset 5. Allegro 5’26 Piano CFX YAMAHA no 6315200 Sonate pour piano et violon no 2 Préparation et accord : Pierre Malbos Sonate pour piano et violon no 1 en la mineur, op. 2 Photos artistes © Bernard Martinez en do mineur, op. 1 Piano & Violin Sonata No. 2 in A minor Piano & Violin Sonata No. 1 in C minor 5. Andante - Allegro Couverture © Bnf English translation © Sue Rose 6. Andante-Allegro 5’32 vivace e appassionato 7’16 7. Scherzo (molto moderato) 3’00 6. Intermezzo (vivace) 2’02 Aparté · Little Tribeca 8. Andante 4’59 7. Andante quasi adagio 4’16 1, rue Paul Bert 93500 Pantin, France AP124 © ℗ Little Tribeca - Palazzetto Bru Zane 2015 9. -
2019 Gala Benefit Concert Valerie Simpson
2019 Gala Benefit Concert Sponsorship Opportunities Featuring Valerie Simpson World renowned recording artist, song writer, producer Camille Thurman Tenor saxophonist, vocalist, band leader Honorees Benny Golson GRAMMY nominated saxophonist, composer, arranger Legends of Jazz Harlem School of the Arts Jazz & Community Leadership The Hon. Adriano Espaillat U.S. Representative Special Recognition Sullivan and Cromwell Corporate Leadership & Community Service Special Recognition Wednesday, June 12, 2019 7:30pm - 9:00pm City College Center for the Arts & Aaron Davis Hall West 135th Street & Convent Avenue (129 Convent Avenue) 1 Dear Friends, We are pleased to invite you to join the National Jazz Museum in Harlem at our sixth annual Gala Benefit Concert. We hope you will partner with us as a sponsor of this exciting event. The National Jazz Museum in Harlem is a thriving center for jazz that brings together worldwide audiences to celebrate this quintessential American Music. This year, as always, we look forward to celebrating with you, our honorees, highly acclaimed guest artists. Our mission is to preserve, promote and present jazz by inspiring knowledge, appreciation, and the celebration of jazz locally, nationally and internationally. Education is central to what we do. We offer year-round educational programs for students, seniors and the public. Each year, we produce and present nearly 100 free and low-cost events in New York City, making us a hub for live performances, exhibits and education programs. We feature jazz musicians and scholars renowned in the field. We are home to the widely acclaimed Savory Collection, which includes more than 100 hours of live recordings of jazz legends made from New York City radio broadcasts aired between 1935 and 1941. -
Mikhail Bugaev DMA Document
PAUL HINDEMITH’S IDIOMATIC WRITING FOR VIOLA AND ITS INFLUENCE ON HIS THEORIES. SONATA FOR VIOLA SOLO OP. 11, NO. 5. By Mikhail Bugaev A DOCUMENT Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS Music 2013 Table of contents: INTRODUCTION____________________________________________________________________________3 I. HINDEMITH’S PERFORMANCE CAREER 1. Successful violinist, early stage of Hindemith as a violist__________________4 2. Amar-Hindemith Quartet, and a peak of a performance career___________6 3. Last stage of a Hindemith-performer, Der Schwanendreher_______________8 4. Conclusion___________________________________________________________________12 II. SONATA OP. 11 NO. 5 1. History of the genre and influences________________________________________14 2. Structural and thematic analysis of the movements______________________19 3. Idiomatic writing____________________________________________________________35 a. The link to the instrument b. Motive as a building block c. Chords and intervals 4. Conclusion___________________________________________________________________42 III. INSTRUMENTAL APPROACH TO THE THEORIES 1. Series 1 and 2________________________________________________________________44 2. Intervalic content____________________________________________________________47 3. Melody________________________________________________________________________48 CONCLUSION_____________________________________________________________________________49 BIBLIOGRAPHY__________________________________________________________________________51